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Prisoners Part 2

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For a long time Fay had stood on her balcony looking out towards Rome, while the remembrance of the last few months pressed in upon her.

It was a week since she had seen Michael, since he had said, "I shall not come back."

And in the meanwhile she had heard that he had resigned his appointment, and was leaving Rome at once. She had never imagined that he would act so quickly, with such determination. She had vaguely supposed that he would send in his resignation, and then remain on. In novels in a situation like theirs the man never really went away, or if he did he came back. Fay knew very little of Michael, but nevertheless she instinctively felt and quailed before the conviction that he really was leaving her for ever, that he would reconstruct a life for himself somewhere in which she could not reach him, in which she would have no part or lot. He might suffer during the process, but he would do it. His yea was yea, and his nay, nay. She should see him no more. Some day, not for a long time perhaps, but some day, she should hear of his marriage.

Suddenly, without a moment's warning, her own life rose up before her, distorted, horrible, unendurable. The ilexes, solemn in the sunset, showed like foul shapes of disgust and nausea. The quiet Campagna with its distant faintly outlined Sabine hills was rotten to the core.

The duke pa.s.sed across a glade at a little distance, and, looking up, smiled gravely at her, with a slight courteous gesture of his brown hand.



She smiled mechanically in response and shrank back into her room. Her husband had suddenly become a thing to shudder at, repulsive as a reptile, intolerable. Her life with him, without Michael, stretched before her like a loathsome disease, a leprosy, which in the interminable years would gradually eat her away, a death by inches.

The first throes of a frustrated pa.s.sion at the stake have probably seldom failed to engender a fierce rebellion against the laws which light the f.a.ggots round it.

The fire had licked Fay. She fled blindfold from it, not knowing whither, only away from that pain, over any precipice, into any slough.

"I cannot live without him," she sobbed to herself. "This is not just a common love affair like other people's. It is everything, my whole life!

It is not as if we were bad people! We are both upright! We always have been! We have both done our best, but--I can't go on. What is reputation worth, the world's opinion of me?--_nothing_."

It was not worth more to Fay at that moment than it has ever been worth to any other poor mortal since the world's opinion first clashed with love.

To follow love shows itself time and time again alike to the pure and to the worldly as the only real life, the only path. But if we disbelieve in it, and framing our lives on other lines become voluntarily bedridden into selfishness and luxury, can we--when that in which we have not believed comes to pa.s.s--can we suddenly rise and follow Love up his mountain pa.s.ses? We try to rise when he calls us from our sick beds.

We even go feverishly a little way with him. But unless we have learnt the beginnings of courage and self-surrender before we set out, we seem to turn giddy, and lose our footing. Certain precipices there are where only the pure and strong in heart may pa.s.s, at the foot of which are the piled bones of many pa.s.sionate pilgrims.

Were Fay's delicate little bones, so subtly covered in soft white flesh, to be added to that putrefying heap? But can we blame anyone, be they who they may, placed howsoever they may be, who when first they undergo a real emotion try however feebly to rise to meet it?

Fay was not wholly wise, not wholly sincere, but she made an attempt to meet it. It was not to be expected that the attempt would be quite wise or quite sincere either. Still it was the best she could do. She would sacrifice herself for love. She would go away with Michael. No one would ever speak to her again, but she did not care.

Involuntarily she unclasped a diamond Saint-Esprit from her throat which the duke had given her, and laid it on her writing-table. She should never wear it again. She no longer had the right to wear it. It was a unique jewel. But what did she care for jewels now! They had served to pa.s.s the time in the sort of waking dream in which she had lived till Michael came. But she was awake now. She looked at herself in the gla.s.s long and fixedly. Yes, she was beautiful. How dreadful it must be for plain women when they loved! They must know that men could not really care for them. They might, of course, respect and esteem them, and wish in a lukewarm way to marry them, but they could never really love them.

She, Fay, carried with her the talisman.

A horrible doubt seized her, just when she was becoming calm. Supposing Michael would not! Oh! but he _would_ if he cared as she did. The sacrifice was all on the woman's side. No one thought much the worse of men when they did these things. And Michael was so good, so honourable that he would certainly never desert her. They would become legal husband and wife directly Andrea divorced her.

From underneath these matted commonplaces, Fay's m.u.f.fled conscience strove to reach her with its weak voice.

"Stop, stop!" it said. "You will injure him. You will tie a noose round his neck. You will spoil his life. And Andrea! He has been kind in a way. And your marriage vows! And your own people at home! And Magdalen, the sister who loves you. Remember her! Stop, stop! Let Michael go. You were obliged to relinquish him once. Let him go again now."

Fay believed she went through a second conflict. Perhaps there lurked at the back of her mind the image of Michael's set face--set away from her; and that image helped her at last to say to herself, "Yes. It is right.

I will let him go."

But did she really mean it? For while she said over and over again, "Yes, yes; we must part," she decided that it was necessary to see him just once again, to bid him a last farewell, to strengthen him to live without her. She could not reason it out, but she knew that it was absolutely essential to the welfare of both that they should see each other just once more before they parted--_for ever_. The parting no longer loomed so awful in her mind if there was to be a meeting before it took place. She almost forgot it directly her mind could find a staying point on the thought of that one last sacred interview, of all she should say, of all they would both feel.

But how to see him! He had said he would not come back. He left Rome in a few days. She should see him officially on Thursday, when he was in attendance on his chief. But what was the use of that? He would hardly exchange a word with her. She might decide to see _him_ alone; but what if he refused to see _her_? Instinctively Fay knew that he would so refuse.

"We must part." Just so. But how to hold him? How to draw him to her just once more? That was the crux.

In novels if a woman needs the help of the chivalrous man ever kneeling in the background, she sends him a ring. Fay looked earnestly at her rings. But Michael might not understand if she sent him one, and if the duke intercepted it he would certainly entirely misconstrue the situation.

Fay sat down at her writing-table, and got out her note-paper. Truth compels me to state that it was of blue linen, that it had a little gilt coronet on it, and that it was scented.

She thought a long time. At least she bit the little silver owl at the end of her pen for a long time. She tore up several sheets. At last she wrote in her large, slanting, dashing handwriting:

"_I know that we must part. You are right and I wish it too. It is all like a terrible dream, and what will the awakening be?_" (Fay did not quite know what she meant by this, but it impressed her deeply as she wrote it, and a tear dropped on "the awakening" and made it look like "reckoning." She was not of those, however, who having once written one word ever think it can be mistaken for another; and really reckoning did quite as well as awakening.) "_But I must see you once before you go. I have something of urgent importance to say to you._" (It was not clear to Fay what the matter of importance was. But has not everyone in love laboured daily under a burden as big as Christian's, of subjects which demand instant discussion, or the bearer may fall into a state of melancholia? Fay was convinced as she wrote that there was something she ached to say to him: and also the point was to say something that would bring him.) "_Don't fail me. You have never failed me yet. You left me before when it was right we should part.

Did I try to keep you then? Did I say one word to hold you back?_"

(Fay's heart swelled as she wrote those words. She saw, bathed in a new light, her own courage and uprightness in the past. She realised her extraordinary strength of character. She had not faltered then.) "_I did not falter then. I will not do so now, though this time is harder than the first._" (It certainly was.) "_You have to come to my little party on Thursday with your chief.

I cannot speak to you then. I am closely watched. When the others_ _have gone come back through the gardens. The door by the fountain will be unlocked, and come up the balcony steps to my sitting-room.

The balcony window will be open. You know that I should not ask you to do this unless it was urgent. Will you fail me at the last? For we shall never meet again, Michael!_"

Fay closed the note, directed it, pinned it into the lace of her inmost vest--the wife of an Italian distrusts pockets and postal arrangements--and then wept her heart out, her vain, selfish little heart, which for the first time in her life was not wholly vain, nor wholly selfish. Perhaps it was not her fault if she was cruel. It takes many steadfast years, many prayers, many acts of humble service before we may hope to reach the place where we are content to bear alone the brunt of that pang, and to guard the one we love even from ourselves.

CHAPTER III

There will no man do for your sake, I think, What I would have done for the least word said.

I had wrung life dry for your lips to drink, Broken it up for your daily bread.

--A. C. SWINBURNE.

A witty bishop was once heard to remark that one of the difficulties of his social life lay in the fact that all women of forty were exactly alike, and it was impossible to recall their individual label, to which archdeacon, or canon, or form of spinster good works, they belonged. It would be dangerous, irreverent, to pry further into the recesses of the episcopal, or even of the suffragan, mind. There are snowy peaks where we lay helpers should fear to tread. But it may be stated, without laying ourselves open to a suspicion of wishing to undermine the Church, that when the woman of forty in her turn acidly announces, as she not infrequently does, that all young men seem to her exactly alike, she is in a parlous condition.

Yet many women had said that Michael was exactly like every other young man. And to all except the very few who knew him well he certainly did appear to be--not an individual at all--but only an indistinguished unit of a vast army.

His obvious good looks were like the good looks of others. He looked well bred, but to look that is as common in a certain cla.s.s as it is rare in another. He had the spare, wiry figure, tall and lightly built, square in the shoulders, and thin in the flank; he had the clear weather-beaten complexion, the clean, nervous, capable hand, and the self-effacing manner, which we a.s.sociate with myriads of well-born, machine-trained, perfectly groomed, expensively educated, uneducated Englishmen. Our public schools turn them out by the thousand. The "lost legion" is made up of them. The unburied bones of the pioneers of new colonies are mostly theirs. They die of thirst in "the never never country," under a tree, leaving their initials cut in its trunk; they fall by hundreds in our wars. They are born leaders where ac.u.men and craft are not needed. Large game was made for them, and they for it.

They are the vermin destroyers of the universe. They throw life from them with both hands, they play the game of life with a levity which they never showed in the business of cricket and football.

They are essentially not of the stuff of which those dull persons, the thinkers, the politicians, the educationalists, are made. No profession knows them except the army. They have no opinions worth hearing. Only the women who are to marry them listen to them. They are sometimes squeezed into Parliament and are borne with there like children. About one in a hundred of them can earn his own living, and then it is as a land agent.

They make adorable country squires, and picturesque, simple-minded, painstaking men of rank. They know by a sort of hereditary instinct how to deal with a labouring man, and a horse, and how to break in a dog.

They give themselves no airs. We have _millions_ of men like this, and it is doubtful whether the nation finds much use for them, except at coronations, where they look beautiful; or on county councils, where they can hold an opinion without the preliminary fatigue of forming it; and on the bloodstained fringes of our empire, where they serenely meet their dreadful deaths.

In the ranks of that vast army I descry Michael, and I wonder what it is in him that makes me able to descry him at all. He is like thousands of other men. In what is he unlike?

I think it must be something in his expression. Of many ugly men it has been said with truth that one never observes their ugliness. Something in the character redeems it. With Michael's undeniable good looks it was the same. One did not notice them. They were not admired, except, possibly, for the first moment, or across a room. His rather insignificant grey eyes were the only thing one remembered him by, the only part of him which seemed to represent him.

It was as if out of the narrow window of a fortress _our friend_ for a moment looked out; that "friend of our infinite dreams" who in dreams, but, alas! never by day, comes softly to us across the white fields of youth; who, later on, in dreams but never by day, overtakes us with unbearable happiness in his hand in which to steep our exhaustion on the hillside; who when our hair is grey comes to us still in dreams but never by day, down the darkening valley, to tell us that our worn out romantic hopes are but the alphabet of his language.

Such a look there was in Michael's eyes, and what it meant who shall say? Once and again at long intervals we pa.s.s in the thoroughfare of life young faces which have the same expression, as if they saw beyond, as if they looked past their own youth across to an immortal youth, from their own life to an unquenchable, upwelling spring of life. When Michael spoke, which was little, his words verged on the commonplace. He explained the obvious with modest directness. He had thought out and made his own a small selection of plat.i.tudes. It is at first a shock to some of us when we discover that a beautiful spiritual nature is linked with a tranquil commonplace mind and narrow abilities.

When Michael's eyes rested on anything his still glance seemed to pa.s.s through it, into its essence. An inscrutable Fate had willed that his eyes should not rest on any woman save Fay.

Was her little hand to rend his illusions from him; or did he perhaps see her as she was, as her husband, her shrewd old grandmother, her sister even, had never seen her? Fay had revealed to Michael that of which many men who write glibly of pa.s.sion die in ignorance, the wonder and awe of love, clothed in a woman's form, walking the earth. And in a reverent and grateful loyalty Michael would have laid down his life for her, as gladly as Dante would have done for "his lady." But Michael would have laid down his in silence, as one casts off a glove. He had never read the "New Life." It is improbable that it would have made any impression on him if he had read it. He never a.s.sociated words or books or poetry with feelings. What he felt he held sacred. He was unconsciously by nature that which others of the artistic temperament consciously are in a lesser degree, and are doomed to try to express.

Michael never wanted to express anything, had no impulse of self-revelation, no interest in his own mental experiences.

While Fay was turning over her little _bric-a-brac_ a.s.sortment of feelings, her toy renunciations, her imitation convictions, Michael was slowly making the great renunciation without even taking himself into his confidence. To go away. To see her no more. This was death by inches. As he sat hour after hour in his little room behind the Emba.s.sy it seemed to him as if, by some frightful exertion of his will, he were wading with incredible slowness out to sea, over endless flats in inch-deep water, which after an interminable journey would be deep enough to drown him at last.

The nausea and horror of this slow death were upon him. Nevertheless, he meant to move towards it. And where Michael's eye was fixed there his foot followed. He was not of those who rend themselves by violent conflict. If he had ever been asked to give his reason for any action of his life, from the greatest to the smallest, he would have looked at the questioner in mild surprise, and would have said: "It was the only thing to do."

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Prisoners Part 2 summary

You're reading Prisoners. This manga has been translated by Updating. Author(s): Mary Cholmondeley. Already has 622 views.

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