Primitive Love and Love-Stories Part 29

CORPULENCE VERSUS BEAUTY

An instructive instance of the loose reasoning which prevails in the esthetic sphere is provided by the Rev. H.N. Hutchinson, in his _Marriage Customs in Many Lands_. After describing some of the customs of the Australians, he goes on to say:

"One would think that such degraded creatures as these men are would be quite incapable of appreciating female beauty, but that is not the case. Good-looking girls are much admired and consequently frequently stolen away."

As a matter of fact, beauty has nothing to do with the stealing of the women. The real motive is revealed in the following pa.s.sage from Brough Smyth (79):

"_A very fat woman_ presents such an attractive appearance to the eyes of the blacks that she is always liable to be stolen. _However old and ugly she way be_, she will be courted and petted and sought for by the warriors, who seldom hesitate to risk their lives if there is a chance for obtaining so great a prize."

An Australian Shakspere obviously would have written "Fat provoketh thieves sooner than gold," instead of "beauty provoketh thieves." And the amended maxim applies to savages in general, as well as to barbarians and Orientals. In his _Savage Life in Polynesia_, the Rev.

W.W. Gill remarks:

"The great requisites for a Polynesian beauty are to be fat and as fair as their dusky skins will permit. To insure this, favorite children, whether boys or girls, were regularly fattened and imprisoned till nightfall when a little gentle exercise was permitted. If refractory, the guardian would whip the culprit for not eating more."[115]

American Indians do not differ in this respect from Australians and Polynesians. The horrible obesity of the squaws on the Pacific Coast used to inspire me with disgust, as a boy, and I could not understand how anyone could marry such fat abominations. Concerning the South American tribes, Humboldt says (_Trav.,_ I., 301): "In several languages of these countries, to express the beauty of a woman, they say that she is fat, and has a narrow forehead."

FATTENING GIRLS FOR THE MARRIAGE MARKET

The population of Africa comprises hundreds of different peoples and tribes, the vast majority of whom make bulk and weight the chief criterion of a woman's charms. The hideous deformity known as steatopyga, or hypertrophy of the b.u.t.tocks, occurs among South African Bushman, Koranna, and Hottentot women. Darwin says that Sir Andrew Smith

"once saw a woman who was considered a beauty, and she was so immensely developed behind that when seated on level ground she could not rise, and had to push herself along until she came to a slope. Some of the women in various negro tribes have the same peculiarity; and according to Burton, the Somal men, 'are said to choose their wives by ranging them in a line and by picking her out who projects farthest _a tergo_. Nothing can be more hateful to a negro than the opposite form.'"[116]

The notions of the Yoruba negroes regarding female perfection consist, according to Lander, in "the bulk, plumpness, and rotundity of the object."

Among the Karague, women were exempted from hard labor because the men were anxious to have them as fat as possible. To please the men, they ate enormous quant.i.ties of bananas and drank milk by the gallon. Three of Rumanika's wives were so fat that they could not go through an ordinary door, and when they walked they needed two men each to support them.

Speke measured one of the much-admired African wonders of obesity, who was unable to stand except on all fours. Result: around the arms, 1 foot 11 inches; chest, 4 feet 4 inches; thigh, 2 feet 7 inches; calf, 1 foot 8 inches; height, 5 feet 8 inches.

"Meanwhile, the daughter, a la.s.s of sixteen, sat stark-naked before us, sucking at a milk-pot, on which her father kept her at work by holding a rod in his hand; for as fattening is the first duty of fashionable female life, it must be duly enforced by the rod if necessary. I got up a bit of flirtation with missy, and induced her to rise and shake hands with me. Her features were lovely, but her body was round as a ball."

Speke also tells (370) of a girl who, a mere child when the king died, was such a favorite of his, that he left her twenty cows, in order that she might fatten upon milk after her native fashion.

ORIENTAL IDEALS

Mungo Park declared that the Moorish women

"seem to be brought up for no other purpose than that of ministering to the sensual pleasures of their imperious masters. Voluptuousness is therefore considered as their chief accomplishment.... The Moors have singular ideas of feminine perfection. The gracefulness of figure and motion, and a countenance enlivened by expression, are by no means essential points in their standard: With them _corpulence and beauty seem to be terms nearly synonymous_: A woman of even moderate pretensions must be one who cannot walk without a slave under each arm, to support her; and a perfect beauty is a load for a camel.... Many of the young girls are compelled, by their mothers, to devour a great quant.i.ty of kouskous, and drink a large bowl of camel's milk every morning.... I have seen a poor girl sit crying, with the bowl at her lips, for more than an hour; and her mother, with a stick in her hand watching her all the while, and using the stick without mercy, whenever she observed that her daughter was not swallowing."

A Somali love-song says: "You are beautiful and your limbs are fat; but if you would drink camel's milk you would be still more beautiful." Nubian girls are especially fattened for their marriage by rubbing grease over them and stuffing them with polenta and goat milk.

When the process is completed they are poetically likened to a hippopotamus. In Egypt and India, where the climate naturally tends to make women thin, the fat ones are, as in Australia, the ideals of beauty, as their poets would make plain to us if it were not known otherwise. A Sanscrit poet declares proudly that his beloved is so borne down by the weight of her thighs and b.r.e.a.s.t.s that she cannot walk fast; and in the songs of Hala there are numerous "sentiments"

like that. The Arabian poet Amru declares rapturously that his favorite beauty has thighs so delightfully exuberant that she can scarcely enter the tent door. Another Arabian poet apostrophizes "the maid of Okaib, who has haunches like sand-hills, whence her body rises like a palm-tree." And regarding the references to personal appearance in the writings of the ancient Hebrews, Rossbach remarks:

"In all these descriptions human beauty is recognized in the luxurious fulness of parts, not in their harmony and proportion. Spiritual expression in the sensual form is not adverted to" (238).

Thus, from the Australian and the Indian to the Hebrew, the Arab, and the Hindoo, what pleases the men in women is not their beauty, but their voluptuous rotundity; they care only for those sensual aspects which emphasize the difference between the s.e.xes. The object of the modern wasp waist (in the minds of the cla.s.s of females who, strange to say, are allowed by respectable women to set the fashion for them) is to grossly exaggerate the bust and the hips, and it is for the same reason that barbarian and Oriental girls are fattened for the marriage market. The appeal is to the appet.i.te, not to the esthetic sense.

THE CONCUPISCENCE THEORY OF BEAUTY

In writing this I do not ignore the fact that many authors have held that personal beauty and sensuality are practically identical or indissolubly a.s.sociated. The sober philosopher, Bain, gravely advances the opinion that, on the whole, personal beauty turns, 1, upon qualities and appearances that heighten the expression of favor or good-will; and, 2, upon qualities and appearances that suggest the endearing embrace. Eckstein expresses the same idea more coa.r.s.ely by saying that "finding a thing beautiful is simply another way of expressing the manifestation of the s.e.xual appet.i.te." But it remained for Mantegazza to give this view the most cynical expression:

"We look at woman through the prism of desire, and she looks at us in the same way; her beauty appears to us the more perfect the more it arouses our s.e.xual desires--that is, the more voluptuous enjoyment the possession of her promises us."

He adds that for this reason a man of twenty finds nearly all women beautiful.

Thus the beauty of a woman, in the opinion of these writers, consists in those physical qualities which arouse a man's concupiscence. I admit that this theory applies to savages and to Orientals; the details given in the preceding pages prove that. It applies also, I must confess, to the majority of Europeans and Americans. I have paid special attention to this point in various countries and have noticed that a girl with a voluptuous though coa.r.s.e figure and a plain face will attract much more masculine attention than a girl whose figure and face are artistically beautiful without being voluptuous. But this only helps to prove my main thesis--that the sense of personal beauty is one of the latest products of civilization, rare even at the present day. What I deny most emphatically is that the theory advocated by Bain, Eckstein, and Mantegazza applies to those persons who are so lucky as to have a sense of beauty. These fortunate individuals can admire the charms of a living beauty without any more concupiscence or thought of an endearing embrace than accompanies their contemplation of the Venus de Milo or a Madonna painted by Murillo; and if they are in love with a particular girl their admiration of her beauty is superlatively free from carnal ingredients, as we saw in the section on Mental Purity. Since in such a question personal evidence is of importance, I will add that, fortunately, I have been deeply in love several times in my life and can therefore testify that each time my admiration of the girl's beauty was as purely esthetic as if she had been a flower. In each case the mischief was begun by a pair of brown eyes.

Eyes, it is true, can be as wanton and as voluptuous as a plump figure. Powers notes (20) that some California Indian girls are pretty and have "large, voluptuous eyes." Such eyes are common among the lower races and Orientals; but they are not the eyes which inspire romantic love. Lips, too, it might be said, invite kisses; but a lover would consider it sacrilege to touch his idol's lips unchastely.

Savages are strangers to kissing for the exactly opposite reason--that it is too refined a detail of sensuality to appeal to their coa.r.s.e nerves. How far they are from being able to appreciate lips esthetically appears from the way in which they so often deform them.

The mouth is peculiarly the index of mental and moral refinement, and a refined pair of lips can inspire as pure a love as the celestial beauty of innocent eyes. As for the other features, what is there to suggest lascivious thoughts in a clear complexion, an oval chin, ivory teeth, rosy cheeks, or in curved eyebrows, long, dark lashes, or flowing tresses? Our admiration of these, and of a graceful gait, is as pure and esthetic--as purely esthetic--as our admiration of a sunset, a flower, a humming-bird, a lovely child. It has been truly said that a girl's marriage chances have been made or marred by the size or shape of her nose. What has the size or shape of a girl's nose to do with the "endearing embrace?" This question alone reduces the concupiscence theory _ad absurdum_.

UTILITY IS NOT BEAUTY

Almost as repulsive as the view which identifies the sense of personal beauty with concupiscence is that which would reduce it to a matter of coa.r.s.e utility. Thus Eckstein, misled by Schopenhauer, holds that healthy teeth are beautiful for the reason that they guarantee the proper mastication of the food; while small b.r.e.a.s.t.s are ugly because they do not promise sufficient nourishment to the child that is to be born.

This argument is refuted by the simple statement that our teeth, if they looked like rusty nails, might be even more useful than now, but could no longer be beautiful. As for women's b.r.e.a.s.t.s, if utility were the criterion, the most beautiful would be those of the African mothers who can throw them over their shoulders to suckle the infants on their backs without impeding their work. As a matter of fact, the loveliest breast is the virginal, which serves no use while it remains so. A dray horse is infinitely more useful to us than an Arab racer, but is he as beautiful? Tigers and snakes are anything but useful to the human race, but we consider their skins beautiful.

A NEW SENSE EASILY LOST AGAIN

No, the sense of personal beauty is neither a synonyme for libidinous desires nor is it based on utilitarian considerations. It is practically a new sense, born of mental refinement and imagination. It by no means scorns a slight touch of the voluptuous, so far as it does not exceed the limits of artistic taste and moral refinement--a well-rounded figure and "a face voluptuous, yet pure"--but it is an entirely different thing from the predilection for fat and other coa.r.s.e exaggerations of s.e.xuality which inspire l.u.s.t instead of love.

This new sense is still, as I have said, rare everywhere; and, like the other results of high and recent culture, it is easily obliterated. In his treatise on insanity Professor Krafft-Ebing shows that in degeneration of the brain the esthetic and moral qualities are among the first to disappear. It is the same with normal man when he descends into a lower sphere. Zoller relates (III., 68) that when Europeans arrive in Africa they find the women so ugly they can hardly look at them without a feeling of repulsion. Gradually they become habituated to their sight, and finally they are glad to accept them as companions. Stanley has an eloquent pa.s.sage on the same topic (_II. I.

F.L_., 265):

"The eye that at first despised the uncla.s.sic face of the black woman of Africa soon loses its regard for fine lines and mellow pale color; it finds itself ere long lingering _wantonly_ over the inharmonious and heavy curves of a negroid form, and looking lovingly on the broad, unintellectual face, and into jet eyes that never flash with the dazzling love-light that makes poor humanity beautiful."

The word I have italicized explains it all. The sense of personal beauty is displaced again by the concupiscence which had held its place in the early history of mankind.

MORAL UGLINESS

To realize fully what such a relapse may mean, read what Galton says (123) of the Hottentots. They have

"that peculiar set of features which is so characteristic of bad characters in England, and so general among prisoners that it is usually, I believe, known by the name of the 'felon-face;' I mean that they have prominent cheek-bones, bullet-shaped head, cowering but restless eyes, and heavy sensual lips, and added to this a shackling dress and manner."

Of the Damaras Galton says (99) that "their features are often beautifully chiselled, though the expression in them is always coa.r.s.e and disagreeable." And to quote Mungo Park on the Moors once more (158):

"I fancied that I discovered in the features of most of them a disposition toward cruelty and low cunning.... From the staring wildness of their eyes, a stranger would immediately set them down as a nation of lunatics. The treachery and malevolence of their character are manifested in their plundering excursions against the negro villages."

BEAUTIFYING INTELLIGENCE

Galton's reference to the Damaras ill.u.s.trates the well-known fact that, even where nature makes an effort at chiselling beautiful features the result is a failure if there is no moral and intellectual culture to inspire them, and this puts the grave-stone on the Concupiscence Theory--for what have moral and intellectual culture to do with carnal desires? A n.o.ble soul even possesses the magic power of transforming a plain face into a radiant vision of beauty, the emotion changing not only the expression but the lines of the face. Goethe (Eckermann, 1824) and others have indeed maintained that intellect in a woman does not help a man to fall in love with her. This is true in so far as brains in a woman will not make a man fall in love with her if she is otherwise unattractive or unfeminine. But Goethe forgot that there is such a thing as _hereditary intellectual culture incarnated in the face_. This, I maintain, makes up more than half of the personal beauty which makes a man fall in love. A girl with good features is twice as beautiful if she is morally pure and has a bright mind. Sometimes a face is accidentally moulded, into such a regular beauty of form that it seems to mirror mental beauty too. A man may fall in love with such a face, but as soon as he finds out that it is inhabited by a stupid or coa.r.s.e mind he will make haste to fall out again, unless his love was predominantly sensual. I remember once falling in love with a country girl at first sight; her face and figure seemed to me extremely beautiful, except that hard work had enlarged and hardened her hands. But when I found that her intellect was as coa.r.s.e as her hands, my ardor cooled at once.

If intellect, as revealed in the face, in words, and in actions, did not a.s.sist in inspiring the amorous sentiment, it would be as easy to fall in love with a doll-faced, silly girl as with a woman of culture; it would even be possible to fall in love with a statue or with a demented person. Let us imagine a belle who is thrown from a horse and has become insane from the shock. For a time her features will remain as regular, her figure as plump, as before; but the mind will be gone, and with it everything that could make a man fall in love with her.