Portia Part 11

"It may be nearer than you think," says Roger, _so_ meaningly, that his companion applies himself to the translating of his glance. It is fixed, and fixed on the cobweb, too, which is slowly, slowly floating towards the rector's head. It comes nearer to it, catches in a rising lock (that has elevated itself, no doubt, because of the preacher's eloquence), and lingers there, as though bent on lifting pulpit, Grainger and all to the ceiling with the next puff of wind.

Roger forgets his grievance, his _ennui_, everything! The situation has its charm. To his delight he finds d.i.c.ky as wrapt in the possible result as himself. The cobweb sticks fast. Mr. Grainger, lifting his hand, smooths his ear, under the mistaken impression that the ticking feeling is there, and then goes on solemnly with his discourse, which is dryer than the weather, which is saying a good deal. He moves his head impatiently from side to side, but gains nothing by this, as the cobweb is apparently of an affectionate disposition, and goes with him wherever he listeth.

d.i.c.ky Browne is entranced. _Such_ an interlude was more than he had hoped for. Involuntarily he lays his hand on Dulce's arm, and, giving her a mild pinch, shows her the cause of his apparent joy.

"If the flooring gives way he'll die the death of Absalom," he says, gravely, whereupon Miss Blount also, I grieve to say, gives way to silent but wild mirth.

The rector waxes warm. The cobweb, giving up the hair as a bad job, has relinquished its hold, and is now mildly touching his cheek, in a somewhat coquettish fashion. Mr. Grainger, with a short but decisive gesture, drags it, and its many yards of spider-workmanship to the ground. The cobweb and the spider suffer--but they have their revenge.

Mr. Grainger is embarra.s.sed with the cobweb, which has twined itself loving round his finger, and not until he has lost his place in his sermon and grown very red in the face, is serenity restored.

The rural congregation shows every symptom of being able to fall at a moment's notice into the arms of Morpheus. The curate grows leaner, more toil-worn, more ascetic. The rector drones away. The Boodie, having walked up and down the pew several times, has finally come to anchor in Uncle Christopher's arms, and having flung her little white bonnet from her, has now snuggled her head inside his coat, and is intently listening to what appears to be a very lengthened whisper from him. It seems to be a whisper without an end, and one undesirous of response.

Indeed, there is a legend extant that Uncle Christopher employs his time during the sermon, whenever the Boodie is with him, in telling her tales of fairyland, not to be surpa.s.sed by Grimm or Andersen!

The rector bleats on incessantly; faintly and more faintly his voice seems to reach his flock. The sun beats with undying fervor upon the gables outside and the bald heads of the parishioners within. There is a great sense of quiet everywhere, with only the rector's voice to disturb it, when suddenly upon the startled ear falls a sound, ambiguous, but distinct.

It is a snore! An undeniable snore! and it emanates from Jacky! He has succ.u.mbed to heat and Mr. Grainger, and is now travelling in lands where we poor waking mortals cannot enter. Apparently he is happy, but he certainly is not as pretty as he need be, with his short and somewhat aggressive nose uplifted, and his mouth at its widest stretch.

Everyone in the pew gives a decided jump--be the same small or great--but p.u.s.s.y alone finds herself equal to the occasion. She is a child of extreme promise, and, seeing her opportunity, at once embraces it. She seizes Jacky mildly, but firmly, by the hair, and administers to him three severe shocks.

The result is everything she can possibly have desired. Jacky, awakening, comes to his senses with the aid of a partially suppressed yell, and falling upon p.u.s.s.y with an evident desire to exterminate her there and then, rolls with her off the seat, and disappears with her heavily under it.

An awful moment, fraught with agony for the survivors ensue: and then the belligerents are once more brought to light by Fabian; who, after much search and expostulation, restores them to their proper places.

Being nearest to them, he plants them again upon their cushions with only this precaution--that he himself now sits between them. This is hardly to their liking, and from their several positions, and right across poor Fabian's chest, they breathe fire and war, and death and destruction upon each other.

How it will all end everyone refuses to dwell upon; but, just at the most critical moment, Fabian, stooping his dark, grave face, whispers something to the irate little damsel that, as if by magic, reduces her to order.

She looks at him a little while, then sighs, and finally, slipping her hand through his arm, lays her blonde head against him, and is the personification of all things peaceful, until the service ends.

She looks up at him, too, as though desirous of his forgiveness, and Fabian, taking her slim little baby hand in his, a.s.sures her with a glance that she _is_ forgiven; and then she smiles at him, and nestles a degree closer, and then Fabian, though always unsmilingly, pa.s.ses his arm round the child, and draws her into a more comfortable position.

Portia, who has watched it all, feels a strange pang at her heart; it is as though he is glad to be friends with these children, to be at peace with them, because they, at least (sweet, trusting souls), believe in him. And what a tenderness he betrays towards them! this dark, moody, concentrated man, whose whole life is burdened with an unsavory mystery.

What a power, too, he possesses over them; even that untractable p.u.s.s.y was calmed, charmed into submission by a word, a glance. Yet children and dogs, they say, have keenest instincts!

While she still wonders, Fabian lifts his eyes and meets hers, and as though drawn by some magnetic influence each towards the other, though sorely against their wills, they gaze into each other's faces for more time than they care to calculate afterwards, until at last Fabian (who is the first to recover himself) lets his glance fall, and so the spell is broken.

After this, Portia sits quiet and thoughtful until the last Amen is uttered, and they all go eagerly, but with a meritorious attempt at regret, into the open air once more.

CHAPTER VIII.

"None here are happy, but the very fool, Or very wise: I am not fool enough To smile in vanities, and hug a shadow; Nor have I wisdom to elaborate An artificial happiness from pains."--YOUNG.

THEY are all standing in the porch, saying "How d'ye do" to half a dozen of their neighbors, and being introduced to the dark young man in the Fens pew. He is a very handsome young man, and very light-hearted apparently, and looks very frequently at Miss Blount, who smiles at him very graciously, and tells him he must "really come up to luncheon at the Court, or Uncle Christopher will be _so_ disappointed. _Any_ friend of Roger's"--and so on.

"Portia," says Sir Christopher, suddenly--when Stephen Gower has expressed his extreme pleasure at the thought of lunching at the Court, always with his dark eyes fixed curiously upon Dulce--"Come with me; I want to show you your poor mother's last resting-place."

"Ah! yes; I shall like to see that," says Portia, tenderly, though the dead mother is only a bare memory to her. "Yes, take me to see it."

They separate from the others, and go around an angle of the old church, and past an ivied corner, and so come to the quiet spot where stands the vault of the Blounts.

"It was too far to send her to the Vibarts' burying-place," says Sir Christopher; "at least we tried to think so, because we tried to keep her with _us_. And your father was dead. And at the very last, she murmured something about being laid beside her mother; poor, dear girl!"

To Sir Christopher, Portia's mother has always been a girl, and a poor soul. I think, perhaps, Portia's father had been "_breezy_" in the way of temper.

Then Portia asks many questions, trivial in themselves, yet of mighty interest to these two, to whom the dead had been dear. And the questions and answers occupy some time, insomuch that when at length they return to the church porch, they find the others have all disappeared, and the s.e.xton preparing to lock the church door.

"Where have all my people gone to?" asks Sir Christopher of this functionary, in an elevated tone, the functionary being, as he himself would describe it, "hard of hearing." Whereupon they are informed that the "Court folk" went "away home through yon small iron gate," and into the woods beyond, and are now presumably sauntering lazily homeward beneath the shade of the spreading oaks and elms.

"Then we cannot do better than follow their example," says Sir Christopher, but almost before they come to the iron gate they see Fabian, who, unmindful of their presence, nay, rather, utterly unaware of it, is walking steadily, but slowly, onward, as though lost in thought.

Presently, hearing footsteps behind him, he turns, and seeing Portia, starts perceptibly, and comes to a standstill.

"I thought you would all be at home long before this," he says, involuntarily. Involuntarily also his tone conveys the idea that his wish was "father to his thought." There is a note in it that is distinct disappointment. Portia lets her lids fall over her eyes, and lets her lips form themselves into an almost imperceptible smile. Plainly he had loitered in the churchyard in the fond hope of avoiding them all (her especially it may be), and here is the result.

"We thought the same of you," says Sir Christopher, cheerily, coming to the front bravely, "we believed you at the Court before this. Very lucky you aren't though, as I want you to see Portia home. I must go and interview Bowles about that boy of his--a duty I hardly admire."

"It is late now. If you delay any longer you will miss your luncheon,"

says Portia, hurriedly. Her face betrays unmistakable anxiety.

It is now Fabian's turn to smile, but his lips are rigid, and the commonest observer may read, that mirth of even the grimmest description is far from him.

"Luncheon, eh? I don't care a fig about luncheon," says Uncle Christopher, gaily, "unless I'm shooting, or that. No. Better see Bowles now if I am to see him at all. Sunday is his only visible day, I've been told. His '_At home_,' in fact--as all the rest of the week he lies in bed, and refuses to wash himself."

"Horrid man!" says Miss Vibart, merely for the sake of saying something.

In reality had Bowles felt it his duty to lie a-bed all the year round, and never indulge in the simplest ablutions, it would not have given her a pa.s.sing thought.

"On the Sabbath he rouses himself, and in a spotless shirt (washed by that idiot of a wife of his, who still will believe in him), and with a pipe in his mouth, he struts up and down the pavement before the door of his palatial residence," says Uncle Christopher. "I am sure to find him to-day."

"Let me go with you," says Portia, as a last resource. "I should like to be made acquainted with this incomparable Bowles." She smiles as she speaks, but the smile is somewhat artificial, and is plainly conjured up with difficulty for the occasion.

"Well, come," says Sir Christopher, who always says "yes," to every one, and who would encourage you warmly if you expressed a desire to seek death and the North Pole.

"It is quite impossible," says Fabian, quietly, not raising his voice, and not moving as he speaks. "Portia cannot go with you to Bowles'

house. The man is insupportable."

Portia has her hand upon Sir Christopher's arm; her eyes are alight; something within her--some contradictory power--awakens a determination to see this Bowles. Yet it is hardly so keen a desire to see a man in a clean shirt and a "churchwarden" that possesses her, as a desire to circ.u.mvent the man who has opposed her expressed wish. Fabian, on his part, though pained, is equally determined that she shall not be brought face to face with the unpleasant Bowles. She has her eyes on him, but he has his on Sir Christopher.

"I should like to go with you," she says, in clear tones, taking no heed of Fabian's last remark; "I like country people, and strange village characters, and--and that." This is somewhat vague.

"You remember the last time Dulce went to see _Mrs._ Bowles?" says Fabian, who has caught Sir Christopher's eye by this. Whatever Dulce may have endured during that memorable visit is unknown to Portia, but the recollection of it, as forced upon Sir Christopher's memory, is all-powerful to prevent her accompanying him on his mission to-day.

"Yes, yes. I remember," he says, hurriedly, "Bowles, as a rule, is not courteous. My dear child,"--to Portia--"_No_, you cannot, I regret to say, come with me. This man can be uncomfortable in many ways. You understand, eh? You wouldn't like him. People in shirt-sleeves, however clean, are always out of it, eh? There, good-by to both of you. Take her home, Fabian, and explain my absence to the others, especially to Roger's friend, that new young fellow, Gower, of the Fens."

So saying, he marched away to do battle with the objectionable Bowles, with his fine old shoulders well squared, and a world of defiance in his gait. There is no help for it! The two left behind feel this acutely, and Fabian pushing open the little iron gate, Portia goes down the stone steps and enters presently upon a wood all green, and soft and verdure-clad.

The trees are interlaced above their heads. Through them the calm, blue sky looks down in wonder, and sheds a scintillating radiance on their path.