Peter Ibbetson Part 16

Presently these conversations were hushed, and Grisi and Mario sang! It was as much as I could do to restrain my enthusiasm and delight. I could have shouted out loud--I could almost have sung myself!

In the midst of the applause that followed that heavenly duet, a lady and gentleman came into the room, and at the sight of that lady a new interest came into my life; and all the old half-forgotten sensations of mute pain and rapture that the beauty of Madame Seraskier used to make me feel as a child were revived once more; but with a depth and intensity, in comparison, that were as a strong man's barytone to a small boy's treble.

It was the quick, sharp, cruel blow, the _coup de poignard_, that beauty of the most obvious, yet subtle, consummate, and highly-organized order can deal to a thoroughly prepared victim.

And what a thoroughly prepared victim was I! A poor, shy, over-susceptible, virginal savage--Uncas, the son of Chingachgook, astray for the first time in a fashionable London drawing-room.

A chaste mediaeval knight, born out of his due time, ascetic both from reverence and disgust, to whom woman in the abstract was the one religion; in the concrete, the cause of fifty disenchantments a day!

A l.u.s.ty, love-famished, warm-blooded pagan, stranded in the middle of the nineteenth century; in whom some strange inherited instinct had planted a definite, complete, and elaborately-finished conception of what the ever-beloved shape of woman should be--from the way the hair should grow on her brow and her temples and the nape of her neck, down to the very rhythm that should regulate the length and curve and position of every single individual toe! and who had found, to his pride and delight, that his preconceived ideal was as near to that of Phidias as if he had lived in the time of Pericles and Aspasia.

For such was this poor scribe, and such he had been from a child, until this beautiful lady first swam into his ken.

She was so tall that her eyes seemed almost on a level with mine, but she moved with the alert lightness and grace of a small person. Her thick, heavy hair was of a dark coppery brown, her complexion clear and pale, her eyebrows and eyelashes black, her eyes a light bluish gray.

Her nose was short and sharp, and rather tilted at the tip, and her red mouth large and very mobile; and here, deviating from my preconceived ideal, she showed me how tame a preconceived ideal can be. Her perfect head was small, and round her long, thick throat two slight creases went parallel, to make what French sculptors call _le collier de Venus;_ the skin of her neck was like a white camellia, and slender and square-shouldered as she was, she did not show a bone. She was that beautiful type the French define as _la fausse maigre_, which does not mean a "false, thin woman."

She seemed both thoughtful and mirthful at once, and genial as I had never seen any one genial before--a person to confide in, to tell all one's troubles to, without even an introduction! When she laughed she showed both top and bottom teeth, which were perfect, and her eyes nearly closed, so that they could no longer be seen for the thick lashes that fringed both upper and under eyelids; at which time the expression of her face was so keenly, cruelly sweet that it went through one like a knife. And then the laugh would suddenly cease, her full lips would meet, and her eyes beam out again like two mild gray suns, benevolently humorous and kindly inquisitive, and full of interest in everything and everybody around her. But there--I cannot describe her any more than one can describe a beautiful tune.

Out of those magnificent orbs kindness, kindness, kindness was shed like a balm; and after a while, by chance, that balm was shed for a few moments on me, to my sweet but terrible confusion. Then I saw that she asked my hostess who I was, and received the answer; on which she shed her balm on me for one moment more, and dismissed me from her thoughts.

Madame Grisi sang again--Desdemona's song from _Oth.e.l.lo_--and the beautiful lady thanked the divine singer, whom she seemed to know quite intimately; and I thought her thanks--Italian thanks--even diviner than the song--not that I could quite understand them or even hear them well--I was too far; but she thanked with eyes and hands and shoulders-- slight, happy movements--as well as words; surely the sweetest and sincerest words ever spoken.

She was much surrounded and made up to--evidently a person of great importance; and I ventured to ask another shy man standing in my corner who she was, and he answered--

"The d.u.c.h.ess of Towers."

She did not stay long, and when she departed all turned dull and commonplace that had seemed so bright before she came; and seeing that it was not necessary to bid my hostess good-night and thank her for a pleasant evening, as we did in Pentonville, I got myself out of the house and walked back to my lodgings an altered man.

I should probably never meet that lovely young d.u.c.h.ess again, and certainly never know her; but her shaft had gone straight and true into my very heart, and I felt how well barbed it was, beyond all possibility of its ever being torn out of that blessed wound; might this never heal; might it bleed on forever!

She would be an ideal in my lonely life, to live up to in thought and word and deed. An instinct which I felt to be infallible told me she was as good as she was fair--

_"Dowered with the hate of hate, the scorn of scorn, the love of love."_

[Ill.u.s.tration: THE d.u.c.h.eSS OP TOWERS.]

And just as Madame Seraskier's image was fading away, this new star had arisen to guide me by its light, though seen but for a moment; breaking once, through a parted cloud, I knew in which portion of the heavens it dwelt and shone apart, among the fairest constellations; and ever after turned my face that way. Nevermore in my life would I do or say or think a mean thing, or an impure, or an unkind one, if I could help it.

Next day, as we walked to the Foundling Hospital for divine service, Mrs. Lintot severely deigned--under protest, as it were--to cross-examine me on the adventures of the evening.

I did not mention the d.u.c.h.ess of Towers, nor was I able to describe the different ladies' dresses; but I described everything else in a manner I thought calculated to interest her deeply--the flowers, the splendid pictures and curtains and cabinets, the beautiful music, the many lords and ladies gay.

She disapproved of them all.

Existence on such an opulent scale was unconducive to any qualities of real sterling value, either moral or intellectual. Give _her_, for one, plain living and high thinking!

"By-the-way," she asked, "what kind of supper did they give you?

Something extremely _recherche_, I have no doubt. Ortolans, nightingales' tongues, pearls dissolved in wine?"

Candor obliged me to confess there had been no supper, or that if there had I had managed to miss it. I suggested that perhaps everybody had dined late; and all the pearls, I told her, were on the ladies' necks and in their hair; and not feeling hungry, I could not wish them anywhere else; and the nightingales' tongues were in their throats to sing heavenly Italian duets with.

"And they call that hospitality!" exclaimed Lintot, who loved his supper; and then, as he was fond of summing up and laying down the law when once his wife had given him the lead, he did so to the effect that though the great were all very well in their superficial way, and might possess many external charms for each other, and for all who were so deplorably weak as to fall within the sphere of their attraction, there was a gulf between the likes of them and the likes of us, which it would be better not to try and bridge if one wished to preserve one's independence and one's self-respect; unless, of course, it led to business; and this, he feared, it would never do with me.

"They take you up one day and they drop you like a 'ot potato the next; and, moreover, my dear Peter," he concluded, affectionately linking his arm in mine, as was often his way when we walked together (although he was twelve good inches shorter than myself), "inequality of social condition is a bar to any real intimacy. It is something like disparity of physical stature. One can walk arm in arm only with a man of about one's own size."

This summing up seemed so judicious, so incontrovertible, that feeling quite deplorably weak enough to fall within the sphere of Lady Cray's attraction if I saw much of her, and thereby losing my self-respect, I was deplorably weak enough not to leave a card on her after the happy evening I had spent at her house.

Sn.o.b that I was, I dropped her--"like a 'ot potato" for fear of her dropping me.

Besides which I had on my conscience a guilty, sn.o.bby feeling that in merely external charms at least these fine people were more to my taste than the charmed circle of my kind old friends the Lintots, however inferior they might be to these (for all that I knew) in sterling qualities of the heart and head--just as I found the outer aspect of Park Lane and Piccadilly more attractive than that of Pentonville, though possibly the latter may have been the more wholesome for such as I to live in.

But people who can get Mario and Grisi to come and sing for them (and the d.u.c.h.ess of Towers to come and listen); people whose walls are covered with beautiful pictures; people for whom the smooth and harmonious ordering of all the little external things of social life has become a habit and a profession--such people are not to be dropped without a pang.

So with a pang I went back to my usual round as though nothing had happened; but night and day the face of the d.u.c.h.ess of Towers was ever present to me, like a fixed idea that dominates a life.

On reading and rereading these past pages, I find that I have been unpardonably egotistic, unconscionably prolix and diffuse; and with such small beer to chronicle!

And yet I feel that if I strike out this, I must also strike out that; which would lead to my striking out all, in sheer discouragement; and I have a tale to tell which is more than worth the telling!

Once having got into the way of it, I suppose, I must have found the temptation to talk about myself irresistible.

It is evidently a habit easy to acquire, even in old age--perhaps especially in old age, for it has never been my habit through life. I would sooner have talked to you about yourself, reader, or about you to somebody else--your friend, or even your enemy; or about them to you.

But, indeed, at present, and until I die, I am without a soul to talk to about anybody or anything worth speaking of, so that most of my talking is done in pen and ink--a one-sided conversation, O patient reader, with yourself. I am the most lonely old man in the world, although perhaps the happiest.

Still, it is not always amusing where I live, cheerfully awaiting my translation to another sphere.

There is the good chaplain, it is true, and the good priest; who talk to me about myself a little too much, methinks; and the doctor, who talks to me about the priest and the chaplain, which is better. He does not seem to like them. He is a very witty man.

But, my brother maniacs!

They are lamentably _comme tout le monde_, after all. They are only interesting when the mad fit seizes them. When free from their awful complaint they are for the most part very common mortals: conventional Philistines, dull dogs like myself, and dull dogs do not like each other.

Two of the most sensible (one a forger, the other a kleptomaniac on an important scale) are friends of mine. They are fairly well educated, respectable city men, clean, solemn, stodgy, punctilious, and resigned, but they are both unhappy; not because they are cursed with the double brand of madness and crime, and have forfeited their freedom in consequence; but because they find there are so few "ladies and gentlemen" in a criminal lunatic asylum, and they have always been used to "the society of ladies and gentlemen." Were it not for this, they would be well content to live here. And each is in the habit of confiding to me that he considers the other a very high-minded, trustworthy fellow, and all that, but not altogether "quite a gentleman." I do not know what they consider me; they probably confide that to each other.

Can anything be less odd, less eccentric or interesting?

Another, when quite sane, speaks English with a French accent and demonstrative French gestures, and laments the lost glories of the old French regime, and affects to forget the simplest English words. He doesn't know a word of French, however. But when his madness comes on, and he is put into a strait-waistcoat, all his English comes back, and very strong, fluent, idiomatic English it is, of the c.o.c.kneyest kind, with all its "h's" duly transposed.

Another (the most unpleasant and ugliest person here) has chosen me for the confidant of his past amours; he gives me the names and dates and all. The less I listen the more he confides. He makes me sick. What can I do to prevent his believing that I believe him? I am tired of killing people for lying about women. If I call him a liar and a cad, it may wake in him Heaven knows what dormant frenzy--for I am quite in the dark as to the nature of his mental infirmity.

Another, a weak but amiable and well-intentioned youth, tries to think that he is pa.s.sionately fond of music; but he is so exclusive, if you please, that he can only endure Bach and Beethoven, and when he hears Mendelssohn or Chopin, is obliged to leave the room. If I want to please him I whistle "Le Bon Roi Dagobert," and tell him it is the _motif_ of one of Bach's fugues; and to get rid of him I whistle it again and tell him it is one of Chopin's impromptus. What his madness is I can never be quite sure, for he is very close, but have heard that he is fond of roasting cats alive; and that the mere sight of a cat is enough to rouse his terrible propensity, and drive all wholesome, innocent, harmless, natural affectation out of his head.

There is a painter here who (like others one has met outside) believes himself the one living painter worthy of the name. Indeed, he has forgotten the names of all the others, and can only despise and abuse them in the lump. He triumphantly shows you his own work, which consists of just the kind of crude, half-clever, irresponsible, impressionist daubs you would expect from an amateur who talks in that way; and you wonder why on earth he should be in a lunatic asylum, of all places in the world. And (just as would happen outside, again) some of his fellow-sufferers take him at his own valuation and believe him a great genius; some of them want to kick him for an impudent impostor (but that he is so small); and the majority do not care.