Paul Kelver Part 53

We spoke but once of Barbara. A photograph of her in her bride's dress stood upon my desk. Occasionally, first fitting the room for the ceremony, sweeping away all impurity even from under the mats, and dressing myself with care, I would centre it amid flowers, and kneeling, kiss her hand where it rested on the back of the top-heavy looking chair without which no photographic studio is complete.

One day he took it up, and looked at it long and hard.

"The forehead denotes intellectuality; the eyes tenderness and courage.

The lower part of the face, on the other hand, suggests a good deal of animalism: the finely cut nostrils show egotism--another word for selfishness; the nose itself, vanity; the lips, sensuousness and love of luxury. I wonder what sort of woman she really is." He laid the photograph back upon the desk.

"I did not know you were so firm a believer in Lavater," I said.

"Only when he agrees with what I know," he answered. "Have I not described her rightly?"

"I do not care to discuss her in that vein," I replied, feeling the blood mounting to my cheeks.

"Too sacred a subject?" he laughed. "It is the one ingredient of manhood I lack, ideality--an unfortunate deficiency for me. I must probe, a.n.a.lyse, dissect, see the thing as it really is, know it for what it is."

"Well, she is the Countess Huescar now," I said. "For G.o.d's sake, leave her alone."

He turned to me with the snarl of a beast. "How do you know she is the Countess Huescar? Is it a special breed of woman made on purpose? How do you know she isn't my wife--brain and heart, flesh and blood, mine? If she was, do you think I should give her up because some fool has stuck his label on her?"

I felt the anger burning in my eyes. "Yours, his! She is no man's property. She is herself," I cried.

The wrinkles round his nose and mouth smoothed themselves out. "You need not be afraid," he sneered. "As you say, she is the Countess Huescar.

Can you imagine her as Mrs. Doctor Washburn? I can't." He took her photograph in his hand again. "The lower part of the face is the true index to the character. It shows the animal, and it is the animal that rules. The soul, the intellect, it comes and goes; the animal remains always. Sensuousness, love of luxury, vanity, those are the strings to which she dances. To be a Countess is of more importance to her than to be a woman. She is his, not mine. Let him keep her."

"You do not know her," I answered; "you never have. You listen to what she says. She does not know herself."

He looked at me queerly. "What do you think her to be?" he asked me. "A true woman, not the shallow thing she seems?"

"A true woman," I persisted stoutly, "that you have not eyes enough to see."

"You little fool!" he muttered, with the same queer look--"you little fool. But let us hope you are wrong, Paul. Let us hope, for her sake, you are wrong."

It was at one of Deleglise's Sunday suppers that I first met Urban Vane.

The position, nor even the character, I fear it must be confessed, of his guests was never enquired into by old Deleglise. A simple-minded, kindly old fellow himself, it was his fate to be occasionally surprised and grieved at the discovery that even the most entertaining of supper companions could fall short of the highest standard of conventional morality.

"Dear, dear me!" he would complain, pacing up and down his studio with puzzled visage. "The last man in the world of whom I should have expected to hear it. So original in all his ideas. Are you quite sure?"

"I am afraid there can be no doubt about it."

"I can't believe it! I really can't believe it! One of the most amusing men I ever met!"

I remember a well-known artist one evening telling us with much sense of humour how he had just completed the sale of an old Spanish cabinet to two distinct and separate purchasers.

"I sold it first," recounted the little gentleman with glee, "to old Jong, the dealer. He has been worrying me about it for the last three months, and on Sat.u.r.day afternoon, hearing that I was clearing out and going abroad, he came round again. 'Well, I am not sure I am in a position to sell it,' I told him. 'Who'll know?' he asked. 'They are not in, are they?' 'Not yet,' I answered, 'but I expect they will be some time on Monday.' 'Tell your man to open the door to me at eight o'clock on Monday morning,' he replied, 'we'll have it away without any fuss.

There needn't be any receipt. I'm lending you a hundred pounds, in cash.' I worked him up to a hundred and twenty, and he paid me. Upon my word, I should never have thought of it, if he hadn't put the idea into my head. But turning round at the door: 'You won't go and sell it to some one else,' he suggested, 'between now and Monday?' It serves him right for his d.a.m.ned impertinence. 'Send and take it away to-day if you are at all nervous,' I told him. He looked at the thing, it is about twelve feet high altogether. 'I would if I could get a cart,' he muttered. Then an idea struck him. 'Does the top come off?' 'See for yourself,' I answered; 'it's your cabinet, not mine.' I was feeling rather annoyed with him. He examined it. 'That's all right,' he said; 'merely a couple of screws. I'll take the top with me now on my cab.'

He got a man in, and they took the upper cupboard away, leaving me the bottom. Two hours later old Sir George called to see me about his wife's portrait. The first thing he set eyes on was the remains of the cabinet: he had always admired it. 'Hallo,' he asked, 'are you breaking up the studio literally? What have you done with the other half?' 'I've sent it round to Jong's--' He didn't give me time to finish. 'Save Jong's commission and sell it to me direct,' he said. 'We won't argue about the price and I'll pay you in cash.'

"Well, if Providence comes forward and insists on taking charge of a man, it is hardly good manners to flout her. Besides, his wife's portrait is worth twice as much as he is paying for it. He handed me over the money in notes. 'Things not going quite smoothly with you just at the moment?' he asked me. 'Oh, about the same as usual,' I told him.

'You won't be offended at my taking it away with me this evening?' he asked. 'Not in the least,' I answered; 'you'll get it on the top of a four-wheeled cab.' We called in a couple of men, and I helped them down with it, and confoundedly heavy it was. 'I shall send round to Jong's for the other half on Monday morning,' he said, speaking with his head through the cab window, 'and explain it to him.' 'Do,' I answered; 'he'll understand.'

"I'm sorry I'm going away so early in the morning," concluded the little gentleman. "I'd give back Jong ten per cent. of his money to see his face when he enters the studio."

Everybody laughed; but after the little gentleman was gone, the subject cropped up again.

"If I wake sufficiently early," remarked one, "I shall find an excuse to look in myself at eight o'clock. Jong's face will certainly be worth seeing."

"Rather rough both on him and Sir George," observed another.

"Oh, he hasn't really done anything of the kind," chimed in old Deleglise in his rich, sweet voice. "He made that all up. It's just his fun; he's full of humour."

"I am inclined to think that would be his idea of a joke," a.s.serted the first speaker.

Old Deleglise would not hear of it; but a week or two later I noticed an addition to old Deleglise's studio furniture in the shape of a handsome old carved cabinet twelve feet high.

"He really had done it," explained old Deleglise, speaking in a whisper, though only he and I were present. "Of course, it was only his fun; but it might have been misunderstood. I thought it better to put the thing straight. I shall get the money back from him when he returns. A most amusing little man!"

Old Deleglise possessed a house in Gower Street which fell vacant. One of his guests, a writer of poetical drama, was a man who three months after he had earned a thousand pounds never had a penny with which to bless himself. They are dying out, these careless, good-natured, conscienceless Bohemians; but quarter of a century ago they still lingered in Alsatian London. Turned out of his lodgings by a Philistine landlord, his sole possession in the wide world, two acts of a drama, for which he had already been paid, the problem of his future, though it troubled him but little, became acute to his friends. Old Deleglise, treating the matter as a joke, pretending not to know who was the landlord, suggested he should apply to the agents for position as caretaker. Some furniture was found for him, and the empty house in Gower Street became his shelter. The immediate present thus provided for, kindly old Deleglise worried himself a good deal concerning what would become of his friend when the house was let. There appeared to be no need for worry. Weeks, months went by. Applications were received by the agents in fair number, view cards signed by the dozen; but prospective tenants were never seen again. One Sunday evening our poet, warmed by old Deleglise's Burgundy, forgetful whose recommendation had secured him the lowly but timely appointment, himself revealed the secret.

"Most convenient place I've got," so he told old Deleglise. "Whole house to myself. I wander about; it just suits me."

"I'm glad to hear that," murmured old Deleglise.

"Come and see me, and I'll cook you a chop," continued the other. "I've had the kitchen range brought up into the back drawing-room; saves going up and down stairs."

"The devil you have!" growled old Deleglise. "What do you think the owner of the house will say?"

"Haven't the least idea who the poor old duffer is myself. They've put me in as caretaker--an excellent arrangement: avoids all argument about rent."

"Afraid it will soon come to an end, that excellent arrangement;"

remarked old Deleglise, drily.

"Why? Why should it?"

"A house in Gower Street oughtn't to remain vacant long."

"This one will."

"You might tell me," asked old Deleglise, with a grim smile; "how do you manage it? What happens when people come to look over the house--don't you let them in?"

"I tried that at first," explained the poet, "but they would go on knocking, and boys and policemen pa.s.sing would stop and help them. It got to be a nuisance; so now I have them in, and get the thing over.

I show them the room where the murder was committed. If it's a nervous-looking party, I let them off with a brief summary. If that doesn't do, I go into details and show them the blood-spots on the floor. It's an interesting story of the gruesome order. Come round one morning and I'll tell it to you. I'm rather proud of it. With the blinds down and a clock in the next room that ticks loudly, it goes well."

Yet this was a man who, were the merest acquaintance to call upon him and ask for his a.s.sistance, would at once take him by the arm and lead him upstairs. All notes and cheques that came into his hands he changed at once into gold. Into some attic half filled with lumber he would fling it by the handful; then, locking the door, leave it there. On their hands and knees he and his friends, when they wanted any, would grovel for it, poking into corners, hunting under boxes, groping among broken furniture, feeling between cracks and crevices. Nothing gave him greater delight than an expedition of this nature to what he termed his gold-field; it had for him, as he would explain, all the excitements of mining without the inconvenience and the distance. He never knew how much was there. For a certain period a pocketful could be picked up in five minutes. Then he would entertain a dozen men at one of the best restaurants in London, tip cabmen and waiters with half-sovereigns, shower half-crowns as he walked through the streets, lend or give to anybody for the asking. Later, half-an-hour's dusty search would be rewarded with a single coin. It made no difference to him; he would dine in Soho for eighteenpence, smoke s.h.a.g, and run into debt.

The red-haired man, to whom Deleglise had introduced me on the day of my first meeting with the Lady of the train, was another of his most constant visitors. It flattered my vanity that the red-haired man, whose name was famous throughout Europe and America, should condescend to confide to me--as he did and at some length--the deepest secrets of his bosom. Awed--at all events at first--I would sit and listen while by the hour he would talk to me in corners, telling me of the women he had loved. They formed a somewhat large collection. Julias, Marias, Janets, even Janes--he had madly worshipped, deliriously adored so many it grew bewildering. With a far-away look in his eyes, pain trembling through each note of his musical, soft voice, he would with bitter jest, with pa.s.sionate outburst, recount how he had sobbed beneath the stars for love of Isabel, bitten his own flesh in frenzied yearning for Lenore. He appeared from his own account--if in connection with a theme so poetical I may be allowed a commonplace expression--to have had no luck with any of them. Of the remainder, an appreciable percentage had been mere pa.s.sing visions, seen at a distance in the dawn, at twilight--generally speaking, when the light must have been uncertain. Never again, though he had wandered in the neighbourhood for months, had he succeeded in meeting them. It would occur to me that enquiries among the neighbours, applications to the local police, might possibly have been efficacious; but to have broken in upon his exalted mood with such suggestions would have demanded more nerve than at the time I possessed. In consequence, my thoughts I kept to myself.

"My G.o.d, boy!" he would conclude, "may you never love as I loved that woman Miriam"--or Henrietta, or Irene, as the case might be.

For my sympathetic att.i.tude towards the red-haired man I received one evening commendation from old Deleglise.