Paul Kelver Part 48

"You shall see me, then you'll be polite. It is because you are a boy you are rude. Men are much nicer."

"Oh, are they?"

"Yes. You will be, when you are a man."

The sound of voices rose suddenly in the hall.

"Tom!" cried Miss Deleglise; and collecting her skirt in both hands, bolted down the corkscrew staircase leading to the kitchen, leaving me standing in the centre of the studio.

The door opened and old Deleglise entered, accompanied by a small, slight man with red hair and beard and somewhat watery eyes.

Deleglise himself was a handsome old fellow, then a man of about fifty-five. His ma.s.sive, mobile face, illuminated by bright, restless eyes, was crowned with a lion-like mane of iron-grey hair. Till a few years ago he had been a painter of considerable note. But in questions of art his temper was short. Pre-Raphaelism had gone out of fashion for the time being; the tendency of the new age was towards impressionism, and in disgust old Deleglise had broken his palette across his knee, and swore never to paint again. Artistic work of some sort being necessary to his temperament, he contented himself now with engraving. At the moment he was engaged upon the reproduction of Memlinc's Shrine of St.

Ursula, with photographs of which he had just returned from Bruges.

At sight of me his face lighted with a smile, and he advanced with outstretched hand.

"Ah; my lad, so you have got over your shyness and come to visit the old bear in his den. Good boy. I like young faces."

He had a clear, musical voice, ever with the suggestion of a laugh behind it. He laid his hand upon my shoulder.

"Why, you are looking as if you had come into a fortune," he added, "and didn't know what a piece of bad luck that can be to a young fellow like yourself."

"How could it be bad luck?" I asked, laughing.

"Takes all the sauce out of life, young man," answered Deleglise. "What interest is there in running a race with the prize already in your possession, tell me that?"

"It is not that kind of fortune," I answered, "it is another. I have had my first story accepted. It is in print. Look."

I handed him the paper. He spread it out upon the engraving board before him.

"Ah, that's better," he said, "that's better. Charlie," he turned to the red-headed man, who had seated himself listlessly in the one easy-chair the room contained, "come here."

The red-headed man rose and wandered towards us. "Let me introduce you to Mr. Paul Kelver, our new fellow servant. Our lady has accepted him.

He has just been elected; his first story is in print."

The red-haired man stretched out his long thin hand. "I have thirty years of fame," said the red-haired man--"could I say world-wide?"

He turned for confirmation to old Deleglise, who laughed. "I think you can."

"If I could give it you would you exchange with me--at this moment?"

"You would be a fool if you did," he went on. "One's first success, one's first victory! It is the lover's first kiss. Fortune grows old and wrinkled, frowns more often than she smiles. We become indifferent to her, quarrel with her, make it up again. But the joy of her first kiss after the long wooing! Burn it into your memory, my young friend, that it may live with you always!"

He strolled away. Old Deleglise took up the parable.

"Ah, yes; one's first success, Paul! Laugh, my boy, cry! Shut yourself up in your room, shout, dance! Throw your hat into the air and cry hurrah! Make the most of it, Paul. Hug it to your heart, think of it, dream of it. This is the finest hour of your life, my boy. There will never come another like it--never!"

He crossed the studio, and taking from its nail a small oil painting, brought it over and laid it on the board beside my paper. It was a fascinating little picture, painted with that exquisite minutiae and development of detail that a newer school was then ridiculing: as though Art had but one note to her voice. The dead figure of an old man lay upon a bed. A child had crept into the darkened room, and supporting itself by clutching tightly at the sheet, was gazing with solemn curiosity upon the white, still face.

"That was mine," said old Deleglise. "It was hung in the Academy thirty-six years ago, and bought for ten guineas by a dentist at Bury St. Edmunds. He went mad a few years later and died in a lunatic asylum.

I had never lost sight of it, and the executors were quite agreeable to my having it back again for the same ten guineas. I used to go every morning to the Academy to look at it. I thought it the cleverest bit of work in the whole gallery, and I'm not at all sure that it wasn't. I saw myself a second Teniers, another Millet. Look how that light coming through the open door is treated; isn't it good? Somebody will pay a thousand guineas for it before I have been dead a dozen years, and it is worth it. But I wouldn't sell it myself now for five thousand. One's first success; it is worth all the rest of life!"

"All?" queried the red-haired man from his easy-chair. We looked round.

The lady of the skirt had entered, now her own proper self: a young girl of about fifteen, angular, awkward-looking, but bringing into the room with her that atmosphere of life, of hope, that is the eternal message of youth. She was not beautiful, not then--plain one might almost have called her but for her frank, grey eyes, her ma.s.s of dark-brown hair now gathered into a long thick plait. A light came into old Deleglise's eyes.

"You are right, not all," he murmured to the red-haired man.

She came forward shyly. I found it difficult to recognise in her the flaming Fury that a few minutes before had sprung at me from the billows of her torn blue skirt. She shook hands with the red-haired man and kissed her father.

"My daughter," said old Deleglise, introducing me to her. "Mr. Paul Kelver, a literary gent."

"Mr. Kelver and I have met already," she explained. "He has been waiting for you here in the studio."

"And have you been entertaining him?" asked Deleglise. "Oh, yes, I entertained him," she replied. Her voice was singularly like her father's, with just the same suggestion of ever a laugh behind it.

"We entertained each other," I said.

"That's all right," said old Deleglise. "Stop and lunch with us. We will make ourselves a curry."

CHAPTER VI.

OF THE GLORY AND GOODNESS AND THE EVIL THAT GO TO THE MAKING OF LOVE.

During my time of struggle I had avoided all communication with old Hasluck. He was not a man to sympathise with feelings he did not understand. With boisterous good humour he would have insisted upon helping me. Why I preferred half starving with Lott and Co. to selling my labour for a fair wage to good-natured old Hasluck, merely because I knew him, I cannot explain. Though the profits may not have been so large, Lott and Co.'s dealings were not one whit more honest: I do not believe it was that which decided me. Nor do I think it was because he was Barbara's father. I never connected him, nor that good old soul, his vulgar, homely wife, in any way with Barbara. To me she was a being apart from all the world. Her true Parents! I should have sought them rather amid the sacred groves of vanished lands, within the sky-domed shrines of banished G.o.ds. There are instincts in us not easily a.n.a.lysed, not to be explained by reason. I have always preferred the finding--sometimes the losing--of my way according to the map, to the surer and simpler method of vocal enquiry; working out a complicated journey, and running the risk of never arriving at my destination, by aid of a Continental Bradshaw, to putting myself into the hands of courteous officials maintained and paid to a.s.sist the perplexed traveller. Possibly a far-off progenitor of mine may have been some morose "rogue" savage with untribal inclinations, living in his cave apart, fashioning his own stone hammer, shaping his own flint arrow-heads, shunning the merry war-dance, preferring to caper by himself.

But now, having gained my own foothold, I could stretch out my hand without fear of the movement being mistaken for appeal. I wrote to old Hasluck; and almost by the next post received from him the friendliest of notes. He told me Barbara had just returned from abroad, took it upon himself to add that she also would be delighted to see me, and, as I knew he would, threw his doors open to me.

Of my boyish pa.s.sion for Barbara never had I spoken to a living soul, nor do I think, excepting Barbara herself, had any ever guessed it. To my mother, though she was very fond of her, Barbara was only a girl, with charms but also with faults, concerning which my mother would speak freely; hurting me, as one unwittingly might hurt a neophyte by philosophical discussion of his newly embraced religion. Often, choosing by preference late evening or the night, I would wander round and round the huge red-brick house standing in its ancient garden on the top of Stamford Hill; descending again into the noisome streets as one returning to the world from praying at a shrine, purified, filled with peace, all n.o.ble endeavour, all unselfish aims seeming within my grasp.

During Barbara's four years' absence my adoration had grown and strengthened. Out of my memory of her my desire had evolved its ideal; a being of my imagination, but by reason of that, to me the more real, the more present. I looked forward to seeing her again, but with no impatience, revelling rather in the antic.i.p.ation than eager for the realisation. As a creature of flesh and blood, the child I had played with, talked with, touched, she had faded further and further into the distance; as the vision of my dreams she stood out clearer day by day. I knew that when next I saw her there would be a gulf between us I had no wish to bridge. To worship her from afar was a sweeter thought to me than would have been the hope of a pa.s.sionate embrace. To live with her, sit opposite to her while she ate and drank, see her, perhaps, with her hair in curl-papers, know possibly that she had a corn upon her foot, hear her speak maybe of a decayed tooth, or of a chilblain, would have been torture to me. Into such abyss of the commonplace there was no fear of my dragging her, and for this I was glad. In the future she would be yet more removed from me. She was older than I was; she must be now a woman. Instinctively I felt that in spite of years I was not yet a man.

She would marry. The thought gave me no pain, my feeling for her was utterly devoid of appet.i.te. No one but myself could close the temple I had built about her, none deny to me the right of entry there. No jealous priest could hide her from my eyes, her altar I had reared too high. Since I have come to know myself better, I perceive that she stood to me not as a living woman, but as a symbol; not a fellow human being to be walked with through life, helping and to be helped, but that impalpable religion of s.e.x to which we raise up idols of poor human clay, alas, not always to our satisfaction, so that foolishly we fall into anger against them, forgetting they were but the work of our own hands; not the body, but the spirit of love.

I allowed a week to elapse after receiving old Hasluck's letter before presenting myself at Stamford Hill. It was late one afternoon in early summer. Hasluck had not returned from the City, Mrs. Hasluck was out visiting, Miss Hasluck was in the garden. I told the supercilious footman not to trouble, I would seek her there myself. I guessed where she would be; her favourite spot had always been a sunny corner, bright with flowers, surrounded by a thick yew hedge, cut, after the Dutch fashion, into quaint shapes of animals and birds. She was walking there, as I had expected, reading a book. And again, as I saw her, came back to me the feeling that had swept across me as a boy, when first outlined against the dusty books and papers of my father's office she had flashed upon my eyes: that all the fairy tales had suddenly come true, only now, instead of the Princess, she was the Queen. Taller she was, with a dignity that formerly had been the only charm she lacked. She did not hear my coming, my way being across the soft, short gra.s.s, and for a little while I stood there in the shadow of the yews, drinking in the beauty of her clear-cut profile, bent down towards her book, the curving lines of her long neck, the wonder of the exquisite white hand against the lilac of her dress.

I did not speak; rather would I have remained so watching; but turning at the end of the path, she saw me, and as she came towards me held out her hand. I knelt upon the path, and raised it to my lips. The action was spontaneous, till afterwards I was not aware of having done it. Her lips were smiling as I raised my eyes to them, the faintest suggestion of contempt mingling with amus.e.m.e.nt. Yet she seemed pleased, and her contempt, even if I were not mistaken, would not have wounded me.

"So you are still in love with me? I wondered if you would be."

"Did you know that I was in love with you?"

"I should have been blind if I had not."

"But I was only a boy."

"You were not the usual type of boy. You are not going to be the usual type of man."