Patty's Butterfly Days Part 27

"Appropriate enough for Cleopatra, but ridiculous for a pantomime costume! Get white paper muslin or sateen, and trace a design on it with gold paint."

"No, sir-ee! I don't get a chance to shine as a dramatic star often, and I'm going to have the finest costume I can think up!"

"Oh, Mona, you have no sense of proportion," laughed Patty; "go ahead then, and get your white satin, if it will make you happy."

Apparently it would, and the two girls discussed the Cleopatra costume in all its details, until the little clock on the dressing-table held its two hands straight up in shocked surprise.

After Mona left her, Patty gave herself a scolding. It was a habit of hers, when bothered, to sit down in front of a mirror and "have it out with herself" as she expressed it.

"Patty Fairfield," she said to the disturbed looking reflection that confronted her, "you're a silly, childish old thing to feel disappointed because you weren't chosen to be Spirit of the Sea! And you're a mean-spirited, ill-tempered GOOSE to feel as you do, because Daisy Dow has that part. She'll be awfully pretty in it, and Guy Martin had a perfect right to choose her, and she had a perfect right to change her mind and say she'd take it, even if she HAD told you she didn't want it! Now, Miss, what have you to say for yourself? Nothing?

I thought so. You're vain and conceited and silly, if you think that you'd be a better Spirit of the Sea than Daisy, and you show a very small and disagreeable nature when you take it so to heart. Now, WILL you brace up and forget it?"

And so practical and just was Patty's true nature that she smiled at herself, and agreed to her own remarks. Then dismissing the whole subject from her mind, she went to bed and to sleep.

Next day she went in search of Laurence Cromer, and found that young man sketching in a corner of one of the picturesque terraces of "Red Chimneys."

"Why these shyness?" asked Patty, as he quickly closed his sketch-book at her approach. "Why these modest coquetry? Art afraid of me? Gentle little me? Who wouldn't hurt a 'squito? Or am it that I be unworthy to look upon a masterpiece created by one of our risingest young artists?"

"I don't want you to see this sketch till it's finished," said Cromer, honestly. "It's going to be an awfully pretty bit, but unfinished, it looks like the d.i.c.kens. Let me sketch you, Miss Fairfield, may I?"

"Yes, indeed; but can you talk at the same time? I want your advice."

"Oh, yes; the more I talk the better I work. Turn a little more to the right, please. Oh, that's perfect! Rest your fingertips on the bal.u.s.trade, so--now, don't move!"

"Huh," remarked Patty, as Cromer began to sketch in swiftly, "how long do I have to stand this way? It isn't such an awful lot of fun."

"Oh, DON'T move! This is only a beginning, but I'll make a wonderful picture from it. That shining white linen frock is fine against the gleaming, sunlit marble of the terrace."

"All right, I'll stand," said Patty, goodnaturedly. "Now you can return the favour by helping me out of a quandary. Won't you advise me what part to take in the Pageant? As a matter of fact, I think all the best parts are a.s.signed, and I don't want to be 'one of the populace,' or just 'a voice heard outside'! I want a picturesque part."

"I should say you did! Or, rather the picturesque parts all want you.

Now, _I_'M designing the Niagara Float. It's unfinished, as yet,--the scheme, I mean,--but I know I want a figure for it, a sort of a,--well, a Maid of the Mist, don't you know. A spirituelle girl, draped all in grey misty tulle, and dull silver wings,--long, curving ones, and a star in her hair."

"Lovely!" cried Patty. "And do you think I could be it?"

"Well, I had a brown-haired girl in mind. Your colouring is more like 'Dawn' or 'Spring' or 'Sunshine.'"

"Oh, I HATE my tow-head!" exclaimed Patty. "I wish I was a nut-brown maid."

"Don't be foolish," said Cromer, in a matter-of-fact way. "You are the perfection of your own type. I never saw such true Romney colouring.

Pardon me, Miss Fairfield, I'm really speaking of you quite impersonally. Don't be offended, will you?"

"No, indeed," said Patty. "I quite understand, Mr. Cromer. But what part AM I adapted for in the Pageant?"

"If you will, I'd like you to be Maid of the Mist. As I say, I had thought of a darker type, but with a floating veil of misty grey, and grey, diaphanous draperies, you would be very effective. Turn the least bit this way, please."

Patty obeyed directions, while she thought over his idea. "Maid of the Mist" sounded pretty, and the artist's float was sure to be a beautiful one.

"Yes, I'll take that part, if you want me to," she said, and Mr. Cromer said he would design her costume that afternoon.

"h.e.l.lo, Apple Blossom!" called a big, round voice, and Bill Farnsworth came strolling along the terrace. Perched on his shoulder was Baby May, her tiny hands grasping his thick, wavy hair, and her tiny feet kicking, as she squealed in glee.

"Misser Bill my horsie," she announced. "Me go ridy-by."

"IS there something on my shoulder?" asked Bill, seemingly unconscious of his burden. "I thought a piece of thistledown lighted there, but it may have blown off."

"There is a bit of thistledown there," said Patty, "but don't brush it off. It's rather becoming to you."

"Indeed it is," agreed Cromer. "I'd like to sketch you and that mite of humanity together."

"You're ready to sketch anybody that comes along, seems to me,"

observed Bill. "Isn't this Miss Fairfield's turn?"

"I expect she's about tired of holding her pose," said the artist.

"I'll give her a rest, and make a lightning sketch of you two. Baby's mother may like to have it."

"Oh, give it to me!" begged Patty. "I'd love to have a picture of Baby May."

"But there'll be so much more of me in it than Baby May," said Bill, gravely.

"Never mind," laughed Patty. "I shan't object to your presence there.

Now, I'll run away while you pose, for I MIGHT make you laugh at the wrong time."

"Don't go," pleaded Bill, but Patty had already gone.

"What a beautiful thing she is," said Cromer, as he worked away at his sketch-block. He spoke quite as if referring to some inanimate object, for he looked at Patty only with an artist's eye.

"She is," agreed Bill. "She's all of that, and then some. She'll make a perfect Spirit of the Sea. I say, Cromer, help me rig up my Neptune togs, will you?"

"Of course I will, old chap. But Miss Fairfield isn't going to be on your float. She's agreed to be my Maid of the Mist."

"She HAS! I say, Cromer, that's too bad of you! How did you persuade her to change her plan?"

"She didn't change. She had no idea of being on your float. She asked me what I thought she'd better be, and she said all the most desirable parts were already a.s.signed."

"H'm, quite so! Oh, of course,--certainly! Yes, yes, INDEED!"

"What's the matter with you, Bill? Are you raving? Your speech is a bit incoherent."

"Incoherent, is it? Lucky for you! If I were coherent, or said what I'm thinking, you'd be some surprised! You go on making your pencil marks while I think this thing out. All right, Baby; did Uncle Bill joggle you too much? There,--now you're comfy again, aren't you? I say, Laurence, I'll have my picture taken some other day. Excuse me now, won't you? I have a few small fish to fry. Come, Babykins, let's go find mummy."

"H'm," said Laurence Cromer to himself, as Bill swung off with mighty strides toward the house. "Somehow, I fancy he'll regain his lost Spirit of the Sea, or there'll be something doing!"

Baby May was gently, if somewhat unceremoniously, deposited in her mother's lap, and Bill said gaily, "Much obliged for this dance.

Reserve me one for to-morrow morning at the same hour. And, I say, Mrs.

Kenerley, could you put me on the trail of Miss Fairfield?"

"She went off in her runabout with Roger Farrington. I think she's heading for the telegraph office to order much materials and gewgaws for the Pageant."