Our Elizabeth Part 6

'Perhaps you mean to marry him yourself, Elizabeth?'

She gave a snort of indignation. 'Me! 'E's not my style. Give me a young man who can set off a bright necktie an' a white waistcoat with a nice watch an' albert 'ung on to it. But Mr. Roarings' now, 'e'd do well for some one who 'ad settled down, like, with quiet sort o'

tastes. I got some one in my mind's eye for 'im already.'

From the moment that Elizabeth took his destiny in hand William was no longer safe, I felt sure. The Signs began to get to work upon him.

'William,' I said to him one day, 'Elizabeth means to marry you.'

'Why should I marry Elizabeth?' he asked placidly.

'I don't mean that she herself is to be the blushing bride. She prefers a man with a taste in waistcoats, a flowing auburn moustache, and a tendency to bright neckties, none of which qualities or quant.i.ties you possess. She means to get you married to some one else.'

William slowly removed his pipe from his mouth and regarded me with intense earnestness. He is not the sort of person who lets his emotions ripple to the surface, so his serious mien surprised me. He raised his hand in a prophetic att.i.tude and began to speak. 'Dr.

Johnson has rightly said that the incommodities of a single life are necessary and certain, but those of a conjugal state are avoidable.

Excellent philosophy. Sooner than get married, my dear madame, I would walk in the wilderness, conversing with no man; I would fly to the fastnesses of Tibet; I would make of myself a hermit in a cave that was strongly barricaded. I would eschew tobacco. I would pay, to the uttermost farthing, any bachelor tax imposed by the State.'

'Do you so utterly abhor the idea of marriage?' I asked, profoundly astonished.

'I do,' said William.

A strange sound broke on our ears. It seemed to come through the keyhole, and resembled the contemptuous sniff with which Elizabeth always expresses incredulity. But, of course, it couldn't have been that.

As I have said, Elizabeth never listens at doors.

CHAPTER VII

(William--although he has a great regard for Pepys--does not himself keep a diary. From time to time, however, he 'chronicles the outstanding events in his career,' as he puts it. The following is one of William's 'chronicles,' which shows more knowledge than I have of the happenings in this chapter.)

_William's Story_: The more I think of it the more terrible the thing becomes from every aspect. Who could have thought that I, only a few days ago placidly drifting down the stream of life, should be jerked into such a maelstrom of difficulties? I must, however, try to think calmly. As Dr. Johnson has said, 'One of the princ.i.p.al themes of moral instruction is the art of bearing calamities.'

Let me try to narrate the events in their order--to trace, as far as possible, how this particular calamity occurred.

It began with Elizabeth. Or, I should say, she was the bearer of those disastrous tidings which have robbed me of my peace of mind and given me nights of sleepless horror.

Elizabeth, I ought to explain, is employed at the house of my friends, the Warringtons, as domestic worker. Up to the time of which I write I had barely observed the girl, beyond remarking that she was exceedingly lank as to form, and had a distressing habit of breathing very heavily when serving at table, due, I thought, to asthmatic tendencies.

I learned later that it only betokened anxiety lest she should drop the various vessels she was handing round.

The circ.u.mstances which brought her particularly under my notice were singular. I had called at the Warringtons' one evening to have a smoke and chat with Henry, as is my wont. Elizabeth, after showing me into the study, told me that her master had gone out, but asked me to wait as he was expected to return every minute. I settled myself down, therefore, reached out for the tobacco jar, while my feet sought the familiar ledge below the mantelpiece, when I observed that Elizabeth was hovering in my vicinity.

'Excuse me, sir,' she said, speaking with apparent hesitation, 'but--but--do you mind if I speak to you?'

'Why shouldn't you speak to me if you want to?' I said, surprised and rather puzzled.

'Well, you see, sir, it's a bit 'ard to tell you. I dunno how to begin exactly--makes me feel like a cat treadin' on 'ot plates.' I quote exactly the rough vernacular of the lower cla.s.ses in which she habitually expresses herself.

'There is no necessity for you to feel like a cat--or any other animal--treading on plates hot or otherwise when unburdening yourself to me,' I said kindly and benevolently, to put her at her ease. As a matter of fact, I half surmised the cause of her embarra.s.sment. No doubt she had broken some object of value and wished me to act as intermediary with her mistress in the matter. I have frequently heard Mrs. Warrington complain of her ever-recurring breakages.

'If I can a.s.sist you in any way,' I continued, 'and intervene----'

'Inter-wot?' said Elizabeth.

'Er--perhaps you desire me to put in a good word for you with your mistress----'

'Do I _not_,' she broke in. 'I can put in all the good words _I_ want meself--yes, an' a few more, too.'

I was pondering on the remarkable formation of this sentence which lent itself neither to a.n.a.lysis nor parsing, when her next words arrested my instant attention.

'It's about Miss Marryun I wanted to speak to you,' she said.

I stared. Why on earth should she speak to me about Miss Warrington, Henry's sister? I have not noticed her closely, but she is a quiet enough female, I believe, though possessed of an irritating habit of constantly pressing quite unnecessary ash-trays on a man.

To my surprise Elizabeth closed the door at this point and, coming up to me, whispered in a strange husky voice: 'That's just where all the trouble begins. It's what I overheerd 'er sayin' about you.'

I must confess to feeling rather startled. Then I remembered Mrs.

Warrington had often commented on Elizabeth's curious proclivities for 'overhearing.' I looked at her coldly. I had not the slightest intention of becoming her confidant.

'Well, well, my good girl,' I retorted briskly, 'listeners never hear any good of themselves--or of other people either, I suppose. So, if you please, we will drop the subject.' I then picked up a book and held it before me to signify that the parley was at an end.

Elizabeth snorted. The term is vulgar, I know, but no other expression is adequate. 'Oo was listenin', I'd like to know?' she asked. 'I sed _overheerd_. The door was well on the jar and I was dustin' the 'all when I 'ears Miss Marryun a-moanin' and a-sobbin' like. Missus was talkin' to 'er and soothin' 'er. "Don't carry on so," she ses, "for I tells you, it's no use."

'"No use," ses Miss Marryun in a choked sort o' voice, "why is it no use? I love 'im, I adore 'im. Oh, w.i.l.l.yum, w.i.l.l.yum, you'll break my 'art if you go on with this yeer cold indifference----"'

'Stop,' I interposed sternly. At any other time I might have smiled at the girl's quaint phraseology. But I did not smile just then. _Dulce est desipere in loco_. Wild as the story sounded, it was making me feel decidedly uncomfortable. A slight perspiration had broken out on my forehead. But I threw a strong note of a.s.surance into my voice as I went on: 'Girl, this is a monstrous action on your part to listen--er--overhear at doors and repeat conversations of a most delicate nature to a third party.'

'What-ho,' put in Elizabeth.

'Now let me show you the mistake under which you are labouring. It is true my name is William, but William is a common name. I have remarked, indeed, that the world is pretty full of Williams. Miss Warrington was in no way referring to me.'

'I don't think,' commented Elizabeth.

'Evidently you don't,' I said severely, 'or you would not make such absurd statements.'

'I ain't done yet,' went on this diabolical creature. 'You say it wasn't meant fer you? Listen. When Miss Marryun goes on wringin' 'er 'ands an' sobbin', "I love my w.i.l.l.yum," missus ses, "But 'ow can you love such a big ugly brute of a man wot's allus throwin' 'is tobacco ash about the place, and sc.r.a.pin' the fendy with 'is feet and never wears a fancy westcoat even at evernin' parties. 'Ow can you love him?" she arsks.

'"I don't know myself," ses Miss Marryun, "but there it is. I'd rather die than live without my w.i.l.l.yum."'

'Silence,' I burst out fiercely, 'do you think I don't know that all this is pure invention on your part--for what reason I, as yet, cannot tell. How dare you concoct such tales?'

'Wait till I've finished, please, sir. The missus, she ses, "But Marryun, my pore dear, it's no use lovin' 'im. 'E ses to me 'is very self the other day, 'e ses, 'Sooner than get married I'd go and dwell in the wilderness, I'd go to Tibbet, be an 'ermit in a cave, give up baccy, and give away every farthin' I 'ad in the world.'"'

A feeling of acute horror swept over me. With a crash my favourite pipe fell from my nerveless fingers and was smashed to atoms on the fender. There was truth in the girl's fantastic story after all. I recalled using such expressions as those when, a little time before, I was discussing conjugal difficulties in a talk with Mrs. Warrington.

Obviously the girl could not have made the thing up. I pa.s.sed my hand wildly across my brow. 'But what have I done that she should fall in love with me? What is there about me to attract any woman?'

'Nothink, as I can see,' she retorted, 'but with a woman's heart there's no knowin' an' there's no tellin'. P'raps you've managed to throw dust in her eyes.'