One of My Sons Part 44

"We will not have the curious Mr. Rosenthal giving away _our_ secrets," he dryly commented. "And this is our secret, is it not? You won't feel called upon to repeat outside what goes on between us in this room?"

"Certainly not."

The a.s.surance seemed unnecessary, but I did not regret giving it when I saw how it relieved him of all doubt, and caused his eye to lighten and his manner to grow easy as he went on to say:

"So far as mortal calculation can go, this room has not been entered by anyone but the police or persons acting under the instructions of the police, since the hour when Mr. Gillespie was carried out of it.

Consequently we have a right to expect all articles remaining here to be in the same condition as on that night. This, for instance."

He had taken out the typewriter from a closet built in one of the corners, and set it as he spoke down in its old place on the edge of the desk.

"Ah!" I burst forth. "Your idea is in connection with this typewriter!"

He frowned, or almost frowned, for he was an amiable fellow; then, giving me a pleading look, observed:

"I am young yet, Mr. Outhwaite, and it is very easy for me to deceive myself with imaginary results. You will therefore allow me a minute to myself, and if I find out that I have struck a false trail, or if my idea proves to be one I cannot sustain by facts, I'll sing out and we will consult as to our next move."

"Shall I step outside?" I asked.

But this he would not listen to.

"All I want," said he, "is for you to look the other way while I stoop over this typewriter."

I naturally felt disposed to humour him, and meanwhile he remained so still that I was confident he did not touch the instrument. But the cry which impetuously burst from him after a moment of intense stillness startled me so I can never forget it. It was something between a sob and a shout, and it was so suggestive of triumph that I could not forbear turning about and rushing up to the instrument over which he still stooped.

He greeted me with a look of delight and a rush of confused gestures.

"See, sir; oh, see! How I wish Mr. Gryce were here! Look at the top of that key, sir--the one with the words, 'Shift key' on it. Yes, that one; that! What is the matter with it? Tell me."

"The face of it is obscured. I can scarcely read the words. There is something on it. Something like----"

"Paste!" he cried. "The paste that ran out of the bottle and spread over the desk. You can still see unmistakable signs of it here and here" (pointing rapidly as he spoke), "for Mr. Gryce would not allow a woman in the room, and nothing has been cleaned since that night. The paste is but a dry crust now, but you must remember that it was moist when Mr. Gillespie stooped over the table, so that when his fingers got into it in his struggle to reach the typewriter, he readily transferred it to the keys. This will be apparent to you if you will scrutinise the exact keys he made use of in writing those last five words. Observe the one marked _e_; now this _n_, and now the _o_.

There is but a trace of paste on some of them; but it is thick on the _e_, and thicker still on--what key, sir?"

"The one you first drew my attention to; the one marked 'Shift key.'"

"Just so. Now, do you know the use of the 'Shift key?'"

"I do not."

"You press it down when you wish the letter you are writing to be a capital. For instance, I wish to write the capital I. I hold down this 'Shift key' with one finger and strike the key marked _i_ with another."

"Yes, but----"

"Oh, I know what you are going to say: 'No capital appears in the five words we are now considering.' True, sir, but does not this paste on the 'Shift key' show that he made an effort to write one; that a capital was in his mind even if it did not get on paper? In beginning any communication, one naturally starts with a capital, and you see, sir, that the s.p.a.ce between this last hurriedly added phrase and the words of his unfinished letter is long enough to hold one. But the haste and agitation of this dying man were such that he did not put enough force into his stroke to bring an impression of this opening capital. If, therefore, we would read this communication intelligently, it is imperative upon us to supply this missing capital. Now, what letter do you think he meant to write there and did not?"

I blankly shook my head. My thoughts were in a great whirl.

"There is but one," he cried, "which would make any sense; the letter N, sir, the famous letter N. Supply that letter, sir; then tell me how those words would read. You know them well, or, stay, I have them here."

And Sweet.w.a.ter spread before me a copy of the letter as it appeared after Mr. Gillespie had added the five words which had moulded the whole course of the investigation up to this point.

But this was an unnecessary precaution on his part. I knew the words by heart, and already had prefixed to them the capital N which he had just convinced me belonged there, as witness:

"one of my sons he"

"None of my sons he"

"Oh!" I cried, "what a difference!"

Young Sweet.w.a.ter's face absolutely shone.

"Isn't there?" he cried. "I got that idea while you were talking about Miss Meredith. But that is not all. We are not through with our experiments yet. A letter prefixed is not enough. We need to affix a few. Can you supply them?"

I stared at him in amazement.

"'_None of my sons he_' fails to make good sense, Mr. Outhwaite. But look!"

Replacing the paper in the typewriter, he pressed a few keys, lifted the carriage, and drew me down to see. Imagine my amazement and the shock given to all my previous convictions when I saw written before me these words:

"None of my sons hewson."

x.x.xIII

IN WHICH WE CAN PARDON MR. GRYCE HIS UNFORTUNATE ILLNESS

"You didn't expect that? I thought I would surprise you, sir. Oh, I know what you want to say!" Sweet.w.a.ter eagerly continued. "You miss the period and capital H which would show 'he' to be the beginning of a proper name. But, sir, Mr. Gillespie would not have been the failing man he was, if by this time he could think of capitals, much less periods. He was not even able to complete the word, though he evidently failed to realise this. 'None of my sons. Hewson' is what was in his mind; you may take my word for that. And now," he triumphantly concluded, after a short but satisfied contemplation of my face, "you can see why this dying man should expend his last energies in insuring the safe delivery of these words to the one person who knew his former dreadful suspicions. Shrinking as any father might from letting his sons know to what a fearful extent he had misjudged them, and dreading, as he doubtless had good reason to, some interference on the part of Hewson if he attempted to call any one in the house to his aid, he sent his little grandchild into the street----"

"But----"

"I know we are dealing with mere possibilities as yet, sir. But these possibilities are much more credible than the surmises in which we have hitherto indulged. I feel as if free air had entered my lungs for the first time since the inquest; and if I can refrain from yielding too much to the intoxication of it----"

"But," I again repeated, determined to have my say out before he had gone too far, "what motive can you ascribe to this poor old servant for a death which robbed him of a master he had served devotedly for years?"

"Motive be ----!" cried Sweet.w.a.ter, in some heat. But, with his usual good nature, he instantly begged my pardon, and his next words were uttered with more restraint. "Facts first, motives afterwards. What motive have we been able to find for the committal of this deed by any one of his sons? Yet each and all of them have been suspected and almost arraigned. Still," he concluded, "if you want a motive, search for it here," and he drew from his pocket a second folded paper, which he opened out before my eyes.

It was a copy of Mr. Gillespie's will.

"Ah!" I cried, in dim perception of what he meant.

"A thousand dollars," explained Sweet.w.a.ter. "Not much in your eyes, but quite a fortune in his."

"And for so paltry a legacy you think that this man----"

Sweet.w.a.ter's finger went to his lips. "Excuse me," said he, "but had we not better put back this typewriter on the shelf from which we took it? If I do not mistake, it will figure largely in the trial which I plainly see approaching."