One of Cleopatra's Nights and Other Fantastic Romances Part 11

We had reached our destination.

The princess conducted me to a mountain of rose-colored granite, in the face of which appeared an opening so narrow and low that it would have been difficult to distinguish it from the fissures in the rock, had not its location been marked by two stelae wrought with sculptures.

Hermonthis kindled a torch and led the way before me.

We traversed corridors hewn through the living rock. Their walls, covered with hieroglyphics and paintings of allegorical processions, might well have occupied thousands of arms for thousands of years in their formation. These corridors of interminable length opened into square chambers, in the midst of which pits had been contrived, through which we descended by cramp-irons or spiral stairways. These pits again conducted us into other chambers, opening into other corridors, likewise decorated with painted sparrow-hawks, serpents coiled in circles, the symbols of the _tau_ and _pedum_--prodigious works of art which no living eye can ever examine--interminable legends of granite which only the dead have time to read through all eternity.

At last we found ourselves in a hall so vast, so enormous, so immeasurable, that the eye could not reach its limits. Files of monstrous columns stretched far out of sight on every side, between which twinkled livid stars of yellowish flame; points of light which revealed further depths incalculable in the darkness beyond.

The Princess Hermonthis still held my hand, and graciously saluted the mummies of her acquaintance.

My eyes became accustomed to the dim twilight, and objects became discernible.

I beheld the kings of the subterranean races seated upon thrones--grand old men, though dry, withered, wrinkled like parchment, and blackened with naphtha and bitumen--all wearing _pshents_ of gold, and breast-plates and gorgets glittering with precious stones, their eyes immovably fixed like the eyes of spinxes, and their long beards whitened by the snow of centuries. Behind them stood their peoples, in the stiff and constrained posture enjoined by Egyptian art, all eternally preserving the att.i.tude prescribed by the hieratic code. Behind these nations, the cats, ibixes, and crocodiles contemporary with them--rendered monstrous of aspect by their swathing bands--mewed, flapped their wings, or extended their jaws in a saurian giggle.

All the Pharaohs were there--Cheops, Chephrenes, Psammetichus, Sesostris, Amenotaph--all the dark rulers of the pyramids and syrinxes.

On yet higher thrones sat Chronos and Xixouthros, who was contemporary with the deluge, and Tubal Cain, who reigned before it.

The beard of King Xixouthros had grown seven times around the granite table, upon which he leaned, lost in deep reverie, and buried in dreams.

Farther back, through a dusty cloud, I beheld dimly the seventy-two preadamite kings, with their seventy-two peoples, forever pa.s.sed away.

After permitting me to gaze upon this bewildering spectacle a few moments, the Princess Hermonthis presented me to her father Pharaoh, who favored me with a most gracious nod.

"I have found my foot again! I have found my foot!" cried the princess, clapping her little hands together with every sign of frantic joy. "It was this gentleman who restored it to me."

The races of Kemi, the races of Nahasi--all the black, bronzed, and copper-colored nations repeated in chorus:

"The Princess Hermonthis has found her foot again!"

Even Xixouthros himself was visibly affected.

He raised his heavy eyelids, stroked his mustache with his fingers, and turned upon me a glance weighty with centuries.

"By Oms, the dog of h.e.l.l, and Tme, daughter of the Sun and of Truth, this is a brave and worthy lad!" exclaimed Pharaoh, pointing to me with his sceptre, which was terminated with a lotus-flower.

"What recompense do you desire?"

Filled with that daring inspired by dreams in which nothing seems impossible, I asked him for the hand of the Princess Hermonthis. The hand seemed to me a very proper ant.i.thetic recompense for the foot.

Pharaoh opened wide his great eyes of gla.s.s in astonishment at my witty request.

"What country do you come from, and what is your age?"

"I am a Frenchman, and I am twenty-seven years old, venerable Pharaoh."

"Twenty-seven years old, and he wishes to espouse the Princess Hermonthis who is thirty centuries old!" cried out at once all the Thrones and all the Circles of Nations.

Only Hermonthis herself did not seem to think my request unreasonable.

"If you were even only two thousand years old," replied the ancient king, "I would willingly give you the princess, but the disproportion is too great; and, besides, we must give our daughters husbands who will last well. You do not know how to preserve yourselves any longer. Even those who died only fifteen centuries ago are already no more than a handful of dust. Behold, my flesh is solid as basalt, my bones are bars of steel!

"I will be present on the last day of the world with the same body and the same features which I had during my lifetime. My daughter Hermonthis will last longer than a statue of bronze.

"Then the last particles of your dust will have been scattered abroad by the winds, and even Isis herself, who was able to find the atoms of Osiris, would scarce be able to recompose your being.

"See how vigorous I yet remain, and how mighty is my grasp," he added, shaking my hand in the English fashion with a strength that buried my rings in the flesh of my fingers.

He squeezed me so hard that I awoke, and found my friend Alfred shaking me by the arm to make me get up.

"Oh, you everlasting sleeper! Must I have you carried out into the middle of the street, and fireworks exploded in your ears? It is afternoon. Don't you recollect your promise to take me with you to see M. Aguado's Spanish pictures?"

"G.o.d! I forgot all, all about it," I answered, dressing myself hurriedly. "We will go there at once. I have the permit lying there on my desk."

I started to find it, but fancy my astonishment when I beheld, instead of the mummy's foot I had purchased the evening before, the little green paste idol left in its place by the Princess Hermonthis!

OMPHALE: A ROCOCO STORY

My uncle, the Chevalier de ----, resided in a small mansion which looked out upon the dismal Rue de Tournelles on one side, and the equally dismal Boulevard St. Antoine upon the other. Between the Boulevard and the house itself a few ancient elm-trees, eaten alive by mosses and insects, piteously extended their skeleton arms from the depth of a species of sink surrounded by high black walls. Some emaciated flowers hung their heads languidly, like young girls in consumption, waiting for a ray of sunshine to dry their half-rotten leaves. Weeds had invaded the walks, which were almost undistinguishable, owing to the length of time that had elapsed since they were last raked. One or two goldfish floated rather than swam in a basin covered with duck-weed and half-choked by water plants.

My uncle called that his garden!

Besides all the fine things above described in my uncle's garden, there was also a rather unpleasant pavilion, which he had ent.i.tled the _Delices_, doubtless by antiphrasis. It was in a state of extreme dilapidation. The walls were bulging outwardly. Great ma.s.ses of detached plaster still lay among the nettles and wild oats where they had fallen.

The lower portions of the wall surfaces were green with putrid mould.

The woodwork of the window-shutters and doors had been badly sprung, and they closed only partially or not at all. A species of decoration, strongly suggestive of an immense kitchen-pot with various effluvia radiating from it, ornamented the main entrance, for in the time of Louis XV., when it was the custom to build _Delices_, there were always two entrances to such pleasure houses for precaution's sake. The cornice, overburdened with ovulos, foliated arabesques, and volutes, had been badly dismantled by the infiltration of rain-water. In short, the _Delices_ of my uncle, the Chevalier de ----, presented a rather lamentable aspect.

This poor ruin, dating only from yesterday, although wearing the dilapidated look of a thousand years' decay--a ruin of plaster, not of stone, all cracked and warped, covered with a leprosy of lichen growth, moss-eaten and mouldy--seemed to resemble one of those precociously old men worn out by filthy debauches. It inspired no feeling of respect, for there is nothing in the world so ugly and so wretched as either an old gauze robe or an old plaster wall, two things which ought not to endure, yet which do.

It was in this pavilion that my uncle had lodged me.

The interior was not less rococo than the exterior, although remaining in a somewhat better state of preservation. The bed was hung with yellow lampas, spotted over with large white flowers. An ornamental sh.e.l.l-work clock ticked away upon a pedestal inlaid with ivory and mother-of-pearl.

A wreath of ornamental roses coquettishly twined around a Venetian gla.s.s. Above the door the Four Seasons were painted in cameo. A fair lady with thickly powdered hair, a sky-blue corset, and an array of ribbons of the same hue, who had a bow in her right hand, a partridge in her left, a crescent upon her forehead, and a leverette at her feet, strutted and smiled with ineffable graciousness from within a large oval frame. This was one of my uncle's mistresses of old, whom he had had painted as Diana. It will scarcely be necessary to observe that the furniture itself was not of the most modern style. There was, in fact, nothing to prevent one from fancying himself living at the time of the Regency, and the mythological tapestry with which the Avails were hung rendered the illusion complete.

The tapestry represented Hercules spinning at the feet of Omphale. The design was tormented after the fashion of Vanloo, and in the most Pompadour style possible to imagine. Hercules had a spindle decorated with rose-colored favors. He elevated his little finger with a peculiar and special grace, like a marquis in the act of taking a pinch of snuff, while turning a white flake of flax between his thumb and index finger. His muscular neck was burdened with bows of ribbons, rosettes, strings of pearls, and a thousand other feminine gew-gaws, and a large _gorge-de-pigeon_ colored petticoat, with two very large panniers, lent quite a gallant air to the monster-conquering hero.

Omphale's white shoulders were half covered by the skin of the Nemean lion. Her slender hand leaned upon her lover's knotty club. Her lovely blonde hair, powdered to ash-color, fell loosely over her neck--a neck as supple and undulating in its outlines as the neck of a dove. Her little feet, true realizations of the typical Andalusian or Chinese foot, and which would have been lost in Cinderella's gla.s.s slippers, were shod with half-antique buskins of a tender lilac color, sprinkled with pearls. In truth, she was a charming creature. Her head was thrown back with an adorable little mock swagger, her dimpled mouth wore a delicious little pout, her nostrils were slightly expanded, her cheeks had a delicate glow--an _a.s.sa.s.sin_[1]

[1] Beauty-spot.

cunningly placed there relieved their beauty in a wonderful way; she only needed a little mustache to make her a first-cla.s.s mousquetaire.

There were many other personages also represented in the tapestry--the kindly female attendant, the indispensable little Cupid--but they did not leave a sufficiently distinct outline in my memory to enable me to describe them.