On the Old Road Volume Ii Part 26

71. Two short pieces more only of master song, and we have enough to test all by.

(1)

"No more, no more, since thou art dead, Shall we e'er bring coy brides to bed, No more, at yearly festivals, We cowslip b.a.l.l.s Or chains of columbines shall make, For this or that occasion's sake.

No, no! our maiden pleasures be Wrapt in thy winding-sheet with thee."[83]

(2)

"Death is now the phoenix nest, And the turtle's loyal breast To eternity doth rest.

Truth may seem, but cannot be; Beauty brag, but 'tis not she: Truth and beauty buried be."[84]

72. If now, with the echo of these perfect verses in your mind, you turn to Byron, and glance over, or recall to memory, enough of him to give means of exact comparison, you will, or should, recognize these following kinds of mischief in him. First, if anyone offends him--as for instance Mr. Southey, or Lord Elgin--"his manners have not that repose that marks the caste," etc. _This_ defect in his Lordship's style, being myself scrupulously and even painfully reserved in the use of vituperative language, I need not say how deeply I deplore.[85]

Secondly. In the best and most violet-bedded bits of his work there is yet, as compared with Elizabethan and earlier verse, a strange taint; an indefinable--evening flavor of Covent Garden, as it were;--not to say, escape of gas in the Strand. That is simply what it proclaims itself--London air. If he had lived all his life in Green-head Ghyll, things would of course have been different. But it was his fate to come to town--modern town--like Michael's son; and modern London (and Venice) are answerable for the state of their drains, not Byron.

Thirdly. His melancholy is without any relief whatsoever; his jest sadder than his earnest; while, in Elizabethan work, all lament is full of hope, and all pain of balsam.

Of this evil he has himself told you the cause in a single line prophetic of all things since and now. "Where _he_ gazed, a gloom pervaded s.p.a.ce."[86]

So that, for instance, while Mr. Wordsworth, on a visit to town, being an exemplary early riser, could walk, felicitous, on Westminster Bridge, remarking how the city now did like a garment wear the beauty of the morning; Byron, rising somewhat later, contemplated only the garment which the beauty of the morning had by that time received for wear from the city: and again, while Mr. Wordsworth, in irrepressible religious rapture, calls G.o.d to witness that the houses seem asleep, Byron, lame demon as he was, flying smoke-drifted, unroofs the houses at a glance, and sees what the mighty c.o.c.kney heart of them contains in the still lying of it, and will stir up to purpose in the waking business of it,

"The sordor of civilization, mixed With all the pa.s.sions which Man's fall hath fixed."[87]

73. Fourthly, with this steadiness of bitter melancholy, there is joined a sense of the material beauty, both of inanimate nature, the lower animals, and human beings, which in the iridescence, color-depth, and morbid (I use the word deliberately) mystery and softness of it,--with other qualities indescribable by any single words, and only to be a.n.a.lyzed by extreme care,--is found, to the full, only in five men that I know of in modern times; namely, Rousseau, Sh.e.l.ley, Byron, Turner, and myself,--differing totally and throughout the entire group of us, from the delight in clear-struck beauty of Angelico and the Trecentisti; and separated, much more singularly, from the cheerful joys of Chaucer, Shakespeare, and Scott, by its unaccountable affection for "Rokkes blak"

and other forms of terror and power, such as those of the ice-oceans, which to Shakespeare were only Alpine rheum; and the Via Malas and Diabolic Bridges which Dante would have condemned none but lost souls to climb, or cross;--all this love of impending mountains, coiled thunder-clouds, and dangerous sea, being joined in us with a sulky, almost ferine, love of retreat in valleys of Charmettes, gulfs of Spezzia, ravines of Olympus, low lodgings in Chelsea, and close brushwood at Coniston.

74. And, lastly, also in the whole group of us, glows volcanic instinct of Astraean justice returning not to, but up out of, the earth, which will not at all suffer us to rest any more in Pope's serene "whatever is, is right"; but holds, on the contrary, profound conviction that about ninety-nine hundredths of whatever at present is, is wrong: conviction making four of us, according to our several manners, leaders of revolution for the poor, and declarers of political doctrine monstrous to the ears of mercenary mankind; and driving the fifth, less sanguine, into mere painted-melody of lament over the fallacy of Hope and the implacableness of Fate.

In Byron the indignation, the sorrow, and the effort are joined to the death: and they are the parts of his nature (as of mine also in its feebler terms), which the selfishly comfortable public have, literally, no conception of whatever; and from which the piously sentimental public, offering up daily the pure oblation of divine tranquillity, shrink with anathema not unembittered by alarm.

75. Concerning which matters I hope to speak further and with more precise ill.u.s.tration in my next paper; but, seeing that this present one has been hitherto somewhat somber, and perhaps, to gentle readers, not a little discomposing, I will conclude it with a piece of light biographic study, necessary to my plan, and as conveniently admissible in this place as afterwards;--namely, the account of the manner in which Scott--whom we shall always find, as aforesaid, to be in salient and palpable elements of character, of the World, worldly, as Burns is of the Flesh, fleshly, and Byron of the Deuce, d.a.m.nable,--spent his Sunday.

76. As usual, from Lockhart's farrago we cannot find out the first thing we want to know,--whether Scott worked after his week-day custom, on the Sunday morning. But, I gather, not; at all events his household and his cattle rested (L. iii. 108). I imagine he walked out into his woods, or read quietly in his study. Immediately after breakfast, whoever was in the house, "Ladies and gentlemen, I shall read prayers at eleven, when I expect you all to attend" (vii. 306). Question of college and other externally unanimous prayer settled for us very briefly: "if you have no faith, have at least manners." He read the Church of England service, lessons and all, the latter, if interesting, eloquently (_ibid._). After the service, one of Jeremy Taylor's sermons (vi. 188). After sermon, if the weather was fine, walk with his family, dogs included and guests, to _cold_ picnic (iii. 109), followed by short extempore biblical novelettes; for he had his Bible, the Old Testament especially, by heart, it having been his mother's last gift to him (vi. 174). These lessons to his children in Bible history were always given, whether there was picnic or not. For the rest of the afternoon he took his pleasure in the woods with Tom Purdie, who also always appeared at his master's elbow on Sunday after dinner was over, and drank long life to the laird and his lady and all the good company, in a quaigh of whisky or a tumbler of wine, according to his fancy (vi. 195). Whatever might happen on the other evenings of the week, Scott always dined at home on Sunday; and with old friends: never, unless inevitably, receiving any person with whom he stood on ceremony (v. 335). He came into the room rubbing his hands like a boy arriving at home for the holidays, his Peppers and Mustards gamboling about him, "and even the stately Maida grinning and wagging his tail with sympathy." For the usquebaugh of the less honored week-days, at the Sunday board he circulated the champagne briskly during dinner, and considered a pint of claret each man's fair share afterwards (v. 339). In the evening, music being to the Scottish worldly mind indecorous, he read aloud some favorite author, for the amus.e.m.e.nt or edification of his little circle. Shakespeare it might be, or Dryden,--Johnson, or Joanna Baillie,--Crabbe, or Wordsworth. But in those days "Byron was pouring out his spirit fresh and full, and if a new piece from _his_ hand had appeared, it was _sure to be read by Scott the Sunday evening afterwards_; and that with such delighted emphasis as showed how completely the elder bard had kept up his enthusiasm for poetry at pitch of youth, and all his admiration of genius, free, pure, and unstained by the least drop of literary jealousy" (v. 341).

77. With such necessary and easily imaginable varieties as chanced in having Dandie Dinmont or Captain Brown for guests at Abbotsford, or Colonel Mannering, Counselor Pleydell, and Dr. Robertson in Castle Street, such was Scott's habitual Sabbath: a day, we perceive, of eating the fat, (_dinner_, presumably not cold, being a work of necessity and mercy--thou also, even thou, Saint Thomas of Turnbull, hast thine!) and drinking the sweet, abundant in the manner of Mr. Southey's cataract of Lodore,--"Here it comes, sparkling." A day bestrewn with coronations and sops in wine; deep in libations to good hope and fond memory; a day of rest to beast, and mirth to man, (as also to sympathetic beasts that can be merry,) and concluding itself in an Orphic hour of delight, signifying peace on Tweedside, and goodwill to men, there or far away;--always excepting the French, and Boney.

"Yes, and see what it all came to in the end."

Not so, dark-virulent Minos-Mucklewrath; the end came of quite other things; of _these_, came such length of days and peace as Scott had in his Fatherland, and such immortality as he has in all lands.

78. Nathless, firm, though deeply courteous, rebuke, for his sometimes overmuch lightmindedness, was administered to him by the more grave and thoughtful Byron. For the Lord Abbot of Newstead knew his Bible by heart as well as Scott, though it had never been given him by his mother as her dearest possession. Knew it, and what was more, had thought of it, and sought in it what Scott had never cared to think, nor been fain to seek.

And loving Scott well, and always doing him every possible pleasure in the way he sees to be most agreeable to him--as, for instance, remembering with precision, and writing down the very next morning, every blessed word that the Prince Regent had been pleased to say of him before courtly audience,--he yet conceived that such cheap ryming as his own "Bride of Abydos," for instance, which he had written from beginning to end in four days, or even the traveling reflections of Harold and Juan on men and women, were scarcely steady enough Sunday afternoon's reading for a patriarch-Merlin like Scott. So he dedicates to him a work of a truly religious tendency, on which for his own part he has done his best,--the drama of "Cain." Of which dedication the virtual significance to Sir Walter might be translated thus. Dearest and last of Border soothsayers, thou hast indeed told us of Black Dwarfs, and of White Maidens, also of Gray Friars, and Green Fairies; also of sacred hollies by the well, and haunted crooks in the glen. But of the bushes that the black dogs rend in the woods of Phlegethon; and of the crooks in the glen, and the bickerings of the burnie where ghosts meet the mightiest of us; and of the black misanthrope, who is by no means yet a dwarfed one, and concerning whom wiser creatures than Hobbie Elliot may tremblingly ask "Gude guide us, what's yon?" hast thou yet known, seeing that thou hast yet told, _nothing_.

Scott may perhaps have his answer. We shall in good time hear.

FOOTNOTES:

[Footnote 73: September, 1880.]

[Footnote 74: "It must be put by the original, stanza for stanza, and verse for verse; and you will see what was permitted in a Catholic country and a bigoted age to Churchmen, on the score of Religion--and so tell those buffoons who accuse me of attacking the Liturgy.

"I write in the greatest haste, it being the hour of the Corso, and I must go and buffoon with the rest. My daughter Allegra is just gone with the Countess G. in Count G.'s coach and six. Our old Cardinal is dead, and the new one not appointed yet--but the masquing goes on the same."

(Letter to Murray, 355th in Moore, dated Ravenna, Feb. 7, 1820.) "A dreadfully moral place, for you must not look at anybody's wife, except your neighbor's."]

[Footnote 75: See quoted _infra_ the mock, by Byron, of himself and all other modern poets, "Juan," canto iii. stanza 80, and compare canto xiv.

stanza 8. In reference of future quotations the first numeral will stand always for canto; the second for stanza; the third, if necessary, for line.]

[Footnote 76: "Island," ii. 16, where see context.]

[Footnote 77: "Juan," viii. 5; but, by your Lordship's quotation, Wordsworth says "instrument,"--not "daughter." Your Lordship had better have said "Infant" and taken the Woolwich authorities to witness: only Infant would not have rymed.]

[Footnote 78: "Juan," viii. 3; compare 14, and 63, with all its lovely context 61-68: then 82, and afterwards slowly and with thorough attention, the Devil's speech, beginning, "Yes, Sir, you forget" in scene 2 of "The Deformed Transformed": then Sardanapalus's, act i. scene 2, beginning, "he is gone, and on his finger bears my signet," and finally the "Vision of Judgment," stanzas 3 to 5.]

[Footnote 79: "Island," iii. 3, and compare, of sh.o.r.e surf, the "slings its high flakes, shivered into sleet" of stanza 7.]

[Footnote 80: A modern editor--of whom I will not use the expressions which occur to me--finding the "we" a redundant syllable in the iambic line, prints, "we're." It is a little thing--but I do not recollect, in the forty years of my literary experience, any piece of editor's retouch quite so base. But I don't read the new editions much: that must be allowed for.]

[Footnote 81: "Island," ii. 5. I was going to say, "Look to the context," but am fain to give it here; for the stanza, learned by heart, ought to be our school-introduction to the literature of the world.

"Such was this ditty of Tradition's days, Which to the dead a lingering fame conveys In song, where fame as yet hath left no sign Beyond the sound whose charm is half divine; Which leaves no record to the skeptic eye, But yields young history all to harmony; A boy Achilles, with the centaur's lyre In hand, to teach him to surpa.s.s his sire.

For one long-cherish'd ballad's simple stave, Rung from the rock, or mingled with the wave, Or from the bubbling streamlet's gra.s.sy side, Or gathering mountain echoes as they glide, Hath greater power o'er each true heart and ear, Than all the columns Conquest's minions rear; Invites, when hieroglyphics are a theme For sages' labors or the student's dream; Attracts, when History's volumes are a toil-- The first, the freshest bud of Feeling's soil, Such was this rude rhyme--rhyme is of the rude, But such inspired the Norseman's solitude, Who came and conquer'd; such, wherever rise Lands which no foes destroy or civilize, Exist; and what can our accomplish'd art Of verse do more than reach the awaken'd heart?"]

[Footnote 82: "Shepherd's Calendar." "Coronation," loyal-pastoral for Carnation; "sops in wine," jolly-pastoral for double pink; "paunce,"

thoughtless pastoral for pansy; "chevisaunce," I don't know (not in Gerarde); "flowre-delice"--p.r.o.nounce dellice--half made up of "delicate"

and "delicious."]

[Footnote 83: Herrick, "Dirge for Jephthah's Daughter."]

[Footnote 84: "Pa.s.sionate Pilgrim."]

[Footnote 85: In this point compare the "Curse of Minerva" with the "Tears of the Muses."]

[Footnote 86: "He,"--Lucifer; ("Vision of Judgment," 24). It is precisely because Byron was _not_ his servant, that he could see the gloom. To the Devil's true servants, their Master's presence brings both cheerfulness and prosperity; with a delightful sense of their own wisdom and virtue; and of the "progress" of things in general:--in smooth sea and fair weather,--and with no need either of helm touch, or oar toil: as when once one is well within the edge of Maelstrom.]

[Footnote 87: "Island," ii. 4; perfectly orthodox theology, you observe; no denial of the fall,--nor subst.i.tution of Bacterian birth for it. Nay, nearly Evangelical theology, in contempt for the human heart; but with deeper than Evangelical humility, acknowledging also what is sordid in its civilization.]

FICTION, FAIR AND FOUL.

IV.[88]

79. I fear the editor of the _Nineteenth Century_ will get little thanks from his readers for allowing so much s.p.a.ce in closely successive numbers to my talk of old-fashioned men and things. I have nevertheless asked his indulgence, this time, for a note or two concerning yet older fashions, in order to bring into sharper clearness the leading outlines of literary fact, which I ventured only in my last paper to secure in _silhouette_, obscurely a.s.serting itself against the limelight of recent moral creed, and fiction manufacture.