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Li Faa looked up at him without understanding.
"I cried," he explained, "because I suddenly knew that my mother was nearing her end. There was no weight, no hurt, in her blows.
I cried because I knew SHE NO LONGER HAD STRENGTH ENOUGH TO HURT ME. That is why I cried, my Flower of Serenity, my Perfect Rest.
That is the only reason why I cried."
WAIKIKI, HONOLULU.
June 16, 1916.
THE KANAKA SURF
The tourist women, under the hau tree arbour that lines the Moana hotel beach, gasped when Lee Barton and his wife Ida emerged from the bath-house. And as the pair walked past them and down to the sand, they continued to gasp. Not that there was anything about Lee Barton provocative of gasps. The tourist women were not of the sort to gasp at sight of a mere man's swimming-suited body, no matter with what swelling splendour of line and muscle such body was invested. Nevertheless, trainers and conditioners of men would have drawn deep breaths of satisfaction at contemplation of the physical spectacle of him. But they would not have gasped in the way the women did, whose gasps were indicative of moral shock.
Ida Barton was the cause of their perturbation and disapproval.
They disapproved, seriously so, at the first instant's glimpse of her. They thought--such ardent self-deceivers were they--that they were shocked by her swimming suit. But Freud has pointed out how persons, where s.e.x is involved, are p.r.o.ne sincerely to subst.i.tute one thing for another thing, and to agonize over the subst.i.tuted thing as strenuously as if it were the real thing.
Ida Barton's swimming suit was a very nice one, as women's suits go. Of thinnest of firm-woven black wool, with white tr.i.m.m.i.n.gs and a white belt-line, it was high-throated, short-sleeved, and brief- skirted. Brief as was the skirt, the leg-tights were no less brief. Yet on the beach in front of the adjacent Outrigger Club, and entering and leaving the water, a score of women, not provoking gasping notice, were more daringly garbed. Their men's suits, as brief of leg-tights and skirts, fitted them as snugly, but were sleeveless after the way of men's suits, the arm-holes deeply low- cut and in-cut, and, by the exposed armpits, advertiseful that the wearers were accustomed to 1916 decollete.
So it was not Ida Barton's suit, although the women deceived themselves into thinking it was. It was, first of all, say her legs; or, first of all, say the totality of her, the sweet and brilliant jewel of her femininity bursting upon them. Dowager, matron, and maid, conserving their soft-fat muscles or protecting their hot-house complexions in the shade of the hau-tree arbour, felt the immediate challenge of her. She was menace as well, an affront of superiority in their own chosen and variously successful game of life.
But they did not say it. They did not permit themselves to think it. They thought it was the suit, and said so to one another, ignoring the twenty women more daringly clad but less perilously beautiful. Could one have winnowed out of the souls of these disapproving ones what lay at bottom of their condemnation of her suit, it would have been found to be the s.e.x-jealous thought: THAT NO WOMAN, SO BEAUTIFUL AS THIS ONE, SHOULD BE PERMITTED TO SHOW HER BEAUTY. It was not fair to them. What chance had they in the conquering of males with so dangerous a rival in the foreground?
They were justified. As Stanley Patterson said to his wife, where the two of them lolled wet in the sand by the tiny fresh-water stream that the Bartons waded in order to gain the Outrigger Club beach:
"Lord G.o.d of models and marvels, behold them! My dear, did you ever see two such legs on one small woman! Look at the roundness and taperingness. They're boy's legs. I've seen featherweights go into the ring with legs like those. And they're all-woman's legs, too. Never mistake them in the world. The arc of the front line of that upper leg! And the balanced adequate fullness at the back!
And the way the opposing curves slender in to the knee that IS a knee! Makes my fingers itch. Wish I had some clay right now."
"It's a true human knee," his wife concurred, no less breathlessly; for, like her husband, she was a sculptor. "Look at the joint of it working under the skin. It's got form, and blessedly is not covered by a bag of fat." She paused to sigh, thinking of her own knees. "It's correct, and beautiful, and dainty. Charm! If ever I beheld the charm of flesh, it is now. I wonder who she is."
Stanley Patterson, gazing ardently, took up his half of the chorus.
"Notice that the round muscle-pads on the inner sides that make most women appear knock-kneed are missing. They're boy's legs, firm and sure--"
"And sweet woman's legs, soft and round," his wife hastened to balance. "And look, Stanley! See how she walks on the b.a.l.l.s of her feet. It makes her seem light as swan's down. Each step seems just a little above the earth, and each other step seems just a little higher above until you get the impression she is flying, or just about to rise and begin flying . . . "
So Stanley and Mrs. Patterson. But they were artists, with eyes therefore unlike the next batteries of human eyes Ida Barton was compelled to run, and that laired on the Outrigger lanais (verandas) and in the hau-tree shade of the closely adjoining seaside. The majority of the Outrigger audience was composed, not of tourist guests, but of club members and old-timers in Hawaii.
And even the old-times women gasped.
"It's positively indecent," said Mrs. Hanley Black to her husband, herself a too-stout-in-the-middle matron of forty-five, who had been born in the Hawaiian islands, and who had never heard of Ostend.
Hanley Black surveyed his wife's criminal shapelessness and voluminousness of antediluvian, New-England swimming dress with a withering, contemplative eye. They had been married a sufficient number of years for him frankly to utter his judgment.
"That strange woman's suit makes your own look indecent. You appear as a creature shameful, under a grotesqueness of apparel striving to hide some secret awfulness."
"She carries her body like a Spanish dancer," Mrs. Patterson said to her husband, for the pair of them had waded the little stream in pursuit of the vision.
"By George, she does," Stanley Patterson concurred. "Reminds me of Estrellita. Torso just well enough forward, slender waist, not too lean in the stomach, and with muscles like some lad boxer's armouring that stomach to fearlessness. She has to have them to carry herself that way and to balance the back muscles. See that muscled curve of the back! It's Estrellita's."
"How tall would you say?" his wife queried.
"There she deceives," was the appraised answer. "She might be five-feet-one, or five-feet-three or four. It's that way she has of walking that you described as almost about to fly."
"Yes, that's it," Mrs. Patterson concurred. "It's her energy, her seemingness of being on tip toe with rising vitality."
Stanley Patterson considered for a s.p.a.ce.
"That's it," he enounced. "She IS a little thing. I'll give her five-two in her stockings. And I'll weigh her a mere one hundred and ten, or eight, or fifteen at the outside."
"She won't weigh a hundred and ten," his wife declared with conviction.
"And with her clothes on, plus her carriage (which is builded of her vitality and will), I'll wager she'd never impress any one with her smallness."
"I know her type," his wife nodded. "You meet her out, and you have the sense that, while not exactly a fine large woman, she's a whole lot larger than the average. And now, age?"
"I'll give you best there," he parried.
"She might be twenty-five, she might be twenty-eight . . . "
But Stanley Patterson had impolitely forgotten to listen.
"It's not her legs alone," he cried on enthusiastically. "It's the all of her. Look at the delicacy of that forearm. And the swell of line to the shoulder. And that biceps! It's alive. Dollars to drowned kittens she can flex a respectable knot of it . . . "
No woman, much less an Ida Barton, could have been unconscious of the effect she was producing along Waikiki Beach. Instead of making her happy in the small vanity way, it irritated her.
"The cats," she laughed to her husband. "And to think I was born here an almost even third of a century ago! But they weren't nasty then. Maybe because there weren't any tourists. Why, Lee, I learned to swim right here on this beach in front of the Outrigger.
We used to come out with daddy for vacations and for week-ends and sort of camp out in a gra.s.s house that stood right where the Outrigger ladies serve tea now. And centipedes fell out of the thatch on us, while we slept, and we all ate poi and opihis and raw aku, and n.o.body wore much of anything for the swimming and squidding, and there was no real road to town. I remember times of big rain when it was so flooded we had to go in by canoe, out through the reef and in by Honolulu Harbour."
"Remember," Lee Barton added, "it was just about that time that the youngster that became me arrived here for a few weeks' stay on our way around. I must have seen you on the beach at that very time-- one of the kiddies that swam like fishes. Why, merciful me, the women here were all riding cross-saddle, and that was long before the rest of the social female world outgrew its immodesty and came around to sitting simultaneously on both sides of a horse. I learned to swim on the beach here at that time myself. You and I may even have tried body-surfing on the same waves, or I may have splashed a handful of water into your mouth and been rewarded by your sticking out your tongue at me--"
Interrupted by an audible gasp of shock from a spinster-appearing female sunning herself hard by and angularly in the sand in a swimming suit monstrously unbeautiful, Lee Barton was aware of an involuntary and almost perceptible stiffening on the part of his wife.
"I smile with pleasure," he told her. "It serves only to make your valiant little shoulders the more valiant. It may make you self- conscious, but it likewise makes you absurdly self-confident."
For, be it known in advance, Lee Barton was a super-man and Ida Barton a super-woman--or at least they were personalities so designated by the cub book-reviewers, flat-floor men and women, and scholastically emasculated critics, who from across the dreary levels of their living can descry no glorious humans over-topping their horizons. These dreary folk, echoes of the dead past and importunate and self-elected pall-bearers for the present and future, proxy-livers of life and vicarious sensualists that they are in a eunuch sort of way, insist, since their own selves, environments, and narrow agitations of the quick are mediocre and commonplace, that no man or woman can rise above the mediocre and commonplace.
Lacking gloriousness in themselves, they deny gloriousness to all mankind; too cowardly for whimsy and derring-do, they a.s.sert whimsy and derring-do ceased at the very latest no later than the middle ages; flickering little tapers themselves, their feeble eyes are dazzled to unseeingness of the flaming conflagrations of other souls that illumine their skies. Possessing power in no greater quant.i.ty than is the just due of pygmies, they cannot conceive of power greater in others than in themselves. In those days there were giants; but, as their mouldy books tell them, the giants are long since pa.s.sed, and only the bones of them remain. Never having seen the mountains, there are no mountains.
In the mud of their complacently perpetuated barnyard pond, they a.s.sert that no bright-browed, bright-apparelled shining figures can be outside of fairy books, old histories, and ancient superst.i.tions. Never having seen the stars, they deny the stars.
Never having glimpsed the shining ways nor the mortals that tread them, they deny the existence of the shinning ways as well as the existence of the high-bright mortals who adventure along the shining ways. The narrow pupils of their eyes the centre of the universe, they image the universe in terms of themselves, of their meagre personalities make pitiful yardsticks with which to measure the high-bright souls, saying: "Thus long are all souls, and no longer; it is impossible that there should exist greater-statured souls than we are, and our G.o.ds know that we are great of stature."
But all, or nearly all on the beach, forgave Ida Barton her suit and form when she took the water. A touch of her hand on her husband's arm, indication and challenge in her laughing face, and the two ran as one for half a dozen paces and leapt as one from the hard-wet sand of the beach, their bodies describing flat arches of flight ere the water was entered.
There are two surfs at Waikiki: the big, bearded man surf that roars far out beyond the diving-stage; the smaller, gentler, wahine, or woman, surf that breaks upon the sh.o.r.e itself. Here is a great shallowness, where one may wade a hundred or several hundred feet to get beyond depth. Yet, with a good surf on outside, the wahine surf can break three or four feet, so that, close in against the sh.o.r.e, the hard-sand bottom may be three feet or three inches under the welter of surface foam. To dive from the beach into this, to fly into the air off racing feet, turn in mid- flight so that heels are up and head is down, and, so to enter the water head-first, requires wisdom of waves, timing of waves, and a trained deftness in entering such unstable depths of water with pretty, unapprehensive, head-first cleavage, while at the same time making the shallowest possible of dives.