Old Rome Part 4

[Sidenote: Temple of Castor.]

At a short distance from the entrance to the Palatine we can enter the Forum near the ruins of an ancient temple, three columns of which are still standing. These three columns are among the most conspicuous and beautiful remains of ancient Rome. No doubt can now be felt that they belonged to the Temple of Castor and Pollux. The situation agrees with that which is pointed out by the Ancyraean inscription, and by the fact that Caligula made a pa.s.sage from the Palatine Palace to this temple.

The substructions of this building have been cleared, and the length and breadth of the bas.e.m.e.nt and of the steps forming the approach can now be clearly seen. The three columns belonged to the central part of the south-eastern side. They are of most elegant proportions, and their capitals, architrave and frieze are ornamented with decorative work of the very best period of Graeco-Roman architecture. The designs on the entablature are most delicate and perfect, and well repay a minute examination. Besides the usual ornaments upon the cornice and corbels there is along the upper edge a row of beautiful lions' heads, through which the rain-water ran off.

The temple had evidently eight columns in front, and eleven side columns, reckoning in the corner column. The approach was raised high above the forum level, and has three steps projecting beyond the line of the next building, the Basilica Julia. The lines of the front steps are preserved, and also those of the side towards the Capitol, while the other side has been destroyed. The pavement in front of this has been miserably altered and mended at a late date, probably after the fourth century.

[Ill.u.s.tration: FORUM ROMANUM]

The capitals when compared with the earlier Corinthian capitals of the Pantheon, show a longer and narrower type which is also found at the Temple of Vespasian and the peristyle of Nerva's Forum, the Colonacce. The lower foundations of the bas.e.m.e.nt are of old tufa rubble construction, and possibly belong to the date of the original foundations in B.C. 494 by the dictator Aulus Postumius, who vowed to build it at the battle of the Lake Regillus in the Latin war. It was afterwards dedicated by his son in B.C.

484. Two restorations are mentioned, the first executed by L. Metellus Dalmaticus, consul in B.C. 119, and the second by Drusus and Tiberius in A.D. 6. The temple was used for meetings of the senate, for harangues from its steps to the people in the forum, and for holding courts of law. A register of changes in the value of money was kept in the tabularium of the temple, and deposits were made here as in many other temples.[41]

Standing as the old temple did near the veteres tabernae of the forum, and the newer restorations of them near the Basilica Julia, it was convenient for business transactions. On the north-west side a street pavement leading to the Velabrum has been laid bare, which may be that of the Vicus Tuscus.

[Sidenote: Puteal.]

Descending from the Temple of Castor to the ancient pavement of the Forum Romanum, we find at the north-eastern corner of the ruin the remains of a puteal or well-house which has naturally been supposed to be the fountain of Juturna from its neighbourhood to the Temple of the Twin Brethren, who are said to have given their horses drink there after the battle of Regillus.

[Sidenote: Temple of Vesta.]

A little farther to the south the bas.e.m.e.nt of a round building is to be seen, which may very probably have been the ancient Temple of Vesta. This was a round building, as we conclude from Ovid and Plutarch's notices, and was intended by Numa, the first founder, to denote the spherical shape of the earth which Vesta personified, or the original family hearth.[42]

[Sidenote: Chapel of Julius Caesar.]

In front of the Temple of Castor a large block of substructions has been cleared, which is with great probability a.s.signed to the chapel built in honour of Julius Caesar, and called the Heroon of Caesar. Ovid's lines, in one of his letters from Pontus--

"Like the twin brethren whom in their abode Julius, the G.o.d, beholds from his high shrine,"

seem to prove that the heroon was in front of that temple. The body of Caesar was burnt in front of the regia and Temple of Vesta, which were at this end of the Forum, and the heroon was placed on the spot where it was burnt. The remains of two small staircases were found at the sides of the heroon, and a wider staircase in front. The epithet "high," given by Ovid to its position, seems to be in accordance with the raised bas.e.m.e.nt. The semicircle of masonry on the north side has not been satisfactorily explained. It is usually supposed to have belonged to the Julian rostra, but its shape is not such as to support this idea.

[Sidenote: Temple of Antoninus and Faustina.]

To the north-east of the heroon of Julius Caesar, we find the ancient pavement of the road which ran along the north-eastern side of the Forum, and to this road descend the steps of a temple with a conspicuous row of six cipollino columns, and with two columns and a pilaster besides the corner column on each side. These columns have Attic bases and Corinthian capitals of white marble. The inscription upon the plain architrave in front shows that the temple was first dedicated to Faustina alone, and that the first three words, including the emperor's name, were added after his death. The Faustina here commemorated was probably the elder Faustina, wife of Antoninus Pius, as a representation at this temple is given on one of the medals struck in her honour.[43] She died in A.D. 141, and Antoninus Pius in 161. The frieze of the temple is ornamented at the sides with a bold and finely-executed relief representing griffins with upraised wings, between which are carved elaborately-designed candelabra and vases.

A considerable part of the side walls of grey peperino blocks anciently faced with marble is still standing. A church was built here at a very early time, but the present building which forms a strange contrast in the meanness of its style and proportions to the ma.s.sive grandeur of the grey old ruin which embraces it, was built in 1602 by the guild of the Roman apothecaries.[44]

[Sidenote: Extent of the Forum.]

[Sidenote: Seven brick pedestals.]

[Sidenote: Column of Phocas.]

We now pa.s.s along the ancient stone pavement towards the Capitol, and observe how small the s.p.a.ce occupied by the ancient Forum Romanum was. The temple we have just left stood in the north-eastern corner, and the columns of the two temples opposite to us on the slope of the Capitol mark the other end of the Forum. The central pavement now laid bare is of travertine flags, while the roads are marked by basaltic blocks. On the side of the central s.p.a.ce runs a row of seven large ma.s.ses of brickwork, which seem to be the bases of pedestals which supported dedicatory columns, or statues similar to the one still standing at the end, which has become known to English travellers as "the nameless column with the buried base" of Byron. Since Byron's time the base of this has been unburied, and bears the name of Smaragdus, proclaimed exarch of Italy for the eleventh time,[45] who erected it in honour of the Emperor Phocas. The date is given by the words INDICT. UND., which show that Smaragdus was in his eleventh year as exarch, and we know that he was exarch under Mauricius for five years, A.D. 583-588, and six years under Phocas, A.D.

602-608. His eleventh year would thus be in 608, and this was the fifth year of Phocas' reign, so that the last words of the inscription confirm the explanation given of the previous words INDICT. UND.[46] "P. C." in the inscription probably mean, as Clinton explains, post consulatum, which was the way of reckoning in the later years of the Eastern Empire.

[Sidenote: Pedestal of equestrian statue.]

In the centre of the Forum traces of the base of a large pedestal can be discerned, and this is supposed to have been the position of the equestrian statue of Domitian described at length by Statius, who says in the first poem of his 'Silvae' that an equestrian statue of Domitian stood at the north-western end of the Forum, looking towards the other end. It was a triumphal statue erected in honour of Domitian's campaigns against the Catti and Daci. The poet describes its position very accurately, mentioning the Heroon of Julius Caesar which faced it, the Basilica Julia on the right, the Basilica Paulli on the left, and the temples of Concord and Vespasian behind. The Temple of Saturn is omitted for some unknown reason. Statius also alludes to some other princ.i.p.al objects in the Forum, the Temple of Vesta, the Temple of Castor, and the statue of Curtius. He concludes with prophesying that the statue will outlast the eternal city.[47] It seems, however, probable, as Mr. Nichols in his admirable book on the Forum has said, that the statue was removed after Domitian's death, when his memory was execrated, or was dedicated to a succeeding emperor, and that the statement of Herodian about the dream of Severus, who imagined that he saw an equestrian statue in the Forum, a colossal representation of which remained there in the historian's time, may refer to this pedestal.[48]

[Sidenote: Trajan's bas-reliefs.]

Two of the most interesting monuments which have been brought to light by the recent excavations in Rome were discovered in 1872, near the base of the column of Phocas, where they have been re-erected. They consist of marble slabs, sculptured with bas-reliefs and forming low screens. Each screen is constructed of slabs of unequal size, and some of these have been unfortunately lost. Their original position has been restored as nearly as possible, and they stand parallel to each other in a line crossing the area of the Forum. On the inner sides of both of these sculptured screens, the sacrificial animals, the boar, sheep and bull, always offered up at the Suovetaurilia, are represented.

The other sides, which are turned outwards, represent scenes in the Forum, and are commemorative of some public benefaction of one of the emperors, probably Trajan or Hadrian. On one of them Italia is represented thanking the emperor for establishing some "alimenta publica," public relief inst.i.tutions, and for apportioning lands to encourage needy parents to rear their children. Such relief funds and lands intended to supply the defective population of Italy were first established by the Emperor Nerva, and afterwards by Trajan, Hadrian, and the Antonines, and are frequently commemorated on medals, and mentioned by the historians Dion Ca.s.sius and Aurelius Victor, and the authors of the Augustan history.[49] The emperor is represented in a sitting posture, and stretching out his hand towards a child presented by a woman in the character of Italia, who apparently holds another child ready for presentation. Behind the emperor's seat is the fig-tree called Navia or Ruminalis, which is said to have grown near the rostra, and also the figure of Marsyas which stood in the same place.

At the other end of this sculptured scene stands a speaker with a roll in his hand, addressing a crowd of citizens from a rostrum, which may perhaps represent the publication of the edict establishing alimenta.

The other bas-relief scene shows a rostrum at one end, from which a sitting figure is superintending the burning of large bundles of books, carried and placed in front of him in a heap. The outline of a figure applying a torch can be traced, and also of several attendants. At the opposite end to the sitting figure the fig-tree and Marsyas are placed as in the other relief.

The style of art in which the reliefs are executed cannot, in Professor Henzen's opinion, belong to an earlier period than Trajan's reign. The treatment corresponds to that on those reliefs taken from Trajan's arch, and set up on Constantine's arch. After Trajan's time the style of bas-relief was so much altered that we cannot suppose them to have been sculptured later than the first year of Hadrian.

As Trajan gained great popularity in the early years of his reign by an abolition of the arrears of certain debts due to the imperial treasury, amounting to a large sum, and as he also established alimenta, these reliefs have been generally supposed to commemorate his public benefactions, in founding relief inst.i.tutions and cancelling public debts.

The backgrounds of both the sculptures are occupied by representations of some public buildings, but it does not seem possible to identify these with any certainty. That they roughly represent some of the temples and Basilicas in the Forum in a sketch is all we can say. One of the temples shown in the relief which depicts the foundation of alimenta has only five columns in its portico, showing a want of accuracy in the drawing which throws great doubt upon its topographical value. The archaeologists who have endeavoured to name the buildings have agreed in calling the Ionic and the Corinthian portico in the relief where the account books are being burnt those of the Temples of Saturn and Vespasian, with an arch of the tabularium between them, and the long row of arches the Basilica Julia, but they differ as to the buildings shown in the other relief, for while Mr. Nichols thinks that the Basilica Julia is here again represented with the Heroon of Julius Caesar and the arch of Augustus, Signor Brizio is of opinion that we have here the north-western side of the Forum with the Basilica aemilia.[50] The rostra are probably meant to represent temporary wooden constructions.

The most reasonable conjecture which has yet been made as to the purpose which these sculptured screens served is that they formed a pons or pa.s.sage along which voters pa.s.sed at a time of election from the Forum to the office where the votes were taken. A great part of the structures used at such times was probably temporary, and made of wood for the occasion.

Another explanation suggested by Mr. Nichols is that they formed a pa.s.sage leading to an altar and statue of the Emperor. It may be that the sculptures never reached their destined site, but were left here, as many of the marbles on the Tiber banks were, and gradually buried in rubbish.

[Sidenote: Basilica Julia.]

We now pa.s.s to the rows of restored bases of columns, which occupy the long s.p.a.ce on the south-western side of the seven pedestals above mentioned. Here we find the ground plan of the great Basilica Julia marked out by a treble row of columns at each of the larger sides, and a double row at each end. One pier of the outer row towards the Forum has been restored by Rosa so as to show the original height.

The proof that these ruins belong to the Basilica Julia which was planned by Julius Caesar, and begun by him but completed by Augustus, who dedicated it to his grandsons Caius and Lucius, is the statement in the monumentum Ancyranum, in which it is placed between the temples of Saturn and Castor.

A second proof is derived from two inscriptions found during the process of clearing the site, one of which records the repair of the Basilica Julia, and the erection in it of a statue by Gabinius Vettius Probia.n.u.s, prefect of the city in A.D. 377, and the other the rebuilding of the Basilica Julia under Maximian after the fire which destroyed it in the time of Carinus and Numerian. This site is also a.s.signed to the Basilica on the Capitoline plan which may be seen on the staircase of the Capitoline Museum. The outline given there, and marked by the name Basilica Julia, agrees in proportion, and in the rows of columns with the extant remains, and this shows that the present ruin is the same in its main points with that which stood in the time of Severus, when the Capitoline plan was made.[51] Seven steps lead up to the level of the floor from the Forum level.

A great deal of legal business was transacted here, as may be seen from the frequent mention of it in Pliny's Epistles. There were four tribunals, of which Quintilian speaks, at which four trials could be carried on at the same time; but these tribunals were probably wooden and temporary erections, and there is no trace of any semicircular apses, such as those in the Basilica of Constantine. One of Caligula's amus.e.m.e.nts, as we are told by Suetonius, was to stand upon the roof of this basilica, and throw money to the mob in the Forum to scramble for. Whether the basilica was covered over in the centre is not certain, but it probably was so, with two aisles open to the Forum. The row of arches standing at the north-west corner is partly a restoration of the basilica by Canina, and partly consists of some piers and a wall standing behind, which has not yet been satisfactorily identified with any ancient building. The most probable supposition is that they belonged to the Porticus Julia mentioned by Dion Ca.s.sius, and were parts of an earlier edifice, in front of which and upon which the basilica was placed by Augustus.

[Sidenote: Cloaca.]

Under the southern end of the floor of the Julian Basilica, an opening has been made in which the arch of the main cloaca of the Forum valley can be seen pa.s.sing across the Forum towards the Subura. This is the drain of which Juvenal speaks, when he says that the fish taken from the Crypta Suburae is the climax of indignity offered to the unhappy parasite Trebius at his patron's table.[52] The course of the drain runs from here under the Via dei Fenili down to the Ja.n.u.s Quadrifrons in the Velabrum, where it meets other branches and pa.s.ses down to the Tiber. Between the eastern end of the Basilica Julia and the temple of Castor ran the Vicus Tuscus, of which the paving-stones may still be traced. At the western end the Vicus Jugarius led towards the Velabrum, but this is buried under the present Via della Consolazione, and cannot be seen.

[Sidenote: Arch of Tiberius.]

The Arch of Tiberius, which stood at the corner of the Basilica Julia, where the Vicus Jugarius and the Clivus Capitolinus diverged, cannot be clearly traced, though some of its ruins have been thought to exist among those uncovered at the edge of and under the modern road. This arch has been with great probability supposed to be that alluded to by Tacitus in speaking of the recovery of the Roman standards lost by Varus, and retaken by Germanicus under the auspices of Tiberius.[53] The triumphal arch represented on the Arch of Constantine is also thought to be that of Tiberius placed here.

[Sidenote: Temple of Saturn.]

We now pa.s.s under the modern road to the foot of the Capitoline Hill, and proceed to examine the most prominent ruin at the western end of the Forum. This consists of eight columns, six of red granite forming a front, and two side columns of grey granite. The capitals of these and the decoration of the entablature, architrave and frieze surmounting them are of a late and debased Ionic order with volutes in the later style, and they have been pieced together in the last restoration of the temple with extraordinary negligence. Unequal s.p.a.ces are left between the columns, and some are set upon plinths while others are without them. One of the side columns has been so badly re-erected that the stones are misplaced, and consequently the diameter of the upper portion is of the same size as that of the lower. The restored carving on the inner frieze is of the roughest description, and the barbarous negligence of the whole restoration shows that it cannot have been done earlier than the fourth or fifth century. A comparison of the ruins now remaining with the plan as given on the fragments of the Capitoline map, bearing the name SAT VRNI has been made by Jordan, who shows that the remains of a prominent and peculiar flight of steps in front of the six columns correspond to the rough sketch on the plan, and that this flight of steps facing north must be taken to be the front of the temple.[54] The pavement stones of the road which led from the forum past the front of the temple may still be traced curving round this projecting flight of steps. Little doubt now remains that the ruin of the eight columns, the name of which has been so much discussed, belonged to the Temple of Saturn.

[Ill.u.s.tration: Temple of Saturn. Temple of Antoninus and Faustina.

Coliseum and Arch of t.i.tus. Temple of Castor.]

The inscription now upon the front was placed there at its latest restoration which, as we have seen, was in Christian times, and the name of the divinity is therefore omitted.

This temple was one of the most revered and ancient in the city, and its foundation is traced back in legendary myth to the h.e.l.lenic Kronos. The earliest date given for the dedication is B.C. 498. Many restorations must have taken place. An inscription recording one in the time of Augustus by Munatius Plancus has been found. This temple long retained the name of the Mint, from the fact that the state treasures were deposited under the care of the G.o.d Saturnus, as one of the most venerated of Roman deities.

[Sidenote: Area of the Dii Consentes.]

The ancient road leading up to the Capitol made a turn behind the Temple of Saturn, and a portico with semi-Corinthian or Composite columns has been restored from some columns and capitals found here in 1835. At the back of this portico were twelve recessed chambers occupied by chapels of the twelve deities called the Dii Consentes. Four of these still remain under the modern Via del Campidoglio. The walls are chiefly of brickwork, apparently of the second or third century, but the back wall against the ascent to the Capitol is of hard tufa. The interiors were faced with marble, of which traces are left. From the inscription found in 1835 upon the architecture it appears that Vettius Praetextatus, a prefect of the city in A.D. 367, restored the statues of the Dii Consentes, which had stood here from ancient times. Varro mentions gilded statues of the G.o.ds of the council as near the Forum, and also speaks of their temple. This portico and chambers cannot, however, have been a temple, but were evidently clerks' offices connected with the state depositories near the Temple of Saturn. Cicero speaks of the clerks of the Capitoline ascent.[55] Vettius Praetextatus, who restored the building in 367, was notorious for his opposition to the Christian religion and for his zeal in supporting the ancient cultus. He held several offices, and was pro-consul of Achaia under Julian, and probably recommended himself to that emperor by his attachment to the old Roman religion.

[Sidenote: Schola Xanthi.]