O. Henry Memorial Award Prize Stories of 1920 Part 69

Lapo Cercamorte laughed loud; but his laugh was the bark of a hyena, and his eyes were b.a.l.l.s of fire.

"No! with these legs and ringlets? Come here, Baldo. Here is a girl who says she is a man. What do you say, to speak only of this pretty skin of hers?"

And with his big hand suddenly he ripped open Raffaele's tunic half way to the waist, exposing the fair white flesh. The troubadour, though quivering with shame and rage, remained motionless, staring at the great sword that hung in its scarlet sheath from Lapo's harness.

Old one-eyed Baldo, plucking his master by the elbow, whispered: "Take care, Cercamorte. His brother Nicolotto is your ally. Since after all, nothing much has happened, do not carry the offence too far."

"Are you in your dotage?" Lapo retorted, still glaring with a dreadful interest at Raffaele's flesh. "Do you speak of giving offence, when all I desire is to be as courteous as my uneducated nature will allow? She must pardon me that slip of the hand; I meant only to stroke her cheek in compliment but instead I tore her dress.

Yet I will be a proper courtier to her still. Since she is now set on going home, I myself, alone, will escort her clear to the forest, in order to set her upon the safe road."

And presently Madonna Gemma, peering from her chamber window, saw her husband, with a ghastly pretense of care, lead young Raffaele Muti down the hill into the darkness from which there came never a sound. It was midnight when Lapo Cercamorte reentered the castle, and called for food and drink.

Now the shadow over the Big Hornets' Nest obscured even the glare of the summer sun. No winsome illusion of nature's could brighten this little world that had at last turned quite sinister. In the air that Madonna Gemma breathed was always a chill of horror. At night the thick walls seemed to sweat with it, and the silence was like a great hand pressed across a mouth struggling to give vent to a scream.

At dinner in the hall she ate nothing, but drank her wine as though burning with a fever. Sometimes, when the stillness had become portentous, Lapo rolled up his sleeves, inspected his scarred, swarthy arms, and mumbled, with the grin of a man stretched on the rack:

"Ah, Father and Son! if only one had a skin as soft, white, and delicate as a girl's!"

At this Madonna Gemma left the table.

Once more her brow became bleaker than a winter mountain; her eyes were haggard from nightmares; she trembled at every sound. Pacing her bower, interminably she asked herself one question. And at last, when Lapo would have pa.s.sed her on the stairs, she hurled into his face:

"What did you do to Raffaele Muti?"

He started, so little did he expect to hear her voice. His battered countenance turned redder, as he noted that for the sake of the other she was like an overstretched bow, almost breaking. Then a pang stabbed him treacherously. Fearing that she might discern his misery, he turned back, leaving her limp against the wall.

He took to walking the runway of the ramparts, gnawing his fingers and muttering to himself, shaking his tousled hair. With a sigh, as if some thoughts were too heavy a burden for that iron frame, he sat down on an archer's ledge, to stare toward the hut of the renegade Arabian. Often at night he sat thus, hour after hour, a coa.r.s.e creature made romantic by a flood of moonlight. And as he bowed his head the sentinel heard him fetch a groan such as one utters whose life escapes through a sword-wound.

One-eyed Baldo also groaned at these goings-on, and swallowed many angry speeches. But Foresto the horse-boy began to hum at his work.

This Foresto had attached himself to Lapo's force in the Ferrarese campaign. His habits were solitary. Often when his work was done he wandered into the woods to return with a capful of berries or a squirrel that he had snared. Because he was silent, deft, and daintier than a horse-boy ought to be, Lapo finally bade him serve Madonna Gemma.

Watching his dark, blank face as he strewed fresh herbs on her pavement, she wondered:

"Does he know the truth?"

Their glances met; he seemed to send her a veiled look of comprehension and promise. But whenever he appeared the crone was there.

One morning however, Foresto had time to whisper:

"The Arabian."

What did that mean? Was the Arab magician, recluse in his wretched hut below the castle, prepared to serve her? Was it through him and Foresto that she might hope to escape or at least to manage some revenge? Thereafter she often watched the renegade's window, from which, no matter how late the hour, shone a glimmering of lamplight.

Was he busy at his magic? Could those spells be enlisted on her side?

Then, under an ashen sky of autumn, as night was creeping in, she saw the Arabian ascending the hill to the castle. His tall figure, as fleshless as a mummy's, was swathed in a white robe like a winding sheet; his beaked face and hollow eye-sockets were like a vision of Death. Without taking her eyes from him, Madonna Gemma crossed herself.

Baldo came to the gate. The ghostly Arabian uttered:

"Peace be with you. I have here, under my robe, a packet for your master."

"Good! Pa.s.s it over to me, unless it will turn my nose into a carrot, or add a tail to my spine."

The foreigner, shaking his skull-like head, responded:

"I must give this packet into no hands but his."

So Baldo led the sorcerer to Cercamorte, and for a long while those two talked together in private.

Next day Madonna Gemma noted that Lapo had on a new, short, sleeveless surcoat, or vest, of whitish leather, trimmed on its edges with vair, and laced down the sides with tinsel. In this festive garment, so different from his usual attire, the grim tyrant was ill at ease, secretly anxious, almost timid. Avoiding her eye, he a.s.sumed an elaborate carelessness, like that of a boy who had been up to some deviltry. Madonna Gemma soon found herself connecting this change in him with the fancy white-leather vest.

In the hall, while pa.s.sing a platter of figs, Foresto praised the new garment obsequiously. He murmured:

"And what a fine skin it is made of! So soft, so delicate, so l.u.s.trous in its finish! Is it pigskin, master? Ah, no; it is finer than that. Kidskin? But a kid could not furnish a skin as large as this one. No doubt it is made from some queer foreign animal, perhaps from a beast of Greece or Arabia?"

While speaking these words, Foresto flashed one look, mournful and eloquent, at Madonna Gemma, then softly withdrew from the hall.

She sat motionless, wave after wave of cold flowing in through her limbs to her heart. She stared, as though at a basilisk, at Lapo's new vest, in which she seemed to find the answer so long denied her.

The hall grew dusky; she heard a far-off cry, and when she meant to flee, she fainted in her chair.

For a week Madonna Gemma did not rise from her bed. When finally she did rise she refused to leave her room.

But suddenly Lapo Cercamorte was gayer than he had been since the fall of Grangioia Castle. Every morning, when he had inquired after Madonna Gemma's health, and had sent her all kinds of tidbits, he went down to sit among his men, to play morra, to test swordblades, to crack salty jokes, to let loose his husky guffaw. At times, c.o.c.king his eye toward certain upper cas.e.m.e.nts, he patted his fine vest furtively, with a gleeful and mischievous grin. To Baldo, after some mysterious nods and winks, he confided:

"Everything will be different when she is well again."

"No doubt," snarled old Baldo, scrubbing at his mail shirt viciously.

"Though I am not in your confidence, I agree that a nice day is coming, a beautiful day--like a pig. Look you, Cercamorte, shake off this strange spell of folly. Prepare for early trouble. Just as a Venetian sailor can feel a storm of water brewing, so can I feel, gathering far off, a storm of arrows. Do you notice that the crows hereabouts have never been so thick? Perhaps, too, I have seen a face peeping out of the woods, about the time that Foresto goes down to pick berries."

"You chatter like an old woman at a fountain," said Lapo, still caressing his vest with his palms. "I shall be quite happy soon--yes, even before the Lombard league takes the field."

Baldo raised his shoulders, pressed his withered eyelids together, and answered, in disgust:

"G.o.d pity you, Cercamorte! You are certainly changed these days.

Evidently your Arabian has given you a charm that turns men's brains into goose-eggs."

Lapo stamped away angrily, yet he was soon smiling again.

And now his coa.r.s.e locks were not unkempt, but cut square across brow and neck. Every week he trimmed his fingernails; every day or so, with a flush and a hangdog look, he drenched himself with perfume.

Even while wearing that garment--at thought of which Madonna Gemma, isolate in her chamber, still shivered and moaned--Cercamorte resembled one who prepares himself for a wedding, or gallant rendezvous, that may take place any moment.

Sometimes, reeking with civet-oil, he crept to her door, eavesdropped, pondered the quality of her sighs, stood hesitant, then stealthily withdrew, grinding his teeth and wheezing:

"Not yet. Sweet saints in heaven, what a time it takes!"

He loathed his bed, because of the long hours of sleeplessness. He no longer slept naked. At night, too, his body was encased in the vest of whitish soft skin.