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Not In The Flesh_ A Wexford Novel Part 1

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Not in the Flesh.

A Wexford Novel.

by Ruth Rendell.

Chapter One.

Tom Belbury died in May and now that summer was over his brother missed him more than ever. Neither of them had married, so there was no widow and no children, only the dog, Honey. Jim took Honey to live with him; he had always liked her and it was what Tom had wanted. When he knew he hadn't long to live he worried a lot about Honey, what would happen to her after he was gone, and though Jim a.s.sured him repeatedly that he would take her, Tom said it again and again.



"Haven't I promised over and over?" Jim asked. "You want me to put it in writing and get it witnessed? I will if that's what you want."

"No, I trust you. She's a good dog."

Tom's trust hadn't been misplaced. Jim lived in the cottage that had been the brothers' parents' home and there Honey went to live with him. She was no beauty, owing her ancestry to an apparent mix of spaniel, ba.s.set hound, and Jack Russell. Tom used to say she looked like a corgi and everyone knew corgis were the Queen's dogs, having so to speak the royal seal of approval, but Jim couldn't see it. Nevertheless, he had grown attached to Honey. Apart from fidelity and affection, she had one great virtue. She was a truffle dog.

Every September, at the beginning of the month, Tom and Honey used to go into one patch of woodland or another in the neighborhood of Flagford and hunt for truffles. A lot of people scoffed. They said truffles couldn't be found in Britain, only in France and Italy, but there was no doubt Honey found them, was rewarded with a lump of meat, and Tom sold the truffles to a famous London restaurant for 200 a pound.

Jim disliked the taste but he liked the idea of 200 and possibly more. He had never been truffle-hunting with Tom but he knew how it was done. This was why a mild and sunny morning in late September found him and Honey in what their neighbors called the posh part of Flagford where Flagford Hall faced Athelstan House across Pump Lane, each amid extensive grounds. They had no interest in these houses or their occupants. They were heading for Old Grimble's Field that filled the corner between the gardens of Athelstan House and two identical detached houses called Oak Lodge and Marshmead.

Like the Holy Roman Empire, which Gibbon said was neither holy, Roman, nor an empire, this open s.p.a.ce wasn't a field, nor was Grimble particularly old or really called Grimble. It was an over-grown piece of land, about an acre of what estate agents describe as a corner plot. Due to years of inattention, saplings had grown into trees, shrubs into bushes, roses and privet and dogwood into hedges, and trees had doubled in size. Somewhere in the middle of this burgeoning woodland stood a semiderelict bungalow that had belonged to Grimble's father, its windows boarded up, its roof slowly shedding its tiles. Tom Belbury had been there truffle-hunting with Honey the year before and p.r.o.nounced it rich in members of the genus Tuber.

Because Tom had carried the rewards for Honey unwrapped in the breast pocket of his leather jacket, he usually smelled of meat that was slightly "off." Jim hadn't much liked it at the time, but now he recalled it with affection. How pleased dear old Tom would be to see him and Honey heading for Old Grimble's Field in close companionship, following his old pursuit. Perhaps he could see, Jim thought sentimentally, and imagined him looking down from whatever truffle wood in the sky he found himself in.

Honey was the director of operations. Tom used to claim that she was drawn to a particular spot by the presence of truffle flies hovering around the base of a tree, and now she led Jim to a mature tree (a sycamore, he thought it was) where he could see the flies himself.

"Get digging, girl," he said.

The irregular warty lump, about the size of a tennis ball, which Honey unearthed, she willingly relinquished in exchange for the cube of sirloin steak Jim took out of a plastic zipper-lock bag he had brought with him.

"This old fungus must weigh a good half-pound," he said aloud. "Keep on with the good work, Honey."

Honey kept on. The truffle flies annoyed her and she snapped at the swarms, scattering them and snuffling toward where they had been densest. There she began digging again, fetched out of the rich leaf mold first a much smaller truffle, then one about the size of a large potato and was rewarded once more with pieces of sirloin.

"There's a lot more flies buzzing about over there," Jim said, pointing to a biggish beech tree which looked a hundred years old. "How about moving on?"

Honey had no intention of moving on. So might a diamond prospector refuse to abandon the lode where gems worth a fortune had already come to light, until he was sure the seam had been exhausted. Honey sniffed, dug, slapped at the flies with her paws, dug again. No more truffles were foraged and the object that she had unearthed was of no interest to her. It lay exposed on the chestnut-colored soil, white, fanlike, unmistakably what it was: a human hand.

Or, rather, the bones of a human hand, flesh, skin, veins, tendons all gone.

"Oh, my lord, girl," said Jim Belbury, "whatever have you gone and found?"

As if she understood, Honey stopped digging, sat down, and put her head on one side. Jim patted her. He put the three truffles in the plastic bag he had brought with him for that purpose, placed the bag inside his backpack, and removed from it his mobile phone. Jim might be an old countryman, once an agricultural laborer and living in a cottage with no proper bathroom and no main drainage, but still he would no more have gone out without his mobile than would his fifteen-year-old great-nephew. Unaware of the number of Kingsmarkham police station, he dialed Information.

Chapter Two.

The thing that had come out of the pit lay exposed for them to see, a bunch of bones that looked more than anything like broom-sticks, a skull to which sc.r.a.ps of decomposed tissue still adhered, all wrapped in purple cotton. They had been digging for two hours, an operation watched by Jim Belbury and his dog.

"Man or woman?" Chief Inspector Wexford asked.

"Hard to say." The pathologist was a young woman who looked like a fifteen-year-old model, thin, tall, pale, and other-worldly. "I'll tell you when I've taken a closer look."

"How long has it been there?"

Carina Laxton eyed Wexford and his sergeant, DS Hannah Goldsmith, who had asked the question. "And how long have you two been in the force? Isn't it about time you knew I can't give you an immediate answer when a cadaver's obviously been buried for years?"

"Okay, but is it months or decades?"

"Maybe one decade. What I can tell you is you're wasting your time taking all these measurements and photographs as if someone put it there last week."

"Maybe Mr. Belbury can help us there," said Wexford. He had decided not to mention the fact that Jim Belbury was trespa.s.sing, had probably been trespa.s.sing for years. "Did your dog ever dig here before?"

"Not on this spot, no," said Jim. "Over there where there's more bigger trees. Can I ask you if you reckon it's what you call foul play?"

Wexford was tempted to say, well, no, you can't, but he relented. "Someone buried him or her, so you have to-" he began but Hannah interrupted him.

"Law-abiding people don't bury bodies they find lying about, you know," she said sharply. "Perhaps you should be on your way, Mr. Belbury. Thank you, you've been very helpful."

But Jim wasn't to be dismissed so easily. Finding Wexford sympathetic and everyone else-Hannah, the scene-of-crime officer, the photographers, the pathologist, and various policemen-of no account, he began giving the chief inspector details of all the houses and their occupants in the vicinity. "That's Mr. Tredown's place next door and down there's the Hunters and the Pickfords. Over the other side that's Mr. Borodin. I've lived in Flagford all my life. There's nothing I don't know."

"Then you can tell me who owns this land." Wexford extended his arm and waved his hand. "Must be at least an acre."

His politically correct sergeant murmured something about hectares being a more appropriate measurement "in the present day," but no one took much notice of her.

"An acre and a half," said Jim with a glare at Hannah. "We don't have no hectares round here. Them belongs in the Common Market." Like many people of his age, Jim still referred in this way to the European Union. "Who owns it? Well, Mr. Grimble, innit? This here is Old Grimble's Field."

Though he might possibly be compounding a felony, seeing that the subterranean fungi in the bag properly belonged to this Grimble, Wexford thanked Jim and offered him a lift home in a police car.

"And my dog?" said Jim.

"And your dog."

His offer gratefully accepted, he and Hannah moved away, heading for the road where police vehicles were parked along the pavement. It became, within a short distance, Flagford High Street, a somewhat too picturesque village center where stood the thirteenth-century church, a post office and general store, a shop that sold mosaic tabletops, another purveying lime-flower honey and mulberry conserve, and a number of flint-walled cottages, one thatched and another with its own bell tower.

Wexford, in the car, said to Hannah that, for all the times he had been to Flagford, he couldn't remember noticing that piece of land before.

"I don't think I've ever been here before, guv," said Hannah.

He had grown accustomed to her calling him that and supposed she had originally got it off the television. The Bill, The Bill, probably. Not that he liked it, while admitting it was current usage, but the trouble was all his officers had learned it from her and now no one kept to the old "sir." Burden would know who owned that land. He had a relative living in Flagford, his first wife's cousin, Wexford thought it was. probably. Not that he liked it, while admitting it was current usage, but the trouble was all his officers had learned it from her and now no one kept to the old "sir." Burden would know who owned that land. He had a relative living in Flagford, his first wife's cousin, Wexford thought it was.

"There's not much to be done," Hannah was saying, "until we know how long that body's been there."

"Let's hope Carina will know by later today."

"Meanwhile I could find out more about this Grimble and if he owns the old house on it."

"Right, but let me talk to Mr. Burden first."

Hannah directed one of her looks at him. She was a beautiful young woman, black-haired, white-skinned, with large brown eyes that softened into a quite disproportionate pitying sorrow combined with a desire to reproach him gently whenever he committed the solecism of using terms or styles she thought obsolete. "Mr. Burden, oh, come," her glance said while the perfect lips stayed closed. Their relative ranks made reproach impossible, but glances were free. As Wexford himself might have said, a cat may look at a king.

It was a gentle sunny day, what weather forecasters were starting to call "quiet" weather, the temperature high for September, all the leaves still on the trees and most of them still green. Summer flowers in pots and urns and window boxes still bloomed on and on, more luxuriantly than in August. Frosts were due, frosts would normally have come by now, but none had. If this was global warming, and Wexford thought it must be, it disguised its awful face under a mask of mild innocence. The sky had become the milky blue of midsummer covered with tiny white puffs of cloud.

He called Burden a moment after he got into the police station, but the inspector's voice mail told him he was occupied in an interview room. That would be his interview with Darrel Fincher, the teenager found with a knife on him. You could predict, without hearing a word of their conversation, what the boy would say: that he carried the knife for protection, that going home from school or going out in the evening he wouldn't feel safe without a knife. It was "all them Somalis," he would say. They were everywhere and they all had knives. That was what they called dark-skinned people these days, "them Somalis," as they had once indiscriminately called Asians "them Pakis." Wexford turned his thoughts to the Flagford corpse. With luck, it wouldn't have been there for more than a year or two and would turn out to be that chap he could remember going missing a while back after a ram raid on a jeweler's or the old woman who lived alone in a Forby cottage. After failing to visit her for three months her daughter had remembered her existence but on going there had found her apparently long gone. One of them it would most likely be. Strange, he thought, that death and subsequent decay wipe away age and s.e.x and every distinguishing feature so that nothing is left but bones and a rag or two. And a hand, unearthed by an enthusiastic mongrel. How comforting it must have been when men and women (or women and men, as Hannah would say) believed that the body is but a sheath for the spirit which, at the point of death, flies away to some afterlife or paradise. It would hardly matter to you then, if your faith were strong enough, that you met your death from the blade of a knife, a bludgeon, or because your heart gave its final beat in the natural course of things.

He came down to earth from these postmortem reflections when his office door opened and Burden walked in. "That bit of land at Flagford where the dog-walker found a body? Of course I know who owns it. Everybody knows."

"I don't," said Wexford. "And what d'you mean, everybody knows? It's not the Tower of London, it's not Harrods."

"I mean this guy it belongs to tells everyone how hard done by he is by the planning people. His name's Grimble, John Grimble. He's even had a piece about himself in the Courier. Courier. He's obsessed. His father died-well, his stepfather it was-and left him the bungalow and the land it's on, and ever since he's been trying to get planning permission to build houses on it. He thinks he's been badly treated-that's an understatement-because they'll let him build one but not more." He's obsessed. His father died-well, his stepfather it was-and left him the bungalow and the land it's on, and ever since he's been trying to get planning permission to build houses on it. He thinks he's been badly treated-that's an understatement-because they'll let him build one but not more."

"Where does he live?"

"The street next to me, worse luck. The dog-walker must have known."

"He's not a dog-walker. He's a truffle-hunter."

Burden's normally impa.s.sive face brightened. "A truffle-hunter? How amazing. Tuber aestivum, Tuber gibbosum, Tuber magnatum, Tuber aestivum, Tuber gibbosum, Tuber magnatum, or or Tuber melanosporum? Tuber melanosporum?"

Wexford stared. "What do you know about truffles, since I suppose that's what you're talking about?"

"I used to hunt for them with my dad and our dog when I was a boy. Found a good many too. My grandfather used a pig-a sow, of course. Truffles smell like the male swine s.e.x attractant, you see, but the trouble is that pigs'll eat anything, so they tend to eat the truffles before you can stop them and that's a bit expensive when you consider-"

"Mike, sit down a minute."

Burden, one of those restless people who perch rather than sit and fidget instead of relaxing, balanced himself on the edge of Wexford's desk. He had at last, regretfully, discarded his designer jeans and was wearing charcoal trousers with a knife-edge crease and a stone-colored polo neck under a linen jacket. Wexford thought rather wistfully that when he tried to get himself up in casual gear he just looked like someone's dad going to a fancy dress party.

"Never mind truffles. How long has this obsessive owned the land?"

"Must be at least ten years. More like twelve. I don't suppose the people on either side like it much, having a sort of wilderness next door, I mean. Apparently, when old Grimble lived there he kept the place neat and tidy. His garden was quite famous locally. This one-John Grimble-has let the place turn into a wood. He doesn't even mow the gra.s.s. And he says things are going to stay as they are until he gets his planning permission. For two houses, that is. He'll never agree to pulling down that old ruin of a bungalow-it's called Sunnybank, by the way-and building one house. Or that's what he says."

"What does he do for a living?"

"Something in the building trade. He's put up a few houses around the place and made a lot of money. If you see a jerry-built eyesore, it'll be Grimble's. He's retired now, though he's only in his fifties."

"We'll go and see him."

"Why not? If it turns out he's murdered one of the district planners, our task is going to be easy."

John and Kathleen Grimble belonged to that category of people who, after about forty, decide consciously or unconsciously to become old. While the cult of youth prevails in society, while to be young is to be beautiful, bright, and lovable, they sink rapidly into middle age and even seem to cultivate the disabilities of the aged. Wexford's theory was that they do this out of laziness and because of the benefits incident to being elderly. The old are not expected to take exercise, lift heavy weights, or do much for themselves. They are pitied but they are also ignored. No one asks them to do anything or, come to that, to stop doing anything they choose to do. Burden had told him John Grimble was just fifty years old, his wife two or three years younger. They looked, each of them, at least ten years older than that, anch.o.r.ed to orthopedic armchairs, the kind that have back supports and adjustable footrests, placed in the best position for perpetual television watching.

He nodded to Burden, his neighbor. In response to Wexford's "Good afternoon, Mr. Grimble," he merely stared. His wife said she was pleased to meet them in the tones of an old woman waking from her after-lunch siesta. On the way there Burden had explained something of the obsession that contributed to Grimble's reputation, so Wexford wasn't surprised at his first words.

"I mean to say," Grimble began, "if I tell you something that may put you on the right road to catching a criminal, will you use your influence to get my permission?"

"Oh, John," said Kathleen Grimble.

"Oh, John, oh, John, you're a parrot, you are. Now, Mr. Burden-it is Mr. Burden, isn't it? You hear what I say-will you?"

"What permission would that be?" Wexford asked.

"Didn't he tell you?" Grimble said in his surly, grudging voice. He c.o.c.ked a thumb in Burden's direction. "It's not as if everybody don't know. It's common knowledge. All I want is to be told I can build houses on what's my own, my own land that my dear old dad left me in his last will and testament-well, my stepdad he was, but as good as a father to me. So what I'm saying is, if I scratch your back will you scratch mine?"

"We have no influence at all with the planning authority, Mr. Grimble. None at all. But I must tell you that this is a murder case and you are obliged to tell us what you know. Withholding information is a criminal offense."

A tall thin man, one of a race who is cla.s.sified as white and would be horrified if otherwise designated, Grimble had skin discolored to a dark brownish-gray, suffused about his nose and chin with crimson. A perpetual frown had creased up his forehead and dug deep furrows across his cheeks. He stuck out his lower lip like a mutinous child and said, "It's a funny thing how everybody's against me getting permission to build on my own land. Everybody. All my old dad's neighbors. All of them objected. Never mind how I know, I do know, that's all. Now it's the police. You wouldn't think the police would care, would you? If they're for law and order, like they're supposed to be, they ought to want four nice houses put up on that land, four houses with nice gardens and people as can afford them living there. Not asylum seekers, mind, not the so-called homeless, not Somalis, but decent people with a bit of money."

"Oh, John," said Kathleen.

Wexford got to his feet. He said sternly, "Mr. Grimble, either tell us what you have to tell us now or I shall ask you to accompany us to the police station and tell us there. In an interview room. Do you understand me?"

No apology was forthcoming. Wexford thought Grimble could take a prize for surliness, but it seemed the man hadn't even begun. His features gathered themselves into a bunch composed of the deepest frown a human being could contrive, a wrinkling of his potatolike nose and a baring of the teeth, the result of curling back his top lip. His wife shook her head.

"Your blood pressure will go sky high, John. You know what the doctor said."

Whatever the doctor had said, reminding Grimble of it caused a very slight reduction in frown and teeth-baring. He spoke suddenly and rapidly. "Me and my pal, we reckoned we'd put in the main drainage. Get started on it. Get rid of the old septic tank. Link the new houses up to the main drain in the road. You get me? We got down to digging a trench-"

"Just a minute," said Wexford, loath to remind him of his grievance but seeing no way to avoid it. "What new houses? You hadn't got planning permission for any new houses."

"D'you think I don't know that? I'm talking about eleven years ago. I didn't know then, did I? My pal knew a chap in the planning and he said I was bound to get permission, bound to. He said, you go ahead, do what you want. Your pal-meaning me-he may not get it for four houses but there's no way they'd say no to two, right?"

"Exactly when was this? You said eleven years ago. When did your stepfather die?"

Unexpectedly, Kathleen intervened. "Now, John, you just let me tell them." Sulkily, Grimble nodded, contemplated the television on which the sound had been turned down fully but the picture remained. "John's dad-his name was Arthur-he died in the January. January '95, that is. He left this will, straightforward it was, no problems. I don't know the ins and outs of it but the up-shot was that it was John's in the May."

"That piece of land, Mrs. Grimble, and the house on it?"

"That's right. He wanted to pull down the old place and get building, but his pal Bill Runge-that's the pal he's talking about-he said, you can't do that, John, you have to get permission, so John got me to write to the council and ask to put up four houses. You got all that?"

"Yes, I think so, thank you." Wexford turned back to John Grimble, who was leaning forward, his head on one side, in an attempt to hear the soundless television program. "So without getting the permission," he said, "you and Mr. Runge started digging a trench for the main drainage? When would that have been? . . . Mr. Grimble, I'm speaking to you."

"All right. I hear you. Them busybody neighbors, it was them as put a spoke in my wheel, that fellow Tredown and those Pickfords. Them McNeils what used to live at Flagford Hall. I know what I know. That's why I never pulled down my dad's old house. Leave it there, I thought to myself, leave it there to be an eyesore to that lot. They won't like that and they don't. Leave the weeds there and the b.l.o.o.d.y nettles. Let the d.a.m.n trees take over."

Wexford sighed silently. "I'm right, aren't I, in thinking that you and your friend started digging a trench between where you expected the houses would be sited and the road itself?" A surly nod from Grimble. "But your application for planning permission was refused. You could build one house but no more. So you filled in the trench. And all this was eleven years ago."

"If you know," said Grimble, "I don't know why you bother to ask, wasting my time."

"Oh, John, don't," said Kathleen Grimble, slightly varying her admonition.

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Not In The Flesh_ A Wexford Novel Part 1 summary

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