Nostromo, a Tale of the Seaboard Part 12

"Yes, yes," broke in Don Jose, almost trembling with eagerness. "We are safe. The good Senor Viola is a man of experience. Extremely deadly--is it not so? You have accomplished your mission admirably, my dear Martin."

Decoud, lolling back moodily, contemplated old Viola.

"Ah! Yes. A man of experience. But who are you for, really, in your heart?"

Mrs. Gould leaned over to the children. Linda had brought out a gla.s.s of water on a tray, with extreme care; Giselle presented her with a bunch of flowers gathered hastily.

"For the people," declared old Viola, sternly.

"We are all for the people--in the end."

"Yes," muttered old Viola, savagely. "And meantime they fight for you.

Blind. Esclavos!"

At that moment young Scarfe of the railway staff emerged from the door of the part reserved for the Signori Inglesi. He had come down to headquarters from somewhere up the line on a light engine, and had had just time to get a bath and change his clothes. He was a nice boy, and Mrs. Gould welcomed him.

"It's a delightful surprise to see you, Mrs. Gould. I've just come down.

Usual luck. Missed everything, of course. This show is just over, and I hear there has been a great dance at Don Juste Lopez's last night. Is it true?"

"The young patricians," Decoud began suddenly in his precise English, "have indeed been dancing before they started off to the war with the Great Pompey."

Young Scarfe stared, astounded. "You haven't met before," Mrs. Gould intervened. "Mr. Decoud--Mr. Scarfe."

"Ah! But we are not going to Pharsalia," protested Don Jose, with nervous haste, also in English. "You should not jest like this, Martin."

Antonia's breast rose and fell with a deeper breath. The young engineer was utterly in the dark. "Great what?" he muttered, vaguely.

"Luckily, Montero is not a Caesar," Decoud continued. "Not the two Monteros put together would make a decent parody of a Caesar." He crossed his arms on his breast, looking at Senor Avellanos, who had returned to his immobility. "It is only you, Don Jose, who are a genuine old Roman--vir Roma.n.u.s--eloquent and inflexible."

Since he had heard the name of Montero p.r.o.nounced, young Scarfe had been eager to express his simple feelings. In a loud and youthful tone he hoped that this Montero was going to be licked once for all and done with. There was no saying what would happen to the railway if the revolution got the upper hand. Perhaps it would have to be abandoned.

It would not be the first railway gone to pot in Costaguana. "You know, it's one of their so-called national things," he ran on, wrinkling up his nose as if the word had a suspicious flavour to his profound experience of South American affairs. And, of course, he chatted with animation, it had been such an immense piece of luck for him at his age to get appointed on the staff "of a big thing like that--don't you know." It would give him the pull over a lot of chaps all through life, he a.s.serted. "Therefore--down with Montero! Mrs. Gould." His artless grin disappeared slowly before the unanimous gravity of the faces turned upon him from the carriage; only that "old chap," Don Jose, presenting a motionless, waxy profile, stared straight on as if deaf. Scarfe did not know the Avellanos very well. They did not give b.a.l.l.s, and Antonia never appeared at a ground-floor window, as some other young ladies used to do attended by elder women, to chat with the caballeros on horseback in the Calle. The stares of these creoles did not matter much; but what on earth had come to Mrs. Gould? She said, "Go on, Ignacio," and gave him a slow inclination of the head. He heard a short laugh from that round-faced, Frenchified fellow. He coloured up to the eyes, and stared at Giorgio Viola, who had fallen back with the children, hat in hand.

"I shall want a horse presently," he said with some asperity to the old man.

"Si, senor. There are plenty of horses," murmured the Garibaldino, smoothing absently, with his brown hands, the two heads, one dark with bronze glints, the other fair with a coppery ripple, of the two girls by his side. The returning stream of sightseers raised a great dust on the road. Hors.e.m.e.n noticed the group. "Go to your mother," he said. "They are growing up as I am growing older, and there is n.o.body--"

He looked at the young engineer and stopped, as if awakened from a dream; then, folding his arms on his breast, took up his usual position, leaning back in the doorway with an upward glance fastened on the white shoulder of Higuerota far away.

In the carriage Martin Decoud, shifting his position as though he could not make himself comfortable, muttered as he swayed towards Antonia, "I suppose you hate me." Then in a loud voice he began to congratulate Don Jose upon all the engineers being convinced Ribierists. The interest of all those foreigners was gratifying. "You have heard this one. He is an enlightened well-wisher. It is pleasant to think that the prosperity of Costaguana is of some use to the world."

"He is very young," Mrs. Gould remarked, quietly.

"And so very wise for his age," retorted Decoud. "But here we have the naked truth from the mouth of that child. You are right, Don Jose. The natural treasures of Costaguana are of importance to the progressive Europe represented by this youth, just as three hundred years ago the wealth of our Spanish fathers was a serious object to the rest of Europe--as represented by the bold buccaneers. There is a curse of futility upon our character: Don Quixote and Sancho Panza, chivalry and materialism, high-sounding sentiments and a supine morality, violent efforts for an idea and a sullen acquiescence in every form of corruption. We convulsed a continent for our independence only to become the pa.s.sive prey of a democratic parody, the helpless victims of scoundrels and cut-throats, our inst.i.tutions a mockery, our laws a farce--a Guzman Bento our master! And we have sunk so low that when a man like you has awakened our conscience, a stupid barbarian of a Montero--Great Heavens! a Montero!--becomes a deadly danger, and an ignorant, boastful Indio, like Barrios, is our defender."

But Don Jose, disregarding the general indictment as though he had not heard a word of it, took up the defence of Barrios. The man was competent enough for his special task in the plan of campaign. It consisted in an offensive movement, with Cayta as base, upon the flank of the Revolutionist forces advancing from the south against Sta. Marta, which was covered by another army with the President-Dictator in its midst. Don Jose became quite animated with a great flow of speech, bending forward anxiously under the steady eyes of his daughter. Decoud, as if silenced by so much ardour, did not make a sound. The bells of the city were striking the hour of Oracion when the carriage rolled under the old gateway facing the harbour like a shapeless monument of leaves and stones. The rumble of wheels under the sonorous arch was traversed by a strange, piercing shriek, and Decoud, from his back seat, had a view of the people behind the carriage trudging along the road outside, all turning their heads, in sombreros and rebozos, to look at a locomotive which rolled quickly out of sight behind Giorgio Viola's house, under a white trail of steam that seemed to vanish in the breathless, hysterically prolonged scream of warlike triumph. And it was all like a fleeting vision, the shrieking ghost of a railway engine fleeing across the frame of the archway, behind the startled movement of the people streaming back from a military spectacle with silent footsteps on the dust of the road. It was a material train returning from the Campo to the palisaded yards. The empty cars rolled lightly on the single track; there was no rumble of wheels, no tremor of the ground. The engine-driver, running past the Casa Viola with the salute of an uplifted arm, checked his speed smartly before entering the yard; and when the ear-splitting screech of the steam-whistle for the brakes had stopped, a series of hard, battering shocks, mingled with the clanking of chain-couplings, made a tumult of blows and shaken fetters under the vault of the gate.

CHAPTER FIVE

The Gould carriage was the first to return from the harbour to the empty town. On the ancient pavement, laid out in patterns, sunk into ruts and holes, the portly Ignacio, mindful of the springs of the Parisian-built landau, had pulled up to a walk, and Decoud in his corner contemplated moodily the inner aspect of the gate. The squat turreted sides held up between them a ma.s.s of masonry with bunches of gra.s.s growing at the top, and a grey, heavily scrolled, armorial shield of stone above the apex of the arch with the arms of Spain nearly smoothed out as if in readiness for some new device typical of the impending progress.

The explosive noise of the railway trucks seemed to augment Decoud's irritation. He muttered something to himself, then began to talk aloud in curt, angry phrases thrown at the silence of the two women. They did not look at him at all; while Don Jose, with his semi-translucent, waxy complexion, overshadowed by the soft grey hat, swayed a little to the jolts of the carriage by the side of Mrs. Gould.

"This sound puts a new edge on a very old truth."

Decoud spoke in French, perhaps because of Ignacio on the box above him; the old coachman, with his broad back filling a short, silver-braided jacket, had a big pair of ears, whose thick rims stood well away from his cropped head.

"Yes, the noise outside the city wall is new, but the principle is old."

He ruminated his discontent for a while, then began afresh with a sidelong glance at Antonia--

"No, but just imagine our forefathers in morions and corselets drawn up outside this gate, and a band of adventurers just landed from their ships in the harbour there. Thieves, of course. Speculators, too. Their expeditions, each one, were the speculations of grave and reverend persons in England. That is history, as that absurd sailor Mitch.e.l.l is always saying."

"Mitch.e.l.l's arrangements for the embarkation of the troops were excellent!" exclaimed Don Jose.

"That!--that! oh, that's really the work of that Genoese seaman! But to return to my noises; there used to be in the old days the sound of trumpets outside that gate. War trumpets! I'm sure they were trumpets. I have read somewhere that Drake, who was the greatest of these men, used to dine alone in his cabin on board ship to the sound of trumpets. In those days this town was full of wealth. Those men came to take it.

Now the whole land is like a treasure-house, and all these people are breaking into it, whilst we are cutting each other's throats. The only thing that keeps them out is mutual jealousy. But they'll come to an agreement some day--and by the time we've settled our quarrels and become decent and honourable, there'll be nothing left for us. It has always been the same. We are a wonderful people, but it has always been our fate to be"--he did not say "robbed," but added, after a pause--"exploited!"

Mrs. Gould said, "Oh, this is unjust!" And Antonia interjected, "Don't answer him, Emilia. He is attacking me."

"You surely do not think I was attacking Don Carlos!" Decoud answered.

And then the carriage stopped before the door of the Casa Gould. The young man offered his hand to the ladies. They went in first together; Don Jose walked by the side of Decoud, and the gouty old porter tottered after them with some light wraps on his arm.

Don Jose slipped his hand under the arm of the journalist of Sulaco.

"The Porvenir must have a long and confident article upon Barrios and the irresistibleness of his army of Cayta! The moral effect should be kept up in the country. We must cable encouraging extracts to Europe and the United States to maintain a favourable impression abroad."

Decoud muttered, "Oh, yes, we must comfort our friends, the speculators."

The long open gallery was in shadow, with its screen of plants in vases along the bal.u.s.trade, holding out motionless blossoms, and all the gla.s.s doors of the reception-rooms thrown open. A jingle of spurs died out at the further end.

Basilio, standing aside against the wall, said in a soft tone to the pa.s.sing ladies, "The Senor Administrador is just back from the mountain."

In the great sala, with its groups of ancient Spanish and modern European furniture making as if different centres under the high white spread of the ceiling, the silver and porcelain of the tea-service gleamed among a cl.u.s.ter of dwarf chairs, like a bit of a lady's boudoir, putting in a note of feminine and intimate delicacy.

Don Jose in his rocking-chair placed his hat on his lap, and Decoud walked up and down the whole length of the room, pa.s.sing between tables loaded with knick-knacks and almost disappearing behind the high backs of leathern sofas. He was thinking of the angry face of Antonia; he was confident that he would make his peace with her. He had not stayed in Sulaco to quarrel with Antonia.

Martin Decoud was angry with himself. All he saw and heard going on around him exasperated the preconceived views of his European civilization. To contemplate revolutions from the distance of the Parisian Boulevards was quite another matter. Here on the spot it was not possible to dismiss their tragic comedy with the expression, "_Quelle farce!_"

The reality of the political action, such as it was, seemed closer, and acquired poignancy by Antonia's belief in the cause. Its crudeness hurt his feelings. He was surprised at his own sensitiveness.

"I suppose I am more of a Costaguanero than I would have believed possible," he thought to himself.

His disdain grew like a reaction of his scepticism against the action into which he was forced by his infatuation for Antonia. He soothed himself by saying he was not a patriot, but a lover.

The ladies came in bareheaded, and Mrs. Gould sank low before the little tea-table. Antonia took up her usual place at the reception hour--the corner of a leathern couch, with a rigid grace in her pose and a fan in her hand. Decoud, swerving from the straight line of his march, came to lean over the high back of her seat.