No Doors, No Windows Part 14

Thirteen.

Promises of Laughter All you need to know about me is that I was maybe, just possibly, there's a good chance, you'd better believe it, going down for the third time in the sea of life.

That was the way it was for me - maybe - the night I met Holdie Karp. First time I set eyes on her, coming across the room at that phonya.s.s literary c.o.ke-spoon party, I knew we'd get down together.

Didn't need any vibrations, didn't need any sparring, didn't need any games people play; there was enough heat coming off her to shatter my thermostat.Denny Zucker introduced us. Denny was the lively arts editor ofThe Flash , an underground newspaper.

Both Holdie Karp and I had written for him, and he knew we hadn't met. "Johnny, this is Holdie Karp.

Holdie, I want you to meet Johnny Noone."

What a thrump of joy: not only did she have a considerable talent, but she was fine to behold, too. She was a writer, with a lot of clout. At one and the same instant we lunged at each other, me saying, "Hey, I read that piece you did on swinging singles in the Valley," and her saying, "Hey, I read that piece you did on William DeVane," and both of us coming in on harmony, "Jeezus, you can write!"

Then we stood there grinning at each other.

A week later, prior commitments being what they are, we wound up in bed.

She was a big lady and inventive and we both enjoyed the h.e.l.l out of it. I was performing like the headline attraction in a Cuban Superman act. Ordinarily, I'm okay in bed ... nothing to rent a Sunset Strip billboard to crow about, but Holdie brought out the best in me, a lot of which I hadn't even known was in there. It went on for hours and hours, till the bed was soaked with sweat, and we ran out of baby oil to slop all over us. Oh, it was fine, just fine.

Couple of nights later I took her to a play. It was a bad play, and we dug it like mad because we both sat there knowing the other was hating it in precisely the same way, and when it was intermission we went out for a smoke. I lit her cigarette, and she lit mine; and we looked at each other and then looked at the poster of the play in the show-window of the theater; at the star and the director posing for the camera, looking like a pair of bats without a guano pile; and we broke up laughing. We split at once, went back to my place, broke apart long enough to use the two typewriters in my apartment to write our reviews of the play for our respective editors, and then fell into bed. We rolled around and around and laughed and did it every whichway we could think of, just to thumb our noses at bats and their b.u.m plays.

I took her out to dinner and we played graba.s.s in the car, and it was that seldom once-in-a-while fine thing, being turned on by a woman who was also a person and had stuff going for herself, and knowing that even if my Wurlitzer rotted and fell off, even if her Charlies sagged and turned to empty Baggies, we'd still be buddies and craft companions and could laugh at all the bats and their b.u.m plays.

Which was what I needed. Because you see, down where I lived, down here in my gut, I was foundering. I was going down for the third time, sucking up all the bile in my nostrils and my mouth, feeling the tide beating black in my head. So Holdie was a life preserver. Hosannah!

Then, less than a month after I'd met her, I was doing some talking with the editor of a men's magazine I'd written for. He was desperate for high-grade material. I was already boxed-in on a.s.signments, didn't have the time for him, and he was crying the blues.

"Hold on," I said. "I've got just the writer for you. Holdie Karp. Really dynamite writer. You've seen her stuff inCosmo andEsquire , haven't you?"

He opened up like a flower after the rain.

I couldn't wait to get over to her house in the hills, to tell her she could make a grand a month just selling reprints of her other magazine pieces. Picked up a couple of barbequed beef sandwiches and milk shakes, and came ripping into her driveway doing fifty. Almost hit her MG.

She was covered with black from changing a typewriter ribbon, hair dangling down onto her big chest, tongue hanging out at the sight of the food. She gave me an enormous, sloppy kiss and rolled her eyes like a panda, trying to figure out if she wanted food first, or bed first."No s.e.x," I said sternly. "No s.e.x. I have the world's greatest deal for you. Only the world's most sen-say-sheh-null deal. A star you'll be by this time tomorrow, buhbie. A star of the first magnitude!"

I came on like an eight-axle diesel. I ran her all the data on what the editor needed, on how she had the subsidiary rights to all her work and could sell it for more than what she'd gotten the first time because this was a national magazine and not a local newspaper or a d.i.n.ky underground sheet. She reeled back and flopped on the sofa, barely missing crushing her dog, Roger.

"Let me see everything you've written in the past year," I said. "Now! Jump jump jump!"

I knew that in one of the cubbyholes of her neat roll-top desk she had a stack of unpaid bills, and I knew she was too independent a creature to let me pay any of them for her. She was making money, but not a lot. She was on her way, and in another year or two she'd be one of the hottest female writers in the country ... but right now she needed some bread. And here was I, G.o.d the Savior, ready to dump just globs and gobs of manna in her neat long-nailed hands. Ah, she would adore me!

Then I realized she wasn't as enthused as I thought she should be. Her eyes were almost cold. Her mouth was tight.

"Come on, Rapunzel, bestir yo' a.s.s. Lemme see them carbons. Trot out the goodies!"

She got up and went over to the filing cabinet where she kept all the yellow second-sheet copies of her stories and articles. She fished around, not saying a word, and came up with a stack. She handed them to me, and I went over by the fireplace and sat down, started reading.

An hour went by. She lit the fire in the fireplace and fixed me a cup of her good coffee, with a wedge of coffee cake on the saucer. I read and read, and set aside half a dozen articles I thought would work.

Finally, I turned the last page of the last article, and realized I hadn't heard her pounding her typewriter all the time I'd been reading. I knew she had a deadline on a piece about costume designers for Cosmopolitan due that Friday; and the silence suddenly scared me.

I turned around and she was still sitting in the same place on the sofa, watching me. Her body may have been in the same room with me, but her soul and mind were off someplace in faraway frigid Tibet, understudying the Dalai Tama.

"What's the matter?"

She didn't say anything. Then she said, "Nothing." Which was still not saying anything.

Holdie Karp had turned me off.

"Listen, Ithink ,"Isaid, "the piece on airline stewardesses would be perfect for him, if you wrote a new lead paragraph slanting it for men - every guy in America thinks stewardesses put out, right? - and drop in about five s.e.xy paragraphs here and there. And the piece on nude models is perfect the way it is.

And the -"

"No."

I stared at her. "What?"

"I said: no."

"What no? He'll lay two-fifty on you for every one of these he uses. I can see three of them right herethat can make it; that's seven hundred and fifty bucks. What're you, allergic to a life without bill collectors?"

"I don't know if those nude modeling agencies are still down there on Santa Monica."

"So what. These, three others, none at all. What's it matter? This is Americana, baby. It presents a great picture of what it was like when you wrote it, and that was only six months ago. Of course they're still down there. So change the names, make 'em fict.i.tious. Who cares? The guys in Topeka who read the magazine don't give a s.h.i.t."

"I care."

I thought maybe I'd lost my way. "What the h.e.l.l is wrong with you? Look, okay,don't write a new lead on this one about the stews. I'll take them down to his office tomorrow just as they are ... I'll lay them on him. He'sanxious to buy your stuff. He wants an original from you. Christ, Holdie, this can mean ten grand a year for you ... you'll have all the time you want to write the stuff youwant to write. You've been telling me you want to get heavier behind short stories, well, this is your chance."

"No."

I was getting mad now. Didn't this brain damage case know when I was trying to do her a favor?

"Well, f.u.c.k it, baby, I'm taking these down tomorrow, and if you have any qualms about the money, you can stuff the checks in your bidet for all I care!"

I turned around and lit a cigarette.

It was dead silent for a long while.

Then she was speaking, behind me. I didn't turn around, I just listened.

"You know, you come on just like a benevolent dictator.Deus ex machina. You try to steamroller me.

My ex was like that, except heinsinuated himself, not like you, like a jackhammer. He kept telling me I couldn't do this or that, or the other thing, until I believed him. He got me so G.o.dd.a.m.ned dependent on him that when we broke up I thought I had lost everything. I was right at the bottom, you know. But I wanted to be a writer. I wanted it more than I even wanted him back. So I worked, and I'm still working, and I'm not going to backslide. I'm not going to make the same mistakes I made with my life before. There was a guy after my ex, a rebound, you know. And I lethim do for me, little things, but after a while I was dependent again. And I didn't evenlove him! I know my pattern, and I'm not falling into it again."

I was furious. I jumped up and came down on her like ... like a steamroller, like a jackhammer, like a benevolent dictator ... "Listen, you stupid, you! I'm ten years ahead of you in the writing thing. I starved and suffered, and I thought that made me holier than s.h.i.t, because I didn't deserve any good things happening to me. But that's a crock of p.i.s.s, you know, because I had talent, and Ideserved whatever I could knock out of the rock for myself. And I'm trying to shortcut a little heartache for you. Do you think there's some f.u.c.kingn.o.bility in poverty? Don't be an a.s.shole! Poor is dirty, and poor is chained, and money means freedom, and it means you can write better and more, and what you want. So what the h.e.l.l are you trying to do to me here, make me feel guilty for wanting to do you a favor?"

Then my mad pa.s.sed. Just like that. I don't hold it for very long. And she looked like she might cry, and I didn't want that, G.o.d knows.

"It was your manner," she said.I was suddenly contrite. "Yeah, well, I'm sorry. I guess I was just so enthused about the possibilities, I didn't realize I was coming on strong."

"But you understand why I can't let you do it, don't you?"

I understood. "Sure. I suppose. You want to do it yourself."

"I have to. To prove I'm worth it"

I nodded my head, too many times. "Right, right. I understand. I'm not stupid, I understand."

I walked over to the typing table. "What're you working on?"

"Short story."

"What happened to thatCosmo piece? Aren't you late with it?"

"I'll finish it. Don't start prying."

I gritted my teeth, and picked up the short story. "Mind if I read it?"

"No, I guess not." She paused. She wanted to say something. I walked over slowly, kissed her lightly, and grinned. "Whose turn is it to put some fresh sheets on the bed?"

She grinned back. At first timorously, then with her comic rendition of naked l.u.s.t. "Mine."

She went into the bedroom and I heard her opening drawers. I sat down on Roger and started reading the short story. It was good. Very good.

She came in and started undressing. In front of me. I wanted to read her story. I wanted to be as impressed by her as a talent, as a substance, as I was by her in bed. It was tough concentrating on the story. She peeled down to black bra and red knit panties. Then she peeled out of them, too, and arched her back. I looked up, and smiled.

"Come along to bed, Johnny, like a good boy."

Something went hard and flat in my gut.

She waltzed into the bedroom. I heard the bed springs creak. I didn't move. She called. I didn't answer.

She called again, urgently. I tensed my jaw muscles and kept reading. I wasn't going to let her do it to me. I'd see how good the story was, despite her.

She was silent a moment, then I heard her moving around. She came out barea.s.s, wearing a fur vest. She paraded around in front of me, a voluptuous Raggedy Ann. "Hey, psssst, meester ... kinky s.e.x?"

"I'm reading your story," I said.

She stopped moving and stood there, and I felt heat rising in the room. Then she reached over and grabbed it out of my hands. "Well,stop reading it! I don'twant you to read it. I want you to -"

I stood up and started to put on my jacket. She looked at me. "Where areyou going?"

"Home."

"I thought you said you understood?""I said it and I meant it. I do understand."

"Then why are you going home? You're being a b.a.s.t.a.r.d!"

I turned around three times, widdershins, like I didn't know where the h.e.l.l the wind was blowing from, but cold all the same. Outer dark waited.

"No, baby, I'll tell you what I'm being. I'm being sick.

"You make me feel like a c.o.c.k with a mouth at the other end that once in a while says something cute."

"I -".

"No, f.u.c.k it, Holdie! A man likes todo for a woman sometimes, you know. He likes todo for her. That doesn't makehim a s.e.xist orher a piece of property; it's just a way of caring, you know what I mean?

But you won't give me that. All you can handle is the cheapest thing I've got to offer. Now I know what a wh.o.r.e feels like. You reduce me to being a stud. Well, I won't play that, baby. I've got to do some things for myself, too."

'That's not the way it is, at all!"

"Not, huh? Well, then, why is it that all I can think of in this scene is that big body of yours, and getting laid? Politics me? Violence me? Dissent me? What's the world like me? Not on your life, baby. It's just come in and stick it in and move it around and leave it behind because I don'tneed anything from you but that."

She dropped her jaw. I hurt inside.

"Well, it's no price, baby. No price. What I get from you is promises of laughter, just promises, you know. And that ain't near enough."

I got out of there, somehow, and got the car started, somehow, and managed not to go off the cliffs on the way home, somehow, and I swore when - if - I made it back to my apartment, somehow, I'd attack that f.u.c.king typewriter and write it all out, somehow.

This last will and testament of the man going down for the big third.

No death. n.o.body dies of a broken heart. That's too cheap gothic novel, too cornball. But outer dark awaits. I swore I'd write it all down, Holdie Karp. Write it all down, about nails in the coffin.

And this is it.

A lot of us are reconstructed s.e.xists. We ain't perfect. Sometimes we call you chicks, and sometimes we call you baby, and there are even some who still slip up once in a while and call a woman a broad.

But we do the best we can.

A lot of us learned the hard way about women, that you aren't the chattel we thought you were, what we weretaught you were through two thousand-plus years of tradition and bad novels by men. But we learned, and we're still learning. And it isn't that easy for some of us who were brought upmacho.

But we do the best we can, dammit!

And maybe it's only fitting that some of us, the biggest offenders, get back some of the s.h.i.t treatment we gave out. And maybe it isn't.Fourteen Ormond Always Pays His Bills It was, perhaps, that Hervey Ormond had been a criminal for ten years. And when a man has been a criminal for that long - concealing it as well as Hervey Ormond - the first person to cry "Thief!" at him may well meet with misfortune.

Hervey Ormond shot his secretary three times.

Eleanor Lombarda was not a beautiful girl, a fact so obvious it had caused wonder among the more inquisitive residents of Chambersville. Wonder as to why Ormond - who was known to like his women full and fawning - had hired her. More, they wondered why he had kept her on for six years. Eleanor had been preceded by a string of comely girls, few of whom could actually take shorthand, or find the business end of a dictaphone. So it was with wonder that the residents of Chambersville saw the too-thin, too-nervous girl with the too-red face establish herself in the office of the Ormond Construction Company as Hervey Ormond's personal secretary - for six years.

They might have been surprised to know that the reason for her stranglehold on the position was simply that she did a marvelous job. She was industrious, interested in the work and kept things in top-drawer shape. She always knew what was going on, precisely.

That was another reason why Hervey Ormond shot her three times.

"I found the reports," Eleanor said, her face white in the glare of the lone desk lamp. For the first time in her life her face was not florid but a pale and unhealthy white.