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A silence. Then Kim said, with what sounded like forced lightness, "But, Tan, you could ruin his whole life. . . ."
"I know." Tanya's voice was serene. Satisfied.
"But . . . well, what do you want me to do?"
"Be ready to spread the word. That's what you do best, isn't it? I'll get t he letters written by Monday. And then on Monday you can start telling peop le-because I want everyone to know. Prime that grapevine!" Tanya was laughi ng.
"Okay. Sure. Consider it done." Kim sounded more scared than ever. "Uh, lo ok, I'd better get back downstairs now-can I use the brush a second?"
"Here." A clatter. "And, Kim? Be ready to help me with Gillian, too. I'll let you know what I've got in mind for her."
Kim said, "Sure,"-faintly. Then there were a few more clatters and the sound of a door rattling open and shut. Then silence.
Gillian stood in the stuffy closet.
She felt physically sick. As if she'd found something loathsome and slimy and unclean writhing under her bed. Tanya was crazy-and evil. Gillian had just seen into a mind utterly twisted with hatred.
And smart. Angel had said it.
(Angel, what do I do? She really means it, doesn't she? She's going to destro y him. And there isn't anything I can do about it.) (There may be something.) (She's not going to listen to reason. I know she's not. n.o.body's going to be ab le to talk her out of it. And threats aren't any good-) (I said, there may be something you can do.) Gillian came back to herself. (What?) (It's a little complicated. And . . . well, the truth is, you may not want to do it , kid.) (I would do anything for David.) Gillian's response was instant and absolut e. Strange, how there were some things you were so sure of.
(Okay. Well, hold that thought. I'll explain everything when we get home-wh ich we should do fast. But first I want you to get something from that bath room.) Gillian felt calm and alert, like a young soldier on her first mission in enem y territory. Angel had an idea. As long as she did exactly what Angel said, th ings were going to turn out all right.
She went into the bathroom and followed Angel's instructions precisely wit hout asking why. Then she went to get David to take her home from the part y.
"I'm ready. Now tell me what I can do."
Gillian was sitting on her bed, wearing the pajamas with little bears on them. It was well after midnight and the house was quiet and dark except for th e lamp on her night stand.
"You know, I think you are ready."
The voice was quiet and thoughtful-and outside her head. In the air about tw o feet away from the bed, a light began to grow.
And then it was Angel, sitting lotus style, with his hands on his knees. Floa ting lotus style. He was about level with Gillian's bed and he was looking at her searchingly. His face was earnest and calm, and all around him was a pal e, changing light like the aurora borealis.
As always, Gillian felt a physical reaction at the first sight of him. A sort o f shock. He was so beautiful, so unearthly, so unlike anyone else.
And right now his eyes were more intense than she had ever seen them.
It scared her a little, but she pushed that-and the physical reaction-away.
She had to think of David. David, who'd so trustingly taken her home when she "got sick" an hour ago, and who right now had absolutely no idea what w as in store for him on Monday.
"Just tell me what to do," she said to Angel.
She was braced. She had no idea what it would take to stop Tanya, but it cou ldn't be anything pleasant-or legal. Didn't matter. She was ready.
So Angel's words were something of a letdown.
"You know you're special, don't you?"
"Huh?"
"You've always been special. And underneath, you've always known it."
Gillian wasn't sure what to say. Because it sounded terribly cliche-but it w as true. She was special. She'd had a near-death experience. She'd come back with an angel. Surely only special people did that. And her popularity at s chool-everyone there certainly thought she was special. But her own inner fe eling had started long before that, sometime in childhood. She'd just imagin ed that everybody felt that way . . . that they were different from others, maybe better, but certainly different.
"Well, everybody does feel that way, actually," Angel said, and Gillian felt a little jolt. She always felt it when she suddenly remembered her thoughts weren't private anymore.
Angel was going on. "But for you it happens to be true. Listen, what do y ou know about your great-grandma Elspeth?"
"What?" Gillian was lost. "She's an old lady. And, um, she lives in Englan d and always sends me Christmas presents. . . ." She had a vague memory of a photograph showing a woman with white hair and white gla.s.ses, a tweed s kirt and sensible shoes. The woman held a Pekingese in a little red jacket.
"She grew up in England, but she was born American. She was only a year o ld when she was separated from her big sister Edith, who was raising her.
It happened during World War One. Everyone thought she had no family, so she was given to an English couple to raise."
"Oh, really? How interesting." Gillian was not only bewildered but exaspera ted. "But what on earth-"
"Here's what it's got to do with David. Your great-grandma didn't grow up wit h her real sister, with her real family. If she had, she'd have known her rea l heritage. She'd have known . . ."
"Yes?"
"That she was born a witch."
There was a long, long silence. It shouldn't have been so long. After the fir st second Gillian thought of things to say, but somehow she couldn't get them past the tightness of her throat.
She ought to laugh. That was funny, the idea of Great-grandma, with her sens ible shoes, being a witch. And besides, witches didn't exist. They were just stories- -like angels- -or examples of New Age grown-ups acting silly.
"Angels," Gillian gasped in a strangled voice. She was beginning to feel wild inside. As if rules were breaking loose.
Because angels were true. She was looking at one. He was floating about two and a half feet off the floor. There was absolutely nothing under him and he could hear her thoughts and disappear and he was real. And if angels c ould be real . . .
Magic happens. She'd seen that on a b.u.mper sticker somewhere. Now she clap ped both hands to her mouth. There was something boiling up inside her and she wasn't sure if it was a scream or a giggle.
"My great-grandma is a witch?"
"Well, not exactly. She would be if she knew about her family. That's the k ey, you see-you have to know. Your great-grandma has the blood, and so does your grandma, and so does your mom. And so do you, Gillian. And now . . .
you know." The last words were very gentle, very deliberate. As if Angel we re delicately putting into place the last piece of a puzzle.
Gillian's laughter had faded. She felt dizzy, as if she had unexpectedly come t o the edge of a cliff and looked over. "I'm . . . I've got the blood, too."
"Don't be afraid to say it. You're a witch."
"Angel . . ." Gillian's heart was beating very hard suddenly. Hard and slow. "P lease ... I don't really understand any of this. And . . . well, I'm not."
"A witch? You don't know how to be, yet. But as a matter of fact, kid, you 're already showing the signs. Do you remember when that mirror broke in t he downstairs bathroom?"
"And when the window broke in the cafeteria. You asked me if I did those thi ngs. I didn't. You did. You were angry and you lashed out with your power .
. . but you didn't realize it.""Oh, G.o.d," Gillian whispered.
"It's a frightening thing, that power. When you don't know how to use it, i t can cause all kinds of damage. To other people-and to you. Oh, kid, don't you understand? Look at what's happened to your mother."
"What about my mother?"
"She ... is ... a ... witch. A lost witch, like you. She's got powers, but sh e doesn't know how to channel them, she doesn't understand them, and they ter rify her. When she started seeing visions-"
"Visions!" Gillian sat straight up. It was as if a light had suddenly gone on in her head, illuminating five years of her life.
"Yeah." Angel's violet eyes were steady, his face grim. "The hallucinations came before the drinking, not after. And they were psychic visions, images of things that were going to happen, or that might have happened, or that happened a long time ago. But of course she didn't understand that."
"Oh, G.o.d. Oh, my G.o.d." Electricity was running up and down Gillian's body, se tting her whole skin tingling. Tears stung in her eyes-not tears of sadness, but of pure, shocking revelation. "That's it. That's it. Oh, G.o.d, we've got t o help her. We've got to tell her-"
"I agree. But first we have to get you under control. And it's not exactly a thing you can just spring on her without any warning. You could do more har m than good that way. We've got to build up to it."
"Yes. Yes, I see that. You're right." Gillian blinked rapidly. She tried to cal m her breathing, to think.
"And just at the moment, she's stable. A little depressed, but stable. She'll wait until after Monday. But Tanya won't."
"Tanya?" Gillian had nearly forgotten the original discussion. "Oh, yeah, T anya. Tanya." David, she thought.
"There is something very practical you can do about Tanya-now that you k now what you are."
"Yes. All right." Gillian wet her lips. "Do you think Dad will come back if M om realizes what she is and gets it all together?"
"I think there's a good possibility. But listen to me. To take care of Tanya-"
"Angel." A slow coil of anxiety was unrolling in Gillian's stomach. "Now that I think about it ... I mean, aren't witches bad? Shouldn't you-well, disappr ove of this?"
Angel put his golden head in his hands. "If I thought it was bad would I be here guiding you through it?"
Gillian almost laughed. It was so incongruous- the pale northern lights aur a around him and the sound of him talking through clenched teeth.
Then a thought struck her. She spoke hesitantly and wonderingly. "Did you come here to guide me through it?"
He lifted his head and looked at her with those unearthly eyes. "What do you think?"
Gillian thought that the world wasn't exactly what she had thought. And nei ther were angels.
The next morning she stood and looked at herself in the mirror. She'd done t his after Angel had first come to her and made her cut her hair-she'd wanted to look at her new self. Now she wanted to look at Gillian the witch.
There wasn't anything overtly different about her. But now that she knew sh e seemed to see things she hadn't noticed before. Something in the eyes-som e ancient glimmer of knowledge in their depths. Something elfin in the face , in the slant of the cheekbones. A remnant of faery.
"Stop gazing and come shopping," Angel said, and light coalesced beside he r.
"Right," Gillian said soberly. Then she tried to wiggle her nose.
Downstairs, she borrowed the keys to her mother's station wagon and bundled up. It was an icy-fresh day and the whole world sparkled under a light dus ting of new snow. The air filled Gillian's lungs like some strange potion.
(I feel very witchy.) She backed the car out. (Now where do we go? Hought on?) (Hardly. This isn't the kind of shopping you do at a mall. Northward, ho! We're going to Woodbridge.) Gillian tried to remember Woodbridge. It was a little town like Somerset-but smaller. She'd undoubtedly driven through it at some point in her life.
(We need to go shopping in Woodbridge to take care of Tanya?) (Just drive, dragonfly.) Woodbridge's main street ended in a town square bordered by dozens of deco rated trees. The stores were trimmed with Christmas lights. It was a postc ard scene.
(Okay. Park here.) Gillian followed Angel's directions and found herself in the Woodbridge Fiv e and Ten, an old-style variety store, complete with creaking wooden floorb oards. She had the terrifying feeling that time had gone back about fifty y ears. The aisles were tight and the shelves were jammed with baskets full o f goods. There was a musty smell.
Beyond asking questions, she stared dreamily at a jar of penny candy.
(Head on to the back. All the way. Open that door and go through to the bac k room.) Gillian nervously opened the rickety door and peered into the room beyond. Bu t it was just another store. It had an even stranger smell, partly delicious, partly medicinal, and it was rather dimly lit.
"Uh, h.e.l.lo?" she said, in response to Angel's urging. And then she noticed movement behind a counter.
A girl was sitting there. She was maybe nineteen and had dark brown hair and an interesting face. It was quite ordinary in shape and structure-a country girl sort of face-but the eyes were unusually vivid and intense.
"Um, do you mind if I look around?" Gillian said, again in response to Ange l.
"Go right ahead," the girl said. "I'm Melusine."
She watched with a perfectly friendly and open curiosity as Gillian moseyed around the shelves, trying to look as if she knew what she was looking for . Everything she saw was strange and unfamiliar-rocks and herby-looking thi ngs and different colored candles.
(It's not here.) Angel's voice was resigned. (We're going to have to ask her.) "Excuse me," Gillian said a moment later, approaching the girl diffidently from the other side. "But do you have any Dragon's Blood? The-activated k ind?"
The girl's face changed. She looked at Gillian very sharply. Then she said, "I'm afraid I've never heard of anything like that. And I wonder what makes you ask."
Gooseflesh blossomed on Gillian's arms. She had the sudden, distinct feeling that she was in danger.
CHAPTER 11.
Angel's voice was taut but calm. (Pick up a pen from the counter. The black one's fine. Now-let go. Just relax and let me move it.) Gillian let go. It was a process she couldn't have described in words if she'
d tried. But she watched, with a sort of fascinated horror, as her own hand b egan to draw on a small white invoice slip.
It drew across the lines, in some kind of pattern. Unfortunately the pen seeme d to be out of ink, so all Gillian could see was a faint scribble.
(Show her the carbon copy.) Gillian peeled off the first sheet of paper. Underneath, in carbon, was her des ign. It looked like a flower-a dahlia. It was crudely colored in, as if it were meant to be dark.
(What is it, Angel?) (A sort of pa.s.sword. Unless you know it, she's not going to let you buy wha t you need.) Melusine's face had changed. She was looking at Gillian with startled interes t.
"Unity," she said. "I wondered about you when you came in. You've got the look-but I've never seen you before. Did you just move here?"
(Say "Unity." It's their greeting. And tell her that you're just pa.s.sing through .).