News from Nowhere Part 13

He was silent a little, and then said: "There are traditions--nay, real histories--in our family about it: my grandfather was one of its victims.

If you know something about it, you will understand what he suffered when I tell you that he was in those days a genuine artist, a man of genius, and a revolutionist."

"I think I do understand," said I: "but now, as it seems, you have reversed all this?"

"Pretty much so," said he. "The wares which we make are made because they are needed: men make for their neighbours' use as if they were making for themselves, not for a vague market of which they know nothing, and over which they have no control: as there is no buying and selling, it would be mere insanity to make goods on the chance of their being wanted; for there is no longer anyone who can be compelled to buy them.

So that whatever is made is good, and thoroughly fit for its purpose.

Nothing can be made except for genuine use; therefore no inferior goods are made. Moreover, as aforesaid, we have now found out what we want, so we make no more than we want; and as we are not driven to make a vast quant.i.ty of useless things we have time and resources enough to consider our pleasure in making them. All work which would be irksome to do by hand is done by immensely improved machinery; and in all work which it is a pleasure to do by hand machinery is done without. There is no difficulty in finding work which suits the special turn of mind of everybody; so that no man is sacrificed to the wants of another. From time to time, when we have found out that some piece of work was too disagreeable or troublesome, we have given it up and done altogether without the thing produced by it. Now, surely you can see that under these circ.u.mstances all the work that we do is an exercise of the mind and body more or less pleasant to be done: so that instead of avoiding work everybody seeks it: and, since people have got defter in doing the work generation after generation, it has become so easy to do, that it seems as if there were less done, though probably more is produced. I suppose this explains that fear, which I hinted at just now, of a possible scarcity in work, which perhaps you have already noticed, and which is a feeling on the increase, and has been for a score of years."

"But do you think," said I, "that there is any fear of a work-famine amongst you?"

"No, I do not," said he, "and I will tell why; it is each man's business to make his own work pleasanter and pleasanter, which of course tends towards raising the standard of excellence, as no man enjoys turning out work which is not a credit to him, and also to greater deliberation in turning it out; and there is such a vast number of things which can be treated as works of art, that this alone gives employment to a host of deft people. Again, if art be inexhaustible, so is science also; and though it is no longer the only innocent occupation which is thought worth an intelligent man spending his time upon, as it once was, yet there are, and I suppose will be, many people who are excited by its conquest of difficulties, and care for it more than for anything else.

Again, as more and more of pleasure is imported into work, I think we shall take up kinds of work which produce desirable wares, but which we gave up because we could not carry them on pleasantly. Moreover, I think that it is only in parts of Europe which are more advanced than the rest of the world that you will hear this talk of the fear of a work-famine.

Those lands which were once the colonies of Great Britain, for instance, and especially America--that part of it, above all, which was once the United states--are now and will be for a long while a great resource to us. For these lands, and, I say, especially the northern parts of America, suffered so terribly from the full force of the last days of civilisation, and became such horrible places to live in, that they are now very backward in all that makes life pleasant. Indeed, one may say that for nearly a hundred years the people of the northern parts of America have been engaged in gradually making a dwelling-place out of a stinking dust-heap; and there is still a great deal to do, especially as the country is so big."

"Well," said I, "I am exceedingly glad to think that you have such a prospect of happiness before you. But I should like to ask a few more questions, and then I have done for to-day."

CHAPTER XVI: DINNER IN THE HALL OF THE BLOOMSBURY MARKET

As I spoke, I heard footsteps near the door; the latch yielded, and in came our two lovers, looking so handsome that one had no feeling of shame in looking on at their little-concealed love-making; for indeed it seemed as if all the world must be in love with them. As for old Hammond, he looked on them like an artist who has just painted a picture nearly as well as he thought he could when he began it, and was perfectly happy. He said:

"Sit down, sit down, young folk, and don't make a noise. Our guest here has still some questions to ask me."

"Well, I should suppose so," said d.i.c.k; "you have only been three hours and a half together; and it isn't to be hoped that the history of two centuries could be told in three hours and a half: let alone that, for all I know, you may have been wandering into the realms of geography and craftsmanship."

"As to noise, my dear kinsman," said Clara, "you will very soon be disturbed by the noise of the dinner-bell, which I should think will be very pleasant music to our guest, who breakfasted early, it seems, and probably had a tiring day yesterday."

I said: "Well, since you have spoken the word, I begin to feel that it is so; but I have been feeding myself with wonder this long time past: really, it's quite true," quoth I, as I saw her smile, O so prettily! But just then from some tower high up in the air came the sound of silvery chimes playing a sweet clear tune, that sounded to my unaccustomed ears like the song of the first blackbird in the spring, and called a rush of memories to my mind, some of bad times, some of good, but all sweetened now into mere pleasure.

"No more questions now before dinner," said Clara; and she took my hand as an affectionate child would, and led me out of the room and down stairs into the forecourt of the Museum, leaving the two Hammonds to follow as they pleased.

We went into the market-place which I had been in before, a thinnish stream of elegantly {1} dressed people going in along with us. We turned into the cloister and came to a richly moulded and carved doorway, where a very pretty dark-haired young girl gave us each a beautiful bunch of summer flowers, and we entered a hall much bigger than that of the Hammersmith Guest House, more elaborate in its architecture and perhaps more beautiful. I found it difficult to keep my eyes off the wall-pictures (for I thought it bad manners to stare at Clara all the time, though she was quite worth it). I saw at a glance that their subjects were taken from queer old-world myths and imaginations which in yesterday's world only about half a dozen people in the country knew anything about; and when the two Hammonds sat down opposite to us, I said to the old man, pointing to the frieze:

"How strange to see such subjects here!"

"Why?" said he. "I don't see why you should be surprised; everybody knows the tales; and they are graceful and pleasant subjects, not too tragic for a place where people mostly eat and drink and amuse themselves, and yet full of incident."

I smiled, and said: "Well, I scarcely expected to find record of the Seven Swans and the King of the Golden Mountain and Faithful Henry, and such curious pleasant imaginations as Jacob Grimm got together from the childhood of the world, barely lingering even in his time: I should have thought you would have forgotten such childishness by this time."

The old man smiled, and said nothing; but d.i.c.k turned rather red, and broke out:

"What _do_ you mean, guest? I think them very beautiful, I mean not only the pictures, but the stories; and when we were children we used to imagine them going on in every wood-end, by the bight of every stream: every house in the fields was the Fairyland King's House to us. Don't you remember, Clara?"

"Yes," she said; and it seemed to me as if a slight cloud came over her fair face. I was going to speak to her on the subject, when the pretty waitresses came to us smiling, and chattering sweetly like reed warblers by the river side, and fell to giving us our dinner. As to this, as at our breakfast, everything was cooked and served with a daintiness which showed that those who had prepared it were interested in it; but there was no excess either of quant.i.ty or of gourmandise; everything was simple, though so excellent of its kind; and it was made clear to us that this was no feast, only an ordinary meal. The gla.s.s, crockery, and plate were very beautiful to my eyes, used to the study of mediaeval art; but a nineteenth-century club-haunter would, I daresay, have found them rough and lacking in finish; the crockery being lead-glazed pot-ware, though beautifully ornamented; the only porcelain being here and there a piece of old oriental ware. The gla.s.s, again, though elegant and quaint, and very varied in form, was somewhat bubbled and hornier in texture than the commercial articles of the nineteenth century. The furniture and general fittings of the ball were much of a piece with the table-gear, beautiful in form and highly ornamented, but without the commercial "finish" of the joiners and cabinet-makers of our time. Withal, there was a total absence of what the nineteenth century calls "comfort"--that is, stuffy inconvenience; so that, even apart from the delightful excitement of the day, I had never eaten my dinner so pleasantly before.

When we had done eating, and were sitting a little while, with a bottle of very good Bordeaux wine before us, Clara came back to the question of the subject-matter of the pictures, as though it had troubled her.

She looked up at them, and said: "How is it that though we are so interested with our life for the most part, yet when people take to writing poems or painting pictures they seldom deal with our modern life, or if they do, take good care to make their poems or pictures unlike that life? Are we not good enough to paint ourselves? How is it that we find the dreadful times of the past so interesting to us--in pictures and poetry?"

Old Hammond smiled. "It always was so, and I suppose always will be,"

said he, "however it may be explained. It is true that in the nineteenth century, when there was so little art and so much talk about it, there was a theory that art and imaginative literature ought to deal with contemporary life; but they never did so; for, if there was any pretence of it, the author always took care (as Clara hinted just now) to disguise, or exaggerate, or idealise, and in some way or another make it strange; so that, for all the verisimilitude there was, he might just as well have dealt with the times of the Pharaohs."

"Well," said d.i.c.k, "surely it is but natural to like these things strange; just as when we were children, as I said just now, we used to pretend to be so-and-so in such-and-such a place. That's what these pictures and poems do; and why shouldn't they?"

"Thou hast hit it, d.i.c.k," quoth old Hammond; "it is the child-like part of us that produces works of imagination. When we are children time pa.s.ses so slow with us that we seem to have time for everything."

He sighed, and then smiled and said: "At least let us rejoice that we have got back our childhood again. I drink to the days that are!"

"Second childhood," said I in a low voice, and then blushed at my double rudeness, and hoped that he hadn't heard. But he had, and turned to me smiling, and said: "Yes, why not? And for my part, I hope it may last long; and that the world's next period of wise and unhappy manhood, if that should happen, will speedily lead us to a third childhood: if indeed this age be not our third. Meantime, my friend, you must know that we are too happy, both individually and collectively, to trouble ourselves about what is to come hereafter."

"Well, for my part," said Clara, "I wish we were interesting enough to be written or painted about."

d.i.c.k answered her with some lover's speech, impossible to be written down, and then we sat quiet a little.

CHAPTER XVII: HOW THE CHANGE CAME

d.i.c.k broke the silence at last, saying: "Guest, forgive us for a little after-dinner dulness. What would you like to do? Shall we have out Greylocks and trot back to Hammersmith? or will you come with us and hear some Welsh folk sing in a hall close by here? or would you like presently to come with me into the City and see some really fine building? or--what shall it be?"

"Well," said I, "as I am a stranger, I must let you choose for me."

In point of fact, I did not by any means want to be 'amused' just then; and also I rather felt as if the old man, with his knowledge of past times, and even a kind of inverted sympathy for them caused by his active hatred of them, was as it were a blanket for me against the cold of this very new world, where I was, so to say, stripped bare of every habitual thought and way of acting; and I did not want to leave him too soon. He came to my rescue at once, and said--

"Wait a bit, d.i.c.k; there is someone else to be consulted besides you and the guest here, and that is I. I am not going to lose the pleasure of his company just now, especially as I know he has something else to ask me. So go to your Welshmen, by all means; but first of all bring us another bottle of wine to this nook, and then be off as soon as you like; and come again and fetch our friend to go westward, but not too soon."

d.i.c.k nodded smilingly, and the old man and I were soon alone in the great hall, the afternoon sun gleaming on the red wine in our tall quaint-shaped gla.s.ses. Then said Hammond:

"Does anything especially puzzle you about our way of living, now you have heard a good deal and seen a little of it?"

Said I: "I think what puzzles me most is how it all came about."

"It well may," said he, "so great as the change is. It would be difficult indeed to tell you the whole story, perhaps impossible: knowledge, discontent, treachery, disappointment, ruin, misery, despair--those who worked for the change because they could see further than other people went through all these phases of suffering; and doubtless all the time the most of men looked on, not knowing what was doing, thinking it all a matter of course, like the rising and setting of the sun--and indeed it was so."

"Tell me one thing, if you can," said I. "Did the change, the 'revolution' it used to be called, come peacefully?"

"Peacefully?" said he; "what peace was there amongst those poor confused wretches of the nineteenth century? It was war from beginning to end: bitter war, till hope and pleasure put an end to it."

"Do you mean actual fighting with weapons?" said I, "or the strikes and lock-outs and starvation of which we have heard?"

"Both, both," he said. "As a matter of fact, the history of the terrible period of transition from commercial slavery to freedom may thus be summarised. When the hope of realising a communal condition of life for all men arose, quite late in the nineteenth century, the power of the middle cla.s.ses, the then tyrants of society, was so enormous and crushing, that to almost all men, even those who had, you may say despite themselves, despite their reason and judgment, conceived such hopes, it seemed a dream. So much was this the case that some of those more enlightened men who were then called Socialists, although they well knew, and even stated in public, that the only reasonable condition of Society was that of pure Communism (such as you now see around you), yet shrunk from what seemed to them the barren task of preaching the realisation of a happy dream. Looking back now, we can see that the great motive-power of the change was a longing for freedom and equality, akin if you please to the unreasonable pa.s.sion of the lover; a sickness of heart that rejected with loathing the aimless solitary life of the well-to-do educated man of that time: phrases, my dear friend, which have lost their meaning to us of the present day; so far removed we are from the dreadful facts which they represent.

"Well, these men, though conscious of this feeling, had no faith in it, as a means of bringing about the change. Nor was that wonderful: for looking around them they saw the huge ma.s.s of the oppressed cla.s.ses too much burdened with the misery of their lives, and too much overwhelmed by the selfishness of misery, to be able to form a conception of any escape from it except by the ordinary way prescribed by the system of slavery under which they lived; which was nothing more than a remote chance of climbing out of the oppressed into the oppressing cla.s.s.