New Cthulhu: The Recent Weird Part 6

"We haven't much time," said Calamaro.

"With a dedicated designer like Geoff here, I'm not worried in the least. Are you worried, Warren?"

"Wha . . . no! Not at all. Geoff'll burn both ends till we're done with this guy. That's why he makes the big bucks."

The miter had begun to feel heavier. He must get back to his desk and plunge into his work. He hardly heard what the others were saying. Ideas were coming, strong and vivid. They must be captured. He must surrender to them, bring them to life.

The others must have sensed that he was no longer following the conversation. Warren stood up, signaling that it was Geoff's turn to do the same. Petey squeezed his hand. Emil Calamaro merely bent slightly at the waist, gripping his cane.

Geoff found himself in the lobby.

Lulu, the receptionist, regarded the glittering headpiece in awe. "Wow . . . "

She must have seen something in his eyes that silenced her.

Geoff strode toward his cubby, the p.r.i.c.kling sensation still strong, but turning to something cold and liquescent, an icy tendril that held his will and gave him marching orders.

What am I doing?

He dragged to a stop in the elevator lobby, determined not to surrender. This was a job, only a job. He shouldn't have to compromise his inmost thoughts, his imagination, his dreams. He would finish the d.a.m.n map because it was the only way to get back to his own project, but that was all. Beyond that, he would resist.

Elevator doors rumbled open and a small group of programmers, returning with coffee, stumbled off and stared at Geoff with a mixture of amazement and respect. He pushed past them, into the small car, just as the doors closed, and stabbed the b.u.t.ton for the ground floor. At that moment, the watery tendrils turned to knives of ice. He put his hands on either side of the wretched miter and tried to twist it off, but it clung tight. The car plummeted past his chosen floor. The car slowed but did not stop. It had entered realms for which there were no markers. The miter had some power over the elevator, even as it fought for power over him. He half expected to step off into a cavern of watery light where Byakhee waited to wing him away to dismal festivities.

Instead, the doors opened on a concrete cell, familiar from that morning. There was the stairwell where Warren had dismissed him, and a door into the vast dark garage.

The miter tightened like a fist, as if sending a final warning, and then it relaxed its grip. He was free.

It took five minutes, at a limping run, to reach the huddled cars, his own seeming vulnerable at the edge of the row. He dug into his pocket for keys. Once he was clear of the building, he would find a way to shed the miter, using a crowbar if necessary. After that, his greatest fear was that Petey and Calamaro would find a way to blackball his career. All he wanted was to get free of this cursed project and back to something he cared about.

As he turned his key in the lock, he heard a sound that stopped him. He waited for it to repeat. It must have been an engine coughing to life on some floor far above. Nothing on this level stirred. The other cars were empty, as he proved to himself by peering through the window of the adjacent Volkswagen. The same clutter of papers on the seat; the same collection of tiny dashboard idols; the same pile of sod and sticks thrown about like yard waste interrupted on its way to the dump.

The sound, as if aware of his attention, played again.

He bent closer. Crumpled sketches littered the seat. Waves of tingling swept across his scalp. His pupils felt impossibly huge. Among the sketches he could make out a fragment of coastline, an ocean expanse, an X in the midst of the sea.

R'lyeh.

The other drawings suddenly made more sense. The tilting oblongs . . . a poor draftsman's attempt at non-Euclidean geometry . . . a ma.s.sive door . . . a model ship . . .

The miter caressed him warningly, as if an octopus could purr.

They were maps. Levels. Attempts to sketch out the very same areas he was building for the Simulator. Very poor designs, he had to admit, by a less than skilled designer.

Whose car was this?

Reluctantly, he recognized the kinship between the collection of dashboard dolls and the vinyl creatures that lined his desk.

And an even less welcome connection: The broken brown twigs were tangled with black rags that bore the Aeon Entertainment logo.

The sound came again. This time, unmistakably, it came from inside some car in this row. It sounded less like an engine noise and more like something clearing its throat.

He eased his door shut, slipped the keys into his pocket, and began to back slowly toward the distant elevator.

The miter, satisfied that he understood, regained its grip.

You haven't won, he told it. I'll get through this and move on.

It's only a job.

He fought from the first, in his own way.

He fought from his desk, in front of his monitor, keyboarding until his eyelids trembled and the urge to sleep became all but impossible to resist. But all his other sleepless nights on the Austen project had given him the resources he needed to stay upright and conscious through the death marches of crunchmode. The Dreamer worked through him, but he fought back. Subverting the Dark Advent would not have been possible had he not already finely honed the ability to resist sleep; for a game designer it was second nature, a matter of instinct, ingrained.

The first line of defense was a visible act of defiance. Out came every last one of his vinyl Jane Austen figures. He set them to run lines of interference between the figures of eldritch power. The population of Casterbridge mingled incongruously among Whateleys and Peaslees and the entire Arkham establishment.

These small personal touches, injecting something of himself, were minor sorties in the main battle. But they brought a very real satisfaction and sense of resistance.

To resist outright was a doomed proposition. His sanity was at stake, after all. There were limits to how much he was willing to sacrifice just to make a point. Direct opposition would only lead to failure, madness, and the unemployment office. If he could just get through this, there would be other opportunities in store for him. With all the glory attendant on the Second Rising, he would be free again to pick his a.s.signments. He could push his Trollope project. Or finally develop The Bronte Sisters Ma.s.sacre.

Such thoughts did not sit well with the miter, which struck back by clenching down so hard that his brain felt like a raisin. Even through stifling pain, he clung hopelessly to his pa.s.sion.

Warren dragged a cot into an empty office, dedicating it to Geoff for the duration. Yet to lie there, to sleep, would have been to surrender himself completely.

Beneath the waves, in the lightless depths of his map, the city took shape. Geoff modeled shapes in ABDUL, shapes unlike any he had created before. They were direct projections from the Dreamer; they prefigured the Dark Advent. Even as he built them, he knew they were true. Before this, he had merely imagined R'lyeh; he had improvised, glibly making s.h.i.t up. This was utterly different. These creations were not of him; he was simply a conduit for the Dreamer's own excretions. What that made of him, he felt all too keenly.

Yet, while his hands hewed R'lyeh from deformed terrain, his heart took shelter in a green imagined England. It was not mountains of madness that filled his mind, but hillocks of happiness. While fluorescent light throbbed down upon his mitered head, he imagined it was the sunlight of a hot August afternoon; he sought respite from the fields of baled hay, finding Tess the dairymaid (loosely of the D'Urbervilles) waiting for him in the sultry shade, her b.r.e.a.s.t.s white as the cream she churned to b.u.t.ter. This was a vision of loveliness no Elder G.o.d could threaten. It was not unknown Kadath that shimmered in the distance like a phantasmagoric tapestry, but a stolid gray manor house holding dominion above a manicured lawn. It was not distant witless piping in a cosmic void that filled his ears, but the silver peal of church bells ever ringing through a lilac-scented evening. The pastor walked out among his flock. Roses grew on old white lattices and nodded their heavy heads at the coming night, willing him to sleep . . . sleep . . . all would be well if only he would . . . sleep. Not surrender, merely . . . merely . . .

"Geoff? Geoff! Wake up, man, it's coming! It's time!"

Groggily aware that something was wrong, Geoff lurched into consciousness. When had he lapsed? What had he lost?

In sleep he had laid himself wide open to the Dreamer. He'd given up everything he valued. He had been party to atrocities. He must delete his work! It was the only way to keep the monster from leaking into the world.

Warren stopped his hand. "You're done. Come on, we're in the conference room."

"Done? But-"

"Don't worry. The map's compiled, it's built, it's beautiful. Petey and Calamaro couldn't be happier. Timing's perfect. We're not the bottleneck, Geoffrey. Retail can sweat the rest of it. We did our part and we're done. Now come watch the Rising."

Stepping into the conference room, he experienced double vision and disorientation. Twin monitors showed the same scene. It took him a moment to realize that one was the simulator and the other was a live broadcast from ships and news helicopters far out at sea. The similarity between the two scenes was uncanny.

Heads swiveled toward him; he tried to smile. Emil Calamaro and Petey Sandersen were plainly delighted to see him. Petey took his hands off the keyboard, where he had been tinkering with the R'lyeh simulation, and, supporting himself on the edge of the table, leaned toward Geoff with his hand out, shouting "He is Risen!" with evangelical fury.

Geoff mumbled his reply.

"We want to thank you and honor you. What you've done is beyond amazing!"

Calamaro was rising, his dark sneer full of satisfaction. He too pressed in close to Geoff. "Indeed, it is completely astonishing. You have greatly eased the Rising. We have watched the ascent again and again, and it is most pleasing. Those who did not witness this day firsthand will be able to witness it over and over again for ages to come. It will be as it was."

On the live screen, the tossing sea had only just begun to tremble; but in the simulator that commemorated the occasion, the ocean had become a frothing stew of green slime belched from the depths. Dark angular towers began to thrust from the waters, black windows gaping, doors opening like the mouths of the abyss. To gaze upon the exhumed city was madness-even he, its author, could hardly bear to look. Then again, he felt he was no more its author than author of what the networks were transmitting.

Petey pulled over a keyboard and paused the simulation. It began to tick backward, then ran forward again at greater speed. R'lyeh was swallowed by the waves, vomited out, swallowed up again. Warren shook his shoulder. "Good work, Geoff. I mean it. Outstanding. You've really outdone yourself."

Meanwhile, the actual rising would not be rushed; it could not be paused or reversed. If only!

The news cameras drifted over the open sea. Its gentleness filled him with dread.

"All right," Petey said. "Plenty of time for this later."

As he spoke, the simulated R'lyeh had just crested the false waters. The great stage door to the false dreamer's lair, the tilted slab, had begun to gape. The shape within, waking, was caught by the stroke of a key. Paralyzed. Not dead. Not even sleeping. On hold.

Petey pushed the keyboard aside and picked up a remote. He pointed it at the live monitor and turned up the volume.

First you heard the thrum of helicopter blades. After a moment, seeping through, a deeper sound like the tolling of drowned bells vibrated out of the television and filled the listeners in the conference room with the solemnity of the moment. Geoff sank into a chair. He had seen all this before. He had dreamed it, lived it, fought it. Failed. His sense of defeat was complete.

Water slithered and eddied from the dark complexities beneath. Huge mounded shapes. Cruise ships and luxury liners had come close for the occasion, while keeping a respectful distance from the turbulence. The cameras showed their decks and rails thronged with wealthy golden worshipers. Several aircraft carriers waited on the horizon in case of international incidents. But only one incident mattered now, and it transcended all merely "international" concerns.

The bells tolled louder, and at a slowly rising pitch. Something in Geoff thrilled at the sound in spite of himself. He had dreamed this. He had been down there in the depths. He had met the Dreamer mind to mind and been utterly defeated, and yet . . . and yet . . .

The waters surged. The chopper pulled closer. From far down in the foul foam came something shining and angular, all points and slopes and corners, upthrusting towers and turrets, and still those bells, so wrong, so infinitely wrong.

Petey and Emil turned to one another, worried looks flitting.

Something gleaming, something of brilliant shining ivory whiteness, suddenly breached the surface. A gasp went through the room.

The helicopter lurched as if the pilot had lost control, caught by a vicious gust from below.

As the chopper recovered, the view stabilized. The distant television crew was shouting about the near disaster, distracted from the inevitable one. They were closer to the water now, closer to the immensity that continued rising into light and air. Gargantuan bluffs of black dripping stone, chiseled shapes covered with slime and ancient marine encrustations. And atop all this, the greatest monstrosity, the holiest of holies . . .

A church.

Exactly that. A small old-fashioned English country church with a single perfect spire. Sparkling white and dripping wet, it perched atop the squalid rocks as if it had been lifted whole from Geoff's reveries and transplanted in this unlikeliest of spots.

Geoff himself could only stare as seawater flowed from the bell tower, as the pealing bells grew louder, clearer, cheerier.

They filled the room until Petey and Calamaro had to clamp their hands over their ears. The two men whirled on Geoff with their eyes bulging, mouths flapping but unable to speak.

Geoff backed away with both hands on the miter, trying desperately to pry it off, to throw it down and run, even though he knew they could not harm him now. He had given birth to this thing. He and it were one and the same. Minds had mingled in the depths, and now . . .

Onscreen, the TV screen, the doors of the church swung wide. The timbre of the bells deepened abruptly, sounding a sour and dismal note. Petey and Calamaro, pierced by sudden rapture, whirled to take in the sight.

The church was not empty-hardly that. The white outer sh.e.l.l, the churchlike carapace, had transfigured the softer thing inside, and decidedly not for the better.

It lashed out, and the helicopter went down in an instant. Green water closed over the lens. For a moment that monitor showed the bubbling surface of the sea from underneath. Sunlight flared across the screen, but shadows were spreading. Somewhere, the cruise ships were being pulled under one by one. You could hardly hear the screams above the bells, which tolled and tolled. They would stop for nothing and nothing could block out the sound.

Not even Warren: "You've done it, Geoff!"

Not even Emil Calamaro: "Big, big congrats!"

Not even Petey Sandersen, conveying the last words he heard or wanted to hear: "Don't take the miter off! The job is yours! Forever!"

As we drew near the forbidding peaks, dark and sinister above the line of creva.s.se-riven snow and interst.i.tial glaciers, we noticed more and more the curiously regular formations clinging to the slopes . . . The ancient and wind-weathered rock strata fully verified all of Lake's bulletins, and proved that these h.o.a.ry pinnacles had been towering up in exactly the same way since a surprisingly early time in earth's history-perhaps over fifty million years.

At the Mountains of Madness H.P. Lovecraft (1931).

* THE CREVa.s.sE *

Dale Bailey & Nathan Ballingrud.

What he loved was the silence, the pristine clarity of the ice shelf: the purposeful breathing of the dogs straining against their traces, the hiss of the runners, the opalescent arc of the sky. Garner peered through shifting veils of snow at the endless sweep of glacial terrain before him, the wind gnawing at him, forcing him to reach up periodically and sc.r.a.pe at the thin crust of ice that clung to the edges of his facemask, the dry rasp of the fabric against his face reminding him that he was alive.

There were fourteen of them. Four men, one of them, Faber, strapped to the back of Garner's sledge, mostly unconscious, but occasionally surfacing out of the morphine depths to moan. Ten dogs, big Greenland huskies, gray and white. Two sledges. And the silence, scouring him of memory and desire, hollowing him out inside. It was what he'd come to Antarctica for.

And then, abruptly, the silence split open like a wound: A thunderous crack, loud as lightning cleaving stone, shivered the ice, and the dogs of the lead sledge, maybe twenty-five yards ahead of Garner, erupted into panicky cries. Garner saw it happen: the lead sledge sloughed over-hurling Connelly into the snow-and plunged nose first through the ice, as though an enormous hand had reached up through the earth to s.n.a.t.c.h it under. Startled, he watched an instant longer. The wrecked sledge, jutting out of the earth like a broken stone, hurtled at him, closer, closer. Then time stuttered, leaping forward. Garner flung one of the brakes out behind him. The hook skittered over the ice. Garner felt the jolt in his spine when it caught. Rope sang out behind him, arresting his momentum. But it wouldn't be enough.

Garner flung out a second brake, then another. The hooks snagged, jerking the sledge around and up on a single runner. For a moment Garner thought that it was going to roll, dragging the dogs along behind it. Then the airborne runner slammed back to earth and the sledge skidded to a stop in a glittering spray of ice.

Dogs boiled back into its shadow, howling and snapping. Ignoring them, Garner clambered free. He glanced back at Faber, still miraculously strapped to the travois, his face ashen, and then he pelted toward the wrecked sledge, dodging a minefield of spilled cargo: food and tents, cooking gear, his medical bag, disgorging a bright freight of tools and the few precious ampules of morphine McReady had been willing to spare, like a fan of scattered diamonds.

The wrecked sledge hung precariously, canted on a lip of ice above a black creva.s.se. As Garner stood there, it slipped an inch, and then another, dragged down by the weight of the dogs. He could hear them whining, claws scrabbling as they strained against harnesses drawn taut by the weight of Atka, the lead dog, dangling out of sight beyond the edge of the abyss.

Garner visualized him-thrashing against his tack in a black well as the jagged circle of grayish light above shrank away, inch by lurching inch-and he felt the pull of night inside himself, the age-old gravity of the dark. Then a hand closed around his ankle.

Bishop, clinging to the ice, a hand-slip away from tumbling into the creva.s.se himself: face blanched, eyes red rimmed inside his goggles.

"s.h.i.t," Garner said. "Here-"

He reached down, locked his hand around Bishop's wrist, and hauled him up, boots slipping. Momentum carried him over backwards, floundering in the snow as Bishop curled fetal beside him.

"You okay?"

"My ankle," he said through gritted teeth.

"Here, let me see."

"Not now. Connelly. What happened to Connelly?"

"He fell off-"

With a metallic screech, the sledge broke loose. It slid a foot, a foot and a half, and then it hung up. The dogs screamed. Garner had never heard a dog make a noise like that-he didn't know dogs could make a noise like that-and for a moment their blind, inarticulate terror swam through him. He thought again of Atka, dangling there, turning, feet clawing at the darkness, and he felt something stir inside him once again- "Steady, man," Bishop said.

Garner drew in a long breath, icy air lacerating his lungs.