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The Svants couldn't understand him, but they liked it. They also liked the presents, which included a dozen empty half-gallon rum demijohns, tarpaulins, and a lot of a.s.sorted knickknacks. The pipeline went through.
He and Sonny got the forge set up. There was no fuel for it.
A party of Marines had gone out to the woods to the east to cut wood; when they got back, they'd burn some charcoal in the pit that had been dug beside the camp. Until then, he and Sonny were drawing plans for a wooden wheel with a metal tire when Lillian came out of the headquarters hut with a clipboard under her arm.
She motioned to him.
"Come on over," he told her. "You can talk in front of Sonny; he won't mind. He can't hear."
"Can't hear?" she echoed. "You mean--?"
"That's right. Sonny's stone deaf. He didn't even hear that rifle going off. The only one of this gang that has brains enough to pour sand out of a boot with directions on the bottom of the heel, and he's a total linguistic loss."
"So he isn't a half-wit, after all."
"He's got an IQ close to genius level. Look at this; he never saw a wheel before yesterday; now he's designing one."
[Ill.u.s.tration: _It's killing us it's so nice...._]
Lillian's eyes widened. "So that's why Mom's so sharp about sign-talk. She's been doing it all his life." Then she remembered what she had come out to show him, and held out the clipboard. "You know how that a.n.a.lyzer of mine works? Well, here's what Ayesha's going to do. After breaking a sound into frequency bands instead of being photographed and projected, each band goes to an a.n.a.lyzer of its own, and is projected on its own screen. There'll be forty of them, each for a band of a hundred cycles, from zero to four thousand. That seems to be the Svant vocal range."
The diagram pa.s.sed from hand to hand during c.o.c.ktail time, before dinner. Bennet Fayon had been working all day dissecting the animal they were all calling a _domsee_, a name which would stick even if and when they learned the native name. He glanced disinterestedly at the drawing, then looked again, more closely. Then he set down the drink he was holding in his other hand and studied it intently.
"You know what you have here?" he asked. "This is a very close a.n.a.logy to the hearing organs of that animal I was working on. The comb, as we've a.s.sumed, is the external organ. It's covered with small flaps and fissures. Back of each fissure is a long, narrow membrane; they're paired, one on each side of the comb, and from them nerves lead to cl.u.s.ters of small round membranes. Nerves lead from them to a complex nerve-cable at the bottom of the comb and into the brain at the base of the skull. I couldn't understand how the system functioned, but now I see it. Each of the larger membranes on the outside responds to a sound-frequency band, and the small ones on the inside break the bands down to individual frequencies."
"How many of the little ones are there?" Ayesha asked.
"Thousands of them; the inner comb is simply packed with them. Wait; I'll show you."
He rose and went away, returning with a sheaf of photo-enlargements and a number of blocks of lucite in which specimens were mounted.
Everybody examined them. Anna de Jong, as a practicing psychologist, had an M.D. and to get that she'd had to know a modic.u.m of anatomy; she was puzzled.
"I can't understand how they hear with those things. I'll grant that the membranes will respond to sound, but I can't see how they transmit it."
"But they do hear," Meillard said. "Their musical instruments, their reactions to our voices, the way they are affected by sounds like gunfire--"
"They hear, but they don't hear in the same way we do," Fayon replied.
"If you can't be convinced by anything else, look at these things, and compare them with the structure of the human ear, or the ear of any member of any other sapient race we're ever contacted.
That's what I've been saying from the beginning."
"They have sound-perception to an extent that makes ours look almost like deafness," Ayesha Keithley said. "I wish I could design a sound-detector one-tenth as good as this must be."
Yes. The way the Lord Mayor said _fwoonk_ and the way Paul Meillard said it sounded entirely different to them. Of course, _fwoonk_ and _pwink_ and _tweelt_ and _kroosh_ sounded alike to them, but let's don't be too picky about things.
There were no hot showers that evening; Dave Questell's gang had trouble with the pump and needed some new parts made up aboard the ship. They were still working on it the next morning. He had meant to start teaching Sonny blacksmithing, but during the evening Lillian and Anna had decided to try teaching Mom a nonphonetic, ideographic, alphabet, and in the morning they co-opted Sonny to help. Deprived of his disciple, he strolled over to watch the work on the pump. About twenty Svants had come in from the fields and were also watching, from the meadow.
After a while, the job was finished. The petty officer in charge of the work pushed in the switch, and the pump started, sucking dry with a harsh racket. The natives twittered in surprise. Then the water came, and the pump settled down to a steady _thugg-thugg, thugg-thugg_.
The Svants seemed to like the new sound; they grimaced in pleasure and moved closer; within forty or fifty feet, they all squatted on the ground and sat entranced. Others came in from the fields, drawn by the sound. They, too, came up and squatted, until there was a semicircle of them. The tank took a long time to fill; until it did, they all sat immobile and fascinated. Even after it stopped, many remained, hoping that it would start again. Paul Meillard began wondering, a trifle uneasily, if that would happen every time the pump went on.
"They get a positive pleasure from it. It affects them the same way Luis' voice does."
"Mean I have a voice like a pump?" Gofredo demanded.
"Well, I'm going to find out," Ayesha Keithley said. "The next time that starts, I'm going to make a recording, and compare it with your voice-recording. I'll give five to one there'll be a similarity."
Questell got the foundation for the sonics lab dug, and began pouring concrete. That took water, and the pump ran continuously that afternoon. Concrete-mixing took more water the next day, and by noon the whole village population, down to the smallest child, was ma.s.sed at the pumphouse, enthralled. Mom was snared by the sound like any of the rest; only Sonny was unaffected. Lillian and Ayesha compared recordings of the voices of the team with the pump-sound; in Gofredo's they found an identical frequency-pattern.
"We'll need the new apparatus to be positive about it, but it's there, all right," Ayesha said. "That's why Luis' voice pleases them."
"That tags me; Old Pump-Mouth," Gofredo said. "It'll get all through the Corps, and they'll be calling me that when I'm a four-star general, if I live that long."
Meillard was really worried, now. So was Bennet Fayon. He said so that afternoon at c.o.c.ktail time.
"It's an addiction," he declared. "Once they hear it, they have no will to resist; they just squat and listen. I don't know what it's doing to them, but I'm scared of it."
"I know one thing it's doing," Meillard said. "It's keeping them from their work in the fields. For all we know, it may cause them to lose a crop they need badly for subsistence."
The native they had come to call the Lord Mayor evidently thought so, too. He was with the others, the next morning, squatting with his staff across his knees, as bemused as any of them, but when the pump stopped he rose and approached a group of Terrans, launching into what could only be an impa.s.sioned tirade. He pointed with his staff to the pump house, and to the semicircle of still motionless villagers. He pointed to the fields, and back to the people, and to the pump house again, gesturing vehemently with his other hand.
_You make the noise. My people will not work while they hear it.
The fields lie untended. Stop the noise, and let my people work._
Couldn't possibly be any plainer.
Then the pump started again. The Lord Mayor's hands tightened on the staff; he was struggling tormentedly with himself, in vain. His face relaxed into the heartbroken expression of joy; he turned and shuffled over, dropping onto his haunches with the others.
"Shut down the pump, Dave!" Meillard called out. "Cut the power off."
The _thugg-thugg_-ing stopped. The Lord Mayor rose, made an odd salaamlike bow toward the Terrans, and then turned on the people, striking with his staff and shrieking at them. A few got to their feet and joined him, screaming, pushing, tugging. Others joined.
In a little while, they were all on their feet, straggling away across the fields.
Dave Questell wanted to know what it meant; Meillard explained.
"Well, what are we going to do for water?" the Navy engineer asked.
"Soundproof the pump house. You can do that, can't you?"
"Sure. Mound it over with earth. We'll have that done in a few hours."
That started Gofredo worrying. "This happens every time we colonize an inhabited planet. We give the natives something new. Then we find out it's bad for them, and we try to take it away from them. And then the knives come out, and the shooting starts."
Luis Gofredo was also a specialist, speaking on his subject.
While they were at lunch, Charley Loughran screened in from the other camp and wanted to talk to Bennet Fayon.