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My Little Lady Part 15

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No one heard her, no one came near her; she was all alone, and in a few minutes she stopped crying, half frightened at her own voice in the silence and darkness. And then she began to wonder if her father were still in the next room, or whether they had taken him away anywhere; if not, he was all alone in there, as she was in here. It would be some comfort to be with him, she thought. Madelon knew that he was dead, but death was an unfamiliar experience with her; and she could not perhaps clearly separate this hour from all other hours when she had been hurt, or sorrowful, or frightened, and had run to her father to be comforted.

She got up, and, opening the door, stole softly into the other room. It was not quite so dark in there: the windows and Venetian shutters were wide open, and a lamp in the street below gave an uncertain light, by which she could just distinguish the gleam of the mirror, the table in the centre of the room, and the bed, where the outline of a silent form was vaguely defined under the white covering sheet. Madelon had had some half-formed idea of getting on to the bed, and nestling down by her father, as she had done only the evening before, when he had put his arm round her, and they had talked together; but now a chill dread crept over her--a sense of change, of separation; she had not even the courage to raise the sheet and look upon his face. She stood gazing for a moment, afraid to go back into the darkness of her own room; and then, with a sudden movement, as though urged by some terror, she turned quickly away, and went swiftly to the open window. She looked down into the narrow, dark street, dimly illuminated by an occasional lamp; she looked up to the starlit s.p.a.ce of sky visible above the house-roofs and chimneys, and neither above nor below did she find any comfort; for a sudden awful realization of death had come to her in the darkness and silence, almost too keen and terrible for our poor little Madelon to bear--each realization, too, a fresh shock, as with an instinctive shrinking from this new consciousness of an intolerable weight her mind slipped away into some more familiar channel, only to be brought rudely back to this fact, so unfamiliar, and yet the only one for her now, in this sudden shattering of all her small world of hopes and joys and affections. And is it not, in truth, terrible, this _strength_ of facts, when we are, as it were, brought face to face with them, and held there till we recognise them? No means of evasion, no hope of appeal from what is, in its very nature, fixed, unalterable, irrevocable; the sin is committed, the loved one gone, the friendship broken and dead, and for us remains the realization in remorse, and heart-breaking, and despair.

Which of us is strong enough to wrestle with facts such as these? which one of us can look them long in the face and live? In the desperate recoil, some of us find ourselves recklessly striving to forget and ignore them, and some find a surer refuge in facts that are stronger still than they; but to one and all, in kindly compa.s.sion to human weakness, each new emotion, each pa.s.sing interest and trivial incident, combines to interpose a barrier between us and the terrible moment that overwhelmed us; and time which, in later years, seems to drag out the slow hours and days into long ages of dreary grief, can deal swiftly and mercifully with a little child. Hardly had Madelon grasped the true measure of her grievous loss, or tasted its full bitterness, when the reaction came with a great burst of tears, and crouching down in the corner by the window where she had spent so many hours of the previous day, she sobbed away half the terror and awe that were oppressing her poor little heart. Presently she began to grow sorry for herself in a vague, half-conscious sort of way--poor little Madelon, sitting there all alone crying, no one to help her, no one to comfort her--then the sobs came at longer and longer intervals as she gradually lost consciousness of where she was, or why she was there; and with the tears still wet on her cheek, she was nearly asleep again, when she was roused by some one bringing a light into the room; it was Graham, who had come to fetch something he had left on the table, and to see that all was quiet.

Madelon was too much accustomed to late expectant vigils to be startled; and, indeed, in her drowsy state, her first impression was only the familiar one of a welcome arrival. "Me voici, papa!" she cried, jumping up promptly; and then she saw the young man coming towards her, and with a suddenly revived consciousness of the still, white-sheeted form on the bed, she sank down on her low seat again, the sensation of blank misery all revived.

Graham, on his side, was not a little surprised at the small figure that had started up to meet him; he had fancied her in bed hours ago. He came up to where she was sitting, a most sad, disconsolate little Madelon, all huddled together, her hands clasped round her knees, her eyes shining through a short wavy tangle of brown hair, all rough and disordered.



"Don't you think you would be better in bed?" says Horace, in his kind, cheery voice.

"No," she answered abruptly; she was so miserable, so sore at heart with the sudden disappointment, poor child, and Graham had been the cause of it.

"But I am afraid you will be ill to-morrow if you sit there all night," said Graham; "do you know what time it is?"

"No," she said again; and then, as he came a step nearer, she gave a stamp on the floor, and turned her back on him. "Ah, do leave me alone!" she cried, in a miserable little broken voice, covering her face with her hand.

Graham saw that she was utterly wretched and worn out. He could guess pretty well how it had all happened, and reproached himself for not having foreseen and provided against the chance of her waking up and finding herself alone; and now he hardly knew what to do--to speak to her, or to urge her any more just then, would only make matters worse. At last he said quietly,--

"I have some writing to do, and I am going to bring it in here; you will not mind that, I daresay?"

No answer; Horace left the room, but in a moment he returned, sat down at the table and began to write.

A stillness which the rapid scratching of the pen upon the paper, and the vague, ceaseless hum of the great city coming through the open window, only seemed to render apparent; occasionally the clang of a church clock, the sudden rattle of wheels rising like hollow thunder and dying away into remote distance, a far-off cry, and then a silence more profound by contrast. Madelon, sitting in her dark corner, began to recover herself; in truth, it was the greatest possible relief to have Graham in the room with her, bringing light and the warm sense of a living presence into the chill, unnatural silence and darkness of death; and presently she began to awake to a half-penitent consciousness that she had been cross, rude, not at all raisonnable in fact; little by little she shifted her position, and at length turned quite round to look at M. le Docteur.

Monsieur le Docteur was not looking at her, nor thinking of her apparently, for he never raised his eyes from his writing; the candle light shone on his rough brown hair, on his pleasant, clever face, with keen profile, well defined against a shadowy background. Madelon sat watching him as though fascinated; there was something in the absorbed attention he was giving to his writing, which subdued and attracted her far more than any words he could have spoken to her, or notice he could have taken of her just then. He had apparently forgotten her, this kind Monsieur le Docteur, who had evidently more important things to think about than her and her pettish little speeches; or she had perhaps made him angry, and he would not take any more notice of her at all? There was a certain amount of probability in this last idea to the self- convicted little Madelon, that urged her to some sort of action; she sat still for a few moments longer, then got up and stole softly across the room to where Graham was sitting.

"I did not mean to be cross, Monsieur," she said, in her little trembling voice, standing with her hands clasped behind her back, and tears in her eyes. Perhaps Graham _had_ forgotten her for the moment, for he gave a little start as he looked round.

"I am sure you did not," he said quite earnestly, as he laid down his pen, "but you are so tired to-night, and unhappy too; are you not?"

"Ah, yes," she answered, with a little sob, "I am very unhappy!"

He put his arm round her, as she stood beside him, and took one of her little hands in his; he was so sorry for the poor little girl, and yet he hardly knew what to say to console her. She gave two or three more little sobs, rubbing her eyes with her other hand to keep back the tears; presently she looked up into his face, and said:

"Do you really think I had better go to bed?"

"Indeed I do," replied Horace, much relieved by the practical turn her thoughts were taking; "I am really afraid you will be ill to-morrow if you do not, and you know I must take care of you now."

"I thought papa was all alone in here, and I was alone too,"

said Madelon, "it was so dark and lonely in my room."

"Well," said Horace, "I am going to stay in here for a little while, and presently I will open your door, and then it will be almost as if you were in the same room; won't that do?"

"Yes, thank you," said Madelon, who indeed was so tired that she could hardly speak. Graham lighted a candle for her, and opened the door leading into the inner room; she paused a moment as she took the light; and gazed up into the kind face looking down upon her; then she put her hand into his, and saying, "Good-night, Monsieur," went into her own room. Graham closed the door, and returned to his writing. That was all that pa.s.sed between them, but from that time Madelon's feeling for Horace Graham approached adoration.

CHAPTER IV.

Madelon's Promise.

A week later, and Madelon was again, as on the day of her father's death, standing at a long open window, looking out on the fading glories of another evening sky. But instead of the narrow Paris street, with its noisy rattle of vehicles, and high white houses limiting the view of earth and heaven, before her lay the small garden of a Liege hotel, and beyond, the steep slope of a hill, where, mingled with trees, roof rose above roof, to where two churches crowning the ridge, showed their grey ma.s.ses outlined against the clear pale blue.

Madelon had left Paris with Horace Graham the day before, and they had arrived at Liege that afternoon. The young doctor, bent on fulfilling the promise he had made to M. Linders, had altered all his plans, remaining in Paris till his little charge's affairs were settled, and then bringing her to Liege, with the intention of leaving her in her aunt's hands, and then proceeding to Switzerland for the accomplishment of as much of his proposed tour as should still be practicable. He willingly forfeited these days out of his brief holiday, for he had come to regard the child so unexpectedly thrown upon his care, with a very sincere interest, an affection not unmixed with wonder. Madelon was not at all like any other little girl he had ever had anything to do with, or rather--for his experience on this point was limited--unlike his preconceived notions of little girls in general. We, who know what Madelon's education had been, cannot feel surprised at her total ignorance of all sorts of elementary matters, her perfect unconsciousness of the most ordinary modes of thought current in the world, and of the most generally received standards of right and wrong, combined with a detailed experience in a variety of subjects with which children in general have no acquaintance. But for Graham, there was much that could only be matter for conjecture, much that he could only learn from inference, and to him there was something at once strange and pitiable in the simplicity with which she talked to him of her past life, dwelling on little episodes that only served to exhibit more and more clearly the real character of M. Linders and his a.s.sociates. Not for the world would he have touched the child's innocent faith, or revealed to our simple Madelon that her father was not the perfection she dreamed him; but he began to understand better the meaning of M. Linders' last words in his letter to his sister, and they gained a pathetic significance and force as he learnt to appreciate the affection that had subsisted between the father and child, and foresaw too plainly that the time must come when some rude shock would shatter all Madelon's early beliefs, and desecrate, as it were, her tenderest memories.

There was something so sad in this certain retribution that must fall upon her innocent head, as the child of such a father, something so touching in her anomalous position, left all friendless and lonely in the midst of such a hard, relentless world, that Horace felt all his tenderest feelings stirred with compa.s.sion, and he could have wished to have shielded her for ever from what, he could not but fear, too surely awaited her sooner or later.

What he could do, he did, and it was more than he thought.

Madelon's sudden devotion to him, of which indeed he knew and suspected nothing, was of infinite service to her in her first bitterness of her grief, by giving a new current to her ideas, whilst it did away with the sense of lonely desolation that had nearly overpowered her in that first dark hour. In her ardent little nature there was a necessity for loving, even stronger perhaps than for being loved, a certain enthusiasm, a capacity for devotion that had opportunely found an object in the time of extreme need. For a short hour it had seemed to her as if life itself had come to an end with her father's death; the darkness and vagueness of the future had crushed her down, all the more that she had scarcely comprehended what was the weight that so oppressed her--and then a moment had changed it all; a kind word spoken, a kind face looking down upon her, a friendly hand stretched out, and the vague terrors had vanished. From that time Horace Graham's presence was bliss to our Madelon; when she was unhappy, she dried her tears if he consoled her; if he was out, she sat listening for his returning footsteps; if he was busy, she was content to remain for hours with her book on her knee, her chin propped on her hands, her wistful eyes following his every movement.

Monsieur Horace, as it pleased Madelon to call him, knew nothing of all this, we may be sure; but he was very good and tender to the little girl, and did all he could to cheer and console her in the sudden overpowering fits of grief that came upon her from time to time. Finding that she liked to talk of the past, he encouraged her to do so, being anxious, indeed, to learn all he could of her former life, and to ascertain, if, after all, there were indeed no friends to whom he could apply, in the event of his mission to her Aunt Therese proving, from any cause, unsuccessful. But as before, on this point he obtained no sort of satisfaction. Madelon never got much beyond the Florence artists, and her German countess, and Russian princess. M. Linders, it was evident, had had no friends beyond the acquaintance he had made at the different places at which he had been wont to tarry from time to time; and these, for the most part, Graham inferred to have been of so doubtful a character that he could only rejoice for Madelon's sake that all further chance of connection was broken off. Madelon dwelt at great length on their last winter at Florence; she loved Italy, she said; she liked it better than France or Belgium, and Florence was such a beautiful place; had Monsieur Horace ever been there? There were such splendid churches, and palaces and galleries, with such grand pictures and statues; the American used to take her to see them. Papa had several friends there who knew a great deal about pictures, who were artists indeed; she used to go to their studios sometimes, and she liked hearing them talk. And then there were the fetes and processions, and the country people in such gay dresses, and all with such a blue sky and such bright sunshine; and then the Sundays! very often she and papa would go out into the country to some inn where they would breakfast and dine; ah! it had been so pleasant. "I shall never be so happy again," sighs Madelon.

The warm, glowing, picturesque Italian life had, as we know, forcibly seized her imagination, her eyes shone with delight as she recalled it, and, almost involuntarily in describing it, she made use of the soft words and phrases of the Italian tongue, which with the ready talent she possessed for languages, she had caught up, and spoke fluently.

"Where did you go when you left Florence?" asked Graham.

"We came north across the Alps and through Switzerland to Baden, and then we stayed a little while at Homburg, and then we were at Wiesbaden for six weeks: do you know Wiesbaden, Monsieur Horace?"

"I was there once for two days," answered Graham; "were you happy there too?"

"Ah yes, I was always happy with papa, but I like Wiesbaden very much. It is so pretty and gay; do you remember the Kursaal gardens? I used to walk there and listen to the band, and sometimes we sat and had coffee at the little round tables, and looked at all the people pa.s.sing. And then in the evening there were the b.a.l.l.s; last summer I used sometimes to go to them with the Russian Princess."

"And who was the Russian Princess?" Graham inquired.

"She was a Russian lady papa knew there, and she was very kind to me; I used to walk with her, and sit by her at the tables, and p.r.i.c.k her cards for her; she said I brought her luck."

"p.r.i.c.k her cards!" cried Graham.

"Yes--don't you know? at rouge-et-noir," says Madelon in explanation, "one has little cards to p.r.i.c.k, and then one remembers how many times each colour has won; otherwise one would not know at all what to do."

"I see," said Graham; "and so your Russian Princess played at rouge-et-noir--did she win much?"

"Yes, a great deal," cried Madelon, spreading out her hands, "she always had _chance_ and was very rich; she wore such beautiful toilettes at the b.a.l.l.s; she knew a great many gentlemen, and when I went with her they all danced with me."

And so on, _da capo_; it was always the same story, and Graham soon found that he had reached the limits of Madelon's experiences in that direction. As a last resource, he wrote to her American and German friends at Florence, the most respectable apparently of M. Linders' many doubtful acquaintance, and indeed the only ones with whose address Madelon could furnish him. From the old German he received a prompt reply. The American was absent from Florence, he said on a visit to his own country, which was to be regretted, as it was he who had been M. Linders' friend, and who could have given more information concerning him than it was in his power to do. Indeed, for himself, he knew little about him; he had spent the last winter at Florence, but his society and a.s.sociates were not such as he, the German, affected. M.

Linders had once been an artist, he believed; he had spent much of his time in painting, but he knew nothing of his early life. That he was a notorious gambler he was well aware, and had heard more than one story about him that certainly placed his character in no very favourable light; more than this he could not say. Of Madelon he spoke with the warmest affection, and there was a little note enclosed to her in Graham's letter, which she placed, and carefully preserved, we may be sure, amongst her most precious treasures.

These letters written, and M. Linders' few papers, which were of little interest or importance, examined, Graham had exhausted his sources of possible information, and could only trust no obstacle would intervene to prevent his little charge being at once received at the convent, and placed under her aunt's guardianship and care. So, with as little delay as possible, they had packed up, and set off on their journey: and now, as Madelon stands at the window of the little hotel salon, Paris lies many a league behind them, beyond the great northern levels, across which they have been speeding for so many hours. And behind her, too, already separated from her by a distance more impa.s.sable than that which can be counted by leagues, lies Madelon's old life, to which many and many a time, with pa.s.sionate outcries, perhaps, with tender unspeakable yearnings, she will look back across an ever- widening s.p.a.ce, only to see it recede more hopelessly into a remoter past.

She does not understand all this yet, however, with the new life scarcely a week old. She is thinking of Monsieur Horace, as she stands there looking out at the sunset sky; they have just dined, and behind her a deft waiter is removing the cloth; and in a minute she turns round gladly, as Monsieur Horace himself comes into the room.

"Shall we take a walk, Madelon?" he says, "or are you too tired?"

"I am not at all tired," Madelon answered. "I should like to have a walk; may we go and look at the convent where Aunt Therese lives? I should like to see it."

"That is a good idea," said Horace. "I will inquire whereabouts it is, and we will go and have a look at it."

The convent, they were told, stood on the outskirts of Liege, about a quarter of a mile outside the town, and a little off the great highroad leading through Chaudfontaine and its adjacent villages to Pepinster and Spa. It was at some distance from the hotel; but Madelon repeated that she was not at all tired, and would like a long walk, so they set off together in the mild September evening. To their left lay the old town with its picturesque churches, its quaint old Bishop's palace, its tall chimneys and busy quays, and wharves, and warehouses, stretching along the river banks; but all this they left on one side as they went along the wide, tree-planted boulevards, where carriages were rolling, and lamps lighting, and people walking about in the ruddy glow; and presently these too were pa.s.sed by, and they came out on the dusty high-road. A few scattered houses were still to their right hand and to their left; but the city, with its cloud of smoke, its kindling lights and ceaseless movement, was behind them now. Of all its restless stir no sound reached them through the soft twilight but the chime of bells from its many towers, which rang out the evening angelus just as they saw, standing on the summit of a gentle slope to their left, a building with steep grey slate roofs and belfry, rising above low white surrounding walls, and knew that they had reached their destination.

The carriage-road up to the convent made a circuit, and swept round to the other side of the little declivity: but in front, separated from the highroad by a hedge, there was only the slope of a ploughed field, with a gate at the lower end, opening on to a narrow path that led straight through it up the hill; and this path Graham and Madelon followed, to where it joined a weed-grown footway skirting the outer wall of the building. There was a garden inside apparently, for trees were waving their topmost branches overhead, and vines, and westeria, and Virginia creeper hung down in long, many- coloured tangled shoots and tendrils over the angle of the wall outside. A little beyond was a side-door, with a bench placed beside it; and above, surmounted by a crucifix under a little pent-house, a narrow shelf on which stood an empty bowl and spoon, just placed there probably by some wandering pensioner, who had come there, not in vain, to seek his evening meal.

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My Little Lady Part 15 summary

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