Mr. Pim Passes By Part 24

OLIVIA. Yes. (_Crossing up centre below_ DINAH _with curtains_.)

DINAH (_sits on table_ L.C.). I say, wasn't it lovely about Pim?

OLIVIA. Lovely?

DINAH. Yes, he told me all about it. Making such a hash of things, I mean.

OLIVIA (_innocently_). Did he make a hash of things?

DINAH. Well, I mean keeping on coming like that. And if you look at it all round--well, for all he had to say, he needn't have come at all.

OLIVIA. Well, I don't think I should put it quite like that, Dinah.

DINAH (_referring to curtains_). I say, aren't they jolly?

OLIVIA. I'm so glad everybody likes them. Tell George I'm ready, dear.

DINAH. I say, is _he_ going to put them up for you?

OLIVIA. Well, I thought perhaps he could reach better.

DINAH. All right, I'll tell him. (_Crossing up_ L. _on to terrace and calling off_.) George! (_Returning to back_ L. _end of writing-table_.) Brian is just telling George about the five shillings he has in the Post Office--(_crossing up_ L. _on to terrace again and calling off_.) George!!

GEORGE (_from off_ L.). Coming!

DINAH (_playfully coming down centre, imitating a fairy's footsteps_).

Slow music while the curtains go up. (_Sits at piano and plays "As I pa.s.sed by your Window.")_

(_GEORGE enters from up_ L., _followed by_ BRIAN.)

GEORGE (_to_ OLIVIA). What is it, darling?

OLIVIA. I wish you'd help me to put up these curtains?

GEORGE. Of course, dear. I'd better get the library steps. (_Crosses to doors R. and exits_.)

(BRIAN _goes quickly to OLIVIA and gratefully kisses her hand, then comes down to DINAH and bows to her_.)

BRIAN. Madam! I have the honour to inform you that hence-forward you are at liberty to regard me as your affianced husband.

DINAH (_rising quickly and advancing_). Darling!

BRIAN (_waving her back_). No! No! Stay there! (_She retreats and sits at piano_.) Go on playing.

(DINAH _goes on playing and he takes out a sketch-book, sits on settee and sketches her_.)

DINAH. What is it?

(OLIVIA _comes down centre, watching them_.)

BRIAN. Portrait of Lady Strange.

(_GEORGE enters from doors_ R. _with steps and crossing up R. places them near_ R. _window_.)

OLIVIA (_she hands him the curtains and goes up L. of writing table and round back, watching_ GEORGE). Are you ready, dear?

GEORGE (_mounting the steps_). Yes, quite ready.

OLIVIA. There! (_The curtains become entangled and he nearly falls_.) Oh, take care, dear!

GEORGE (_again mounting steps_). Oh, that's all right, dear. They're a little long. (_The curtains become entangled round his head_.)

(MR. PIM _enters mysteriously from up_ L.)

(OLIVIA _is looking up at_ GEORGE.)

(PIM _touches her on the shoulder and with a start she turns to him_.

DINAH _seeing him enter stops playing. OLIVIA, unwilling to attract_ GEORGE'S _attention, signals to_ DINAH _to continue playing, and, she does so_.)

PIM. Mrs. Marden! I _had_ to come back--I've just remembered his name was _Ernest_ Polwittle--not _Henry_! (_Going off up_ L.) Not Henry!

(DINAH _plays forte_.)

QUICK CURTAIN.

SCENE PLOT

_Oak panelled chamber_, with deep decorative frieze.

_Ceiling cloth_, painted with carved oak beams.

_Fireplace_.--Large open stone fireplace decorated all over with flutings and carved stone

_Doors_.--Heavy oak doors down R. to open off.

_Windows_.--C. windows (French windows) opening on stage from terrace.

_Stairs_.--Stairs up back R. with carved bal.u.s.trade. Transparent windows stained gla.s.s at top of stairway.

_Back cloth_.--Painted garden and terrace with stone seat C.

PROPERTY PLOT