Model Speeches For Practise Part 1

Model Speeches for Practise.

by Grenville Kleiser.

PREFACE

This book contains a varied representation of successful speeches by eminently successful speakers. They furnish, in convenient form, useful material for study and practise.

The student is earnestly recommended to select one speech at a time, a.n.a.lyze it carefully, note its special features, practise it aloud, and then proceed to another. In this way he will cover the princ.i.p.al forms of public speaking, and enable himself to apply his knowledge to any occasion.

The cardinal rule is that a speaker learns to speak by speaking, hence a careful reading and study of these speeches will do much to develop the student's taste for correct literary and oratorical form.

GRENVILLE KLEISER.

New York City, August, 1919.

INTRODUCTION

AIMS AND PURPOSES OF SPEAKING

It is obvious that the style of your public speaking will depend upon the specific purpose you have in view. If you have important truths which you wish to make known, or a great and definite cause to serve, you are likely to speak about it with earnestness and probably with eloquence.

If, however, your purpose in speaking is a selfish one--if your object is self-exploitation, or to serve some special interest of your own--if you regard your speaking as an irksome task, or are unduly anxious as to what your hearers will think of you and your effort--then you are almost sure to fail.

On the other hand, if you have the interests of your hearers sincerely at heart--if you really wish to render a worthy public service--if you lose all thought of self in your heartfelt desire to serve others--then you will have the most essential requirements of true and enduring oratory.

THE NECESSITY OF A DEFINITE OBJECT

It is of the highest importance for you to have in mind a clear conception of the end you wish to achieve by your speaking. This purpose should characterize all you say, so that at each step in your speech you will feel sure of making steady progress toward the desired object.

As a public speaker you a.s.sume serious responsibility. You are to influence men for weal or woe. The words you speak are like so many seeds, planted in the minds of your hearers, there to grow and multiply according to their kind. What you say may have far-reaching effects, hence the importance of careful forethought in the planning and preparation of your speeches.

_The highest aim of your public speaking is not merely to instruct or entertain, but to influence the wills of men, to make men think as you think, and to persuade them to act in the manner you desire._ This is a lofty aim, when supported by a good cause, and worthy of your greatest talents and efforts.

THE KEY TO SUCCESS IN SPEAKING

The key to greatness of speech is sincerity. You must yourself be so thoroughly imbued with the truth and desirability of what you are urging upon others that they will be imprest by your integrity of purpose. To have their confidence and good will is almost to win your cause.

But you must have deep and well-grounded convictions before you can hope to convince and influence other men. Duty, necessity, magnanimity, innate conviction, and sincere interest in the welfare of others,--these beget true fervor and are essential to pa.s.sionate and persuasive speaking.

Lord Lytton emphasized the vital importance of earnest purpose in the speaker. Referring to speech in the British Parliament he said, "Have but fair sense and a competent knowledge of your subject, and then be thoroughly in earnest to impress your own honest conviction upon others, and no matter what your delivery, tho your gestures shock every rule in Quintilian, you will command the ear and influence the debates of the most accomplished, the most fastidious, and, take it altogether, the n.o.blest a.s.sembly of freemen in the world."

Keep in mind that the purpose of your public speaking is not only to convince but also to persuade your hearers. It is not sufficient that they merely agree with what you say; you must persuade them also to act as you desire.

Hence you should aim to reach both their minds and hearts. Solid argument, clear method, and indisputable facts are necessary for the first purpose; vivid imagination, concrete ill.u.s.tration, and animated feeling are necessary for the second.

THE NEED OF A KNOWLEDGE OF HUMAN NATURE

It will be of great practical value to you to have a knowledge of the average man comprising your audience, his tastes, preferences, prejudices, and proclivities. The more you adapt your speech to such an average man, the more successful are you likely to be in influencing the entire audience.

Aim, therefore, to use words, phrases, ill.u.s.trations, and arguments such as you think the average man will readily understand. Avoid anything which would cause confusion, distraction, or prejudice in his mind. Use every reasonable means to win his good will and approval.

Your speech is not a monolog, but a dialog, in which you are the speaker, and the auditor a silent tho questioning listener. His mind is in a constant att.i.tude of interrogation toward you. And upon the degree of your success in answering such silent but insistent questions will depend the ultimate success of your speaking.

The process of persuading the hearer depends chiefly upon first being persuaded yourself. You may be devoid of feeling, and yet convince your hearers; but to reach their hearts and to move them surely toward the desired purpose, you must yourself be moved.

Your work as a public speaker is radically different from that of the actor or reciter. You are not impersonating some one else, nor interpreting the thought of another. You must above all things be natural, real, sincere and earnest. Your work is creative and constructive.

THE RIGHT ATt.i.tUDE OF A SPEAKER

However much you may study, plan, or premeditate, there must be no indication of conscious or studied attempt in the act of speaking to an audience. At that time everything must be merged into your personality.

Your earnestness in speaking arises princ.i.p.ally from having a distinct conception of the object aimed at and a strong desire to accomplish it.

Under these circ.u.mstances you summon to your aid all your available power of thought and feeling. Your mental faculties are stimulated into their fullest activity, and you bend every effort toward the purpose before you.

But however zealous you may feel about the truth or righteousness of the cause you espouse, you will do well always to keep within the bounds of moderation. You can be vigorous without violence, and enthusiastic without extravagance.

You must not only thoroughly know yourself and your subject, but also your audience. You should carefully consider the best way to bring them and yourself into unity. You may do this by making an appeal to some principle commonly recognized and approved by men, such as patriotism, justice, humanity, courage, duty, or righteousness.

What Phillips Brooks said about the preacher, applies with equal truth to other forms of public speaking:

"_Whatever is in the sermon must be in the preacher first; clearness, logicalness, vivacity, earnestness, sweetness, and light, must be personal qualities in him before they are qualities of thought and language in what he utters to his people._"

After you have earnestly studied the principles of public speaking you should plan to have regular and frequent practise in addressing actual audiences. There are a.s.sociations and societies everywhere, constantly in quest of good speakers. There will be ample opportunities for you if you have properly developed your speaking abilities.

_And now to sum up some of the most essential things for you:_

1. READ ALOUD EVERY DAY

This is indispensable to your greatest progress in speech culture.

Reading aloud, properly done, compels you to p.r.o.nounce the words, instead of skimming over them as in silent reading. It gives you the additional benefit of receiving a vocal impression of the rhythm and structure of the composition.

_Keep in mind the following purposes of your reading aloud:_

1. To improve your speaking voice.

2. To acquire distinct enunciation.