Memories and Studies Part 13

Or still again: "The pluralists have talked philosophy to a standstill--Nature is contingent, excessive and mystical essentially."

Have we here contradiction simply, a man converted from one faith to its opposite? Or is it only dialectic circling, like the opposite points on the rim of a revolving disc, one moving up, one down, but replacing one another endlessly, while the whole disc never moves? If it be this latter--Mr. Blood himself uses the image--the dialectic is too pure for me to catch: a deeper man must mediate the monistic with the pluralistic Blood. Let my incapacity be castigated, if my "Subject" ever reads this article, but let me treat him from now onwards as the simply pluralistic mystic which my reading of the rest of him suggests. I confess to some dread of my own fate at his hands.

In making so far an ordinary transcendental idealist of him, I have taken liberties, running separate sentences together, inverting their order, and even altering single words, for all which I beg pardon; but in treating my author from now onwards as a pluralist, interpretation is easier, and my hands can be less stained (if they _are_ stained) with exegetic blood.

I have spoken of his verbal felicity, and alluded to his poetry.

Before pa.s.sing to his mystic gospel, I will refresh the reader (doubtless now fatigued with so much dialectic) by a sample of his verse. "The Lion of the Nile" is an allegory of the "champion spirit of the world" in its various incarnations.

Thus it begins:--

"Whelped on the desert sands, and desert bred From dugs whose sustenance was blood alone-- A life translated out of other lives, I grew the king of beasts; the hurricane Leaned like a feather on my royal fell; I took the Hyrcan tiger by the scruff And tore him piecemeal; my hot bowels laughed And my fangs yearned for prey. Earth was my lair: I slept on the red desert without fear: I roamed the jungle depths with less design Than e'en to lord their solitude; on crags That cringe from lightning--black and blasted fronts That crouch beneath the wind-bleared stars, I told My heart's fruition to the universe, And all night long, roaring my fierce defy, I thrilled the wilderness with aspen terrors, And challenged death and life. . . ."

Again:

"Naked I stood upon the raked arena Beneath the pennants of Vespasian, While seried thousands gazed--strangers from Caucasus, Men of the Grecian Isles, and Barbary princes, To see me grapple with the counterpart Of that I had been--the raptorial jaws, The arms that wont to crush with strength alone, The eyes that glared vindictive.--Fallen there, Vast wings upheaved me; from the Alpine peaks Whose avalanches swirl the valley mists And whelm the helpless cottage, to the crown Of Chimborazo, on whose changeless jewels The torrid rays recoil, with ne'er a cloud To swathe their blistered steps, I rested not, But preyed on all that ventured from the earth, An outlaw of the heavens.--But evermore Must death release me to the jungle shades; And there like Samson's grew my locks again In the old walks and ways, till scapeless fate Won me as ever to the haunts of men, Luring my lives with battle and with love." . . .

I quote less than a quarter of the poem, of which the rest is just as good, and I ask: Who of us all handles his English vocabulary better than Mr. Blood?[7]

His proclamations of the mystic insight have a similar verbal power:--

"There is an invariable and reliable condition (or uncondition) ensuing about the instant of recall from anaesthetic stupor to 'coming to,' in which the genius of being is revealed. . . . No words may express the imposing certainty of the patient that he is realizing the primordial Adamic surprise of Life.

"Repet.i.tion of the experience finds it ever the same, and as if it could not possibly be otherwise. The subject resumes his normal consciousness only to partially and fitfully remember its occurrence, and to try to formulate its baffling import,--with but this consolatory afterthought: that he has known the oldest truth, and that he has done with human theories as to the origin, meaning, or destiny of the race.

He is beyond instruction in 'spiritual things.' . . .

"It is the instant contrast of this 'tasteless water of souls' with formal thought as we 'come to,' that leaves in the patient an astonishment that the awful mystery of Life is at last but a homely and a common thing, and that aside from mere formality the majestic and the absurd are of equal dignity. The astonishment is aggravated as at a thing of course, missed by sanity in overstepping, as in too foreign a search, or with too eager an attention: as in finding one's spectacles on one's nose, or in making in the dark a step higher than the stair.

My first experiences of this revelation had many varieties of emotion; but as a man grows calm and determined by experience in general, so am I now not only firm and familiar in this once weird condition, but triumphant, divine. To minds of sanguine imagination there will be a sadness in the tenor of the mystery, as if the key-note of the universe were low; for no poetry, no emotion known to the normal sanity of man, can furnish a hint of its primeval prestige, and its all-but appalling solemnity; but for such as have felt sadly the instability of temporal things there is a comfort of serenity and ancient peace; while for the resolved and imperious spirit there are majesty and supremacy unspeakable. Nor can it be long until all who enter the anaesthetic condition (and there are hundreds every secular day) will be taught to expect this revelation, and will date from its experience their initiation into the Secret of Life. . . .

"This has been my moral sustenance since I have known of it. In my first printed mention of it I declared: 'The world is no more the alien terror that was taught me. Spurning the cloud-grimed and still sultry battlements whence so lately Jehovan thunders boomed, my gray gull lifts her wing against the night fall, and takes the dim leagues with a fearless eye.' And now, after twenty-seven years of this experience, the wing is grayer, but the eye is fearless still, while I renew and doubly emphasize that declaration. I know, as having known, the meaning of Existence; the sane centre of the universe--at once the wonder and the a.s.surance of the soul."

After this rather literary interlude I return to Blood's philosophy again. I spoke a while ago of its being an "irrationalistic"

philosophy in its latest phase. Behind every "fact" rationalism postulates its "reason." Blood parodizes this demand in true nominalistic fashion. "The goods are not enough, but they must have the invoice with them. There must be a _name_, something to _read_. I think of d.i.c.kens's horse that always fell down when they took him out of the shafts; or of the fellow who felt weak when naked, but strong in his overcoat." No bad mockery, this, surely, of rationalism's habit of explaining things by putting verbal doubles of them beneath them as their ground!

"All that philosophy has sought as cause, or reason," he says, "pluralism subsumes in the status and the given fact, where it stands as plausible as it may ever hope to stand. There may be disease in the presence of a question as well as in the lack of an answer. We do not wonder so strangely at an ingenious and well-set-up effect, for we feel such in ourselves; but a cause, reaching out beyond the verge [of fact]

and dangling its legs in nonent.i.ty, with the hope of a rational foothold, should realize a strenuous life. Pluralism believes in truth and reason, but only as mystically realized, as lived in experience.

Up from the breast of a man, up to his tongue and brain, comes a free and strong determination, and he cries, originally, and in spite of his whole nature and environment, 'I will.' This is the Jovian _fiat_, the pure cause. This is reason; this or nothing shall explain the world for him. For how shall he entertain a reason bigger than himself? . . . Let a man stand fast, then, as an axis of the earth; the obsequious meridians will bow to him, and gracious lat.i.tudes will measure from his feet."

This seems to be Blood's mystical answer to his own monistic statement which I quoted above, that "freedom" has no fertility, and is no reason for any special thing.[8] "Philosophy," Mr. Blood writes to me in a letter, "is past. It was the long endeavor to logicize what we can only realize practically or in immediate experience. I am more and more impressed that Herac.l.i.tus insists on the equation of reason and unreason, or chance, as well as of being and not-being, etc. This throws the secret beyond logic, and makes mysticism outcla.s.s philosophy. The insight that mystery,--the Mystery, as such is final, is the hymnic word. If you use reason pragmatically, and deny it absolutely, you can't be beaten; be a.s.sured of that. But the _Fact_ remains, and of course the Mystery." [9]

The "Fact," as I understand the writer here to mean it, remains in its native disseminated shape. From every realized amount of fact some other fact is _absent_, as being uninvolved. "There is nowhere more of it consecutively, perhaps, than appears upon this present page." There is, indeed, to put it otherwise, no more one all-enveloping fact than there is one all-enveloping spire in an endlessly growing spiral, and no more one all-generating fact than there is one central point in which an endlessly converging spiral ends. Hegel's "bad infinite"

belongs to the eddy as well as to the line. "Progress?" writes our author. "And to what? Time turns a weary and a wistful face; has he not traversed an eternity? and shall another give the secret up? We have dreamed of a climax and a consummation, a final triumph where a world shall burn _en barbecue_; but there is not, cannot be, a purpose of eternity; it shall pay mainly as it goes, or not at all. The show is on; and what a show, if we will but give our attention! Barbecues, bonfires, and banners? Not twenty worlds a minute would keep up our bonfire of the sun; and what banners of our fancy could eclipse the meteor pennants of the pole, or the opaline splendors of the everlasting ice? . . . Doubtless we _are_ ostensibly progressing, but there have been prosperity and highjinks before. Nineveh and Tyre, Rome, Spain, and Venice also had their day. We are going, but it is a question of our standing the pace. It would seem that the news must become less interesting or tremendously more so--'a breath can make us, as a breath has made.'"

Elsewhere we read: "Variety, not uniformity, is more likely to be the key to progress. The genius of being is whimsical rather than consistent. Our strata show broken bones of histories all forgotten.

How can it be otherwise? There can be no purpose of eternity. It is process all. The most sublime result, if it appeared as the ultimatum, would go stale in an hour; it could not be endured."

Of course from an intellectual point of view this way of thinking must be cla.s.sed as scepticism. "Contingency forbids any inevitable history, and conclusions are absurd. Nothing in Hegel has kept the planet from being blown to pieces." Obviously the mystical "security," the "apodal sufficiency" yielded by the anaesthetic revelation, are very different moods of mind from aught that rationalism can claim to father--more active, prouder, more heroic. From his ether-intoxication Blood may feel towards ordinary rationalists "as Clive felt towards those millions of Orientals in whom honor had no part." On page 6, above, I quoted from his "Nemesis"--"Is heaven so poor that justice," etc. The writer goes on, addressing the G.o.ddess of "compensation" or rational balance;--

"How shalt thou poise the courage That covets all things hard?

How pay the love unmeasured That could not brook reward?

How prompt self-loyal honor Supreme above desire, That bids the strong die for the weak, The martyrs sing in fire?

Why do I droop in bower And sigh in sacred hall?

Why stifle under shelter?

Yet where, through forest tall, The breath of hungry winter In stinging spray resolves, I sing to the north wind's fury And shout with the coa.r.s.e-haired wolves?

What of thy priests' confuting, Of fate and form and law, Of being and essence and counterpoise, Of poles that drive and draw?

Ever some compensation, Some pandering purchase still!

But the vehm of achieving reason Is the all-patrician Will!"

Mr. Blood must manage to re-write the last two lines; but the contrast of the two securities, his and the rationalist's, is plain enough. The rationalist sees safe conditions. But Mr. Blood's revelation, whatever the conditions be, helps him to stand ready for a life among them. In this, his att.i.tude seems to resemble that of Nietzsche's _amor fati_!

"Simply," he writes to me, "_we do not know_. But when we say we do not know, we are not to say it weakly and meekly, but with confidence and content. . . . Knowledge is and must ever be _secondary_, a witness rather than a princ.i.p.al, or a 'principle'!--in the case.

Therefore mysticism for me!"

"Reason," he prints elsewhere, "is but an item in the duplex potency of the mystery, and behind the proudest consciousness that ever reigned, Reason and Wonder blushed face to face. The legend sinks to burlesque if in that great argument which antedates man and his mutterings, Lucifer had not a fighting chance. . . .

"It is given to the writer and to others for whom he is permitted to speak--and we are grateful that it is the custom of gentlemen to believe one another--that the highest thought is not a milk-and-water equation of so much reason and so much result--'no school sum to be cast up.' We have realized the highest divine thought of itself, and there is in it as much of wonder as of certainty; inevitable, and solitary and safe in one sense, but queer and cactus-like no less in another sense, it appeals unutterably to experience alone.

"There are sadness and disenchantment for the novice in these inferences, as if the keynote of the universe were low, but experience will approve them. Certainty is the root of despair. The inevitable stales, while doubt and hope are sisters. Not unfortunately the universe is wild--game flavored as a hawk's wing. Nature is miracle all. She knows no laws; the same returns not, save to bring the different. The slow round of the engraver's lathe gains but the breadth of a hair, but the difference is distributed back over the whole curve, never an instant true--ever not quite."

"Ever not quite!"--this seems to wring the very last panting word out of rationalistic philosophy's mouth. It is fit to be pluralism's heraldic device. There is no complete generalization, no total point of view, no all-pervasive unity, but everywhere some residual resistance to verbalization, formulation, and discursification, some genius of reality that escapes from the pressure of the logical finger, that says "hands off," and claims its privacy, and means to be left to its own life. In every moment of immediate experience is somewhat absolutely original and novel. "We are the first that ever burst into this silent sea." Philosophy must pa.s.s from words, that reproduce but ancient elements, to life itself, that gives the integrally new. The "inexplicable," the "mystery," as what the intellect, with its claim to reason out reality, thinks that it is in duty bound to resolve, and the resolution of which Blood's revelation would eliminate from the sphere of our duties, remains; but it remains as something to be met and dealt with by faculties more akin to our activities and heroisms and willingnesses, than to our logical powers. This is the anesthetic insight, according to our author. Let _my_ last word, then, speaking in the name of intellectual philosophy, be _his_ word.--"There is no conclusion. What has concluded, that we might conclude in regard to it? There are no fortunes to be told, and there is no advice to be given.--Farewell!"

[1] Written during the early summer of 1910 and published in the _Hibbert Journal_ for July of that year.

[2] "Yes! Paul is quite a correspondent!" said a good citizen of Amsterdam, from whom I inquired the way to Mr. Blood's dwelling many years ago, after alighting from the train. I had sought to identify him by calling him an "author," but his neighbor thought of him only as a writer of letters to the journals I have named.

[3] "How shall a man know he is alive--since in thought the knowing const.i.tutes the being alive, without knowing that thought (life) from its opposite, and so knowing both, and so far as being is knowing, being both? Each defines and relieves the other, each is impossible in thought without the other; therefore each has no distinction save as presently contrasting with the other, and each by itself is the same, and nothing. Clearly, then, consciousness is neither of one nor of the other nor of both, but a knowing subject perceiving them and itself together and as one. . . . So, in coming out of the anaesthetic exhilaration . . . we want to tell something; but the effort instantly proves that something will stay back and do the telling--one must utter one's own throat, one must eat one's own teeth, to express the being that possesses one. The result is ludicrous and astounding at once--astounding in the clear perception that this is the ultimate mystery of life, and is given you as the old Adamic secret, which you then feel that all intelligence must sometime know or have known; yet ludicrous in its familiar simplicity, as somewhat that any man should always perceive at his best, if his head were only level, but which in our ordinary thinking has grown into a thousand creeds and theories dignified as religion and philosophy."

[4] Elsewhere Mr. Blood writes of the "force of the negative"

thus:--"As when a faded lock of woman's hair shall cause a man to cut his throat in a bedroom at five o'clock in the morning; or when Albany resounds with legislation, but a little henpecked judge in a dusty office at Herkimer or Johnstown sadly writes across the page the word 'unconst.i.tutional'--the glory of the Capitol has faded."

[5] Elsewhere Blood writes:--"But what then, in the name of common sense, _is_ the external world? If a dead man could answer he would say Nothing, or as Macbeth said of the air-drawn dagger, 'there is no such thing.' But a live man's answer might be in this way: What is the multiplication table when it is not written down? It is a necessity of thought; it was not created, it cannot but be; every intelligence which goes to it, and thinks, must think in that form or think falsely. So the universe is the static necessity of reason; it is not an object for any intelligence to find, but it is half object and half subject; it never cost anything as a whole; it never _was_ made, but always _is_ made, in the Logos, or expression of reason--the Word; and slowly but surely it will be understood and uttered in every intelligence, until he is one with G.o.d or reason itself. As a man, for all he knows, or has known, stands at any given instant the realization of only one thought, while all the rest of him is invisibly linked to that in the necessary form and concatenation of reason, so the man as a whole of exploited thoughts is a moment in the front of the concatenated reason of the universal whole; and this whole is personal only as it is personally achieved. This is the Kingdom that is 'within you, and the G.o.d which 'no man hath seen at any time.'"

[6] There are pa.s.sages in Blood that sound like a well-known essay by Emerson. For instance:--"Experience burns into us the fact and the necessity of universal compensation. The philosopher takes it from Herac.l.i.tus, in the insight that everything exists through its opposite; and the b.u.mmer comforts himself for his morning headache as only the rough side of a square deal. We accept readily the doctrine that pain and pleasure, evil and good, death and life, chance and reason, are necessary equations--that there must be just as much of each as of its other.

"It grieves us little that this great compensation cannot at every instant balance its beam on every individual centre, and dispense with an under dog in every fight; we know that the parts must subserve the whole; we have faith that our time will come; and if it comes not at all in this world, our lack is a bid for immortality, and the most promising argument for a world hereafter. 'Though He slay me, yet will I trust in Him.'

"This is the faith that baffles all calamity, and ensures genius and patience in the world. Let not the creditor hasten the settlement: let not the injured man hurry toward revenge; there is nothing that draws bigger interest than a wrong, and to 'get the best of it' is ever in some sense to get the worst."

[7] Or what thinks the reader of the verbiage of these verses?--addressed in a mood of human defiance to the cosmic G.o.ds--

"Whose lightnings tawny leap from furtive lairs, To helpless murder, while the ships go down Swirled in the crazy stound, and mariners' prayers Go up in noisome bubbles--such to them;-- Or when they tramp about the central fires, Bending the strata with aeonian tread Till steeples totter, and all ways are lost,-- Deem they of wife or child, or home or friend, Doing these things as the long years lead on Only to other years that mean no more, That cure no ill, nor make for use or proof-- Destroying ever, though to rear again."