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"Good Lord, Ephie! What on earth are you doing here?"
She sprang at his hands, and caught her breath hysterically.
"Oh, Morry, you've come at last. Oh, I thought you would never come.
Where have you been? Oh, Morry, help me--help me, or I shall die!"
"Whatever is the matter? What are you doing here?"
At his perturbed amazement, she burst into tears, still clinging fast to his hands. He led her back to the sofa, from which she had sprung.
"Hush, hush! Don't cry like that. What's the matter, child? Tell me what it is--at once--and let me help you."
"Oh, yes, Morry, help me, help me! There's no one else. I didn't know where to go. Oh, what shall I do!"
Her own words sounded so pathetic that she sobbed piteously. Maurice stroked her hand, and waited for her to grow quieter. But now that she had laid the responsibility of herself on other shoulders, Ephie was quite unnerved: after the dark and fearful wanderings of the evening, to be beside some one who knew, who would take care of her, who would tell her what to do!
She sobbed and sobbed. Only with perseverance did Maurice draw from her, word by word, an account of where she had been that evening, broken by such cries as: "Oh, what shall I do! I can't ever go home again--ever! ... and I lost my hat. Oh, Morry, Morry! And I didn't know he had gone away--and it wasn't true what I said, that he was coming back to marry me soon.. I only said it to spite her, because she said such dreadful things to me. But we were engaged, all the same; he said he would come to New York to marry me. And now ... oh, dear, oh, Morry!
"Then he really promised to marry you, did he?"
"Yes, oh, yes. Everything was fixed. The last day I was there," she wept. "But I didn't know he was going away; he never said a word about it. Oh, what shall I do! Go after him, and bring him back, Morry. He must come back. He can't leave me like this, he can't--oh, no, indeed!"
"You don't mean to say you went to see him, Ephie?--alone?--at his room?" queried Maurice slowly, and he did not know how sternly. "When?
How often? Tell me everything. This is no time for fibbing."
But he could make little of Ephie's sobbed and hazy version of the story; she herself could not remember clearly now; the impressions of the last few hours had been so intense as to obliterate much of what had gone before. "I thought I would drown myself ... but the water was so black. Oh, why did you take me to that dreadful woman? Did you hear what she said? It wasn't true, was it? Oh, it can't be!"
"It was quite true, Ephie. What he told YOU wasn't true. He never really cared for anyone but her. They were--were engaged for years."
At this, she wept so heart-rendingly that he was afraid Frau Krause would come in and interfere.
"You MUST control yourself. Crying won't alter things now. If you had been frank and candid with us, it would never have happened." This was the only reproach he could make her; what came after was Johanna's business, not his. "And now I'm going to take you home. It's nearly twelve o'clock. Think of the state your mother and sister will be in about you."
But at the mention of Johanna, Ephie flung herself on the sofa again and beat the cushions with her hands.
"Not Joan, not Joan!" she wailed. "No, I won't go home. What will she say to me? Oh, I am so frightened! She'll kill me, I know she will."
And at Maurice's confident a.s.surance that Johanna would have nothing but love and sympathy for her, she shook her head. "I know Joan. She'll never forgive me. Morry, let me stay with you. You've always been kind to me. Oh, don't send me away!"
"Don't be a silly child, Ephie. You know yourself you can't stay here."
But he gave up urging her, coaxed her to lie down, and sat beside her, stroking her hair. As he said no more, she gradually ceased to sob, and in what seemed to the young man an incredibly short time, he heard from her breathing that she was asleep. He covered her up, and stood a sheet of music before the lamp, to shade her eyes. In the pa.s.sage he ran up against Frau Krause, whom he charged to prevent Ephie in the event of her attempting to leave the house.
b.u.t.toning up his coat-collar, he hastened through the mistlike rain to fetch Johanna.
There was a light in every window of the PENSION in the LESSINGSTRa.s.sE; the street-door and both doors of the flat stood open. As he mounted the stairs a confused sound of voices struck his car; and when he entered the pa.s.sage, he heard Mrs. Cayhill crying noisily. Johanna came out to him at once; she was in hat and cloak. She listened stonily to his statement that Ephie was safe at his lodgings, and put no questions; but, on her returning to the sitting-room, Mrs. Cayhill's sobs stopped abruptly, and several women spoke at once.
Johanna preserved her uncompromising att.i.tude as they walked the midnight streets. But as Maurice made no mien to explain matters further, she so far conquered her aversion as to ask: "What have you done to her?"
The young man's consternation at this view of the case was so evident that even she felt the need of wording her question differently.
"Answer me. What is Ephie doing at your rooms?"
Maurice cleared his throat. "It's a long and unpleasant story, Miss Cayhill. And I'm afraid I must tell it from the beginning.--You didn't suspect, I fear, that ... well, that Ephie had a fancy for some one here?"
At these words, which were very different from those she had expected, Johanna eyed him in astonishment.
"A fancy!" she repeated incredulously. "What do you mean?"
"Even more--an infatuation," said Maurice with deliberation. "And for some one I daresay you have never even heard of--a...a man here, a violinist, called Schilsky."
The elaborate fabric she had that day reared, fell together about Johanna's ears. She stared at Maurice as if she doubted his sanity; and she continued to listen, with the same icy air of disbelief, to his stammered and ineffectual narrative, until he said that he believed "it" had been "going on since summer."
At this Johanna laughed aloud. "That is quite impossible," she said. "I knew everything Ephie did, and everywhere she went."
"She met him nearly every day. They exchanged letters, and-----"
"It is impossible," repeated Johanna with vehemence, but less surely.
"----and a sort of engagement seems to have existed between them."
"And you knew this and never said a word to me?"
"I didn't know--not till to-night. I only suspected something--once ...
long ago. And I couldn't--I mean--one can't say a thing like that without being quite sure----"
But here he broke down, conscious, as never before, of the negligence he had been guilty of towards Ephie. And Johanna was not likely to spare him: there was, indeed, a bitter antagonism to his half-hearted conduct in the tone in which she said: "I stood to Ephie in a mother's place. You might have warned me--oh, you might, indeed!"
They walked on in silence--a hard, resentful silence. Then Johanna put the question he was expecting to hear.
"And what has all this to do with to-night?"
Maurice took up the thread of his narrative again, telling how Ephie had waited vainly for news since returning from Switzerland, and how she had only learnt that afternoon that Schilsky had been in Leipzig, and had gone away again, without seeing her, or letting her know that he did not intend to return.
"And how did she hear it?"
"At a friend's house."
"What friend?"
"A friend of mine, a--No; I had better be frank with you: the girl this fellow was engaged to for a year or more."
"And Ephie did not know that?"
He shook his head.
"But you knew, and yet took her there?"