Matisse Picasso And Gertrude Stein Part 37

So soon to be a sample of more than the tight shoes that show the movement to be soft, so soon to be sacred in not having sorrow, so soon to be placed where the race is between horses, all this is so soon if there was a way to be sooner.

So long to be remaining when salt has no perfume, so long to leave out what is not more than that matter, so long to have an orange and a nut more than an abundance of b.u.t.ter, this does not mean that there is not an origin.

So likely to speak and so soon to declare that a piece has been there and there has been more hair. So well to endow what has reason to leave if a fear is the same and the result has no grief. All this makes the time and the use has that point and the same explanation does not deny every joint.

Leave the pressing day-time and the pressing night-time leave it all alone and it does not deny that meaning. It does not.

Limping in song, measuring a mile, seeing the tin and making an evening, all this is autocracy. A bloom is on a splendid scarcity, it is so gentle that there is no face.

Patience and to-morrow, a season and all the week, a programme has no connection with Russia.

Twinkling so that there is gas, budding so that there is hair, blaming so that there is pleasing, all along the heap of all.

To lie in the cheese, to smile in the b.u.t.ter, to lengthen in the rain, to sit in the flour all that makes a model stronger, there is no strangeness where there is more uselul color, a description has not every mission.

Leaning together and destroying a principle preciousness which is not mangled, this is so loaned that there is no habit, not at all and yet there is the late way, there is an instance of more.

To be painful is not more than a street, to be a princ.i.p.al apricot is not more than a cherry and yet there is an expression, there certainly is.

Left hand and right, the knee and no chapter, the pleasure of prophecy is in the direct adhesion of most of the pearls. This is so attending and the mixture which is as yet a marigold has the proof and the price it has all the const.i.tution and the west of the dinner. This does not mean more harm. It means the lingering station, it means appet.i.te and ice-cream. It does not.

Plaque which is not munic.i.p.al and ardent is not more a stroke than any birthday. So much is there no moon in the evening.

Name and place and more besides makes the time so gloomy, all the shade is in the sun and lessons have the place of noon. There is no gender.

The best way is to say than an appet.i.te resembles a season, it has fish.

Playing more means that a tail is in the kite and anyway of tying that is dissimilar.

No season is plentiful, any season has more juice than snow, any season is so rickety. The silence and the sinking of the morning sun means no more than every habit. The town is in that place. There is a size corset. The bloom is on the dog and the paws are startling. It lightens more chain than a c.o.c.katoo. This does make a noise. This does show all that.

An alarm has no b.u.t.ton. This means that where there is undoubtedly a magnificent heap of cats there is more there than any place there is.

There does show the authority that has no subst.i.tute. It must be expressed that there is a difference between that which is seen and that which is mean. Something must be the other. There is a name that is written and printing does not mean. It means that very often and it shows the same metal as the trial. There is so much use. When is there more betrayal. The answer is always.

Pleading for a cat means no more than most and enough is celebrated to distinguish every department. All the b.u.t.tons are in the medium and they do not shine more then that lead. There is such a heavy suit. There is a tail. There is a bewildering distruction of simple linings. There is so much ice-cream.

A lively letter is distributed in a pencil case and so the sweetness of delight is so urged that tumbling is no nuisance.

So then the beginning has a piercing foundation. It agrees to all the rest. It plans that spare ticking.

A bargain has lettering and it has more photographing than any amount of musical instruments. It does sound a drum and a calendar. It does show piercing likeness to it all and it is not leathery, it has no consistence.

The gloom is not effaced by resignation, it takes more light than dinner. It has it all. There is no choice.

An exceeding long stout single eagle is so situated that the afternoon is sunshiny. The long simple statement of more makes an expression. It shows the little weather. It shows the floor to be neater. It shows loving. The silence which is outrageous is not so fatal as the corn that is taller. Anyway all the sands shine and gla.s.s is plenty. It has that choice.

Then came the rain, then came large pattering, then came the gla.s.s and the little drops and many more, then came the time and the Hindoo, then came more afternoons then ever, then came the distribution, then it came there.

So obliging is an insight and so thoughtless are the plain painstaking principles, how thoughtful they are and how they show the interest. How they do diminish friction. How they do entertain royalty. How they do not stay in the deep down. How they do not. So then the origin is told.

There is an ending.

A mend which shows no simple correction is not displaced by organisation. So to mix and mingle, so to adjust center-pieces, so to mingle ferns, so to embarra.s.s every curve, is not the print of a marguerite, it is so likely to shine.

The silence and squeaking is perculiar, the silence has the heat of the waste paper. This does not make a balloon.

The tone and the flush is wetter, the tone is a standard and manufacture is an outfit. There is cloth.

Pigeon is not liquid, it is not surgical, it is unpressed, it is rejoicing, it is simultaneous, it is not particular, it is plentiful, it is determined.

Powder is not elegant, it is not painful, it is meritorious, it is twinkling, it is the weather.

Like the spoon and the educated banana there is no correct description.

There is light and there is manner, there is a touch of a splinter.

Seen in the hand there is nothing hiding, seen in the hand there is lightning. Seen in the hand there is an eruption. Seen in the hand there is recognition.

A brown subject is seen by the color. The red which is there is dark.

The blue is that color. If the time is a sensitive celebrity then a piece of the paper is essential.

A splice is something that causes a connection, a spectacle is something that causes that, a return is something that causes that. Old single houses are established. A bed room is furnished. Lying in the same position does cause that nice sound. There has been a dozen.

A state when there is no dirt is not so handy as flattery. A tongue makes moisture. Sadness is plenty. The arrangement is at noon. The end is wider.

No more eggs when they are sitting, no more pigeons when they are cooing, no more landing in the market, no more stretching in the town.

No more of most cheese. No more is that.

The time to moderate a particular sale is when there is money and a blessing, this is the time to begin the argument.

All the same nails have tacks and all the same hammers have tools and all the same lights have that and all the same books have paper. This does not make dirt. This makes that.

So to clean that stinking has that odor, so to clean that the feathers are empty, so to clean and to age a winter means that changing a wedding is over. The turn of the eight pieces are not blacker. The winking of the faint flat-boat is not past. There is a station. There is a widow.

All the time that the old age is pa.s.sed is that when the label is empty and later any time later there is more breath and a little goose. The time to smell anything is in the oven. All the paint shows that.

Speaking is not an opening, returning the bent candy is not audacious, surely the polite sale is willful, surely there is more hope. All the same the cause has the plain picnic, it shows such weather, it does not shun clinging. So the candy is best hired and the long leaves have the stem. There is no hot hindering.

Lie and die and seat the can where the change is most restrained and the boots are all the shoes and the shoes are white and black.

See the whale and taste the b.u.t.ter, show the throat and make hands whiter, if a nail is long and short then there is a in-between gold fisher. He sees and he burdens no tail with more than that and if there are then if there is one who says that and one who made that and one who did that and one who saw that, if there are more ancient races than there are puddings then certainly the universal standards are utilised.

So says the more that is pasted on the underneath portrait. There is no change when it is given.

A dark start is a jump, a jump is a balloon, a balloon is not high, there is no sky. The darkness is black, darkness is engaged, there is no darkness, there is a protection. If the authority is mingled with a decent costume then there is no question that a woman is asking something. She is asking to be listening. This happens and what then, there are indications. What are the indications. The indications are these. The time to engage an evening is the same time as Sat.u.r.day, it is Friday. Friday is that day and there is a suspicion. There is every suspicion. Every suspicion means some pains taking. There is a question and then more talking is more occupying. There is a frugal use of mutton. A chicken which is small has no finish. There are tears of vexation.

So the long night makes no change and to be older is not different than travelling. Travelling is necessary.

No back talk means more than conviction and to be convinced means that there will be adaptation and no cause. It means something and the giving of more means more. It means marriage. The marriage of two means more than that, it means that something is not tiring and tiring is that success, it succeeds no more than always. Always is more.

A Baedecker, that is to say, no division. A union, that is like that.