Mask of Death Part 6

He looked at it for several minutes. A lock wouldn't have mattered to Keane, and Satan knew that as well as Keane himself. Nevertheless, to leave the door invitingly open like this was almost too obliging!

He opened the door and stepped in, bracing himself for instant attack.

But no attack of any kind was forthcoming. The front hall in which he found himself was deserted. Indeed, the whole house had that curiously breathless feeling encountered in homes for the moment untenanted.

Down the hall was an open double doorway. Keane stared that way. He himself could not have told how he knew, but know he did, that beyond that doorway lay what he had come to find. He walked toward it.

Behind him, the street door opened again, very slowly and cautiously. An eye was put close to the resultant crack. The eye was dark, exotically lovely. It fastened on Keane's back.

Keane stared in through the doorway. He was gazing into a library, dimmed by drawn shades. He entered it, with every nerve-end in his body silently shrieking of danger.

The street door softly closed after admitting a figure that moved on soundless feet. A woman, with a face like a pale flower on an exquisite throat. Madame Sin.

Her face was as serenely lovely as ever. Not by a line had it changed.

And yet, subtly, it had become a mask of beautiful death. Her eyes were death's dark fires as she moved without a sound down the hall toward the library. In her tapering hands was the gold-link bag.

In the library, Keane stood with beating heart over two stark, still bodies that lay on the thick carpet near a flat-topped desk. One was wizened, lank, a little undersized, with dry-looking skin. It was the body of Chichester. At first it seemed a corpse, but then Keane saw the chest move with slow, deep breaths, as the breast of the woman back at the hotel had moved.

But it was not this figure that made Keane's heart thud and his hands clench. It was the other.

This was a taller figure, lying on its back with hands folded. The hands were red-gloved. The face was concealed by a red mask. The body was draped by a red cloak. From the head sprang two little k.n.o.bs, or projections, like Lucifer's horns. Doctor Satan himself!

"It's my chance," whispered Keane. "Satan--sending his soul and mind and spirit from his own sh.e.l.l--into that of others--Madame Sin--Chichester.

Now his body lies here empty! If I killed that----"

Exotically beautiful dark eyes--with death in their loveliness--watched him from the library doorway as he bent over the red-robed figure.

Sardonic death in lovely eyes!

"No wonder Gest thought that Wilson was killed in the conference room, just before he could tell of the roulette wheel, as if Doctor Satan had been there himself! Satan _was_ there! And he was on the roof garden earlier, and in the roulette room! A trance for the woman, the crowding of Satan's black spirit into her body--and she becomes Madame Sin, with Satan peering from her eyes and moving in her mantle of flesh! A trance for the unfortunate Chichester--and Satan talks with Gest and Kroner as the Blue Bay treasurer, and can strike down Wilson when he comes to report! Chichester and Madame Sin--both Doctor Satan--becoming lifeless, trance-held sh.e.l.ls when Satan's soul has left them!"

But here was Satan's physical sh.e.l.l, lying in a coma at his feet, to be killed at a stroke! His deadly enemy, the enemy of all mankind, delivered helpless to him!

"But if I do kill the body," Keane whispered, "will I kill the spirit too, or banish it from the material world so that humanity won't again be troubled? Satan's spirit, the essential man, is abroad in another body. If I kill this red-robed body, will it draw the spirit out of mortal affairs with it? Or would it simply deprive it of its original housing so that I'd have to seek Satan's soul in body after body, as I have till now sought him in the flesh in lair after lair? That would be--horrible!"

He drove away the grim thought. It was probable that with the death of his body, Doctor Satan in entirety would die, or at least pa.s.s out of mortal knowledge through the gateway called death. And the mechanics of forcing him through that gateway was to kill the body.

Behind him, Madame Sin crept closer and closer on soundless feet. Her red lips were set in a still smile. The gold-link purse was extended a little toward Keane. Her forefinger searched for the movable bar that changed angles of the queer, metal cage within.

Keane's hand raised to strike. His eyes burned down at the red-clad figure of the man at his feet, who was mankind's enemy. Behind him, Madame Sin's finger found the little bar....

It was not till then that Keane felt the psychic difference caused by the entrance of another into a room that had been deserted save for himself. Another person would not have felt that difference at all, but Keane had developed his psychic perceptions as ordinary men exercise and develop their biceps.

With an inarticulate cry he whirled, and leaped far to the side.

[Ill.u.s.tration: "The wall behind the spot where he had been disappeared."]

The wall behind the spot where he had been disappeared as the gold-link bag continued to point that way. The woman, snarling like a tigress, swung her bag toward Keane in his new position. But Keane was not waiting. He sprang for her. His hand got her wrist and wrenched to get the gold-link purse away from her. It turned toward her, back again toward him, with the little bar moving as her hand was constricted over the thing in the purse.

It was a woman's body he struggled with. But there was strength in the fragile flesh beyond the strength of any woman! It took all his steely power to tear from her grasp the gold-link purse with its enclosed device. As he got it, he heard the woman's shrill cry of pain and terror, felt her sag in his arms. And then he heard many voices and stared around like a sleepwalker who has waked in a spot different from that in which he had begun his sleep--a comparison so exact that for one wild moment he thought it must be true!

He was in a familiar room.... Yes, Doctor Grays' room at the Blue Bay Hotel.

The people around him were familiar.... There was Gest. There were Kroner and Doctor Grays, and--Beatrice. There were the Blue Bay chief of police, and two men.

But the limp feminine form he held in his arms was Madame Sin, the fury he had been fighting in Chichester's library! And in his hand was still the gold link bag he had wrenched from her!

The woman in his arms stirred. She looked blankly up at him, stared around. A cry came from her lips.

"Where--am I? Who are you all? What are you doing in my room? But this isn't my room!"

Her face was different, younger-looking, less exotic. She wasn't Madame Sin; she was a frightened, puzzled girl.

Keane's brain had slipped back into gear, and into comprehension of what had happened.

"Where do you think you are?" he said gently. "And what is your name?"

"I'm Sylvia Crane," she said. "And I'm in a New York hotel room. At least I was the last I knew, when I opened the door and the man in the red mask came in...."

She buried her face in her hands. "After that--I don't know what happened----"

"Nor do any of us," quavered Gest. "For G.o.d's sake, Keane, give us some idea of what has happened here, if you can!"

It was over an hour later when Beatrice and Keane entered the door of his suite. It had taken that long to explain to the people in Doctor Grays' rooms. Even then the explanation had been but partial, and most of it had been frenziedly and stubbornly disbelieved even though proof was there.

Keane's shoulders were bowed a little and his face wore a bitter look.

He had thwarted Doctor Satan in his attempt to extort a fortune from the resort. But once more his deadly enemy had got away from him. He had failed.

Beatrice shook her head.

"Don't look like that. The fact that you're here alive is a miracle that makes up for his escape. If you could have seen yourself, and that girl, when the police brought you back from Chichester's house! As soon as they set you down in the doctor's rooms, you and the girl came together.

You fought again for her purse, as you say you started to do in Chichester's house ten hours ago. But you moved with such horrible slowness! It was like watching a slow-motion picture. It took you hours to raise your arm, hours to take the purse from her hand. And your expression changed with equal slowness.... I can't tell you how dreadful it was!"

"All due, as I said, to this," Keane sighed.

He stared at the little metal cage he had taken from the purse.

"The latest product of Doctor Satan's warped genius. A time-diverter, I suppose you might call it."

"I didn't understand your explanation in Grays' rooms, after you'd brought those people out of their dreadful coma," said Beatrice.

"I'll try again."

Keane held up the geometric figure.

"Time has been likened to a river. We don't know precisely what it is, but it seems that the river simile must be apt. Very well, we and all around us float on this river at the same speed. If there were different currents in the same river, we might have the spectacle of seeing those nearby move with lightning rapidity or with snail-like slowness as their time-environment differed from ours. Normally there is no such difference, but with this fantastic thing Doctor Satan has succeeded in producing them artificially.