Mary Marston Part 38

Rising, he tucked his violin under his arm, and showed himself ready to follow.

"Good night, Miss Byrom," said Mary.

"Good night, miss," returned Ann, grimly. "I'm sorry for you both, miss. But, until the spirit is poured out from on high, it's nothing but a stumbling in the dark."

This last utterance was a reflection rather than a remark.

Mary made no reply. She did not care to have the last word; nor did she fancy her cause lost when she had not at hand the answer that befitted folly. She ran down the stair, and at the bottom stood waiting her new acquaintance, who descended more slowly, careful not to make a noise.

She could now see, by the gaslight that burned on the landing, a little more of what the man was. He was powerfully built, rather over middle height, and about the age of thirty. His complexion was dark, and the hand that held the bow looked grimy. He bore himself well, but a little stiffly, with a care over his violin like that of a man carrying a baby. He was decidedly handsome, in a rugged way--mouth and chin but hinted through a thick beard of darkest brown.

"Come this way," said Mary, leading him into Letty's parlor. "I will tell my friend you are come. Her room, you see, opens off this, and she will hear you delightfully. Pray, take a seat."

"Thank you, miss," said the man, but remained standing.

"I have caught the bird, Letty," said Mary, loud enough for him to hear; "and he is come to sing a little to you--if you feel strong enough for it."

"It will do me good," said Letty. "How kind of him!"

The man, having heard, was already tuning his violin when Mary came from the bedroom, and sat down on the sofa. The instant he had got it to his mind, he turned, and, going to the farthest corner of the room, closed his eyes tight, and began to play.

But how shall I describe that playing? how convey an idea of it, however remote? I fear it is nothing less than presumption in me, so great is my ignorance, to attempt the thing. But would it be right, for dread of bringing shame upon me through failure, to leave my readers without any notion of it at all? On the other hand, I shall, at least, have the merit of daring to fail--a merit of which I could well be ambitious.

If, then, my reader will imagine some music-loving sylph attempting to guide the wind among the strings of an Aeolian harp, every now and then for a moment succeeding, and then again for a while the wind having its own way, he will gain, I think, something like a dream-notion of the man's playing. Mary tried hard to get hold of some clew to the combinations and sequences, but the motive of them she could not find.

Whatever their source, there was, either in the composition itself or in his mode of playing, not a little of the inartistic, that is, the lawless. Yet every now and then would come a pa.s.sage of exquisite melody, owing much, however, no doubt, to the marvelous delicacy of the player's tones, and the utterly tender expression with which he produced them. But ever as she thought to get some insight into the movement of the man's mind, still would she be swept away on the storm of some change, seeming of mood incongruous.

At length came a little pause. He wiped his forehead with a blue cotton handkerchief, and seemed ready to begin again. Mary interrupted him with the question:

"Will you please tell me whose music you have been playing?"

He opened his eyes, which had remained closed even while he stood motionless, and, with a smile sweeter than any she had ever seen on such a strong face, answered:

"It's n.o.body's, miss."

"Do you mean you have been extemporizing all this time?"

"I don't know exactly what that means."

"You must have learned it from notes?"

"I couldn't read them if I had any to read," he answered.

"Then what an ear and what a memory you must have! How often have you heard it?"

"Just as often as I've played it, and no oftener. Not being able to read, and seldom hearing any music I care for, I'm forced to be content with what runs out at my fingers when I shut my eyes. It all comes of shutting my eyes. I couldn't play a thing but for shutting my eyes.

It's a wonderful deal that comes of shutting your eyes! Did you never try it, miss?"

Mary was so astonished both by what he said and the simplicity with which he said it, having clearly no notion that he was uttering anything strange, that she was silent, and the man, after a moment's retuning, began again to play. Then did Mary gather all her listening powers, and brace her attention to the tightest--but at first with no better success. And, indeed, that was not the way to understand. It seems to me, at least, in my great ignorance, that one can not understand music unless he is humble toward it, and consents, if need be, not to understand. When one is quiescent, submissive, opens the ears of the mind, and demands of them nothing more than the hearing--when the rising waters of question retire to their bed, and individuality is still, then the dews and rains of music, finding the way clear for them, soak and sink through the sands of the mind, down, far down, below the thinking-place, down to the region of music, which is the hidden workshop of the soul, the place where lies ready the divine material for man to go making withal.

Weary at last with vain effort, she ceased to endeavor, and in a little while was herself being molded by the music unconsciously received to the further understanding of it. It wrought in her mind pictures, not thoughts. It is possible, however, my later knowledge may affect my description of what Mary then saw with her mind's eye.

First there was a crowd in slow, then rapid movement. Arose cries and entreaties. Came hurried motions, disruption, and running feet. A pause followed. Then woke a lively melody, changing to the prayer of some soul too grateful to find words. Next came a bar or two of what seemed calm, lovely speech, then a few slowly delivered chords, and all was still.

She came to herself, and then first knew that, like sleep, the music had seized her unawares, and she had been understanding, or at least enjoying, without knowing it. The man was approaching her from his dark corner. His face was shining, but plainly he did not intend more music, for his violin was already under his arm. He made her a little awkward bow--not much more than a nod, and turned to the door. He had it half open, and not yet could Mary speak. For Letty, she was fast asleep.

From the top of the stair came the voice of Ann, screaming:

"Here's your hat, Joe. I knew you'd be going when you played that.

You'd have forgotten it, I know!"

Mary heard the hat come tumbling down the stair.

"Thank you, Ann," returned Joe. "Yes, I'm going. The ladies don't care much for my music. n.o.body does but myself. But, then, it's good for me." The last two sentences were spoken in soliloquy, but Mary heard them, for he stood with the handle of the door in his hand. He closed it, picked up his hat, and went softly down the stair.

The spell was broken, and Mary darted to the door. But, just as she opened it, the outer door closed behind the strange musician, and she had not even learned his name.

CHAPTER x.x.xVI.

A CHANGE.

As soon as Letty had strength enough to attend to her baby without help, Mary, to the surprise of her mistress, and the destruction of her theory concerning her stay in London, presented herself at Durnmelling, found that she was more welcome than looked for, and the same hour resumed her duties about Hesper.

It was with curiously mingled feelings that she gazed from her window on the chimneys of Thornwick. How much had come to her since first, in the summer-seat at the end of the yew-hedge, Mr. Wardour opened to her the door of literature! It was now autumn, and the woods, to get young again, were dying their yearly death. For the moment she felt as if she, too, had begun to grow old. Ministration had tired her a little--but, oh! how different its weariness from that which came of labor amid obstruction and insult! Her heart beat a little slower, perhaps, but she could now be sad without losing a jot of hope. Nay, rather, the least approach of sadness would begin at once to wake her hope. She regretted nothing that had come, nothing that had gone. She believed more and more that not anything worth having is ever lost; that even the most evanescent shades of feeling are safe for those who grow after their true nature, toward that for which they were made--in other and higher words, after the will of G.o.d.

But she did for a moment taste some bitterness in her cup, when, one day, on the footpath of Testbridge, near the place where, that memorable Sunday, she met Mr. Wardour, she met him again, and, looking at her, and plainly recognizing her, he pa.s.sed without salutation. Like a sudden wave the blood rose to her face, and then sank to the deeps of her heart; and from somewhere came the conviction that one day the destiny of G.o.dfrey Wardour would be in her hands: he had done more for her than any but her father; and, when that day was come, he should not find her fail him!

She was then on her way to the shop. She did not at all relish entering it, but, as she had a large money-interest in the business; she ought at least, she said to herself, to pay the place a visit. When she went in, Turnbull did not at first recognize her, and, taking her for a customer, blossomed into repulsive suavity. The change that came over his countenance, when he knew her, was a shadow of such mingled and conflicting shades that she felt there was something peculiar in it which she must attempt to a.n.a.lyze. It remained hardly a moment to encounter question, but was almost immediately replaced with a politeness evidently false. Then, first, she began to be aware of distrusting the man.

Asking a few questions about the business, to which he gave answers most satisfactory, she kept casting her eyes about the shop, unable to account for the impression the look of it made upon her. Either her eyes had formed for themselves another scale, and could no more rightly judge between past and present, or the aspect of the place was different, and not so satisfactory. Was there less in it? she asked herself--or was it only not so well kept as when she left it? She could not tell. Neither could she understand the profound but distant consideration with which Mr. Turnbull endeavored to behave to her, treating her like a stranger to whom he must, against his inclination, manifest all possible respect, while he did not invite her even to call at _the villa._ She bought a pair of gloves of the young woman who seemed to occupy her place, paid for them, and left the shop without speaking to any one else. All the time, George was standing behind the opposite counter, staring at her; but, much to her relief, he showed no other sign of recognition.

Before she went to find Beenie, who was still at Testbridge, in a cottage of her own, she felt she must think over these things, and come, if possible, to some conclusion about them. She left the town, therefore, and walked homeward.

What did it all mean? She knew very well they must look down on her ten times more than ever, because of the _menial_ position in which she had placed herself, sinking thereby beyond all pretense to be regarded as their equal. But, if that was what the man's behavior meant, why was he so studiously--not so much polite as respectful? That did not use to be Mr. Turnbull's way where he looked down upon one. And, then, what did the shadow preceding this behavior mean? Was there not in it something more than annoyance at the sight of her? It was with an effort he dismissed it! She had never seen that look upon him!

Then there was the impression the shop made on her! Was there anything in that? Somehow it certainly seemed to have a shabby look! Was it possible anything was wrong or going wrong with the concern? Her father had always spoken with great respect of Mr. Turnbull's business faculties, but she knew he had never troubled himself to, look into the books or know how they stood with the bank. She knew also that Mr.

Turnbull was greedy after money, and that his wife was ambitious, and hated the business. But, if he wanted to be out of it, would he not naturally keep it up to the best, at least in appearance, that he might part with his share in it to the better advantage?

She turned, and, walking back to the town, sought Beenie.

The old woman being naturally a gossip, Mary was hardly seated before she began to pour out the talk of the town, in which came presently certain rumors concerning Mr. Turnbull--mainly hints at speculation and loss.

The result was that Mary went from Beenie to the lawyer in whose care her father had left his affairs. He was an old man, and had been ill; had no suspicion of anything being wrong, but would look into the matter at once. She went home, and troubled herself no more.

She had been at Durnmelling but a few days, when Mr. Redmain, wishing to see how things were on his estate in Cornwall, and making up his mind to run down, carelessly asked his wife if she would accompany him: it would be only for a few days, he said; but a breeze or two from the Atlantic would improve her complexion. This was gracious; but he was always more polite in the company of Lady Margaret, who continued to show him the kindness no one else dared or was inclined to do. For some years he had suffered increasingly from recurrent attacks of the disease to which I have already referred; and, whatever might be the motive of his mother-in-law's behavior, certainly, in those attacks, it was a comfort to him to be near her. On such occasions in London, his sole attendant was his man Mewks.