Martin Eden Part 7

"I should say the first thing of all would be to get a grammar. Your grammar is--" She had intended saying "awful," but she amended it to "is not particularly good."

He flushed and sweated.

"I know I must talk a lot of slang an' words you don't understand. But then they're the only words I know--how to speak. I've got other words in my mind, picked 'em up from books, but I can't p.r.o.nounce 'em, so I don't use 'em."

"It isn't what you say, so much as how you say it. You don't mind my being frank, do you? I don't want to hurt you."

"No, no," he cried, while he secretly blessed her for her kindness. "Fire away. I've got to know, an' I'd sooner know from you than anybody else."

"Well, then, you say, 'You was'; it should be, 'You were.' You say 'I seen' for 'I saw.' You use the double negative--"

"What's the double negative?" he demanded; then added humbly, "You see, I don't even understand your explanations."

"I'm afraid I didn't explain that," she smiled. "A double negative is--let me see--well, you say, 'never helped n.o.body.' 'Never' is a negative. 'n.o.body' is another negative. It is a rule that two negatives make a positive. 'Never helped n.o.body' means that, not helping n.o.body, they must have helped somebody."

"That's pretty clear," he said. "I never thought of it before. But it don't mean they _must_ have helped somebody, does it? Seems to me that 'never helped n.o.body' just naturally fails to say whether or not they helped somebody. I never thought of it before, and I'll never say it again."

She was pleased and surprised with the quickness and surety of his mind.

As soon as he had got the clew he not only understood but corrected her error.

"You'll find it all in the grammar," she went on. "There's something else I noticed in your speech. You say 'don't' when you shouldn't.

'Don't' is a contraction and stands for two words. Do you know them?"

He thought a moment, then answered, "'Do not.'"

She nodded her head, and said, "And you use 'don't' when you mean 'does not.'"

He was puzzled over this, and did not get it so quickly.

"Give me an ill.u.s.tration," he asked.

"Well--" She puckered her brows and pursed up her mouth as she thought, while he looked on and decided that her expression was most adorable.

"'It don't do to be hasty.' Change 'don't' to 'do not,' and it reads, 'It do not do to be hasty,' which is perfectly absurd."

He turned it over in his mind and considered.

"Doesn't it jar on your ear?" she suggested.

"Can't say that it does," he replied judicially.

"Why didn't you say, 'Can't say that it do'?" she queried.

"That sounds wrong," he said slowly. "As for the other I can't make up my mind. I guess my ear ain't had the trainin' yours has."

"There is no such word as 'ain't,'" she said, prettily emphatic.

Martin flushed again.

"And you say 'ben' for 'been,'" she continued; "'come' for 'came'; and the way you chop your endings is something dreadful."

"How do you mean?" He leaned forward, feeling that he ought to get down on his knees before so marvellous a mind. "How do I chop?"

"You don't complete the endings. 'A-n-d' spells 'and.' You p.r.o.nounce it 'an'.' 'I-n-g' spells 'ing.' Sometimes you p.r.o.nounce it 'ing' and sometimes you leave off the 'g.' And then you slur by dropping initial letters and diphthongs. 'T-h-e-m' spells 'them.' You p.r.o.nounce it--oh, well, it is not necessary to go over all of them. What you need is the grammar. I'll get one and show you how to begin."

As she arose, there shot through his mind something that he had read in the etiquette books, and he stood up awkwardly, worrying as to whether he was doing the right thing, and fearing that she might take it as a sign that he was about to go.

"By the way, Mr. Eden," she called back, as she was leaving the room.

"What is _booze_? You used it several times, you know."

"Oh, booze," he laughed. "It's slang. It means whiskey an'

beer--anything that will make you drunk."

"And another thing," she laughed back. "Don't use 'you' when you are impersonal. 'You' is very personal, and your use of it just now was not precisely what you meant."

"I don't just see that."

"Why, you said just now, to me, 'whiskey and beer--anything that will make you drunk'--make me drunk, don't you see?"

"Well, it would, wouldn't it?"

"Yes, of course," she smiled. "But it would be nicer not to bring me into it. Subst.i.tute 'one' for 'you' and see how much better it sounds."

When she returned with the grammar, she drew a chair near his--he wondered if he should have helped her with the chair--and sat down beside him. She turned the pages of the grammar, and their heads were inclined toward each other. He could hardly follow her outlining of the work he must do, so amazed was he by her delightful propinquity. But when she began to lay down the importance of conjugation, he forgot all about her.

He had never heard of conjugation, and was fascinated by the glimpse he was catching into the tie-ribs of language. He leaned closer to the page, and her hair touched his cheek. He had fainted but once in his life, and he thought he was going to faint again. He could scarcely breathe, and his heart was pounding the blood up into his throat and suffocating him. Never had she seemed so accessible as now. For the moment the great gulf that separated them was bridged. But there was no diminution in the loftiness of his feeling for her. She had not descended to him. It was he who had been caught up into the clouds and carried to her. His reverence for her, in that moment, was of the same order as religious awe and fervor. It seemed to him that he had intruded upon the holy of holies, and slowly and carefully he moved his head aside from the contact which thrilled him like an electric shock and of which she had not been aware.

CHAPTER VIII

Several weeks went by, during which Martin Eden studied his grammar, reviewed the books on etiquette, and read voraciously the books that caught his fancy. Of his own cla.s.s he saw nothing. The girls of the Lotus Club wondered what had become of him and worried Jim with questions, and some of the fellows who put on the glove at Riley's were glad that Martin came no more. He made another discovery of treasure- trove in the library. As the grammar had shown him the tie-ribs of language, so that book showed him the tie-ribs of poetry, and he began to learn metre and construction and form, beneath the beauty he loved finding the why and wherefore of that beauty. Another modern book he found treated poetry as a representative art, treated it exhaustively, with copious ill.u.s.trations from the best in literature. Never had he read fiction with so keen zest as he studied these books. And his fresh mind, untaxed for twenty years and impelled by maturity of desire, gripped hold of what he read with a virility unusual to the student mind.

When he looked back now from his vantage-ground, the old world he had known, the world of land and sea and ships, of sailor-men and harpy-women, seemed a very small world; and yet it blended in with this new world and expanded. His mind made for unity, and he was surprised when at first he began to see points of contact between the two worlds.

And he was enn.o.bled, as well, by the loftiness of thought and beauty he found in the books. This led him to believe more firmly than ever that up above him, in society like Ruth and her family, all men and women thought these thoughts and lived them. Down below where he lived was the ign.o.ble, and he wanted to purge himself of the ign.o.ble that had soiled all his days, and to rise to that sublimated realm where dwelt the upper cla.s.ses. All his childhood and youth had been troubled by a vague unrest; he had never known what he wanted, but he had wanted something that he had hunted vainly for until he met Ruth. And now his unrest had become sharp and painful, and he knew at last, clearly and definitely, that it was beauty, and intellect, and love that he must have.

During those several weeks he saw Ruth half a dozen times, and each time was an added inspiration. She helped him with his English, corrected his p.r.o.nunciation, and started him on arithmetic. But their intercourse was not all devoted to elementary study. He had seen too much of life, and his mind was too matured, to be wholly content with fractions, cube root, parsing, and a.n.a.lysis; and there were times when their conversation turned on other themes--the last poetry he had read, the latest poet she had studied. And when she read aloud to him her favorite pa.s.sages, he ascended to the topmost heaven of delight. Never, in all the women he had heard speak, had he heard a voice like hers. The least sound of it was a stimulus to his love, and he thrilled and throbbed with every word she uttered. It was the quality of it, the repose, and the musical modulation--the soft, rich, indefinable product of culture and a gentle soul. As he listened to her, there rang in the ears of his memory the harsh cries of barbarian women and of hags, and, in lesser degrees of harshness, the strident voices of working women and of the girls of his own cla.s.s. Then the chemistry of vision would begin to work, and they would troop in review across his mind, each, by contrast, multiplying Ruth's glories. Then, too, his bliss was heightened by the knowledge that her mind was comprehending what she read and was quivering with appreciation of the beauty of the written thought. She read to him much from "The Princess," and often he saw her eyes swimming with tears, so finely was her aesthetic nature strung. At such moments her own emotions elevated him till he was as a G.o.d, and, as he gazed at her and listened, he seemed gazing on the face of life and reading its deepest secrets. And then, becoming aware of the heights of exquisite sensibility he attained, he decided that this was love and that love was the greatest thing in the world. And in review would pa.s.s along the corridors of memory all previous thrills and burnings he had known,--the drunkenness of wine, the caresses of women, the rough play and give and take of physical contests,--and they seemed trivial and mean compared with this sublime ardor he now enjoyed.

The situation was obscured to Ruth. She had never had any experiences of the heart. Her only experiences in such matters were of the books, where the facts of ordinary day were translated by fancy into a fairy realm of unreality; and she little knew that this rough sailor was creeping into her heart and storing there pent forces that would some day burst forth and surge through her in waves of fire. She did not know the actual fire of love. Her knowledge of love was purely theoretical, and she conceived of it as lambent flame, gentle as the fall of dew or the ripple of quiet water, and cool as the velvet-dark of summer nights. Her idea of love was more that of placid affection, serving the loved one softly in an atmosphere, flower-scented and dim-lighted, of ethereal calm. She did not dream of the volcanic convulsions of love, its scorching heat and sterile wastes of parched ashes. She knew neither her own potencies, nor the potencies of the world; and the deeps of life were to her seas of illusion. The conjugal affection of her father and mother const.i.tuted her ideal of love-affinity, and she looked forward some day to emerging, without shock or friction, into that same quiet sweetness of existence with a loved one.

So it was that she looked upon Martin Eden as a novelty, a strange individual, and she identified with novelty and strangeness the effects he produced upon her. It was only natural. In similar ways she had experienced unusual feelings when she looked at wild animals in the menagerie, or when she witnessed a storm of wind, or shuddered at the bright-ribbed lightning. There was something cosmic in such things, and there was something cosmic in him. He came to her breathing of large airs and great s.p.a.ces. The blaze of tropic suns was in his face, and in his swelling, resilient muscles was the primordial vigor of life. He was marred and scarred by that mysterious world of rough men and rougher deeds, the outposts of which began beyond her horizon. He was untamed, wild, and in secret ways her vanity was touched by the fact that he came so mildly to her hand. Likewise she was stirred by the common impulse to tame the wild thing. It was an unconscious impulse, and farthest from her thoughts that her desire was to re-thumb the clay of him into a likeness of her father's image, which image she believed to be the finest in the world. Nor was there any way, out of her inexperience, for her to know that the cosmic feel she caught of him was that most cosmic of things, love, which with equal power drew men and women together across the world, compelled stags to kill each other in the rutting season, and drove even the elements irresistibly to unite.

His swift development was a source of surprise and interest. She detected unguessed finenesses in him that seemed to bud, day by day, like flowers in congenial soil. She read Browning aloud to him, and was often puzzled by the strange interpretations he gave to mooted pa.s.sages. It was beyond her to realize that, out of his experience of men and women and life, his interpretations were far more frequently correct than hers.

His conceptions seemed naive to her, though she was often fired by his daring flights of comprehension, whose orbit-path was so wide among the stars that she could not follow and could only sit and thrill to the impact of unguessed power. Then she played to him--no longer at him--and probed him with music that sank to depths beyond her plumb-line. His nature opened to music as a flower to the sun, and the transition was quick from his working-cla.s.s rag-time and jingles to her cla.s.sical display pieces that she knew nearly by heart. Yet he betrayed a democratic fondness for Wagner, and the "Tannhauser" overture, when she had given him the clew to it, claimed him as nothing else she played. In an immediate way it personified his life. All his past was the Venusburg motif, while her he identified somehow with the Pilgrim's Chorus motif; and from the exalted state this elevated him to, he swept onward and upward into that vast shadow-realm of spirit-groping, where good and evil war eternally.

Sometimes he questioned, and induced in her mind temporary doubts as to the correctness of her own definitions and conceptions of music. But her singing he did not question. It was too wholly her, and he sat always amazed at the divine melody of her pure soprano voice. And he could not help but contrast it with the weak pipings and shrill quaverings of factory girls, ill-nourished and untrained, and with the raucous shriekings from gin-cracked throats of the women of the seaport towns.

She enjoyed singing and playing to him. In truth, it was the first time she had ever had a human soul to play with, and the plastic clay of him was a delight to mould; for she thought she was moulding it, and her intentions were good. Besides, it was pleasant to be with him. He did not repel her. That first repulsion had been really a fear of her undiscovered self, and the fear had gone to sleep. Though she did not know it, she had a feeling in him of proprietary right. Also, he had a tonic effect upon her. She was studying hard at the university, and it seemed to strengthen her to emerge from the dusty books and have the fresh sea-breeze of his personality blow upon her. Strength! Strength was what she needed, and he gave it to her in generous measure. To come into the same room with him, or to meet him at the door, was to take heart of life. And when he had gone, she would return to her books with a keener zest and fresh store of energy.

She knew her Browning, but it had never sunk into her that it was an awkward thing to play with souls. As her interest in Martin increased, the remodelling of his life became a pa.s.sion with her.