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"Twenty thousand dollars; certainly not over $30,000."
"What will you give?"
"I'll give you half."
Clemens was "flush" at this time. His reading tour with Cable, the great sale of Huck Finn, the prospect of the Grant book, were rosy realities.
He said:
"I'll do it, but the limit must be $30,000."
They agreed to allow Hamersley a tenth interest for the money he had already invested and for legal advice.
Hamersley consented readily enough, and when in February, 1886, the new contract was drawn they believed themselves heir to the millions of the Fourth Estate.
By this time F. G. Whitmore had come into Clemens's business affairs, and he did not altogether approve of the new contract. Among other things, it required that Clemens should not only complete the machine, but promote it, capitalize it commercially. Whitmore said:
"Mr. Clemens, that clause can bankrupt you."
Clemens answered: "Never mind that, Whitmore; I've considered that. I can get a thousand men worth a million apiece to go in with me if I can get a perfect machine."
He immediately began to calculate the number of millions he would be worth presently when the machine was completed and announced to the waiting world. He covered pages with figures that never ran short of millions, and frequently approached the billion mark. Colonel Sellers in his happiest moments never dreamed more lavishly. He obtained a list of all the newspapers in the United States and in Europe, and he counted up the machines that would be required by each. To his nephew, Sam Moffett, visiting him one day, he declared that it would take ten men to count the profits from the typesetter. He realized clearly enough that a machine which would set and distribute type and do the work of half a dozen men or more would revolutionize type composition. The fact that other inventors besides Paige were working quite as diligently and perhaps toward more simple conclusions did not disturb him. Rumors came of the Rogers machine and the Thorne machine and the Mergenthaler linotype, but Mark Twain only smiled. When the promoters of the Mergenthaler offered to exchange half their interests for a half interest in the Paige patent, to obtain thereby a wider insurance of success, it only confirmed his trust, and he let the golden opportunity go by.
Clemens thinks the thirty thousand dollars lasted about a year. Then Paige confessed that the machine was still incomplete, but he said that four thousand dollars more would finish it, and that with ten thousand dollars he could finish it and give a big exhibition in New York. He had discarded the old machine altogether, it seems, and at Pratt & Whitney's shops was building a new one from the ground up--a machine of twenty thousand minutely exact parts, each of which must be made by expert hand workmanship after elaborate drawings and patterns even more expensive.
It was an undertaking for a millionaire.
Paige offered to borrow from Clemens the amount needed, offering the machine as security. Clemens supplied the four thousand dollars, and continued to advance money from time to time at the rate of three to four thousand dollars a month, until he had something like eighty thousand dollars invested, with the machine still unfinished. This would be early in 1888, by which time other machines had reached a state of completion and were being placed on the market. The Mergenthaler, in particular, was attracting wide attention. Paige laughed at it, and Clemens, too, regarded it as a joke. The moment their machine was complete all other machines would disappear. Even the fact that the Tribune had ordered twenty-three of the linotypes, and other journals were only waiting to see the paper in its new dress before ordering, did not disturb them. Those linotypes would all go into the sc.r.a.p-heap presently. It was too bad people would waste their money so. In January, 1888, Paige promised that the machine would be done by the 1st of April.
On the 1st of April he promised it for September, but in October he acknowledged there were still eighty-five days' work to be done on it.
In November Clemens wrote to Orion:
The machine is apparently almost done--but I take no privileges on that account; it must be done before I spend a cent that can be avoided. I have kept this family on very short commons for two years and they must go on scrimping until the machine is finished, no matter how long that may be.
By the end of '88 the income from the books and the business and Mrs.
Clemens's Elmira investments no longer satisfied the demands of the type-setter, in addition to the household expense, reduced though the latter was; and Clemens began by selling and hypothecating his marketable securities. The whole household interest by this time centered in the machine. What the Tennessee land had been to John and Jane Clemens and their children, the machine had now become to Samuel Clemens and his family. "When the machine is finished everything will be all right again" afforded the comfort of that long-ago sentence, "When the Tennessee land is sold."
They would have everything they wanted then. Mrs. Clemens planned benefactions, as was her wont. Once she said to her sister:
"How strange it will seem to have unlimited means, to be able to do whatever you want to do, to give whatever you want to give without counting the cost."
Straight along through another year the three thousand dollars and more a month continued, and then on the 5th of January, 1889, there came what seemed the end--the machine and justifier were complete! In his notebook on that day Mark Twain set down this memorandum:
EUREKA!
Sat.u.r.day, January 5, 1889-12.20 P.M. At this moment I have seen a line of movable type s.p.a.ced and justified by machinery! This is the first time in the history of the world that this amazing thing has ever been done. Present: J. W. Paige, the inventor; Charles Davis, | Mathematical a.s.sistants Earll | & mechanical Graham | experts Bates, foreman, and S. L. Clemens.
This record is made immediately after the prodigious event.
Two days later he made another note:
Monday, January 7--4.45 P.m. The first proper name ever set by this new keyboard was William Shakspeare. I set it at the above hour; & I perceive, now that I see the name written, that I either misspelled it then or I've misspelled it now.
The s.p.a.ce-bar did its duty by the electric connections & steam & separated the two words preparatory to the reception of the s.p.a.ce.
It seemed to him that his troubles were at an end. He wrote overflowing letters, such as long ago he had written about his first mining claims, to Orion and to other members of the family and to friends in America and Europe. One of these letters, written to George Standring, a London printer and publisher, also an author, will serve as an example.
The machine is finished! An hour and forty minutes ago a line of movable type was s.p.a.ced and justified by machinery for the first time in the history of the world. And I was there to see.
That was the final function. I had before seen the machine set type, automatically, and distribute type, and automatically distribute its eleven different thicknesses of s.p.a.ces. So now I have seen the machine, operated by one individual, do the whole thing, and do it a deal better than any man at the case can do it.
This is by far and away the most marvelous invention ever contrived by man. And it is not a thing of rags and patches; it is made of ma.s.sive steel, and will last a century.
She will do the work of six men, and do it better than any six men that ever stood at a case.
The death-warrant of all other type-setting machines in this world was signed at 12.20 this afternoon, when that first line was shot through this machine and came out perfectly s.p.a.ced and justified.
And automatically, mind you.
There was a speck of invisible dirt on one of those nonpareil types.
Well, the machine allowed for that by inserting of its own accord a s.p.a.ce which was the 5-1,000 of an inch thinner than it would have used if the dirt had been absent. But when I send you the details you will see that that's nothing for this machine to do; you'll see that it knows more and has got more brains than all the printers in the world put together.
His letter to Orion was more technical, also more jubilant. At the end he said:
All the witnesses made written record of the immense historical birth--the first justification of a line of movable type by machinery--& also set down the hour and the minute. n.o.body had drank anything, & yet everybody seemed drunk. Well-dizzy, stupefied, stunned.
All the other wonderful inventions of the human brain sink pretty nearly into commonplaces contrasted with this awful mechanical miracle. Telephones, telegraphs, locomotives, cotton-gins, sewing- machines, Babbage calculators, jacquard looms, perfecting presses, all mere toys, simplicities! The Paige Compositor marches alone and far in the land of human inventions.
In one paragraph of Orion's letter he refers to the machine as a "cunning devil, knowing more than any man that ever lived." That was a profound truth, though not as he intended it. That creation of James Paige's brain reflected all the ingenuity and elusiveness of its creator, and added something on its own account. It was discovered presently that it had a habit of breaking the types. Paige said it was a trifling thing: he could fix it, but it meant taking down the machine, and that deadly expense of three thousand or four thousand dollars a month for the band of workmen and experts in Pratt & Whitney's machine shops did not cease. In February the machine was again setting and justifying type "to a hair," and Whitmore's son, Fred, was running it at a rate of six thousand ems an hour, a rate of composition hitherto unknown in the history of the world. His speed was increased to eight thousand ems an hour by the end of the year, and the machine was believed to have a capacity of eleven thousand. No type-setter invented to this day could match it for accuracy and precision when it was in perfect order, but its point of perfection was apparently a vanishing point. It would be just reached, when it would suddenly disappear, and Paige would discover other needed corrections. Once, when it was apparently complete as to every detail; and running like a human thing, with such important customers as the New York Herald and other great papers ready to place their orders, Paige suddenly discovered that it required some kind of an air-blast, and it was all taken down again and the air-blast, which required months to invent and perfect, was added.
But what is the use of remembering all these bitter details? The steady expense went on through another year, apparently increasing instead of diminishing, until, by the beginning of 1890, Clemens was finding it almost impossible to raise funds to continue the work. Still he struggled on. It was the old mining fascination--"a foot farther into the ledge and we shall strike the vein of gold."
He sent for Joe Goodman to come and help him organize a capital-stock company, in which Senator Jones and John Mackay, old Comstock friends, were to be represented. He never for a moment lost faith in the final outcome, and he believed that if they could build their own factory the delays and imperfections of construction would be avoided. Pratt & Whitney had been obliged to make all the parts by hand. With their own factory the new company would have vast and perfect machinery dedicated entirely to the production of type-setters.
Nothing short of two million dollars capitalization was considered, and Goodman made at least three trips from California to the East and labored with Jones and Mackay all that winter and at intervals during the following year, through which that "cunning devil," the machine, consumed its monthly four thousand dollars--money that was the final gleanings and sweepings of every nook and corner of the strong-box and bank-account and savings of the Clemens family resources. With all of Mark Twain's fame and honors his life at this period was far from an enviable one. It was, in fact, a fevered delirium, often a veritable nightmare.
Reporters who approached him for interviews, little guessing what he was pa.s.sing through, reported that Mark Twain's success in life had made him crusty and sour.
Goodman remembers that when they were in Washington, conferring with Jones, and had rooms at the Arlington, opening together, often in the night he would awaken to see a light burning in the next room and to hear Mark Twain's voice calling:
"Joe, are you awake?"
"Yes, Mark, what is it?"
"Oh, nothing, only I can't sleep. Won't you talk awhile? I know it's wrong to disturb you, but I am so d--d miserable that I can't help it."
Whereupon he would get up and talk and talk, and pace the floor and curse the delays until he had refreshed himself, and then perhaps wallow in millions until breakfast-time.
Jones and Mackay, deeply interested, were willing to put up a reasonable amount of money, but they were unable to see a profit in investing so large a capital in a plant for constructing the machines.
Clemens prepared estimates showing that the American business alone would earn thirty-five million dollars a year, and the European business twenty million dollars more. These dazzled, but they did not convince the capitalists. Jones was sincerely anxious to see the machine succeed, and made an engagement to come out to see it work, but a day or two before he was to come Paige was seized with an inspiration. The type-setter was all in parts when the day came, and Jones's visit had to be postponed. Goodman wrote that the fatal delay had "sicklied over the bloom" of Jones's original enthusiasm.
Yet Clemens seems never to have been openly violent with Paige. In the memorandum which he completed about this time he wrote: