Mark Twain A Biography Part 62

Its sales go steadily on from year to year, and are likely to continue so long as boys and girls do not change, and men and women remember.

--[Col. Henry Watterson, when he finished Tom Sawyer, wrote: "I have just laid down Tom Sawyer, and cannot resist the pressure. It is immense! I read every word of it, didn't skip a line, and nearly disgraced myself several times in the presence of a sleeping-car full of honorable and pious people. Once I had to get to one side and have a cry, and as for an internal compound of laughter and tears there was no end to it.... The 'funeral' of the boys, the cave business, and the hunt for the hidden treasure are as dramatic as anything I know of in fiction, while the pathos--particularly everything relating to Huck and Aunt Polly--makes a cross between d.i.c.kens's skill and Thackeray's nature, which, resembling neither, is thoroughly impressive and original."]

CX. MARK TWAIN AND BRET HARTE WRITE A PLAY

It was the fall and winter of '76 that Bret Harte came to Hartford and collaborated with Mark Twain on the play "Ah Sin," a comedy-drama, or melodrama, written for Charles T. Parsloe, the great impersonator of Chinese character. Harte had written a successful play which unfortunately he had sold outright for no great sum, and was eager for another venture. Harte had the dramatic sense and constructive invention. He also had humor, but he felt the need of the sort of humor that Mark Twain could furnish. Furthermore, he believed that a play backed by both their reputations must start with great advantages.

Clemens also realized these things, and the arrangement was made.

Speaking of their method of working, Clemens once said:

"Well, Bret came down to Hartford and we talked it over, and then Bret wrote it while I played billiards, but of course I had to go over it to get the dialect right. Bret never did know anything about dialect."

Which is hardly a fair statement of the case. They both worked on the play, and worked hard.

During the period of its construction Harte had an order for a story which he said he must finish at once, as he needed the money. It must be delivered by the following night, and he insisted that he must be getting at it without a moment's delay. Still he seemed in no haste to begin. The evening pa.s.sed; bedtime came. Then he asked that an open fire might be made in his room and a bottle of whisky sent up, in case he needed something to keep him awake. George attended to these matters, and nothing more was heard of Harte until very early next morning, when he rang for George and asked for a fresh fire and an additional supply of whisky. At breakfast-time he appeared, fresh, rosy, and elate, with the announcement that his story was complete.

That forenoon the Sat.u.r.day Morning Club met at the Clemens home. It was a young women's club, of which Mark Twain was a sort of honorary member--a club for the purpose of intellectual advancement, somewhat on the order of the Monday Evening Club of men, except that the papers read before it were not prepared by members, but by men and women prominent in some field of intellectual progress. Bret Harte had agreed to read to them on this particular occasion, and he gaily appeared and gave them the story just finished, "Thankful Blossom," a tale which Mark Twain always regarded as one of Harte's very best.

The new play, "Ah Sin," by Mark Twain and Bret Harte, was put on at Washington, at the National Theater, on the evening of May 7, 1877. It had been widely exploited in the newspapers, and the fame of the authors insured a crowded opening. Clemens was unable to go over on account of a sudden attack of bronchitis. Parsloe was nervous accordingly, and the presence of Harte does not seem to have added to his happiness.

"I am not very well myself," he wrote to Clemens. "The excitement of the first night is bad enough, but to have the annoyance with Harte that I have is too much for a new beginner."

Nevertheless, the play seems to have gone well, with Parsloe as Ah Sin--a Chinese laundryman who was also a great number of other diverting things--with a fair support and a happy-go-lucky presentation of frontier life, which included a supposed murder, a false accusation, and a general clearing-up of mystery by the pleasant and wily and useful and entertaining Ah Sin. It was not a great play. It was neither very coherent nor convincing, but it had a lot of good fun in it, with character parts which, if not faithful to life, were faithful enough to the public conception of it to be amusing and exciting. At the end of each act not only Parsloe, but also the princ.i.p.al members of the company, were called before the curtain for special acknowledgments.

When it was over there was a general call for Ah Sin, who came before the curtain and read a telegram.

CHARLES T. PARSLOE,--I am on the sick-list, and therefore cannot come to Washington; but I have prepared two speeches--one to deliver in event of failure of the play, and the other if successful. Please tell me which I shall send. May be better to put it to vote.

MARK TWAIN.

The house cheered the letter, and when it was put to vote decided unanimously that the play had been a success--a verdict more kindly than true.

J. I. Ford, of the theater management, wrote to Clemens, next morning after the first performance, urging him to come to Washington in person and "wet nurse" the play until "it could do for itself."

Ford expressed satisfaction with the play and its prospects, and concludes:

I inclose notices. Come if you can. "Your presence will be worth ten thousand men. The king's name is a tower of strength." I have urged the President to come to-night.

The play made no money in Washington, but Augustin Daly decided to put it on in New York at the Fifth Avenue Theater, with a company which included, besides Parsloe, Edmund Collier, P. A. Anderson, Dora Goldthwaite, Henry Crisp, and Mrs. Wells, a very worthy group of players indeed. Clemens was present at the opening, dressed in white, which he affected only for warm-weather use in those days, and made a speech at the end of the third act.

"Ah Sin" did not excite much enthusiasm among New York dramatic critics. The houses were promising for a time, but for some reason the performance as a whole did not contain the elements of prosperity. It set out on its provincial travels with no particular prestige beyond the reputation of its authors; and it would seem that this was not enough, for it failed to pay, and all parties concerned presently abandoned it to its fate and it was heard of no more. Just why "Ah Sin" did not prosper it would not become us to decide at this far remove of time and taste. Poorer plays have succeeded and better plays have failed since then, and no one has ever been able to demonstrate the mystery. A touch somewhere, a pulling-about and a readjustment, might have saved "Ali Sin," but the pullings and haulings which they gave it did not. Perhaps it still lies in some managerial vault, and some day may be dragged to light and reconstructed and recast, and come into its reward. Who knows?

Or it may have drifted to that harbor of forgotten plays, whence there is no returning.

As between Harte and Clemens, the whole matter was unfortunate. In the course of their a.s.sociation there arose a friction and the long-time friendship disappeared.

CXI. A BERMUDA HOLIDAY

On the 16th of May, 1877, Mark Twain set out on what, in his note-book, he declared to be "the first actual pleasure-trip" he had ever taken, meaning that on every previous trip he had started with a purpose other than that of mere enjoyment. He took with him his, friend and pastor, the Rev. Joseph H. Twich.e.l.l, and they sailed for Bermuda, an island resort not so well known or so fashionable as to-day.

They did not go to a hotel. Under a.s.sumed names they took up quarters in a boarding-house, with a Mrs. Kirkham, and were unmolested and altogether happy in their wanderings through four golden days. Mark Twain could not resist keeping a note-book, setting down bits of scenery and character and incident, just as he had always done. He was impressed with the cheapness of property and living in the Bermuda of that period.

He makes special mention of some cottages constructed of coral blocks: "All as beautiful and as neat as a pin, at the cost of four hundred and eighty dollars each." To Twich.e.l.l he remarked:

"Joe, this place is like Heaven, and I'm going to make the most of it."

"Mark," said Twich.e.l.l, "that's right; make the most of a place that is like Heaven while you have a chance."

In one of the entries--the final one--Clemens says:

"Bermuda is free (at present) from the triple curse of railways, telegraphs, and newspapers, but this will not last the year. I propose to spend next year here and no more."

When they were ready to leave, and started for the steamer, Twich.e.l.l made an excuse to go back, his purpose being to tell their landlady and her daughter that, without knowing it, they had been entertaining Mark Twain.

"Did you ever hear of Mark Twain?" asked Twich.e.l.l.

The daughter answered.

"Yes," she said, "until I'm tired of the name. I know a young man who never talks of anything else."

"Well," said Twich.e.l.l, "that gentleman with me is Mark Twain."

The Kirkhams declined to believe it at first, and then were in deep sorrow that they had not known it earlier. Twich.e.l.l promised that he and Clemens would come back the next year; and they meant to go back--we always mean to go back to places--but it was thirty years before they returned at last, and then their pleasant landlady was dead.

On the home trip they sighted a wandering vessel, manned by blacks, trying to get to New York. She had no cargo and was pretty helpless.

Later, when she was reported again, Clemens wrote about it in a Hartford paper, telling the story as he knew it. The vessel had shipped the crew, on a basis of pa.s.sage to New York, in exchange for labor. So it was a "pleasure-excursion!" Clemens dwelt on this fancy:

I have heard of a good many pleasure-excursions, but this heads the list. It is monumental, and if ever the tired old tramp is found I should like to be there and see him in his sorrowful rags and his venerable head of gra.s.s and seaweed, and hear the ancient mariners tell the story of their mysterious wanderings through the solemn solitudes of the ocean.

Long afterward this vagrant craft was reported again, still drifting with the relentless Gulf Stream. Perhaps she reached New York in time; one would like to know, but there seems no good way to find out.

That first Bermuda voyage was always a happy memory to Mark Twain. To Twich.e.l.l he wrote that it was the "joyousest trip" he had ever made:

Not a heartache anywhere, not a twinge of conscience. I often come to myself out of a reverie and detect an undertone of thought that had been thinking itself without volition of mind--viz., that if we had only had ten days of those walks and talks instead of four.

There was but one regret: Howells had not been with them. Clemens denounced him for his absence:

If you had gone with us and let me pay the fifty dollars, which the trip and the board and the various knick-knacks and mementos would cost, I would have picked up enough droppings from your conversation to pay me five hundred per cent. profit in the way of the several magazine articles which I could have written; whereas I can now write only one or two, and am therefore largely out of pocket by your proud ways.

Clemens would not fail to write about his trip. He could not help doing that, and he began "Some Rambling Notes of an Idle Excursion" as soon as he landed in Hartford. They were quite what the name would signify--leisurely, pleasant commentaries on a loafing, peaceful vacation. They are not startling in their humor or description, but are gently amusing and summery, reflecting, bubble-like, evanescent fancies of Bermuda. Howells, shut up in a Boston editorial office, found them delightful enough, and very likely his Atlantic readers agreed with him.

The story of "Isaac and the Prophets of Baal" was one that Capt. Ned Wakeman had told to Twich.e.l.l during a voyage which the latter had made to Aspinwall with that vigorous old seafarer; so in the "Rambling Notes"

Wakeman appears as Captain Hurricane Jones, probably a step in the evolution of the later name of Stormfield. The best feature of the series (there were four papers in all) is a story of a rescue in mid-ocean; but surely the brightest ripple of humor is the reference to Bermuda's mahogany-tree:

There was exactly one mahogany-tree on the island. I know this to be reliable because I saw a man who said he had counted it many a time and could not be mistaken. He was a man with a haze lip and a pure heart, and everybody said he was as true as steel. Such men are all too few.

Clemens cared less for these papers than did Howells. He had serious doubts about the first two and suggested their destruction, but with Howells's appreciation his own confidence in them returned and he let them all go in. They did not especially advance his reputation, but perhaps they did it no harm.