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To the donors of the gift Clemens wrote:
The beautiful mantel was put in its place an hour ago, & its friendly "Aloha" was the first uttered greeting received on my 73d birthday. It is rich in color, rich in quality, & rich in decoration; therefore it exactly harmonized with the taste for such things which was born in me & which I have seldom been able to indulge to my content. It will be a great pleasure to me, daily renewed, to have under my eye this lovely reminder of the loveliest fleet of islands that lies anch.o.r.ed in any ocean, & I beg to thank the committee for providing me that pleasure.
To F. N. Otremba, who had carved the mantel, he sent this word:
I am grateful to you for the valued compliment to me in the labor of heart and hand and brain which you have put upon it. It is worthy of the choicest place in the house and it has it.
It was the second beautiful mantel in Stormfield--the Hartford library mantel, removed when that house was sold, having been installed in the Stormfield living-room.
Altogether the seventy-third birthday was a pleasant one. Clemens, in the morning, drove down to see the library lot which Mr. Theodore Adams had presented, and the rest of the day there were fine, close billiard games, during which he was in the gentlest and happiest moods. He recalled the games of two years before, and as we stopped playing I said:
"I hope a year from now we shall be here, still playing the great game."
And he answered, as then:
"Yes, it is a great game--the best game on earth." And he held out his hand and thanked me for coming, as he never failed to do when we parted, though it always hurt me a little, for the debt was so largely mine.
Mark Twain's second present came at Christmas-time. About ten days earlier, a letter came from Robert J. Collier, saying that he had bought a baby elephant which he intended to present to Mark Twain as a Christmas gift. He added that it would be sent as soon as he could get a car for it, and the loan of a keeper from Barnum & Bailey's headquarters at Bridgeport.
The news created a disturbance in Stormfield. One could not refuse, discourteously and abruptly, a costly present like that; but it seemed a disaster to accept it. An elephant would require a roomy and warm place, also a variety of attention which Stormfield was not prepared to supply.
The telephone was set going and certain timid excuses were offered by the secretary. There was no good place to put an elephant in Stormfield, but Mr. Collier said, quite confidently:
"Oh, put him in the garage."
"But there's no heat in the garage."
"Well, put him in the loggia, then. That's closed in, isn't it, for the winter? Plenty of sunlight--just the place for a young elephant."
"But we play cards in the loggia. We use it for a sort of sun-parlor."
"But that wouldn't matter. He's a kindly, playful little thing. He'll be just like a kitten. I'll send the man up to look over the place and tell you just how to take care of him, and I'll send up several bales of hay in advance. It isn't a large elephant, you know: just a little one--a regular plaything."
There was nothing further to be done; only to wait and dread until the Christmas present's arrival.
A few days before Christmas ten bales of hay arrived and several bushels of carrots. This store of provender aroused no enthusiasm at Stormfield.
It would seem there was no escape now.
On Christmas morning Mr. Lounsbury telephoned up that there was a man at the station who said he was an elephant-trainer from Barnum & Bailey's, sent by Mr. Collier to look at the elephant's quarters and get him settled when he should arrive. Orders were given to bring the man over.
The day of doom was at hand.
But Lounsbury's detective instinct came once more into play. He had seen a good many elephant-trainers at Bridgeport, and he thought this one had a doubtful look.
"Where is the elephant?" he asked, as they drove along.
"He will arrive at noon."
"Where are you going to put him?"
"In the loggia."
"How big is he?"
"About the size of a cow."
"How long have you been with Barnum and Bailey?"
"Six years."
"Then you must know some friends of mine" (naming two that had no existence until that moment).
"Oh yes, indeed. I know them well."
Lounsbury didn't say any more just then, but he had a feeling that perhaps the dread at Stormfield had grown unnecessarily large. Something told him that this man seemed rather more like a butler, or a valet, than an elephant-trainer. They drove to Stormfield, and the trainer looked over the place. It would do perfectly, he said. He gave a few instructions as to the care of this new household feature, and was driven back to the station to bring it.
Lounsbury came back by and by, bringing the elephant but not the trainer. It didn't need a trainer. It was a beautiful specimen, with soft, smooth coat and handsome trappings, perfectly quiet, well-behaved and small--suited to the loggia, as Collier had said--for it was only two feet long and beautifully made of cloth and cotton--one of the forest toy elephants ever seen anywhere.
It was a good joke, such as Mark Twain loved--a carefully prepared, harmless bit of foolery. He wrote Robert Collier, threatening him with all sorts of revenge, declaring that the elephant was devastating Stormfield.
"To send an elephant in a trance, under pretense that it was dead or stuffed!" he said. "The animal came to life, as you knew it would, and began to observe Christmas, and we now have no furniture left and no servants and no visitors, no friends, no photographs, no burglars--nothing but the elephant. Be kind, be merciful, be generous; take him away and send us what is left of the earthquake."
Collier wrote that he thought it unkind of him to look a gift-elephant in the trunk. And with such chaffing and gaiety the year came to an end.
CCLXXVI. SHAKESPEARE-BACON TALK
When the bad weather came there was not much company at Stormfield, and I went up regularly each afternoon, for it was lonely on that bleak hill, and after his forenoon of reading or writing he craved diversion.
My own home was a little more than a half mile away, and I enjoyed the walk, whatever the weather. I usually managed to arrive about three o'clock. He would watch from his high windows until he saw me raise the hilltop, and he would be at the door when I arrived, so that there might be no delay in getting at the games. Or, if it happened that he wished to show me something in his room, I would hear his rich voice sounding down the stair. Once, when I arrived, I heard him calling, and going up I found him highly pleased with the arrangement of two pictures on a chair, placed so that the gla.s.ses of them reflected the sunlight on the ceiling. He said:
"They seem to catch the reflection of the sky and the winter colors.
Sometimes the hues are wonderfully iridescent."
He pointed to a bunch of wild red berries on the mantel with the sun on them.
"How beautifully they light up!" he said; "some of them in the sunlight, some still in the shadow."
He walked to the window and stood looking out on the somber fields.
"The lights and colors are always changing there," he said. "I never tire of it."
To see him then so full of the interest and delight of the moment, one might easily believe he had never known tragedy and shipwreck. More than any one I ever knew, he lived in the present. Most of us are either dreaming of the past or antic.i.p.ating the future--forever beating the dirge of yesterday or the tattoo of to-morrow. Mark Twain's step was timed to the march of the moment. There were days when he recalled the past and grieved over it, and when he speculated concerning the future; but his greater interest was always of the now, and of the particular locality where he found it. The thing which caught his fancy, however slight or however important, possessed him fully for the time, even if never afterward.
He was especially interested that winter in the Shakespeare-Bacon problem. He had long been unable to believe that the actor-manager from Stratford had written those great plays, and now a book just published, 'The Shakespeare Problem Restated', by George Greenwood, and another one in press, 'Some Characteristic Signatures of Francis Bacon', by William Stone Booth, had added the last touch of conviction that Francis Bacon, and Bacon only, had written the Shakespeare dramas. I was ardently opposed to this idea. The romance of the boy, Will Shakespeare, who had come up to London and began, by holding horses outside of the theater, and ended by winning the proudest place in the world of letters, was something I did not wish to let perish. I produced all the stock testimony--Ben Jonson's sonnet, the internal evidence of the plays themselves, the actors who had published them--but he refused to accept any of it. He declared that there was not a single proof to show that Shakespeare had written one of them.
"Is there any evidence that he didn't?" I asked.
"There's evidence that he couldn't," he said. "It required a man with the fullest legal equipment to have written them. When you have read Greenwood's book you will see how untenable is any argument for Shakespeare's authorship."