Mark Twain A Biography - novelonlinefull.com
You’re read light novel Mark Twain A Biography Part 148 online at NovelOnlineFull.com. Please use the follow button to get notification about the latest chapter next time when you visit NovelOnlineFull.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy
The days drifted along, one a good deal like another, except, as the summer deepened, the weather became warmer, the foliage changed, a drowsy haze gathered along the valleys and on the mountain-side. He sat more often now in a large rocking-chair, and generally seemed to be looking through half-dosed lids toward the Monadnock heights, that were always changing in aspect-in color and in form--as cloud shapes drifted by or gathered in those lofty hollows. White and yellow b.u.t.terflies hovered over the gra.s.s, and there were some curious, large black ants--the largest I have ever seen and quite harmless--that would slip in and out of the cracks on the veranda floor, wholly undisturbed by us.
Now and then a light flutter of wind would come murmuring up from the trees below, and when the apple-bloom was falling there would be a whirl of white and pink petals that seemed a cloud of smaller b.u.t.terflies.
On June 1st I find in my note-book this entry:
Warm and pleasant. The dictation about Grant continues; a great privilege to hear this foremost man, of letters review his a.s.sociations with that foremost man of arms. He remained seated today, dressed in white as usual, a large yellow pansy in his b.u.t.tonhole, his white hair ruffled by the breeze. He wears his worn morocco slippers with black hose; sits in the rocker, smoking and looking out over the hazy hills, delivering his sentences with a measured accuracy that seldom calls for change. He is speaking just now of a Grant dinner which he attended where Depew spoke. One is impressed with the thought that we are looking at and listening to the war-worn veteran of a thousand dinners--the honored guest of many; an honored figure of all. Earlier, when he had been chastising some old offender, he added, "However, he's dead, and I forgive him." Then, after a moment's reflection, "No; strike that last sentence out." When we laughed, he added, "We can't forgive him yet."
A few days later--it was June 4th, the day before the second anniversary of the death of Mrs. Clemens--we found him at first in excellent humor from the long dictation of the day before. Then his mind reverted to the tragedy of the season, and he began trying to tell of it. It was hard work. He walked back and forth in the soft sunlight, saying almost nothing. He gave it up at last, remarking, "We will not work to-morrow."
So we went away.
He did not dictate on the 5th or the 6th, but on the 7th he resumed the story of Mrs. Clemens's last days at Florence. The weather had changed: the sunlight and warmth had all gone; a chill, penetrating mist was on the mountains; Monadnock was blotted out. We expected him to go to the fire, but evidently he could not bear being shut in with that subject in his mind. A black cape was brought out and thrown about his shoulders, which seemed to fit exactly into the somberness of the picture. For two hours or more we sat there in the gloom and chill, while he paced up and down, detailing as graphically as might be that final chapter in the life of the woman he had loved.
It is hardly necessary to say that beyond the dictation Clemens did very little literary work during these months. He had brought his "ma.n.u.script trunk" as usual, thinking, perhaps, to finish the "microbe" story and other of the uncompleted things; but the dictation gave him sufficient mental exercise, and he did no more than look over his "stock in trade,"
as he called it, and incorporate a few of the finished ma.n.u.scripts into "autobiography." Among these were the notes of his trip down the Rhone, made in 1891, and the old Stormfield story, which he had been treasuring and suppressing so long. He wrote Howells in June:
The dictating goes lazily and pleasantly on. With intervals. I find that I've been at it, off & on, nearly two hours for 155 days since January 9. To be exact, I've dictated 75 hours in 80 days & loafed 75 days. I've added 60,000 words in the month that I've been here; which indicates that I've dictated during 20 days of that time--40 hours, at an average of 1,500 words an hour. It's a plenty, & I'm satisfied.
There's a good deal of "fat." I've dictated (from January 9) 210,000 words, & the "fat" adds about 50,000 more.
The "fat" is old pigeonholed things of the years gone by which I or editors didn't das't to print. For instance, I am dumping in the little old book which I read to you in Hartford about 30 years ago & which you said "publish & ask Dean Stanley to furnish an introduction; he'll do it" (Captain Stormfield's Visit to Heaven).
It reads quite to suit me without altering a word now that it isn't to see print until I am dead.
To-morrow I mean to dictate a chapter which will get my heirs & a.s.signs burned alive if they venture to print it this side of A.D.
2006--which I judge they won't. There'll be lots of such chapters if I live 3 or 4 years longer. The edition of A.D. 2006 will make a stir when it comes out. I shall be hovering around taking notice, along with other dead pals. You are invited.
The chapter which was to invite death at the stake for his successors was naturally one of religious heresies a violent attack on the orthodox, scriptural G.o.d, but really an expression of the highest reverence for the G.o.d which, as he said, had created the earth and sky and the music of the constellations. Mark Twain once expressed himself concerning reverence and the lack of it:
"I was never consciously and purposely irreverent in my life, yet one person or another is always charging me with a lack of reverence.
Reverence for what--for whom? Who is to decide what ought to command my reverence--my neighbor or I? I think I ought to do the electing myself.
The Mohammedan reveres Mohammed--it is his privilege; the Christian doesn't--apparently that is his privilege; the account is square enough.
They haven't any right to complain of the other, yet they do complain of each other, and that is where the unfairness comes in. Each says that the other is irreverent, and both are mistaken, for manifestly you can't have reverence for a thing that doesn't command it. If you could do that you could digest what you haven't eaten, and do other miracles and get a reputation."
He was not reading many books at this time--he was inclined rather to be lazy, as he said, and to loaf during the afternoons; but I remember that he read aloud 'After the Wedding' and 'The Mother'--those two beautiful word-pictures by Howells--which he declared sounded the depths of humanity with a deep-sea lead. Also he read a book by William Allen White, 'In Our Town', a collection of tales that he found most admirable. I think he took the trouble to send White a personal, hand-written letter concerning them, although, with the habit of dictation, he had begun, as he said, to "loathe the use of the pen."
There were usually some sort of mild social affairs going on in the neighborhood, luncheons and afternoon gatherings like those of the previous year, though he seems to have attended fewer of them, for he did not often leave the house. Once, at least, he a.s.sisted in an afternoon entertainment at the Dublin Club, where he introduced his invention of the art of making an impromptu speech, and was a.s.sisted in its demonstration by George de Forest Brush and Joseph Lindon Smith, to the very great amus.e.m.e.nt of a crowd of summer visitors. The "art"
consisted mainly of having on hand a few reliable anecdotes and a set formula which would lead directly to them from any given subject.
Twice or more he collected the children of the neighborhood for charades and rehea.r.s.ed them, and took part in the performance, as in the Hartford days. Sometimes he drove out or took an extended walk. But these things were seldom.
Now and then during the summer he made a trip to New York of a semi-business nature, usually going by the way of Fairhaven, where he would visit for a few days, journeying the rest of the way in Mr.
Rogers's yacht. Once they made a cruise of considerable length to Bar Harbor and elsewhere. Here is an amusing letter which he wrote to Mrs.
Rogers after such a visit:
DEAR MRS. ROGERS,--In packing my things in your house yesterday morning I inadvertently put in some articles that was laying around, I thinking about theology & not noticing, the way this family does in similar circ.u.mstances like these. Two books, Mr. Rogers' brown slippers, & a ham. I thought it was ourn, it looks like one we used to have. I am very sorry it happened, but it sha'n't occur again & don't you worry. He will temper the wind to the shorn lamb & I will send some of the things back anyway if there is some that won't keep.
CCXLVI. DUBLIN, CONTINUED
In time Mark Twain became very lonely in Dublin. After the brilliant winter the contrast was too great. He was not yet ready for exile. In one of his dictations he said:
The skies are enchantingly blue. The world is a dazzle of sunshine.
Monadnock is closer to us than usual by several hundred yards. The vast extent of spreading valley is intensely green--the lakes as intensely blue. And there is a new horizon, a remoter one than we have known before, for beyond the mighty half-circle of hazy mountains that form the usual frame of the picture rise certain shadowy great domes that are unfamiliar to our eyes....
But there is a defect--only one, but it is a defect which almost ent.i.tles it to be spelled with a capital D. This is the defect of loneliness. We have not a single neighbor who is a neighbor.
n.o.body lives within two miles of us except Franklin MacVeagh, and he is the farthest off of any, because he is in Europe....
I feel for Adam and Eve now, for I know how it was with them. I am existing, broken-hearted, in a Garden of Eden.... The Garden of Eden I now know was an unendurable solitude. I know that the advent of the serpent was a welcome change--anything for society....
I never rose to the full appreciation of the utter solitude of this place until a symbol of it--a compact and visible allegory of it --furnished me the lacking lift three days ago. I was standing alone on this veranda, in the late afternoon, mourning over the stillness, the far-spreading, beautiful desolation, and the absence of visible life, when a couple of shapely and graceful deer came sauntering across the grounds and stopped, and at their leisure impudently looked me over, as if they had an idea of buying me as bric-a-brac.
Then they seemed to conclude that they could do better for less money elsewhere, and they sauntered indolently away and disappeared among the trees. It sized up this solitude. It is so complete, so perfect, that even the wild animals are satisfied with it. Those dainty creatures were not in the least degree afraid of me.
This was no more than a mood--though real enough while it lasted--somber, and in its way regal. It was the loneliness of a king--King Lear. Yet he returned gladly enough to solitude after each absence.
It was just before one of his departures that I made another set of pictures of him, this time on the colonnaded veranda, where his figure had become so familiar. He had determined to have his hair cut when he reached New York, and I was anxious to get the pictures before this happened. When the proofs came seven of them--he arranged them as a series to ill.u.s.trate what he called "The Progress of a Moral Purpose."
He ordered a number of sets of this series, and he wrote a legend on each photograph, numbering them from 1 to 7, laying each set in a sheet of letter-paper which formed a sort of wrapper, on which was written:
This series of q photographs registers with scientific precision, stage by stage, the progress of a moral purpose through the mind of the human race's Oldest Friend. S. L. C.
He added a personal inscription, and sent one to each of his more intimate friends. One of the pictures amused him more than the others, because during the exposure a little kitten, unnoticed, had walked into it, and paused near his foot. He had never outgrown his love for cats, and he had rented this kitten and two others for the summer from a neighbor. He didn't wish to own them, he said, for then he would have to leave them behind uncared for, so he preferred to rent them and pay sufficiently to insure their subsequent care. These kittens he called Sackcloth and Ashes--Ashes being the joint name of the two that looked exactly alike, and so did not need distinctive t.i.tles. Their gambols always amused him. He would stop any time in the midst of dictation to enjoy them. Once, as he was about to enter the screen-door that led into the hall, two of the kittens ran up in front of him and stood waiting.
With grave politeness he opened the door, made a low bow, and stepped back and said: "Walk in, gentlemen. I always give precedence to royalty." And the kittens marched in, tails in air. All summer long they played up and down the wide veranda, or chased gra.s.shoppers and b.u.t.terflies down the clover slope. It was a never-ending amus.e.m.e.nt to him to see them jump into the air after some insect, miss it and tumble back, and afterward jump up, with a surprised expression and a look of disappointment and disgust. I remember once, when he was walking up and down discussing some very serious subject--and one of the kittens was lying on the veranda asleep--a b.u.t.terfly came drifting along three feet or so above the floor. The kitten must have got a glimpse of the insect out of the corner of its eye, and perhaps did not altogether realize its action. At all events, it suddenly shot straight up into the air, exactly like a bounding rubber ball, missed the b.u.t.terfly, fell back on the porch floor with considerable force and with much surprise. Then it sprang to its feet, and, after spitting furiously once or twice, bounded away. Clemens had seen the performance, and it completely took his subject out of his mind. He laughed extravagantly, and evidently cared more for that moment's entertainment than for many philosophies.
In that remote solitude there was one important advantage--there was no procession of human beings with axes to grind, and few curious callers.
Occasionally an automobile would find its way out there and make a circuit of the drive, but this happened too seldom to annoy him. Even newspaper men rarely made the long trip from Boston or New York to secure his opinions, and when they came it was by permission and appointment. Newspaper telegrams arrived now and then, asking for a sentiment on some public condition or event, and these he generally answered willingly enough. When the British Premier, Campbell-Bannerman, celebrated his seventieth birthday, the London Tribune and the New York Herald requested a tribute. He furnished it, for Bannerman was a very old friend. He had known him first at Marienbad in '91, and in Vienna in '98, in daily intercourse, when they had lived at the same hotel. His tribute ran:
To HIS EXCELLENCY THE BRITISH PREMIER,--Congratulations, not condolences. Before seventy we are merely respected, at best, and we have to behave all the time, or we lose that a.s.set; but after seventy we are respected, esteemed, admired, revered, and don't have to behave unless we want to. When I first knew you, Honored Sir, one of us was hardly even respected. MARK TWAIN.
He had some misgivings concerning the telegram after it had gone, but he did not recall it.
Clemens became the victim of a very clever hoax that summer. One day a friend gave him two examples of the most deliciously illiterate letters, supposed to have been written by a woman who had contributed certain articles of clothing to the San Francisco sufferers, and later wished to recall them because of the protests of her household. He was so sure that the letters were genuine that he included them in his dictations, after reading them aloud with great effect. To tell the truth, they did seem the least bit too well done, too literary in their illiteracy; but his natural optimism refused to admit of any suspicion, and a little later he incorporated one of the Jennie Allen letters in a speech which he made at a Press Club dinner in New York on the subject of simplified spelling--offering it as an example of language with phonetic brevity exercising its supreme function, the direct conveyance of ideas.
The letters, in the end, proved to be the clever work of Miss Grace Donworth, who has since published them serially and in book form.
Clemens was not at all offended or disturbed by the exposure. He even agreed to aid the young author in securing a publisher, and wrote to Miss Stockbridge, through whom he had originally received the doc.u.ments:
DEAR MISS STOCKBRIDGE (if she really exists),
257 Benefit Street (if there is any such place):
Yes, I should like a copy of that other letter. This whole fake is delightful; & I tremble with fear that you are a fake yourself & that I am your guileless prey. (But never mind, it isn't any matter.)
Now as to publication----
He set forth his views and promised his a.s.sistance when enough of the letters should be completed.
Clemens allowed his name to be included with the list of spelling reformers, but he never employed any of the reforms in his letters or writing. His interest was mainly theoretical, and when he wrote or spoke on the subject his remarks were not likely to be testimonials in its favor. His own theory was that the alphabet needed reform, first of all, so that each letter or character should have one sound, and one sound only; and he offered as a solution of this an adaptation of shorthand.
He wrote and dictated in favor of this idea to the end of his life. Once he said:
"Our alphabet is pure insanity. It can hardly spell any large word in the English language with any degree of certainty. Its sillinesses are quite beyond enumeration. English orthography may need reforming and simplifying, but the English alphabet needs it a good many times as much."
He would naturally favor simplicity in anything. I remember him reading, as an example of beautiful English, The Death of King Arthur, by Sir Thomas Malory, and his verdict: