Marjorie Dean Part 25

The try-out proceeded with a business-like snap that bade fair to end it with speedy commission. So far nothing startling in the way of voices had been discovered. Constance listened to the various girl soloists and wondered if she could do as well as they. Mignon leaned far forward with breathless interest. She was firmly convinced that her singing would create a sensation. When at last her turn came, she walked boldly forward. Professor Harmon smiled approval and encouragement. He desired particularly to see her carry off the honor of the leading role. She darted a lightning glance at Lawrence Armitage as she approached the piano, but in his impa.s.sive features she could read neither approval nor indifference.

She had chosen a French song, full of difficult runs and trills, and it may be set down here to her credit that she sang it well. As her clear, but somewhat unsympathetic voice rang out, a faint murmur of approbation swept the listeners. Her long training now stood her in good stead. Professor Harmon allowed her to go on with her song, instead of halting her in the middle of it, as he had in the case of the previous aspirants. When she had finished singing, she was greeted with a round of genuine applause, the first accorded to a singer since the beginning of the try-out. The brilliancy of her performance could not be denied, even by those who had reason to dislike her.

"Excellent, Miss La Salle," was Professor Harmon's tribute, as he handed her her music. Flushing with pride of achievement, the French girl returned to her place among the others, tingling with the sweetness of her success.

There now remained not more than half a dozen untried soloists.

Constance Stevens was among that number. By this time Marjorie was becoming a trifle anxious. There was just a chance that Connie might be overlooked. Naturally retiring, she would be quite likely to make no sign, were Professor Harmon to pa.s.s her by, under the impression that she had already sung. But Marjorie's fears were needless. Constance had a staunch friend at court. During the try-out Lawrence Armitage's blue eyes had been frequently directed toward the quiet, fair-haired girl of his choice. Locked in his boyish heart was a secret knowledge that he had composed the operetta chiefly because he had wished Constance to have the opportunity of singing the part of the Princess. He had consented to the try-out merely to please Professor Harmon. He was convinced that no other girl could compare with Constance in the matter of voice. He was glad that she was to sing last, and a smile of proud expectation played about his mouth as Professor Harmon abruptly cut off an enterprising senior, the last contestant before Constance, in the midst of a high note.

The smile quickly faded to an expression of dismay as he saw the professor rise from the piano, his eyes on his memorandum pad. At the same instant a faint ripple of consternation was heard from a group of girls of which Marjorie formed the center. The latter took a hurried step forward. Marjorie was determined that Connie must not be cheated of her chance. She had caught a glimpse of Mignon, her black eyes blazing with insolent triumph and positive joy at the possibility of this unexpected elimination of the girl she hated.

But Marjorie's intended protest in behalf of her friend was never uttered. Laurie Armitage had come to the rescue. She saw him halt Professor Harmon, as he was about to address the company. She saw the little man's eyebrows elevate themselves in a glance toward Constance, following Laurie's low, energetic communication. Then she felt herself trembling with relief as Professor Harmon announced apologetically, "I understand that I almost made the mistake of overlooking one of Sanford's promising young singers. Will Miss Stevens please come forward?"

Pink with the embarra.s.sment of the professor's words, Constance made no move to comply with the request. Good-natured Ellen Seymour, who was one of the contestants, pushed her gently forward. Ellen's light touch awoke Constance to motion. She walked mechanically toward the piano, as though propelled against her will by an unseen force. The humiliation of being even accidentally pa.s.sed by looked forth from her sensitive features.

Quick to note it, Lawrence Armitage advanced toward her, took her tightly rolled music from her hand, and, conducting her to the piano, introduced her to Professor Harmon, apparently unmindful of the many pairs of eyes intently watching the little scene.

"Now we are ready." The professor nodded to Constance, who stood with her small hands loosely clasped, her grave eyes fastened upon him. He half smiled, as his experienced fingers began the first soft notes of Mendelssohn's Spring Song. Long ago her foster father had written a set of exquisitely tender words that had exactly seemed to fit those unforgettable strains, so familiar to every true lover of music.

Constance had sung them so many times that she knew them by heart. Now she fixed her eyes on the east wall of the gymnasium, and, leaving the world behind her, rendered the beautiful selection as though she were in her own home, with only her dear ones to listen to the flood of ravishing melody that issued from her white throat.

Marjorie Dean felt a swift rush of tears flood her brown eyes as she listened to her friend. She recalled the time when she had halted at the door of the little gray house, in wonder at that glorious voice.

Conquering her emotion, she began to take stock of the effect of the song upon those a.s.sembled. She saw the proud flash of gladness that leaped to Laurie's fine face. His faith in Connie's powers was being amply fulfilled. She read the profound surprise and admiration of Professor Harmon, as he accompanied the singing girl. She glimpsed enthusiastic admiration in the countenances of the spell-bound students, many of whom had never before heard Constance sing. Then her gaze centered upon Mignon. Anger, surprise and chagrin swept the elfish face of the French girl. She read vocalization more flawless than her own, as well as greater sweetness and an intense sympathy, which she lacked, in the full, sweet, rounded tones that issued from her rival's lips. This was the voice of a great artist.

Professor Harmon turned from the piano as the last golden note died away and held out his hand. "Allow me to congratulate you, Miss Stevens.

You----" His voice was drowned in tumult of noisy and fervent approbation on the part of the delighted audience. Boys and girls forgot the dignity of the occasion, and the next instant the surprised Constance found herself surrounded by as admiring a throng as ever did honor to a triumphant basket-ball or football star. If signs were true presagers of victory, if the united acclamation of the majority counted, then Constance Stevens had, indeed, come into her own.

CHAPTER XXV

AN UNHAPPY PRINCESS

It took Professor Harmon several minutes to reduce the noisy enthusiasts to the decorous state of order in which they had entered the gymnasium.

Far from being elated over her triumph, Constance Stevens received the ovation with the shyness of a child brought before an audience against its will to speak its first piece. She heaved an audible sigh of relief when at last she was left to herself and retired behind Marjorie and her friends with a flushed, embarra.s.sed face.

The boys' try-out was shortened considerably by the fact that there were fewer singers to be heard. When it was over it was announced that Hal Macy had carried off the role of the poor, neglected son, which was in reality the male lead. The Crane was selected for the king, while freckle-faced Daniel Seabrooke was chosen for the jester, greatly to his delight and surprise. There was an emphatic round of applause when Professor Harmon announced that Constance Stevens had been selected to sing the Princess. Ellen Seymour captured the role of the queen, and to Mignon La Salle was allotted the part of the disagreeable step-sister.

It was second in importance to that of the Princess, but the French girl's face was a study as she received the announcement. She tried to smile, but the baffled anger and keen disappointment which was hers blazed forth from her elfish eyes. The minor parts were soon given out, and then came the trial of the chorus.

The hope of Marjorie and her four friends that they might be chosen was fulfilled. A number of the girls who had sung solos were also selected, and, with one or two disgruntled exceptions, resigned themselves to the lesser glory, gratefully accepting what was offered them. It was evident, however, that pretty faces had much to do with the Professor's choice of the chorus, and when he had gathered the elect together and heard them sing "The Star Spangled Banner" as a test, he expressed himself as satisfied, and appointed a rehearsal for the following Tuesday afternoon at four o'clock.

With the exception of Constance, it was a most jubilant s.e.xtette that set out for Sargent's, at Marjorie's invitation, after the try-out was over. She was still somewhat dazed over her success. Although she smiled as the five girls paid her affectionate tribute, she had little to say.

"Girls, did you see Mignon's face when Connie was singing?" began Muriel Harding, as soon as they were out of earshot of any possible partic.i.p.ants in the try-out.

"Did we see it? Well, I guess so." Jerry made prompt answer. "At least, I did. While Connie was singing I was dividing my seeing power between her and the fair but frowning Mignon. Maybe she wasn't mad! She tried to pretend she wasn't listening, but she never missed a note. She had sense enough to know good singing when she heard it."

"I was watching her, too," nodded Muriel Harding. "Her eyes positively glittered when Professor Harmon almost missed hearing Connie sing. I knew she was hoping he would. Then Laurie Armitage came to the rescue."

"I was going to say something," was Marjorie's quiet comment. "I had made up my mind that Connie shouldn't be overlooked. I was so glad when Laurie spoke to the professor."

"I thought you were," declared Jerry. "I was going to say something, if no one else did."

"I don't believe any one of us could have stood there and seen Connie miss her turn without making a fuss," said gentle Irma Linton. "I am so glad it all came out nicely. Laurie Armitage is a splendid boy."

"So is the Crane," put in Jerry slyly.

"Of course he is," agreed Irma, placidly ignoring Jerry's attempt to tease. "So is your brother Hal. There are lots of nice boys in Weston High."

Jerry merely grinned cheerfully at this retort and returned to the subject of the coming opera. "Is Laurie going to help you with your songs?" she asked, addressing Constance.

"Yes," replied Constance simply. "He said he would. I can't quite believe yet that I am to sing the Princess. I may be able to manage the songs, but I can't act. I imagine Mignon would make a better actress than I."

"She ought to," jeered Muriel Harding, who could never resist a thrust at the French girl. "She never does anything else. I don't believe she'd know her real self if she came face to face with it in broad daylight."

"Oh, forget Mignon. Who was that tall, dark man with Laurie and Professor Harmon?" interposed Susan Atwell. "You ought to know, Connie.

I saw Laurie introduce you to him."

"His name is Atwell," answered Constance. "He is an actor, I believe. I don't know why he happened to be at the try-out to-day. Perhaps Professor Harmon invited him."

"I'll find out all about him and tell you," volunteered Jerry. "Hal may know. If he doesn't, some one else will."

"For further information, ask brother Hal," giggled Susan.

It was not until Marjorie and Constance had said good-bye to the others and were strolling home in the spring sunshine that the latter asked, "Where was Mary to-day?"

"I don't know." Marjorie spoke soberly. "She left the house before I did this morning. She said last night that she wasn't interested in the try-out. I thought perhaps she might like to be in the chorus, but she doesn't appear to care about it. She has a sweet, soprano voice and can sing well."

"I am sorry," was Constance's brief answer.

"So am I." Marjorie did not continue the painful subject. They had talked it over so many times, there was nothing left to be said. "I am glad you were chosen for the Princess," she said after a little silence, during which the two girls were busy with their own thoughts.

"I am going to try to sing well, if only to please you and Laurie," was Constance's earnest avowal.

"I'm glad Mignon didn't get the part. It won't be very pleasant for you to have to sing with her. I wouldn't say this to anyone else, but if I were you I would keep a watchful eye on her, Connie."

"If she tries to be disagreeable, I shall simply pay no attention to her."

"That will be best," nodded Marjorie. Nevertheless, she reflected that as a member of the chorus she would have opportunity to observe the French girl and mentally decided to keep an eye on her.

"Has Mary come in, Delia?" was Marjorie's quick question, as the maid answered her ring.

"Here I am," called Mary from the living room. She had heard Marjorie's question. Now she appeared in the doorway of the living room, viewing her former chum with sombre gravity. "Who is going to sing the Princess?" she asked abruptly.

"Connie was chosen. She sang beautifully."

"I'm glad Mignon didn't get the part," muttered Mary. Wheeling about, she walked into the living room, and, taking up a book she had turned face downward on the table, became, to all appearances, absorbed in its pages.

For a moment Marjorie stood watching her through the half-drawn portieres. She would have liked to continue the conversation, but pride forbade her to do so. Mary's mood presaged rebuff. Later, at luncheon, she unbent sufficiently to question Marjorie further regarding the try-out. Although she did not say so, she was sorry that Mignon had been given a princ.i.p.al's part in the operetta. Privately, she wished she had made an attempt to get into the chorus. She, too, was of the opinion that the French girl would bear watching. Failure to carry off the highest honors would act as a spur to Mignon's unscrupulous nature, and sooner or later some one would pay for her defeat.