Marguerite de Valois Part 57

"To me, sir? When was that?"

"A quarter of an hour before you sold my horse and my portmanteau."

La Huriere showed that he understood.

"Ah! I remember," said he; and he stepped toward a cupboard and took out from it, one after the other, fifty crowns, which he brought to La Mole.

"Very well, sir," said that gentleman; "very well. Serve me an omelet.

The fifty crowns are for Gregoire."

"Oh!" cried La Huriere; "in truth, my dear gentlemen, you are genuine princes, and you may count on me for life and for death."

"If that is so," said Coconnas, "make us the omelet we want, and spare neither b.u.t.ter nor lard."

Then looking at the clock,

"Faith, you are right, La Mole," said he, "we still have three hours to wait, and we may as well be here as anywhere else. All the more because, if I am not mistaken, we are already half way to the Pont Saint Michel."

And the two young men went and sat down at table in the very same room and at the very same place which they had occupied during that memorable evening of the twenty-sixth of August, 1572, when Coconnas had proposed to La Mole to play each against the other the first mistress which they should have!

Let us grant for the honor of the morality of our two young men that neither of them this evening had the least idea of making such a proposition to his companion.

CHAPTER XIX.

THE ABODE OF MAiTRE ReNe, PERFUMER TO THE QUEEN MOTHER.

At the period of this history there existed in Paris, for pa.s.sing from one part of the city to another, but five bridges, some of stone and the others of wood, and they all led to the Cite; there were le Pont des Meuniers, le Pont au Change, le Pont Notre-Dame, le Pet.i.t Pont, and le Pont Saint Michel.

In other places when there was need of crossing the river there were ferries.

These five bridges were loaded with houses like the Pont Vecchio at Florence at the present time. Of these five bridges, each of which has its history, we shall now speak more particularly of the Pont Saint Michel.

The Pont Saint Michel had been built of stone in 1373; in spite of its apparent solidity, a freshet in the Seine undermined a part of it on the thirty-first of January, 1408; in 1416 it had been rebuilt of wood; but during the night of December 16, 1547, it was again carried away; about 1550, in other words twenty-two years anterior to the epoch which we have reached, it was again built of wood, and though it needed repairs it was regarded as solid enough.

In the midst of the houses which bordered the line of the bridge, facing the small islet on which the Templers had been burnt, and where at the present time the platform of the Pont Neuf rests, stood a wooden panelled house over which a large roof impended like the lid of an immense eye. At the only window, which opened on the first story, over the window and door of the ground floor, hermetically sealed, shone a reddish light, which attracted the attention of the pa.s.sers-by to the low, wide facade, painted blue, with rich gold mouldings. A kind of frieze separating the ground floor from the first floor represented groups of devils in the most grotesque postures imaginable; and a wide scroll painted blue like the facade ran between the frieze and the window, with this inscription: "ReNe, FLORENTIN, PERFUMER DE SA MAJESTe LA REINE MeRE."

The door of this shop was, as we have said, well bolted; but it was defended from nocturnal attacks better than by bolts by its occupant's reputation, so redoubtable that the pa.s.sengers over the bridge usually described a curve which took them to the opposite row of houses, as if they feared the very smell of the perfumes that might exhale through the walls.

More than this, the right and left hand neighbors, doubtless fearing that they might be compromised by the proximity, had, since Maitre Rene's occupancy of the house, taken their departure one after the other so that the two houses next to Rene's were left empty and closed. Yet, in spite of this solitude and desertedness, belated pa.s.sers-by had frequently seen, glittering through the crevices of the shutters of these empty habitations, strange rays of light, and had felt certain they heard strange noises like groans, which proved that some beings frequented these abodes, although they did not know if they belonged to this world or the other.

The result was that the tenants of the two buildings contiguous to the two empty houses from time to time queried whether it would not be wise in them to do as their neighbors had done.

It was, doubtless, owing to the privilege which the dread of him, widely circulated, had procured for him, that Maitre Rene had ventured to keep up a light after the prescribed hour. No round or guard, moreover, would have dared to molest him, a man doubly dear to her majesty as her fellow-countryman and perfumer.

As we suppose that the reader, panoplied by the philosophical wisdom of this century, no longer believes in magic or magicians, we will invite him to accompany us into this dwelling which, at that epoch of superst.i.tious faith, shed around it such a profound terror.

The shop on the ground floor is dark and deserted after eight o'clock in the evening--the hour at which it closes, not to open again until next morning; there it is that the daily sale of perfumery, unguents, and cosmetics of all kinds, such as a skilful chemist makes, takes place.

Two apprentices aid him in the retail business, but do not sleep in the house; they lodge in the Rue de la Colandre.

In the evening they take their departure an instant before the shop closes; in the morning they wait at the door until it opens.

This ground-floor shop is therefore dark and deserted, as we have said.

In this shop, which is large and deep, there are two doors, each leading to a staircase. One of these staircases is in the wall itself and is lateral, and the other is exterior and visible from the quay now called the Quai des Augustins, and from the riverbank, now called the Quai des Orfevres.

Both lead to the princ.i.p.al room on the first floor. This room is of the same size as the ground floor, except that it is divided into two compartments by tapestry suspended in the centre and parallel to the bridge. At the end of the first compartment opens the door leading to the exterior staircase. On the side face of the second opens the door of the secret staircase. This door is invisible, being concealed by a large carved cupboard fastened to it by iron cramps, and moving with it when pushed open. Catharine alone, besides Rene, knows the secret of this door, and by it she comes and departs; and with eye or ear placed against the cupboard, in which are several small holes, she sees and hears all that occurs in the chamber.

Two other doors, visible to all eyes, present themselves at the sides of the second compartment. One opens into a small chamber lighted from the roof, and having nothing in it but a large stove, some alembecs, retorts, and crucibles: it is the alchemist's laboratory; the other opens into a cell more singular than the rest of the apartment, for it is not lighted at all--has neither carpet nor furniture, but only a kind of stone altar.

The floor slopes from the centre to the ends, and from the ends to the base of the wall is a kind of gutter ending in a funnel, through whose orifice may be seen the dark waters of the Seine. On nails driven into the walls are hung singular-shaped instruments, all keen or pointed with points as fine as a needle and edges as sharp as a razor; some shine like mirrors; others, on the contrary, are of a dull gray or murky blue.

In a corner are two black fowls struggling with each other and tied together by the claws. This is the soothsayer's sanctuary.

Let us return to the middle chamber, that with two compartments.

Here the common herd of clients are introduced; here ibises from Egypt; mummies, with gilded bands; the crocodile, yawning from the ceiling; death's-heads, with eyeless sockets and loose teeth; and old musty volumes, torn and rat-eaten, are presented to the visitor's eye in pellmell confusion. Behind the curtain are phials, singularly shaped boxes, and weird-looking vases; all this is lighted up by two small silver lamps exactly alike, perhaps stolen from some altar of Santa Maria Novella or the Church Dei Lervi of Florence; these, supplied with perfumed oil, cast their yellow flames around the sombre vault from which each hangs by three blackened chains.

Rene, alone, his arms crossed, is pacing up and down the second compartment with long strides, and shaking his head. After a lengthened and painful musing he pauses before an hour-gla.s.s:

"Ah! ah!" says he, "I forget to turn it; and perhaps the sand has all run through a long time ago."

Then, looking at the moon as it struggled through a heavy black cloud which seemed to hang over Notre-Dame, he said: "It is nine o'clock. If she comes, she will come, as usual, in an hour or an hour and a half; then there will be time for all."

At this moment a noise was heard on the bridge. Rene applied his ear to the orifice of a long tube, the other end of which reached down the street, terminating in a heraldic viper-head.

"No," he said, "it is neither _she_ nor _they_; it is men's footsteps, and they stop at my door--they are coming here."

And three sharp knocks were heard at the door.

Rene hurried downstairs and put his ear against the door, without opening it.

The three sharp blows were repeated.

"Who's there?" asked Maitre Rene.

"Must we mention our names?" inquired a voice.

"It is indispensable," replied Rene.

"Well, then, I am the Comte Annibal de Coconnas," said the same voice.

"And I am the Comte Lerac de la Mole," said another voice, which had not as yet been heard.