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Malory Towers - In The Fifth At Malory Towers Part 6

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Irene groaned. Darrell groaned, too. She was trying to draft out the third act of the pantomime.

'Either tell Connie to go, or go yourself,' said Irene. 'If not, I'll go! I'll go and sit in the bathroom and take this with me. Perhaps I'll get a few minutes peace then. Tirretty-tirretty-too. Yes, I think I'll go.'

She got up. Connie fled, thinking Irene was going to row her. Ruth looked round apologetically, but said nothing.

'It's all right,' said Darrell, softly. 'Keep Connie at arm's length till she leaves you in peace, Ruth - and don't worry about it!'

But Catherine had to be silly about it, of course. 'Poor Connie,' she said. 'I really can't help feeling sorry for her. We oughtn't to be too hard on her, ought we?'



11 THE WEEKS GO ON.

NOW the days began to slip by more quickly. Two weeks went - three weeks - and then the fourth week turned up and began to slip away, too.

Everything was going well. There was no illness in the school. The weather was fine, so that the playing-fields were in use every day, and there was plenty of practice for everyone. Work was going well, and except for the real duds, n.o.body was doing badly. Five lacrosse matches had already been won by the school, and Darrell, as games captain for the fifth, was in the seventh heaven of delight.

She had played in two of the matches, and had shot both the winning goals. Felicity had gone nearly mad with joy. She had been able to watch Darrell in both because they were home matches. Felicity redoubled her practices and begged Darrell for all the coaching time she could spare. She was reserve for the fourth school-team, and was determined to be in it before the end of the term.

The plans for the Christmas entertainment were going well, too. So far no help had been asked from either Mr. Young, the music-master, or Miss Greening, the elocution mistress. The girls had planned everything themselves.

Darrell had been amazed at the way she and Sally had been able to grasp the planning of a big pantomime. At first it had seemed a hopeless task, and Darrell hadn't had the faintest idea how to set about it. But now, having got down to it with Sally, having read up a few other plays and pantomimes, and got the general idea, she was finding that she seemed to have quite a gift for working out a new one!

'It's wonderful!' she said to Sally. 'I didn't know I could. I'm loving it. I say, Sally - do you think, do you possibly think I might have a sort of gift that way? I never thought I had any gift at all.'

'Yes,' said Sally, loyally. 'I think you have got a gift for this kind of thing. That's the best of a school like this, that has so many many interests - there's something for everybody - and if you have got a hidden or sleeping gift you're likely to find it, and be able to use it. There's your way of scribbling down verse, too - I never knew you could do that before!'

'Nor did I, really,' said Darrell. She fished among her papers and pulled out a scribbled sheet. 'Can I read you this, Sally? It's the song Cinderella is supposed to sing as she sits by the fire, alone. Her sisters have gone to the ball. Listen:

'By the fire I sit and dream And in the flames I see, Pictures of the lovely things That never come to me, That never come to me, Ah me!

Carriages, a lovely gown, A flowing silver cloak - The embers move, the picture's gone, My dreams go up in smoke, My dreams go up in smoke, In smoke!'

She stopped. 'That's as far as I've got with that song. Of course, I know it's not awfully good, and certainly not poetry, only just verse - but I never in my life knew I could even put things in rhyme! And, of course, Irene just gobbles them up, and sets them to delicious tunes in no time.'

'Yes. It's very good,' said Sally. 'You do enjoy it all, too, don't you? I say - what will your parents think when they come to the pantomime and see on the programme that Darrell Rivers has written the words - and the songs, too!'

'I don't know. I don't think they'll believe it,' said Darrell.

Darrell was not the only member of the fifth form enjoying herself over the production of the pantomime. Irene was too - she was setting Darrel's songs to exactly the right tunes, and scribbling down the harmonies as if she had been composing all her life long - as she very nearly had, for Irene was humming melodies before she was one year old!

The cla.s.s were used to seeing Irene coming along the corridor or up the stairs, b.u.mping unseeingly into them, humming a new tune. 'Tumty-ta, ti-ta, ti-ta, tumty-too. Oh, sorry, Mavis. I honestly didn't see you. Tumty-ta, ti-ta-gosh, did I hurt you, Catherine. I never saw you coming.'

'Oh, that's quite all right,' said Catherine, gently, patting Irene on the arm, and making her shy away at once. 'We don't have geniuses like you every . . .'

But Irene was gone. How she detested Catherine with her humble ways, and her continual air of sacrificing herself for others!

'Tumty-ta, ti-ta,' she hummed suddenly in cla.s.s, and banged her hand down on the desk. 'Got it! Of course, that's it! Oh, sorry, Miss Jimmy - er, James, I mean, Miss James. I just got carried away for a moment. I've been haunted by . . .'

'You needn't explain,' said Miss James, with a twinkle in her eye. 'Do you think you've got that particular tune out of your system now, and could concentrate, say, for half an hour, on what the rest of the cla.s.s are doing?'

'Oh yes - yes, of course,' said Irene, still rather bemused. She bent over her maths book, pencil in hand. Miss James was amused to see one page of figures and one page of scribbled music, when the book was given in - both excellent, for Irene was almost as much a genius at maths as at music. She insisted that the two things went together, though this seemed unbelievable to the rest of the cla.s.s. Maths were so dull and music so lovely!

The words of the pantomime progressed fast, and so did the music. It was essential that they should because there could be no rehearsing until there was something to rehea.r.s.e!

Belinda was busy with designs for scenery and costumes. She, too, was extremely happy. Her pencil flew over the paper each evening and every moment of free time - she drew everything, even the pattern on Cinderella's ap.r.o.n!

Little Janet waited eagerly as the designs grew and were pa.s.sed on to her. She too was eager and enthusiastic. She turned out the enormous trunks of dresses and tunics and costumes of all periods, used by other girls at Malory Towers in terms gone by. How could she alter this? How could she use that? Oh, what a wonderful piece of blue velvet! Just right for the Prince!

Little Janet had always been ingenious, but now she surpa.s.sed herself. She chose out all the material and stuffs she needed, with unerring taste - she sorted out dresses and costumes that could be altered. She ran round the school pressing all the good needle-workers into her service. She begged Miss Linnie, the quiet little sewing-mistress, to help her by allowing some of the cla.s.ses to work on the clothes and decorations.

'I would never have thought that little mouse of a Janet had it in her to blossom out like this!' said Miss Potts to Mam'zelle. 'What these children can do if they're just given a chance to do things on their own!'

Another person who was working hard, though in quite a different direction, was Alicia! Alicia, who never worked really hard at anything, because she had good brains and didn't need to. But now she had something to do that, brains or no brains, needed constant hard work and practice.

Alicia was to be the Demon King in the pantomime - and he was to be an enchanter, a conjurer who could do magic things! Alicia was to show her skill at conjuring, and she meant to be as good a conjurer on the school stage as any conjurer in a London pantomime.

'Well - I didn't dream that Alicia's ability for playing silly tricks and doing bits of amateur conjuring to amuse her friends would make her work as hard as this' said Miss Peters, the third-form mistress, shutting the door of one of the music-rooms softly.

She had heard peculiar sounds in there - sounds of pantings, sounds of something falling, sounds of sheer exasperation, and she had peeped in to see what in the world was going on.

Alicia was there, with her back to her, practising a spot of juggling! Yes, she was going to juggle, as well as conjure - and she had an array of coloured rings which she was throwing rapidly up into the air, one after another, catching them miraculously.

Then she would miss one, and click in exasperation. She would have to begin all over again. Ah - Alicia had found something that didn't need only brainwork - it needed patience, practice, deftness, and then patience all over again.

'Why did I ever say I'd be the Demon King!' groaned Alicia, picking up the rings for the twenty-second time and beginning again. 'Why did I ever agree to do conjuring and juggling? I must have been mad.'

But her pride made her go on and on. If Alicia did a thing it had to be done better than anybody else could possibly do it. The fifth form were most intrigued by this new interest of Alicia's. It was such fun to see her suddenly pick up a pencil, rubber, ruler and pen, and juggle them rapidly in the air, catching them deftly in one hand at the finish!

It was amusing to see her get up to find Mam'zelle's fountain-pen, and pick it apparently out of the empty air, and even more amusing to see her gravely abstract an egg from Mam'zelle's ear.

'Alicia! I will not have such a thing!' stormed Mam'zelle. 'Oh, la la! Now you have found a cigarette in my other ear. It is not nice! It makes me go - what do you call it - duck-flesh.'

'Goose-flesh, Mam'zelle,' said Alicia, with one of her wicked grins. 'Dear me - has your fountain-pen gone again? It's up in the air as usual!' And she reached out her hand and picked it once more from the air.

No wonder the cla.s.s liked Alicia's new interest. It certainly added a lot more enjoyment to lessons!

12 GWENDOLINE MARY AND MAUREEN.

TWO girls were anxiously waiting for Darrell to finish the pantomime. They were Gwendoline and Maureen. Each of them saw herself in the part of Cinderella. Each of them crept away to the dormy on occasion, let her golden hair loose, and posed in front of the dressing-table mirrors.

'I look exactly right for Cinderella,' thought Gwendoline Mary. 'I'm the type, somehow. I could sit pensively by the fireside and look really lovely. And as the princess at the ball I'd be wonderful.'

She wrote and told her mother about the coming pantomime. 'Of course, we don't know yet about the characters,' she said. 'Most of the girls would like me to be Cinderella - they say I look the part. I don't know what you think, Mother? I'm not conceited, as you know, but I can't help thinking I'd do it rather well. What does Miss Winter think?'

Back came two gushing letters at once, one from her delighted mother, one from her old governess, worshipping as ever.

DARLING GWEN,.

Yes, of course you must be Cinderella. You would be absolutely right. Your hair would look so lovely in the firelight. Oh, how proud I shall be to see you sitting there pensive and sad, looking into . . .

And so on and so on. Miss Winter's letter was much the same. Both of them had apparently taken it completely for granted that Gwendoline would have the chief part.

Moira came barging into the dormy one day and discovered a startled Gwendoline standing in front of her mirror, her hair all round her face, and a towel thrown over her shoulders for an evening cloak.

'Gosh - what do you think you're doing?' she said, in amazement. 'Washing your hair or something? Are you mad, Gwen? You can't wash your hair at this time of day. You're due for French in five minutes.'

Gwendoline muttered something and flung the towel back on its rack. She went bright red. Moira was puzzled.

Two days later Moira again came rushing into the dormy to see if the windows were open. This time she found Maureen standing in front of her mirror, her hair loose down her back in a golden sheet, and one of the cubicle curtains pinned round her waist to make a train.

Moira gaped. Maureen went pink and began to brush her hair as if it was a perfectly ordinary thing to be found with it loose, and a curtain pinned to her waist.

Moira found her voice. 'What do you and Gwen think you're doing, parading about here with your hair loose and towels and curtains draped round you?' she demanded. 'Have you both gone crackers? Every time I come into this dormy I see you or Gwen with your hair loose and things draped round you. What are you up to?'

Maureen couldn't possibly tell the scornful practical Moira what she was doing - merely pretending to be a beautiful Cinderella with a cloud of glorious hair, and a long golden train to her dress. But Moira suddenly guessed.

She laughed her loud and scornful laugh. 'Oh! I believe I know! You're playing Cinderella! Both of you pretending to be Cinderella. What a hope you've got! We'd never choose rabbit-teeth to play Cinderella.'

And with this very cutting remark Moira went out of the room, laughing loudly. Maureen gazed at herself in the mirror and tears came to her eyes. Rabbit-teeth! How horrible of Moira. How frightfully cruel. She couldn't help her teeth being like that. Or could she? Very guiltily Maureen remembered how she had been told to wear a wire round her front teeth to force them back - and she hadn't been able to get used to it, and had tucked it away in her drawer at Mazeley Manor.

n.o.body there had said anything about it. n.o.body had bothered. Mazeley Manor was a free-and-easy school, as Maureen was so fond of saying, comparing it unfavourably with Malory Towers, and its compulsory games, its inquisitive Matron and determined, responsible house-mistresses.

'If I'd been here when the dentist told me to wear that wire round my teeth, Matron and Miss Potts would both have made me do it, even if I didn't want to,' she thought. 'And by now I'd have nice teeth - not sticking-out and ugly.'

And for the first time a doubt about that wonderful school, Mazeley Manor, crept into Maureen's mind. Was it so good after all to be allowed to do just as you liked? To play games or not as you liked? To go for walks or not at your own choice? Perhaps - yes perhaps it was better to have to do things that were good for you, whether you liked them or not, till you were old enough and responsible enough to choose.

Maureen had chosen not to wear the wire when she should have done - and now she had been called Rabbit-Teeth, and she was sure she wouldn't be chosen as Cinderella. She did up her hair rather soberly, blinking away a few more tears, and trying to shut her lips over the protruding front teeth.

She forgot to unpin the curtain, and went out of the room, thinking so deeply that she didn't even feel it dragging behind her. She met Mam'zelle at the top of the stairs.

'Tiens!' said Mam'zelle, stopping in surprise. 'Que faites vous, Maureen? What are you doing with that curtain?'

Maureen cast a horrified look at her 'train' and rushed back to the dormy. She unpinned it and put the curtain back into its place. Feeling rather subdued she went downstairs to find Gwen.

Gwen was getting very very tired of Maureen. The new girl had fastened on to her like a leech. She related long and boring stories of her people, her friends, her old school and especially of herself. She never seemed to think that Gwen would like to talk too.

Gwen sometimes broke into the middle of Maureen's boring speeches. 'Maureen, did I ever tell you about the time I went to Norway? My word, it was super. I stayed up to dinner each night, and I was only thirteen, and . . .'

'I've never been to Norway,' Maureen would interrupt. 'But my aunt went there last summer. She sent me a whole lot of post-cards. I'll find them to show you. You'll be interested to see them, I'm sure.'

Gwen wasn't interested. She was never interested in anything anyone else ever showed her. In fact, like Maureen, she wasn't interested in anything except herself.

The only time that Maureen ever really listened to her was when she told unkind tales of the others in the form. Then Maureen would listen with great interest. 'I wouldn't have thought it of Darrell,' she would say. 'Good gracious, did Daphne really do that? Oh, I say - fancy Bill being so deceitful!'

Gwen was forced to play games and not only that but to take part in a lot of practices. She was made to do gym properly, and never allowed to get out of it by announcing she didn't feel too well. She had to go for every walk that was planned, fuming and furious.

It was June that enlightened Maureen about all this a.s.siduous attendance at games, gym and walks. She told her gleefully the history of Gwen's weak heart the term before.

'Gwen wanted to get out of the School Cert, exam, so she foxed and said she'd a weak heart that fluttered like a bird!' grinned June. 'Her mother took her home. And then it was discovered Gwen was pretending and back she came just in time for the exam - and ever since she's been made to go in for games and gym like anything. She's a humbug!'

June had no right to say all this to a senior, and Maureen had no right to listen to her. But, like Gwen, she loved a bit of spiteful gossip, and she stored the information up in her mind, though she said nothing to Gwen about it.

The two girls were forced to be together a great deal. Almost everyone else in the form had their own friend. Moira had no particular friend, but went with Catherine, who was always at anyone's disposal. So Gwen and Maureen, being odd ones out, had to walk together, and were left together very often when everyone else was doing something.

Gwen grew to detest Maureen. Horrid, conceited, selfish creature! She hated the sound of her voice. She tried to avoid her when she could. She made excuses not to be with her.

But Maureen wouldn't let her go. Gwen was the only one available to be talked to, and boasted to, and on occasion, when she had fallen foul of Miss James, to be wailed to.

Maureen thought she could draw as well as Belinda - or almost as well. She thought she could sing beautifully - and, indeed, she had an astonishingly powerful voice which, alas, continually went off the true note, and was flat. She was certain she could compose tunes as well as Irene. And she even drove Darrell to distraction by offering to write a few verses for her.

'What are we to do with this pest of a Maureen?' complained Janet, one evening. 'She comes and asks if she can help me and then if I give her the simplest thing to sew, she goes and botches it up so that I have to undo it.'

'And she had the sauce to come and tell me she didn't like some of my chords in the opening chorus of "Cinderella",' snorted Irene. 'I ticked her off. But she won't learn she's not wanted. She won't learn she's no good! She's so thick-skinned that I'm sure a bullet would bounce off her if she was shot!'

'She wants a lesson,' said Alicia. 'My word - if she comes and offers to show me how to juggle, I'll juggle her! I'll juggle her all down the corridor and back again, and down into the garden and on to the rocks and into the pool!'

'Gwen's looking pretty sick these days,' said Belinda. 'She doesn't like having a double that clings to her like Maureen does. I wonder if she knows how like her Maureen is. In silliness and boringness and conceitedness and boastfulness and . . .'

'Oh, I say,' said the saintly Catherine, protesting. 'Aren't you being rather unkind, Belinda?'

Belinda looked at Catherine. 'There are times to be kind and times to be unkind, dear sweet Catherine,' she said. 'But you don't seem to know them. You think you're being kind to me when you sharpen all my pencils to a pin-point - but you're not. You're just being interfering. I don't want all my pencils like that. I keep some of them blunt on purpose. And about this being unkind to Maureen. Sometimes unkindness is a short-cut to putting something right. I guess that's what Maureen wants - a dose of good hard common-sense administered sharply. And that's what she'll get if she doesn't stop this silly nonsense of hers.'

Catherine put on her martyr-like air. 'You know best, of course, Belinda. I wouldn't dream of disagreeing with you. I'm sorry about the pencils. I just go round seeing what I can do to help, that's all.'

'Shall I show you how you look in your own thoughts, Catherine?' said Belinda, suddenly. Everyone listened, most amused at Belinda's sudden outburst. She was usually so very good-natured - but people like Maureen, Gwen and Catherine could be very very trying.

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Malory Towers - In The Fifth At Malory Towers Part 6 summary

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