Lynton and Lynmouth Part 6

The red deer is the most beautiful of all wild creatures in England; seen in his native setting on these high, windy moors, the brown gra.s.s and patches of purple heather all round him, the clear brown and white streams of the combes where he waters, the blue shadows of hill behind hill, and the grey billows of mist and cloud the wind sends rolling down the hillsides, he is a n.o.ble beast indeed.

Wild-horses also run on Exmoor. Mr. Page, in his "Exploration of Exmoor," advances the theory that they are not native ponies, like those of the New Forest or parts of Scotland, but the descendants of horses which the Phoenicians brought in their galleys when they traded with Cornwall and Devon; for their bones are smaller and lighter than those of our native ponies, and beautifully white and polished like ivory, as are the bones of the Arab horses of the north coast of Africa. This is an entertaining theory, with its romantic conjectures: the picture of the Phoenician oared galleys pulling into Combe Martin or Porlock Bay; the scenes on the beach, with the swarthy, beak-nosed sailors, the Celts, eager for trade and curious to look at any foreigners come from beyond the sea; the heaps of tin and silver, the ivory and gold and Eastern gauds with which the Phoenicians bartered; the plunging, high-spirited little horses, wild with release from the galleys. But though the Phoenicians certainly came, it is very likely the horses did not; for Mr. Snell, another authority on Exmoor, thinks that the ponies are indigenous, like the red deer, and are at least as old as the first human inhabitants of this north-west corner.

They are small creatures, as active as cats, and at Bampton Fair, where many hundreds are driven in for the last Thursday in October, and the narrow streets are packed with them from end to end, there are scenes of great liveliness and disorder. Dulverton, which is the centre of Exmoor, used also to have a fair, which consisted mainly of Exmoor ponies and sheep; but it has pa.s.sed out of existence by reason of railways and shops, and the greater facility for commercial exchange of our era, and the charming cobbled, whitewashed town--which was quite an important town, remember, when John Ridd's cousin Rachael lived there--now dozes undisturbed among the brown hills.

The sheep of Exmoor are of a horned variety; we all know what excellent mutton they make from its praises in "Lorna Doone," and John Fry's lyrical outburst over the saddle of mutton "six year old, and without a tooth in mun head," and sure to eat as soft as cream. John Fry was referring to the custom among the farmers of not killing their sheep until the teeth begin to go. Their coats are exceedingly thick, and their wool a very valuable a.s.set to the whole county; it was more particularly so in the Middle Ages, when cloth-making was the staple industry of England. There is a woolpack in the coat-of-arms of Minehead, and the most striking feature of the little mediaeval town of Dunster is the yarn-market in the centre of the main street.

Wolves were plentiful on Exmoor at that time, and doubtless did much damage among the sheep; in hard winters, even, they would have come down into the little villages of Simonsbath and Parracombe, but the last of them was killed in the reign of Elizabeth. In her reign, also, wild-pigs could be hunted here, while the existence of such names as Crane Tor, Lynx Tor, Bear Down, is evidence of an even greater variety of game in Saxon times than now. Yet there is abundance still, hares and foxes, badger and otter; the otter, indeed, makes grievous depredations among the salmon that come up the river to sp.a.w.n, for, like a dingo among sheep, he slays promiscuously what he does not eat.

It is, I suppose, a lingering tradition of our old stern game laws that imposes a severe penalty for poaching when a man picks up a salmon which an otter has killed and left.

Birds abound on Exmoor; snipe and woodc.o.c.k, partridge and black-game, plover and wild-duck. Nothing could more exactly express the loneliness and wildness of this great open country than, when you are walking solitary, to hear the harsh, melancholy cry of the bittern from the reedy, desolate bogs, or in the falling daylight of a cloudy February afternoon to see the plover rise from the tussocks of brown gra.s.s at your feet, and go flying and wailing above you, in that broken-winged, broken-hearted way of theirs, or to watch the duck flying home across the sunset, with their strange honk-honk!

For all that I have said about the barrenness of these great moors, Exmoor is the land of sweet waters. The Exe, the Barle, the Quarine, rising near Dunkery Beacon, the Haddes from the Brendon Hills, the Lyn, the Wear Water, the Badgeworthy (up which little John Ridd fished for loach), the Parley Water, the Horner, which runs into Porlock Bay, the East Water, all these beautiful clear, clean streams abound with fish, and have the freshness and the sparkle of this sparkling upland air.

Wherever there is a fold in the ground there is running water--though geographically one should put it in the opposite way, that wherever the water runs there is a fold in the ground--and wherever it runs flowers and ferns and trees grow in beautiful abundance. I have already described the luxuriant green of the wooded gorges of the Lyn, the variety of trees and the luxuriance of ferns and mosses; the Horner Woods, near Porlock, have the same green loveliness, though a sharper air blows through them, as they stand nearer the Exmoor heights and less sheltered by steep rocks than those that overshadowed the Lyn, and on a summer afternoon there is a sharp smell of resin from the sun-warmed pines, and the keen air stirs even in the depths of the wood.

And besides these rivers there are numberless little unnamed streams, everywhere the tinkle and chatter of water, breaking over stones, slipping through the peaty earth, falling in a thin spray down the face of the cliffs, spreading out across the white rocks of an encircled cove, incessant movement and change of colour and light, a ceaseless ripple and gleam of reflected water across the lichened trunk of some old tree, sweet and incessant sound.

CHAPTER VII

IN SOMERSET

"In Somerset," says Miss Celia Fiennes with considerable severity, "they are likewise as careless when they make cider; they press all sorts of Apples together, else they might have as good sider as in any other parts, even as good as the Herriforshire."

This young lady, with her keen criticisms, her spirit of intrepidity, and her variable spelling, betook herself on a tour on horseback through England in the reign of William and Mary, and kept a diary of her travel, noting with equal solemnity the state of agriculture or the quality of pastry which she encounters in her journey. She was the daughter of Colonel Fiennes, a Parliamentary soldier, and being a delicate girl, was recommended fresh air and exercise by her doctor.

"My journeys, as they were begun to regain my health by variety and change of air and exercise, so whatever promoted, that was pursued . . .," she says, rather elliptically, in her preface, and admonishes Ladies and Gentlemen to follow her example, and profit by the spectacle of their own country--advice which we of this generation have taken _au serieux_, and of which the present book and those akin to it are sufficient witness!

Her remarks on Somerset are not all strictures, for it is here, she tells us, that she had the best tarts and "clouted cream" that she ever had in her life; and this although Devon has given its name to this excellent dainty, while Cornwall fiercely a.s.serts that it is a Celtic recipe, and stolen from them by the Saxons of Devon, after they were driven over the Tamar.

With Somerset, however, we are not dealing in the limits of this book, neither with its characteristics of scenery or of speech--which, to the observant eye and ear, make every county in England rich in individuality and infinitely various, so that Hampshire can never be confounded with Suss.e.x, nor Somerset with Dorset--but only with that small strip of it between Porlock and Dunster which lies on the borders of Exmoor, and belongs to it geographically. After leaving Porlock, however, the six miles of road that runs across the moor to Minehead is on a lower level, and (as the aesthetic writers would say), in a lower key than the magnificent barren stretch of uplands from Lynton to Porlock. The way still lies across Exmoor, but the "forest" lands are beginning to lose their wildness; they run down to about five hundred feet above the sea, while the summit of Dunkery Beacon is fifteen hundred, though rising but little above the moors that surround it; for the road between Countisbury and Porlock is over twelve hundred feet above the beach it overhangs. From Porlock the wooded valleys are more frequent and more thickly wooded, and the villages lie nestled more sleekly; the winds are less keen and strong, the sun itself seems more tempered than when it blazes upon Heddon's Mouth; a more suave and temperate beauty begins gradually to take the place of the wild open s.p.a.ces and grey cliffs.

The villages indeed are beautiful: Selworthy, Luccombe, and Wootton Courtney, each with its lovely grey church, embowered in trees, its street of whitewashed houses, its angles of light and shadow, and gardens filled with colour. Luccombe, which is said to contain the same Anglo-Saxon word _locan_, to enclose, as Porlock, lies under one of the spurs of Dunkery on a little stream which falls into the Horner Water, and is, indeed, enclosed in a steep wooded combe. The church stands behind a tall row of cypresses, which, though planted only seventy years ago, have grown as tall as the church-tower, and bear witness to the fertility of the soil and the mildness of the climate; they give the churchyard a foreign and outlandish look, I think, and harmonize less perfectly with the characteristically English architecture of the church than their neighbour, the old yew. The tower is battlemented, and has some individual gargoyle heads around its gutter, and the barrel roof of the interior has richly carved wooden bosses, with the remains of painting upon them.

The church at Selworthy has also a carved and painted wooden roof, though of finer workmanship than Luccombe; the church itself was originally built of red stone, but the tower is the only part remaining, and this has been covered with stucco. The window and tracery of the south aisle is of the lightest and most delicate Perpendicular, but the interior has been a good deal restored. The church is beautifully situated. It lies high above Selworthy, and before it stretch the long flat curves of Exmoor; below, Luccombe Church tower can just be seen above its surrounding trees; to the south-east, beyond the green luxuriance of Horner Woods, rises the outline of Dunkery. From it a path leads down to Selworthy Green, which is rather a famous beauty-spot, lying on the slope of a hill, neatly surrounded by trees--and the woods here are very beautiful by virtue of the great variety of the trees, beech, oak, chestnut and very fine walnut, and of the fair growth and dignity of the individual tree--amid a little circle of seven cottages which form Sir Thomas Acland's almshouses. The cottages are old and whitewashed, and the thatched roofs sink into beautiful curves and hollows where the shadows lie smoothly; in the summer, when visitors from Minehead mostly see them, the windows stand open to the warm air, and in the shade of the porches, sweet-scented with climbing roses, they can be given tea by the old pensioners.

It is beautiful indeed, and yet to me it has lost something of the appeal of those lovely and desolate little villages--of Brendon, or Parracombe, or Oare--more bleak and windswept, more sun-scorched and barren, thrusting each into some cleft or hollow of the high brown lands, with the wide sky over each, and each its small square church to witness to the fear of G.o.d. Some quality of freedom and individuality which is their charm is not in Selworthy.

This is a mere question of taste; we are all apt to look at a place with the eye of extraneous opinion. The beauty of Selworthy is not, indeed, except fancifully, affected by its being a landowner's village, a swept-and-garnished village where the roofs are repaired by Sir Thomas Acland's thatcher, for fear they should fall into the evil ways of slate, and spoil the lovely contours of the village. A landlord has as much right to preserve the beauty of his property as he has to the upkeep of his fences, and we are indeed fortunate to live in an age when the mellowed beauty of ancient buildings has become almost a religion. But to me there is a smugness about such a village, which has become the hobby, the by no means selfish or unenlightened hobby, of a single man, which does much to temper my enjoyment. Selworthy, with its thatch and cob, its neat old pensioners, its suavity, its absence of what is unsightly, is an anomaly; it can only be preserved against the growing pressure of the twentieth century by the artificial barriers erected by wealth. Parracombe, smaller, lonelier, with its white farms and outbuildings and cottages, is the natural outcome of a small and scattered population, who are not rich enough to build newer houses, and who live as their forefathers did because their isolation on Exmoor, and the barren land on which they live, has not induced men from other districts to come and "expand."

The little village of Culbone, near Porlock--if one may call half a dozen cottages a village--is not an anomaly; indeed, it is a kind of geographical whim. The cleft in which it lies faces towards the north, and it is so deep and so deeply wooded that for four of the winter months there is no direct ray of sunlight in the gorge, only the sky or the light high up on the summits to remind the score of folk who live there that they are not shut in a green prison. Even at midsummer their sunrise is several hours later than for the rest of the world.

Among the darkest part of the green thickets stands the church, which is probably the smallest parish church in England, or shares that distinction with the church of Lullington in Suss.e.x or St. Lawrence's in the Isle of Wight. One or two of the tiny churches in Cornwall are smaller. There is St. Piran's, but that is now a ruin on a beach, with only the low walls of the very early building remaining; and there is the church of St. Enodoc, near Wadebridge, which the saint must have forgotten and the world overlooked, for it got lost among the low sandhills and the sand drifted over, and it is only fifty years since it has been found again, a delight to the few who ever see it, with its squat grey tower barely seen over a tall hedge of tamarisk, and before it the short gra.s.s rich with thyme, giving place to the sand-hills which run out to the long level stretch of the beach, and behind it the sand-hills yielding to the clean dry gra.s.s of the downs.

But these charming small buildings are mostly of very simple and primitive construction, and St. Culbone has the construction of a perfect parish church within the limits of its thirty-four feet from east window to west door, with a nave, and a tiny chancel thirteen feet long, and a small truncated spire, similar to that of Porlock Church.

Its patron saint is the Celtic St. Columban--Culbone is a simple corruption of his name--who lived about the same time that St.

Dubricius crowned Arthur at Caerleon, about A.D. 517; of how this tiny church came to be built (for the present fifteenth-century building stands on the site of a pre-Saxon foundation, which was dedicated to the Celtic saint), or what refuge or sanctuary it was, there is no historical record; doubtless a remnant of the British, hara.s.sed by Saxon raids on Porlock, hid themselves in this dark gorge, and there built and dedicated a church to their own saint of the dove's name, in the hope that he would save them from the claws of the invaders.

Of Minehead as it is now, no greater contrast can be imagined with Porlock and St. Culbone, except that of Ilfracombe, with the grand desolation of Heddon's Mouth and the solitariness of Trentishoe or Morthoe. For both Ilfracombe and Minehead have become so popular for summer visiting that most of their original character is lost under a flood of new houses, trim streets and shops, which have grown to meet the requirements of a large but fluctuating population. Unduly to deplore this is, I suppose, a form of intellectual sn.o.bbery. Both Minehead and Ilfracombe are still undoubtedly beautiful in their setting of sea and moorland, the one upon lofty cliffs, the other among gently rounded and wooded hills; and it is fitting that more people than the favoured and aristocratically-minded few, who elect to stay in cottages and shun their fellow-men, should be given opportunity to enjoy them.

Minehead is a place with a history; its position on the Bristol Channel made it a port of considerable value, and throughout the Middle Ages it did a large trade with Ireland, and a foreign trade with France and Spain, only second to that of Bristol from the West of England. In the seventeenth century, like Bristol also, it had an extensive trade with Virginia and the West Indies, and it exported annually forty thousand barrels of herrings to the Mediterranean. But the herrings left these coasts, as I have already had occasion to state in speaking of Lynton, and an Act pa.s.sed in the reign of Charles II, forbidding the import of Irish cattle, though pa.s.sed with the intention of protecting the English farmers against Irish compet.i.tion, had the usual result of such short-sighted policy, and, while it crippled the Irish trade and ruined the prosperity of such ports as Minehead, it ultimately benefited n.o.body. Any ship smuggling cattle, that was captured, was sold, and a part of the proceeds went to charity and a part to the Crown. The "Cow Charity" is a fund which is still administered in Minehead.

Minehead was a "manor" in Domesday Book, and was given along with Dunster by the Conqueror to William de Mohun, who was one of the first of his n.o.bles to support his English expedition, and who brought to the standard of Duke William fifty-seven knights in his retinue, with their esquires and their men-at-arms. The name Minehead is a corruption of the Norman lord's name with the Anglo-Saxon word _heved_, a head; it used to be written "Manheved."

The Mohuns held it until the time of Henry IV, when, there being only daughters, it pa.s.sed out of the direct line, and was sold by Lady Mohun to the Luttrells, who have held it until the present time. It was incorporated by Queen Elizabeth, and governed by a "port-reeve," and later by two constables. The place was then of a size to consist of a Lower, Middle and Upper Town; the Lower Town, now called Quay Town, is the oldest remaining part. It lies under the high hill of Culver Cliff, around the harbour, and has more of the look of a Devon or Cornwall fishing village--the steep, narrow streets, the whitewashed cottages with their large chimney-stacks and leaded windows--than the aspect of modern Minehead would lead one to expect. It was here, indeed, that the sea broke in the great gale of 1860, when the shipping in the harbour tore from its moorings, and was driven literally upon the houses of Quay Town, as the sea-wall gave way under the pounding of the waves, and the _Royal Charter_, getting clear from Culver Cliff, was driven on to the rocks off Anglesea, and lost with all hands.

Thirty years later, in 1891, the Minehead shipping was again wrecked by one of the fiercest storms that has ever been recorded over England.

It began on March 9, and raged for four days, chiefly over Somerset, Devon, and Cornwall. Shipping was driven on to the rocks from Land's End to Bristol; at Plymouth the solid iron seats on the Hoe were torn up and hurled about by the force of the wind; the heavy snowdrifts stopped all communication, even by train; some unfortunate people were practically buried in their houses; and along with the tragedies and devastation the strangest and most fantastic adventures happened, such as an old woman, struggling back from market, having her basket of provisions blown bodily out of her hand, and picking it up four days later, with every article in it unharmed, not even a burst packet of tea! Where the roads were not blocked with snowdrifts, they were mostly impa.s.sable from fallen trees, for the force of the wind was greater than anything which has been experienced in England, partaking more of the character of a cyclone, with the wind varying from N.E. to S.E. and with very rapid changes, but of greater duration than an average cyclone, for it raged from the 9th to the 13th.

Many fine and historic old trees were lost, and at Edgc.u.mbe Park alone, near Plymouth, it was estimated that at least two thousand were blown down, and the damage was so extensive that it took two years to clear the park; while at Cotehele, near the little town of Calstock, the damage was beyond description. One hundred thousand feet of timber, it was calculated, suffered in this one small district; and Cotehele House, which before had lain behind a screen of trees, was afterwards open to view from the town by this violent deforestation. Here is one of the most interesting descriptions of the storm, written by Mr.

Coulter, the steward at Cotehele:

"The wind, having blown a gale the whole day, continued to increase in violence as evening approached, and from seven till nine p.m.

accomplished, if not all, the greater part of the devastation to house and woods. The noise of the storm resembled the frantic yells and fiendish laughter of millions of maniacs, broken, at frequent intervals, by what sounded like deafening and rapid volleys of heavy artillery, and, as these died away, louder and louder again rose the appalling screams of the storm, with slight intervals of lull and perfect calm, only to return with tenfold violence, which made the whole house tremble and vibrate. . . . Several of the windows facing east were swept in as easily as a spider's web; lead and gla.s.s scattered all over the rooms, leaving only the shattered frames, through which rushed the resistless wind and blinding snow. . . .

Through the joints of doors and windows, the cracks and crevices, before unknown to the eye, the drifting snow penetrated and piled up in ridges, so that rooms and pa.s.sages had to be cleared like the pavement in the streets. . . . On an examination of Cotehele Woods, the scene presented gives one the idea of an earthquake rather than that of a storm. The majority of the trees are from two to three hundred years old, torn up by the roots, and tearing up like so much turf yards of macadamized road and huge blocks of strong stone walls."

The violent storm in the South of England in February, 1916, gives one only a faint idea of this famous blizzard of 1891; for, great though the damage was, it was more local, and the storm was of shorter duration and did not interrupt the train and telegraph services over many scores of miles, as the earlier storm did, travellers in the West being out of touch with their friends for as much as four days or a week, snow-bound in some small village until the railway line was cleared and the postal service re-established.

[Ill.u.s.tration: The Doone Valley in Winter]

The fury of such a storm across these always windy Exmoor heights can hardly be imagined; only Conrad could convey in words some adequate idea of the fury and the force, as he has done in "Typhoon." Anyone who was in Exmoor during these three days would have been fortunate to have reached shelter alive, and not to have been lost, as were so many unfortunate sheep and ponies, in the deep snowdrifts. There is a scene in "Lorna Doone," where John Ridd and his servant Fry go out on a bleak stormy morning to rescue their sheep from the snow, which gives a vivid picture of what must have been many times enacted in the Exmoor valleys during those wild March days. Of the loveliness of the scene when the snow had fallen, and after the fury of the wind had abated, when the March sun shone on the smooth upland curves and beautiful rounded hollows of the moors, stainlessly white and wonderful under the clearing sky, Mr. Widgery's picture of Lorna's Bower under snow gives a beautiful impression.

Apart from its cattle industry and its herrings, Minehead was noted in the seventeenth century for its alabaster mines, "harder than ye Darbishire alabaster," says Thomas Gerard in his "Particular Description of Somerset," written in 1633; "but for variety of mixture and colours it surpa.s.seth any, I dare say, of this kingdom." The mines are said to have been discovered by a Dutchman, but I cannot find that they were much worked, or were very abundant; for there is no record of them a century and a half later. They were not like the Combe Martin silver-mines, which were worked for centuries--some say in the time of the Phoenicians, when the mines of Cornwall furnished tin for half the bronze in Europe--which helped Henry V to pay for his wars in France, and were reopened by Adrien Gilbert in Queen Elizabeth's time, and a great cup and cover, fashioned from the silver, was presented by him to the City of London, and may still be seen among the city plate. The water got into the workings, and they were running poor after so many centuries, and were finally abandoned in the seventeenth century; for which Combe Martin is the more picturesque, according to our modern standards, if less prosperous.

There is another industry of Minehead, or, more properly, a curiosity; for there are no traces of the most enterprising approaching the matter from a commercial standpoint. "There is on the rocks at low-water a species of limpet which contains a liquor very curious for marking fine linen," says our seventeenth-century authority, and he gives directions for breaking the mollusc "with one sharp blow," and taking out "by a bodkin" the little white vein that lies transversely by the head--a somewhat delicate operation. "The letters and figures made with this liquor on linen," he continues, "will appear of a light green colour, and, if placed in the sun, will change into the following colours: if in winter about noon, if in summer an hour or two after sun-rising and so much before setting, for in the heat of the day in summer it will come on so fast that the succession of each colour will scarcely be distinguished.

"Next to the first light green it will appear of a deep green, and in a few minutes change to a full sea-green; after which it will alter to a blue, then to a purplish-red; after which, lying an hour or two (if the sun shines) it will be of a deep purple-red, beyond which the sun does no more. But this last beautiful colour, after washing in scalding soap and water, will, on being laid out to dry, be a fair bright crimson which will abide all future washing."

Is this indeed the "murex," as Browning calls it, of the Tyrian purple, which can be found on the Minehead rocks at low-tide by the holiday-makers of our day?--that "purple dye" for which, the weary Roman usurper said,

"We'll stain the robe again from clasp to hem With blood of friends and kinsmen . . .,"

and yet which is only

"Crushed from a sh.e.l.lfish, that the fisherman Brings up in hundreds, yet rejects as food."

In coming to Dunster we come to the last of the many beautiful places that lie within the compa.s.s of this fifty miles of England, places with so varied a loveliness that nowhere else, I think, can you match with them.

There is Barnstaple, suave and clean and sunny, with its well-kept streets and smooth, broad river, and its air of all prosperity and peace, the very type and pattern of a decent English country-town; and almost within stone's throw of it the moors begin, lying widely under the expanse of the sky, with the perpetual running of waters, and the lonely farms, from which the smoke curls up, blue against the brown hillside. There are the sombre and unpretending small villages, Parracombe, Brendon, Bratton-Fleming, each with its history and its little church, and the homesteads from which the young men have gone, in their humble twos and threes, to take their part in this war of millions. There is the grand solitude of Heddon's Mouth and the raven-haunted cliffs to Lynton; there is Lynton itself, drowned in the green woods that surge up the steep hillside; there is the West Lyn Gorge, shadeless and sultry even on a spring day, and the East Lyn Valley, where ferns and lilies of the valley grow, and every green thing that loves moisture and shade; and the Watersmeet, where there is a perpetual rushing of waters which drowns the song of the birds; there is Porlock, between the moors and the marshes, and the drowned forest of Porlock Bay; there is the green magnificence of Horner Woods or Bossington, and the cloud-wreaths that gather and lift on the summit of Dunkery; and here, easternmost of our journey, is Dunster, the castle on its wooded hill rising above the long street of the village, and the edge of Exmoor beyond, dipping now from its bleak heights in gentle wooded undulations to the sh.o.r.es of the Bristol Channel. The Tower on the Hill, that is the meaning of the word "Dunster," and the name fittingly describes it; for it dominates many miles of beautiful and fertile country, and stands feudally above the village, perceptible from every angle of the street, at once a guardian and a menace. It has stood so for a thousand years, for it was a stronghold of the Saxon Kings before William the Conqueror gave it to William de Mohun, and he built his gloomy Norman fortress, with its ma.s.sive, windowless walls, and squat strong towers, of which nothing now remains save a bowling-green which marks the site of the old keep.

The main part of the present building dates from "the s.p.a.cious days of great Elizabeth," when her n.o.bles needed rather magnificent country-houses than fortresses for defence; but the gatehouse, with its four flanking towers, was built in the time of Henry V, and the oldest part of the castle is the gateway by the side of the main entrance, which was built by Reginald de Mohun in the time of Henry III, while Henry Luttrell added the south front in the "antique taste" of a hundred years ago. Yet, like so many cathedrals, and not a few of the castles and great houses of England, like Hampton Court or Ely Cathedral, the varying styles of architecture do not give an appearance of patchiness or incongruity, but rather a feeling as of the vitality of the old building, and the continuity of life within it, that century after century adapts and adds to the uses of the present the habitation of their ancestors. The sun and rain mellow all, and the ivy makes all green; stone urn and Roman column grow old and gracious beside steep Elizabethan gables and fantastic chimneys, and the grey pointed arches of the fifteenth-century gateway are as good to ride under to the meet on crisp September mornings as a Renaissance doorway or an eighteenth-century portico. Much of the charm of these old buildings cannot be reproduced by brush or camera; it lies in their intimate a.s.sociation with the scene around them, sunshine and cloud, summer and winter, their hills and their streams; it is the sense of age which they convey, of long-continued tradition and a certain mellow security.

It was in 1376 that the Luttrells bought the castle from the Mohuns; and they hold it still; the old receipt for the purchase-money is still preserved in the castle hall, with various ancient and yellowing t.i.tle-deeds, and a list of the "muniments" of the castle, made by William Prynne, who was sent there as a prisoner by Cromwell in 1650, after having suffered branding and the loss of his ears at Royalist hands for his "seditious teachings," and who, firebrand and fanatic as he was, beguiled his imprisonment with this curiously peaceable occupation.

The village is as beautiful as the castle; in the long, irregular street every house is three to four hundred years old. The projecting upper stories are supported on great timber balks, often with the ends grotesquely carved. Under the projecting eaves the swallows build, and twitter about the diamond-paned windows which reflect so richly the sunset light. In the steep roofs there are dormer-windows, and the old tiles have mellowed to a deep rose-red, stained yellow with lichen, and sink into irregular planes and angles of beautiful, varied colour.

There are tall brick chimneys and steep gables, and all manner of odd delicious sc.r.a.ps and jags of architecture, where one building has crowded upon its neighbour in its growth, like trees in a forest.

There are old gardens also, long sunny walls with old fruit-trees that look like h.o.a.ry serpents writhing up them, until the spring comes and the delicate, exquisite forms of plum or peach blossom break out of the gnarled boughs; there are wallflowers and lavender and rosemary, for the sweet scent and the "remembrance" of them, and tall hollyhocks to nod over high brick walls; creepers, green or flowering, to grow over the whitewashed s.p.a.ces, and great trees for shade on summer afternoons.