Lydia of the Pines Part 1

Lydia of the Pines.

by Honore Willsie Morrow.

CHAPTER I

THE TOY BALLOON

"I am the last of my kind. This is the very peak of loneliness."--_The Murmuring Pine_.

There is a State in the North Mississippi Valley unexcelled for its quiet beauty. To the casual traveler there may be a certain monotony in the unending miles of rolling green hills, stretching on and on into distant, pale skies. But the native of the State knows that the monotony is only seeming.

He knows that the green hills shelter in their gentle valleys many placid lakes. Some of them are shallow and bordered with wild rice.

Some are couched deep in the hollow of curving bluffs. Some are carefully secreted in virgin pine woods. From the train these pines are little suspected. Fire and the ax have long since destroyed any trace of their growth along the railway.

Yet if the traveler but knew, those distant purple shadows against the sky-line are primeval pine woods, strange to find in a State so highly cultivated, so dotted with thriving towns.

In summer the whole great State is a wonderland of color. Wide wheat lands of a delicate yellowish green sweep mile on mile till brought to pause by the black green of the woods. Mighty acres of corn land, blue-green, march on the heels of the wheat. Great pastures riotous with early goldenrod are thick dotted with milk herds. White farmhouses with red barns and little towns with gray roofs and green shaded streets dot the State like flower beds.

An old State, as we measure things out of New England, settled by New Englanders during the first great emigration after the War of 1812.

Its capital, Lake City, lays claim to almost a century of existence.

Lying among the hills in the northern part of the State, it contains both the state capitol and the state university. Of its thirty thousand inhabitants, five thousand are students and another five thousand are state legislators and state employees.

The town is one of quiet loveliness. It lies in the curving sh.o.r.e of one of the most beautiful of the little inland lakes. The university campus lies at the northern end of the curve. The dome of the capitol rises from the trees at the southern end. Between, deep lawns stretch to the water's edge with fine old houses capping the gentle slope of the sh.o.r.e. Inland lies the business section of the town, with the less pretentious of the dwellings. The whole city is dotted with great elms and maples, planted three quarters of a century ago.

A quiet town, Lake City, with an atmosphere that might well belong to New England,--beauty, culture, leisure, are its hallmarks.

Fifteen years ago half a mile inland from the lake was an empty block that once had been a farm pasture. Three fine old oaks stood with tops together in the center of the block. The gra.s.s was still firm and green and thick in the ancient pasture except for narrow trails worn by children's feet. To the initiated each trail told its own story.

There was a hollow square that formed the baseball diamond. There was a straight, short cut that led to the little cress-grown spring. There were the parallel lines for "Come-Come Pull Away," and there were numerous bald spots, the center of little radiating trails where, in the fall, each group of children had its complicated roasting oven in which potatoes and "weenies" were cooked.

On one August afternoon the pasture seemed deserted. It was circus day and the children of the surrounding blocks had all by one method or another won admission to the big tent on the hill east of the town.

Yet not quite all the children. For under one of the oak trees was a baby carriage in which a little girl of two lay fast asleep. And far above her, perched lightly but firmly in a swaying fork of the oak, was a long-legged little girl of twelve. She sat where she could peer easily down on her small sleeping sister, yet high enough to be completely hidden from casual view. She was a thin youngster, with short curling hair of a dusty yellow. The curly hair did not hide the fine square head, a n.o.ble head for so small a girl, set well on the little square shoulders. Her eyes were blue and black lashed, her nose nondescript, her mouth large, her chin square and her little jaw line long and p.r.o.nounced. She wore a soiled sailor suit of blue galatea.

Caught in the crotch of two opposite branches was a doll almost as large as the sleeping child below. It was a queer old-fashioned doll, with a huge china head, that displayed brilliant black hair and eyes as blue as those of her little mistress. The doll wore a clumsily made sailor suit of blue calico, which evidently had been washed recently, but not ironed. It is necessary to meet the doll properly, for she was an intimate and important member of the little girl's family. Her name was Florence Dombey.

A battered red book lay in Florence Dombey's lap. It was called, "With Clive in India." It was written by G. A. Henty and told of the marvelous and hair-breadth adventures of an English lad in an Indian campaign.

Florence Dombey's attention, however, was not on the book. It was riveted, hectically, on her mistress, who with her tongue caught between her lips was deftly whittling a cigar box cover into doll furniture, of a scale so tiny that even had Florence Dombey had a doll of her own, it could not have hoped to use the furniture.

It was very quiet in the oak tree. The little furniture-maker spoke softly to Florence Dombey occasionally, but otherwise crickets and locusts made the only sounds on the summer air.

Suddenly she closed the knife sharply. "Darn it! I've cut myself again," she said. She dropped the knife down the neck of her blouse and began to suck her finger. "Here, let me have Henty, Florence Dombey. Don't try to pig it, all the time. You know I don't get hardly any time to read."

The furniture and the remains of the cigar-box cover followed the knife into her blouse and she opened the book. But before she had begun to read there was a sleepy little call from below.

"Yes, baby!" called the child. "Here's Lydia, up in the tree! Watch me, dearie! See me come down. Here comes Florence Dombey first."

With some difficulty the book followed the knife and the furniture into the blouse. Florence Dombey, being hastily inverted, showed a length of light martin cord wrapped about her cotton legs.

"Here she comes, baby! Catch now for Lydia."

The baby below, a tiny plump replica of Lydia, sat up with a gurgle of delight and held up her arms as Florence Dombey, dangling unhappily, upside down, on the end of the marlin cord, was lowered carefully into the perambulator.

"And here I come. Watch me, baby!"

With a swing light and agile as a young monkey, Lydia let herself down, landing with a spring of which an acrobat might have boasted, beside the perambulator.

"There, sweetness!"--kissing the baby--"first we'll fix Florence Dombey, then we'll start for home."

"Florence, home wiv baby."

"Yes, it's getting near supper time." Lydia tucked the still hectically staring doll in beside her small sister, turned the perambulator around and ran it along one of the little paths to the sidewalk. She hoisted it to the sidewalk with some puffing and several "darn its," then started toward the block of houses, north of the pasture.

At the crossing she met a small girl of her own age, who carried a toy balloon, and a popcorn ball.

"h.e.l.lo, Lydia!" she cried. "It was a perfectly lovely circus!"

"Was it?" said Lydia, with an indifferent voice that something in her blue eyes denied. "Well, I had to take care of little Patience!"

"Huh!" shrilled the little girl, "old Lizzie would have done that! I think your father's mean not to give you the money."

Lydia's red cheeks went still redder. "My father's got plenty of money," she began fiercely. Here the baby interrupted.

"Baby love pritty--Baby love--" she held out two beseeching dimpled hands toward the red balloon.

"Patience, you can't have it," cried Lydia. "It--it'll make your tummy ache. I'll buy you one when you're older."

The black-eyed child, holding the red balloon, suddenly kissed little Patience, who was the pet of all the children in the neighborhood, and put the string of her balloon into the dimpled hand. "I had the circus--you can have the balloon," she said.

Lydia jerked the string away and held it out to the owner.

"We're no cheerity charities, Margery," she said. "I'll get Patience a balloon."

"You're an awful liar and a cruel beast, Lydia!" cried Margery. She s.n.a.t.c.hed the string and tied it about the baby's wrist. "You know you can't buy her one and you know she'll cry herself sick for one, now she's seen mine, and I guess I love her as much as you do."

Lydia looked from the cherub in the perambulator, crowing ecstatically over the red bubble that tugged at her wrist, to the defiant Margery.

"I'll let her have it, Margery," she said reluctantly. "I'll make you a doll's high chair."

"All right," said Margery, nonchalantly. "Face tag! So long!"

Lydia ran the perambulator along the board walk. The street was macadamized and bordered with thrifty maple trees. Back of the maple trees were frame houses, of cheap and stupid construction. Before one of these Lydia paused. It was a dingy brown house, of the type known as "story and a half." There was a dormer window at the top and a bow window in the ground floor and a tiny entry porch at the front.

Lydia opened the gate in the picket fence and tugged the perambulator through and up to the porch.

"There, baby mine, shall Lydia take you in for your supper?"