Lucia Rudini Part 3

Garibaldi submitted to her caress with a condescension worthy of the position her name gave her, and the other goats crowded to the open door, eager to leave their cramped quarters.

"Not yet, my dears," Lucia said softly, "it isn't time. Here, Esther, I will milk you first. You must all be good to-day, and Garibaldi, I don't want you to go running away if I have to leave you with Beppi,"

she continued. "You're nothing but goats, of course, but you know perfectly well that we are at war, and that you are very important, and must do your part. Stop it, Miss, none of your pranks, I'm in a hurry," she chided the refractory Esther for an attempt at playfulness.

"There now, that's enough, I can't carry any more or I would. Two pails only half full aren't much, but they help, I guess. Now if it won't rain until I get there it will be all right, but I'll cover the pails to be on the safer side." She found two covers and fitted them securely over the pails. "Now children, good-by. Be good till I come back, and don't go making any noise."

She paused long enough to give Garibaldi a farewell pat and then left the shed closing the door behind her. She looked up uneasily at the cottage, but everything seemed to be very still, so she picked up her pails and started off at as brisk a pace as possible.

She followed the main road that looked unnaturally white and ghostly in the pale dawn of the early morning. It was down hill for about a mile, and traveling was comparatively easy at first, but when the road reached the bottom of the valley it stopped and seemed to straggle off into numerous little foot-paths. The broadest and most traveled looking path Lucia followed, picking her way carefully for fear of stumbling and thus losing some of the precious milk.

The path led up the other side of the valley. It was a steep climb, and Lucia was tired when she reached the top. She sat down for a while to rest before going on the remainder of the way. The next path that she took turned abruptly to the right, and led up an even steeper hill to a tiny plateau above. From it one could look down on Cellino across the valley. When Lucia reached it she put down her pails in the shade of a big rock and looked about cautiously.

Nothing seemed to stir. The guns were quiet and nothing in the peaceful, secluded little spot suggested the close proximity of battle.

The only human touch in sight was a small sc.r.a.p of paper, held down by a stone on the flat rock above the pails.

Lucia was not surprised, for she had done the same thing every morning for a week now. She unfolded it. As she expected, she found four brightly polished copper pennies and the words, "Thanks to the little milk maid," written in heavy pencil.

Lucia picked up the money and put it into her pocket, then with a pencil that she had brought especially for the purpose she wrote, "You are welcome, my friends; good luck!" below the message, and tucked the paper back under the stone. Then with another curious look around, which discovered nothing, she started back, this time running as fleet and fast as any of her sure-footed little goats.

She reached home before either Nana or Beppino were awake, and hurried to finish her milking. When the scant breakfast was over, she was ready to start for town with her pails.

When she entered the market-place, it was to find a very different scene from the one of the day before. The place was thronged with soldiers, but they were not laughing and jesting; instead, little groups congregated around the stalls and talked excitedly. Some of the old women had covered their faces with their black ap.r.o.ns, and were rocking back and forth on their chairs in an extremity of woe.

There was an unnatural hush, and men and women alike lowered heir voices instinctively as they talked.

Lucia had seen the same thing many times before. She guessed, and rightly too, that a battle was going on, and that news of some disaster had reached the little town. She did not go at once to her aunt's stall, but left her pails inside the big bronze door of the church, and slipped quietly inside. The place was deserted, and the lofty dome was in dark shadow. Long rays of pale yellow light from the morning sun came through the narrow windows and made queer patches on the marble floor. In the dim recesses of the little chapels tiny candles flickered like stars in the dark.

Lucia looked about her to make sure that she was alone, and then walked quickly to one of the chapels and dropped four shining copper pennies into the mite box that stood on a little shelf beside the altar. She stayed only long enough to say a hasty little prayer, and then hurried out again into the sunshine. The clouds of the night before and the mist of the early morning had disappeared, and the market-place was bathed in warm golden sunshine.

Lucia picked up her pails and hurried to her aunt's stall.

"Well, you are late," Maria said. "We thought you had stubbed your toe and spilled all the milk."

"And only two half-full pails again," Senora Rudini grumbled. "But no matter, we can get more from old Paolo. Have you heard the news?" she asked abruptly.

"No," Lucia replied indifferently. "What is it?"

"A big gain by the enemy. They have taken thousands of our men, and they say we may be ordered to leave Cellino at any minute."

"Think of it! They are as near as that!" Maria said excitedly. "Oh if we must move, where can we go to? I am so frightened."

"Nonsense," Lucia spoke shortly. There was an angry gleam in her big eyes and her cheeks flushed a dark red.

"Leave Cellino, indeed! The very idea! Since when must Italians make way for Austrians, I'd like to know?"

"But if the enemy are advancing as they say," Maria protested nervously, "we will either have to leave, or be sh.e.l.led to death by those dreadful guns."

"Or be taken prisoners, and a nice thing that would be," her mother added. "No, if the order to evacuate comes we must go at once. There will be no time to spare. Other towns have been captured, and there is only that between us."

She pointed to the zigzag mountain peaks so short a distance beyond the north gate. As if to give her words weight, a heavy thunder of guns rumbled ominously.

Maria shuddered. "There, that is ever so much nearer. Oh, I am frightened,--something dreadful is happening over there just out of sight."

"Silly! those are our own guns. Ask any of our soldiers," Lucia said.

"Here comes your guard, the handsome Roderigo Vicello, maybe he can tell us. Good morning to you!" she called gayly and beckoned the soldier to come to them.

"I hope you are well this morning," Roderigo said respectfully, bowing to Senora Rudini.

"Oh, we are well, but very frightened," Maria replied, trying hard to imitate her cousin's gaiety.

"Maria thinks that the guns we heard just now are Austrian, and I have been trying to tell her that they are Italian. Which of us is right?

You are a soldier and ought to know."

"Our guns, of course. They have a different sound," Roderigo explained impressively.

He had never been any nearer to the front than he was at this moment, but he spoke with the a.s.surance of an old soldier, partly to quiet Maria's fears, but mostly to still his own nervous forebodings. It would never do to let the little black-eyed Lucia see that he was even a little afraid.

"There, what did I tell you!" Lucia was triumphant. "I knew, but of course you would not believe me. Now perhaps you will tell her that we will not have to run away at a minute's notice, too?"

She turned to Roderigo, but eager as he was to display his importance he could not give the a.s.surance she asked. The little knowledge that he had, made him think that the evacuation was very likely to occur at any day.

He covered his fears, however, by replying vaguely: "One can never be sure. War is war, and perhaps it may be necessary, as well as safer, for you to leave for the time being."

Lucia looked at him narrowly.

"What makes you say that?" she demanded. "Have you heard any of the officers talking?"

"No, but this morning's news is very bad. We have our orders to be ready to start at any moment."

"Oh!" Maria caught her breath sharply, and her eyes filled with tears as she looked at Roderigo shyly.

He saw the tears in surprise, and a contented warmth settled around his heart. He looked half expectantly at Lucia. Surely, if this calm, shy girl of the north would shed a tear for him, she with the warm blood of the south in her veins would weep. But Lucia's eyes were dry, and the only expression he could find in them was envy. He turned away in disgust. He did not admire too much courage in girls, for he was very young and very sentimental, and he enjoyed being cried over.

A bugle sounded from the other end of the street, and in an instant everything was in confusion. The soldiers hurried to answer, and the people crowded about to see what was going to happen.

Lucia, eager and excited, s.n.a.t.c.hed Maria's hand and pulled her into the very center of the crowd. An officer, with the bugler beside him, read an order from the steps of the town hall, an old gray stone building that had stood in silent dignity at the end of the square for many centuries.

The girls were not near enough to hear the order, but they soon found Roderigo in the excited ma.s.s of soldiers, and he explained it to them.

"We are to leave for the front at once," he cried excitedly. "We have not a moment to spare. Tavola has been captured by the enemy, and our troops are retreating through the Pa.s.s."

"The Saints preserve us!" Senora Rudini covered her face with her ap.r.o.n and cried. "My sons! My sons! Where are they, dead or prisoners?"

"No, no, they are safe," Lucia protested. "They are with the Army.

Don't worry, when the reenforcements reach them they will go forward again."

But her aunt refused to be comforted. Everywhere in the street women were calling excitedly, and a number of them besieged the officers for information.