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Love's Lovely Counterfeit Part 16

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Leaving him to watch for cars, she took the flashlight and made the rounds of the little building, presently calling him. Shooting the light under the roof, she pointed to a metal contrivance and asked if he knew what it was. He whistled. "I'll say I do. It's the switch of a burglar alarm, and it's exactly like the one at his beach shack, over by the lake." Reaching up, he threw the switch off. "Now I know we're getting warm."

They went around to the door now, and shot the flash at it. It was of heavy planking, and fastened with a modern lock. She stood thinking, then ran over to the car. When she came back she had a tire iron and the tow line. With the tire iron she had him force up the cheap little window. The tow cable she fastened to the bars inside. "Now when I back up you hook this on the rear axle." In a moment she was in the car, backing it unlighted into the lot, up to the shack. When she stopped he looped the cable around the axle and made it fast with the hook. She started the car. The cable tightened, then began to deliver all the incredible power of a modern automobile. The shack shook and made creaking noises. Then, to Ben's astonishment but evidently not to hers, it teetered for a moment and came crashing over on its side. She jumped out, and then stood watching to see if the noise had attracted somebody's attention. Traffic went by on Memorial as indifferently as it had before. She looked at him, excited, exultant. "I told you. I can go though walls."

Freeing the cable and putting it back in the car, so they could leave in an instant if they had to, they next gave their attention to what the shack had covered. But they no sooner shot the flash into the pile of tools now exposed to the night than she gave a little scream. He patted her arm, said it was nothing but a rat, said scat. scat. Then the hair rose on his neck at what the rat had been carrying. It was a hand. Then he knew that here, some place, was all that was left of Arch Rossi, the boy who simply disappeared. She recovered before he did, and pointed to a ring in the boards. He put his finger into it, lifted, and a trapdoor came up. Under it was a hole, with a ladder leading into it, and concrete on one side. Guiding himself with the torch, he crept down the ladder, looked around. On three sides of the hole was raw earth. But on the fourth side, built into the concrete, was a steel door, and in the middle of it the shiny k.n.o.b of a safe dial. "O.K., come on down." Then the hair rose on his neck at what the rat had been carrying. It was a hand. Then he knew that here, some place, was all that was left of Arch Rossi, the boy who simply disappeared. She recovered before he did, and pointed to a ring in the boards. He put his finger into it, lifted, and a trapdoor came up. Under it was a hole, with a ladder leading into it, and concrete on one side. Guiding himself with the torch, he crept down the ladder, looked around. On three sides of the hole was raw earth. But on the fourth side, built into the concrete, was a steel door, and in the middle of it the shiny k.n.o.b of a safe dial. "O.K., come on down."

"Somebody ought to stand guard."

"I'll need you."



"All right."

She was beside him in a few seconds. He handed her his little red book, after finding a page and turning it down. "Read me those numbers, one at a time, then soon as you read one, shoot the light on the dial."

"R six."

"Right six it is."

"L twenty-two."

"Left twenty-two."

There were six numbers in all, and as she read them he manipulated the dial. After the last spin, there came a faint click and he pulled. The door swung open and he grabbed the flash, shooting it inside. Visible were several large canvas sacks. "Ha, he had the right idea, but they were too fast for him, just like they were for me. O.K. Now I'm going to climb halfway up the ladder and you hand me the sacks. Set the light on the floor, up-ended."

She could drag the sacks out of the vault but she couldn't lift them, and he had to come clear down the ladder, shoulder one, creep up, and buck it out onto the gra.s.s. Even so, it was only a few minutes before they were all out of the hole and in the car. He piled them on the floor of the coupe, so there was hardly room for his legs, and she took the wheel, and they scooted. He slid the clasps, got a sack open. "What is it, Ben?"

"I don't know, looks like bonds."

"They can be sold, can't they?"

"I think so."

He got another sack open, gave a quick, startled cry. "Dorothy! It's money! It's dough! Fives! Packs and packs and packs of them." Packs and packs and packs of them."

"Oh my, let me see."

"Look."

"And tens, Ben-and twenties!"

"Now, thank G.o.d, we got a chance."

"In twenty-four hours, by taking turns driving, we can be in Mexico. We won't get any sleep, but we can do it."

"...Mexico's out."

"We can't stay here."

"We're going to Canada. We're going to Canada, and we're going to join up for the war. Maybe we got to use other names, but we're going to join up. Then, when it's over, we can settle there, or somewhere. We'll have all the dough we need. And if we do get caught and brought back, we still got a chance. If you went in the war, you always got a chance."

"Will they take you?"

"You mean this hernia? That can be fixed. It's a simple operation. It takes ten days."

"Why the war, Ben? The real why, I mean."

"I want to. I want to do something I'm not ashamed of."

"It's not to get rid of me?"

"Didn't you hear me? You're going to join up too. If we work it right, we can get into outfits that'll let us see a lot of each other. Then when we got it lined up, we can get married. Even if it's under phoney names, we'll we'll know it's legal." know it's legal."

"Then I want to, too. Kiss me, Ben."

"...I got to have a smoke."

"Me too. Here's a store. You hop off and get some, three or four packs, and I'll drive around the block."

He went into the drug store, bought four packages of cigarettes, dropped three of them into his overcoat pocket. Then he went outside, clawing the fourth package open with trembling fingers. Then he looked up and saw it happen, a perfect slow movie: her approach to the curb, just a few feet from the drug store; her obvious failure to see the fireplug; the toot of the traffic officer's whistle, and his slow, angry cross to the car; his comments to Dorothy, heated, no doubt, by the peevishness that comes from directing New Year's Eve traffic. For some seconds Ben stood, so close he could hear what the officer said. Then, all of a sudden the officer stopped, stared hard at Dorothy. By that Ben knew he recognized her from the picture in the paper. He started over, with some idea of getting close, of using some football trick, of disabling the officer somehow, so they could make their getaway with all the money in the world.

When the officer looked up he recognized him, too, and drew his gun. Ben opened his mouth to tell him to go easy with it, but he probably didn't picture to himself the size of his shoulders, the ominous resolution of his approach. The officer fired, and he felt a terrifying impact.

Chapter 12.

For the second consecutive day, Ben stared at Mr. Cantrell with calm, baleful malevolence, and insulted him. Less bitterly, he insulted Mr. Bleeker, the prosecutor, who sat across from Dr. Ronde, the young intern, and Miss Houston, the rather pretty nurse. Mr. Bleeker let Mr. Cantrell do the talking this time, advisedly, perhaps, because he had let his temper run away with him yesterday, and made things difficult. Mr. Cantrell began with the statement that they had news today. The girl, Dorothy Lyons, had practically confessed, and her gun had been found. Also, evidence had been found in the bathroom of her sister's apartment, quite a few things of interest. Also, the sacks of money had furnished a motive. To all this, Ben replied that Mr. Cantrell was a dirty liar; that both he and Mr. Bleeker were a pair of heels to boot, as they had been on his payroll, and now they had turned on him. To this, Mr. Cantrell returned a grin and the a.s.surance that Ben didn't mean it. And just as a friend, he added that he wished Ben would make a clean breast of the whole thing, agree to a plea, and then be left in peace to regain his strength. For his own part, he wouldn't be surprised if Ben would be let off with a suspended sentence, especially in view of what the girl had to say.

To this, Ben replied that he wouldn't be surprised that Mr. Cantrell had had something to do with the death of Arch Rossi, and that he had better look out, now that the body had been found. Dr. Ronde protested against the whole proceeding, saying that every minute it lasted was just that much more drain on the patient's vitality, and declining to be responsible for what might happen if it kept up.

When they were gone, Ben lay back wearily on the pillow and said to the uniformed patrolman who sat in the corner reading magazines: "Why can't they let you alone? When they see you're not going to talk, what's the idea of coming in here and just hammering at you."

"Oh, you'll talk."

"I don't think you know me."

"I don't think you know what you got."

"What did you say?"

"Peritonitis, Grace. Oh, they sewed up all those holes in your intestines, and it don't hurt any, we all know that. I got shot once, myself. But that's just the start of it. After that comes the peritonitis, and then your temp goes up. It's 101 now, see? It'll go to 104, and maybe 105. O.K., the higher it goes the more you can't keep your mouth shut. You get wacky enough, you'll spill it, and the police department stenographer, he's right outside."

"I get it now."

"She killed him, didn't she?"

"I got nothing to say."

"O.K.".

The nurse brought an ice pack, and around noon Lefty came in. Ben motioned him over, and they went into a long, whispered consultation, while the officer read his magazine. Lefty departed, and the nurse brought more ice.

The long afternoon wore on, with Ben fighting his tongue, trying to make it shut up. Presently he asked: "What time is it?"

"Four-thirty-five."

"O.K., I'm ready to talk."

"What?"

"Didn't you hear me?"

"O.K. I'll get the stenographer."

"Hey, wait a minute, not so fast. The pothook guy, he's all right, but I'm not telling it here. I got my own ideas on it."

"What do you mean, you're not telling it here?"

"I'm telling it at Caspar's shack."

"What shack?"

"His shack by the lake, stupid."

"Why?"

"Because there's where it happened."

"Hey, what is this?"

"I tell you I'm ready to talk, and I demand to be taken out where the crime was committed so I can show you and not waste any more juice than I have to. You heard what the doctor said. If I keep this up I'm going to die. You got to take me out to that shack. You got to have this girl there, Dorothy Lyons, and I want her sister there, and my lawyer, Yates. And I want Lefty there. You don't have to do anything about him. He's coming here and riding out with me. He's bringing some stuff I'll want to show you."

This strange harangue brought Cantrell over a half hour later, more than skeptical. He was quite sure, he said, that the crime had been committed in the sister's apartment. Then why this nonsense about going to the shack? "It's O.K. by me if we don't go there, Joe. You want me to talk and I'm willing, on my own terms. Well, nuts, if you don't think we were there go have a look at the cigarettes we were smoking while we sat around waiting. And our candle, stuck to the floor."

At this allusion to the visits Ben and June had paid to the shack, away back in the spring, Mr. Cantrell's eyes narrowed, and for a moment Ben feared the police had already been there, and noted the cigarettes. However, Mr. Cantrell, if not convinced, at least was sure that something was brewing, probably worth the trip.

"O.K., Ben."

"They've got to be there. All of them."

"No trouble about it. Take it easy."

"Lefty's coming here."

"We'll take him."

It was thought advisable to wait until after dinner though, and it was nearly eight o'clock when a strange company began to gather at the snow-powdered beach shack of the late Mr. Caspar. First came Mr. Cantrell, who put the lights on, and with his uniformed department chauffeur, began poking around with some interest. Then came Mr. Bleeker, shivering and asking if they couldn't have a little heat. Mr. Cantrell shook his head. Heat would be pleasant, but some of the evidence promised by Grace had already been found in the fireplace, and as there was no way of knowing what was coming, the case could not be jeopardized by starting a fire that might burn important items up. So far, he said, blowing on his hands with his steaming breath, it looked as though there were angles no uncovered yet. Possibly, he conjectured there was some connection between what went on here at the shack and what went on in the vault.

Mrs. Caspar arrived, in deep mourning, with a woman companion. Mr. Cantrell received her courteously, apologized for the cold, but said it could not be helped. Dorothy and June arrived, with police matrons. There was a wait, while everybody shivered, and then the ambulance siren was heard outside. Ben, on a stretcher, was carried in by two orderlies, with Dr. Ronde and Mr. Yates, and Lefty following along behind. "Where you want him, Doc?"

"Right here on the sofa, I think."

"Easy with him."

"Lay the stretcher right on it. Keep him covered!"

During this operation Ben stared at the orderlies, nodded when Mr. Cantrell asked if he was comfortable. Mr. Cantrell then launched into a speech. He said that Ben had put everybody to a lot of trouble, and he hoped he would make it as short and simple as he could, as it was cold, and they were all anxious to get some place where it was more comfortable. Was he ready? Ben, speaking clearly, said he was, and Mr. Cantrell motioned the various police functionaries who were stationed near the door to step forward. The stenographers sat down, put their notebooks on their knees. The guards stood against the wall. "O.K.," said Mr. Cantrell.

Ben closed his eyes, and one finger appeared from under the covers. It almost looked like some sort of weak, delirious signal.

"Do you, Ben, take this woman, Dorothy, to be thy wedded wife, to love and cherish, for better or worse?"

There was a stir, and n.o.body looked into the shadows more astonished than Dorothy, as she tried to see where the voice was coming from. Yet as soon as Ben said "I do" it resumed: "Do you Dorothy, take this man, Ben, to be thy wedded husband, to love and cherish, for better or for worse?"

Quick comprehension lighted her face, then, and she replied, "I do," quickly, breathlessly.

The voice went on: "I p.r.o.nounce you-" "I p.r.o.nounce you-"

Mr. Cantrell leaped and caught Lefty behind the ear with a right hook that sent him to the floor. Lefty jumped up, and for one second was the killer who had served time in more prisons than he could quite remember. Then he backed away from Mr. Cantrell, who had already drawn a gun. "Oh, no, you don't, Joe. You don't shoot me, because I haven't signed that marriage certificate yet. And when I sign it, it's legal, boy. I got a preacher's license, and the marriage license was issued in the Quartz Courthouse at four-thirty this afternoon, one minute before they closed. It's a county license, and we're in the county. That's why we came out here...I p.r.o.nounce them man and wife, Joe."

Looking up at Mr. Cantrell, his cheeks red, his eyes bright, Ben said, "Now try to make me talk against her, you rat."

"And try to make me me talk." talk."

Dorothy went over, knelt down, and put her arms around Ben. Almost at once she looked at him sharply. "My, but your face is hot."

Dr. Ronde, who had been stalking disapprovingly in the shadows, turned quickly, came over. He put his hand under the covers, felt Ben's abdomen. Then he barked a command at his orderlies.

An hour and half later, patrolmen with red flashlights stood in the bushes, waving at a coroner, who drove a sedan, and an undertaker, who drove a light truck. At one side stood two women. One of them, small and dark, sobbed jerkily. The other stared unhearing into the night. For once her eyes did not dance, and for once she attained a great sombre beauty.

The End

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Love's Lovely Counterfeit Part 16 summary

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