Louis XIV and La Grande Mademoiselle Part 6

Was this the moment in which to expose the country to new shocks?

Louis XIV. had remained convinced[49] to the contrary, avowing, however, that he had much to criticise in the fashions of Mazarin,

a minister [pursued he] re-established in spite of so many factions, very able, very adroit, who loved me and whom I loved, and who had rendered me great services, but whose thoughts and manners were naturally very different from mine, and whom I could not always contradict nor discredit without anew exciting, by that image, however erroneous, of disgrace, the same tempests which had been so difficult to calm.

The King had also to take into consideration his own extreme youth, and his ignorance of affairs. He relates in regard to this point his ardent desire for glory, his fear of beginning ill, "for one can never retrieve one's self"; his attention to the course of events "in secret and without a confidant"; his joy when he discovered that people both able and consummate shared his fashion of thinking.

Considering everything, had there ever been a being urged forward and r.e.t.a.r.ded so equally, in his design to take upon himself "the guidance of the state"?

This curious page has no other defect than that of having been dictated by a man matured, in whose thoughts things have taken a clearness not existing in the mind of the youth, and who believes himself to recollect "determinations" when there existed in reality only "desires."

Louis XIV. would be unpardonable if full credit were given to his _Memoires_. Why, if he saw so clearly, did he grumble at any kind of work? When Louis was sixteen, Mazarin had arranged with him some days in which he might be present at a council. The King was bored and retired to talk of the next ballet and to play the guitar with his intimates.

Mazarin was obliged to scold him to force him to return and remain at the council.

With a capacity for trifling, he cared for nothing serious, and there was much laziness contained in his resolution to leave all to his minister. The Court had formed its own opinion: it considered the young King incapable of application. It was also said that he lacked intelligence, and in this belief there was no error. Louis himself alluded to this and said with simplicity, "I am very stupid."

The libertine youth who surrounded him, and whom his solemn air restrained, did not conceal the fact that they found him a great bore, as probably did also Madame de Maintenon a half-century later. The Guiche and the Vardes believed him doomed to insignificance and did not trouble themselves much about him. The city was less convinced that he was a cipher, perhaps because otherwise it could not so easily have taken his part. Paris was commencing to fear those princes with whom, for one reason or another, first ministers were necessary, and the Parisian bourgeoisie was on the watch for some proof of intelligence in the young monarch. "It is said that the mind of the King is awakening,"

wrote Guy Patin in 1654; "G.o.d be thanked!"

This first light not having an apparent development, Paris, whilst waiting for something better, admired the looks of the sovereign. "I have to-day seen the King on his way to the chase," again wrote Guy Patin four years later. "A fine Prince, strong and healthy; he is tall and graceful; it is a pity that he does not better understand his duties."[50] His serious air was also lauded, his dislike to debauchery in any form, and the modesty which made him bravely reply before the entire Court, to a question about a new play: "I never judge a subject about which I know nothing."[51]

This was not the response of a fool.

In fine, as he was very cold, very capable of dissimulation, as he spoke little, through calculation as much as through instinct, and generally confined his conversation to trifles, this youth upon whom all France had its eyes fixed remained an unknown quant.i.ty to his subjects.

In September, 1657, two strangers crossing the Pont Neuf found themselves in the midst of a pressure of people. The crowd precipitated itself with cries of joy towards a carriage whose livery had been recognised.

It was the Grande Mademoiselle returning from exile, and coming to take possession of the palace of the Luxembourg, in which her father permitted her to lodge, feeling certain that he himself should never return to it. The two strangers noted in their _Journal de Voyage_[52]

that the Parisians bore a "particular affection" for this Princess, because she had behaved like a "true amazon" during the civil war.

The Court had resigned itself to the inevitable. Mademoiselle had remained popular in Paris, and her exploits during the Fronde and her fine bearing at the head of her regiment were remembered with enthusiasm. She only pa.s.sed through the city at this time, having affairs to regulate in the Provinces. Upon her definite return on December 31st, the Court and the city crowded to see her. The Luxembourg overflowed during several days, after which, when society had convinced itself that Mademoiselle had no longer a face "fresh as a fully blown rose,"[53] its curiosity was satisfied and it occupied itself with something else.

[Ill.u.s.tration: =LOUIS XIV. AS A YOUNG MAN= From a chalk drawing in the British Museum Print Room]

Mademoiselle herself had much to do. The idea of marrying the little Monsieur had not left her mind since the meeting at Sedan. She was a.s.sured that the Prince was dying of desire for her, and Mademoiselle navely responded that she very well perceived this. "This does not displease me," adds she; "a young Prince, handsome, well-made, brother of the King, appears a good match."

In expectation of the betrothal, she stopped her pursuits of the happy interval at Saint-Fargeau in which she had loved intellectual pleasures, in order to make herself the comrade of a child only absorbed in pastimes belonging to his age, and pa.s.sed the winter in dancing, in masquerading, in rushing through the promenades and the booths of the fair of Saint-Germain.[54]

The public remarked that the little Monsieur appeared "not very gay"

with his tall cousin, and troubled himself but little to entertain her,[55] and that he would have preferred other companions better suited to his seventeen years.

Mademoiselle did not perceive this. Philip, Duke of Anjou, had a face of insipid beauty posed upon a little round body. He did not lack _esprit_, had not an evil disposition, and would have made an amiable prince if reasons of state had not tended to reduce him to the condition of a marionette.

His mother and Mazarin had brought him up as a girl, for fear of his later troubling his elder brother, and this education had only too well succeeded. By means of sending him to play with the future Abbe de Choisy, who put on a robe and patches to receive him; by means of having him dressed and barbered by the Queen's maids of honour and putting him in petticoats and occupying him with dolls, he had been made an ambiguous being, a species of defective girl having only the weaknesses of his own s.e.x. Monsieur had a new coat every day and it worried him to spot it, and to be seen with his hair undressed or in profile when he believed himself handsomer in full face. Paris possessed no greater gossip; he babbled, he meddled, he embroiled people by repeating everything, and this amused him.

Mademoiselle considered it her duty to "preach" to him of "n.o.ble deeds,"

but she wasted her time. He was laziness and weakness itself. The two cousins were ill-adapted to each other in every way.

When they entered a salon together, Monsieur short and full, attired in the costume of a hunter, his garments sewed from head to foot with precious stones, Mademoiselle a little masculine of figure and manner and negligent in her dress, they were a singular couple. Those who did not know them opened their eyes wide, and they were often seen together in the winter at least, for the society was at this date most mixed, even in the most elite circles.

From Epiphany to Ash-Wednesday, the Parisians had no greater pleasure than to promenade masked at night, and to enter without invitation into any house where an entertainment was taking place. Louis XIV. gladly joined in these gaieties. Upon one evening of Mardi-Gras, when he was thus running the streets with Mademoiselle, they met Monsieur dressed as a girl with blond hair.[56] Keepers of inns sent their guests to profit by this chance of free entry. A young Dutchman related that he went the same night "with those of his inn" to five great b.a.l.l.s, the first at the house of Mme. de Villeroy, the last with the d.u.c.h.ess of Valentinois, and that he had seen at each place more than two hundred masks.[57]

The crowd would not permit that entrance should be refused on any pretext.

The same Dutchman reports with a note of bitterness that on another evening it had been impossible to penetrate into the house of the Marechal de l'Hopital, because the King being there, measures had been taken to avoid too great a crowd. Custom obliged every one to submit to receiving society, choice or not. At a grand fete given by the Duc de Lesdiguieres, which in the bottom of his heart he was offering to Mme.

de Sevigne, "The King had hardly departed when the crowd commenced to scuffle and to pillage every thing, until, as it was stated, it became necessary to replace the candles of the chandeliers four or five times and this single article cost M. de Lesdiguieres more than a hundred pistoles."[58]

Such domestic manners had the encouragement of the King, who also left his doors open upon the evenings on which he danced a ballet. He did better still. He went officially to sup "with the Sieur de la Baziniere," ancient lackey become financier and millionaire, and having the bearing, the manners, and the ribbon cascades of the Marquis de Mascarille. He desired that Mademoiselle should invite to the Luxembourg, Mme. de l'Hopital, ancient laundress married twice for her beautiful eyes; the first time by a _partisan_, the second by a Marshal of France. These lessons were not lost upon the n.o.bility. Mesalliances were no more discredited, even the lowest, the most shameful, provided that the dot was sufficient. A Duke and Peer had married the daughter of an old charioteer. The Marechal d'Estrees was the son-in-law of a _partisan_ known under the name of Morin the Jew. Many others could be cited, for the tendency increased from year to year.

In 1665, the King having entered Parliament,[59] in order to confirm an edict, a group of men amongst whom was Olivier d'Ormesson were regarding the Tribune in which were seated the ladies of the Court. Some one thought of counting how many of these were daughters of parvenues or of business men; he found three out of six. Two others were nieces of Mazarin, married to French n.o.bles.[60] The single one of aristocratic descent was Mlle. d'Alencon, a half-sister of the Grande Mademoiselle.

One could hardly have antic.i.p.ated such figures, even allowing for chance.

The King, however, approved of this state of affairs and the n.o.bility was ruined; every one seized on what support he could. The general course of affairs was favourable to this confusion of rank. From the triumphal re-entry of Mazarin in 1653, until his death in 1661, a kind of universal freedom continued at the Court which surprised the ancient Frondeurs on their return from exile. The young monarch himself encouraged familiarities and lack of etiquette.

It was the nieces of the Cardinal who were largely responsible for these changes in manners and who gained their own profit through the additional freedom, since Marie, the third of the Mancini, was soon to almost touch the crown with the tip of her finger. Mademoiselle had some trouble in accustoming herself to the new manners towards the King.

For me [says she], brought up to have great respect, this is most astonishing, and I have remained long time without habituating myself to this new freedom. But when I saw how others acted, when the Queen told me one day that the King hated ceremony, then I yielded; for without this high authority the faults of manner could not be possible with others.

The pompous Louis XIV. wearing the great wig of the portraits did not yet exist, and the Louvre of 1658 but little resembled the particular and formal Versailles of the time of Saint-Simon.[61]

The licence extended to morals. Numbers of women of rank behaved badly, some incurred the suspicion of venality, and no faults were novelties; but vice keeps low company and it was this result which proud people like Mademoiselle could not suffer.

When it was related to her that the d.u.c.h.esse de Chatillon, daughter of Montmorency-Boutteville, had received money from the Abbe Foucquet[62]

and wiped out the debt by permitting such lackey-like jokes as breaking her mirrors with blows of the foot, she was revolted. "It is a strange thing," wrote she, "this difference of time; who would have said to the Admiral Coligny, 'The wife of your grandson will be maltreated by the Abbe Foucquet'?--he would not have believed it, and there was no mention at all of this name of Foucquet in his time."

In the mind of Mademoiselle, who had lived through so many periods, it was the low birth of the Abbe which would have affected the Admiral.

"Whatever may be said," added she, "I can never believe that persons of quality abandon themselves to the point which their slanderers say. For even if they did not consider their own safety, worldly honour is in my opinion so beautiful a thing that I do not comprehend how any one can despise it."

Mademoiselle did not transgress upon the respect due to the hierarchy of rank; for the rest, she contented herself with what are called the morals of respectable people, which have always been sufficiently lenient. She understood, however, all the difference between this morality and Christian principles.

The _Provinciales_ (1656) had made it clear to the blindest that it was necessary to choose between the two. Mademoiselle had under this influence made a visit to Port Royal des Champs[63] and had been entirely won by these "admirable people" who lived like saints and who spoke and wrote "the finest eloquence," while the Jesuits would have done better to remain silent, "having nothing good to say and saying it very badly," "for a.s.suredly there were never fewer preachers amongst them than at present nor fewer good writers, as appears by their letters. This is why for all sorts of reasons they would have done better not to write."

Seeing Mademoiselle so favourably impressed, one of the Monsieurs of Port Royal, Arnauld d'Andilly, said upon her departure, "You are going to the Court; you can give to the Queen account of what you have seen."--"I a.s.sure you that I will willingly do this."

Knowing her disposition, there is but little doubt that she kept her word; but this was all. The worthy Mademoiselle, incapable of anything low or base, did not dream for a second of allowing the austere morality, ill fitted for the needs of a court, to intervene in influencing her judgments upon others, or in the choice of her friends.

She blamed the d.u.c.h.esse de Chatillon for reasons with which virtue, properly named, had nothing to do. We see her soon after meeting Mme. de Montespan, because common morality has nothing to blame in a King's mistress.

Mme. de Sevigne agreed with Mademoiselle and they were not alone. This att.i.tude gave a kind of revenge to the Jesuits.

Tastes became as common as sentiments; those of the King were not yet formed, and the pleasure taken in the ballet in the theatre of the Louvre injured the taste for what was, in fact, no longer tragedy.

Corneille had given up writing for the first time in 1652, after the failure of his _Pertharite_. The following year, Quinault made his debut and pleased. He taught in his tragi-comedies, flowery and tender, that "Love makes everything permissible," which had been said by Honore d'Urfe in _l'Astree_, a half-century previous, and he retied, without difficulty, after the Corneillian parenthesis, the thread of a doctrine which has been transmitted without interruption to our own days.

Love justifies everything, for the right of pa.s.sion is sacred, nothing subsists before it.

Dans l'empire amoureux, Le devoir n'a point de puissance.

L'eclat de beaux yeux adoucit bien un crime; Au regard des amants tout parait legitime.[64]