Little Women Part 24

"No, but I read all her pieces, and I know a fellow who works in the office where this paper is printed."

"Do you say she makes a good living out of stories like this?" and Jo looked more respectfully at the agitated group and thickly sprinkled exclamation points that adorned the page.

"Guess she does! She knows just what folks like, and gets paid well for writing it."

Here the lecture began, but Jo heard very little of it, for while Professor Sands was prosing away about Belzoni, Cheops, scarabei, and hieroglyphics, she was covertly taking down the address of the paper, and boldly resolving to try for the hundred-dollar prize offered in its columns for a sensational story. By the time the lecture ended and the audience awoke, she had built up a splendid fortune for herself (not the first founded on paper), and was already deep in the concoction of her story, being unable to decide whether the duel should come before the elopement or after the murder.

She said nothing of her plan at home, but fell to work next day, much to the disquiet of her mother, who always looked a little anxious when 'genius took to burning'. Jo had never tried this style before, contenting herself with very mild romances for The Spread Eagle. Her experience and miscellaneous reading were of service now, for they gave her some idea of dramatic effect, and supplied plot, language, and costumes. Her story was as full of desperation and despair as her limited acquaintance with those uncomfortable emotions enabled her to make it, and having located it in Lisbon, she wound up with an earthquake, as a striking and appropriate denouement. The ma.n.u.script was privately dispatched, accompanied by a note, modestly saying that if the tale didn't get the prize, which the writer hardly dared expect, she would be very glad to receive any sum it might be considered worth.

Six weeks is a long time to wait, and a still longer time for a girl to keep a secret, but Jo did both, and was just beginning to give up all hope of ever seeing her ma.n.u.script again, when a letter arrived which almost took her breath away, for on opening it, a check for a hundred dollars fell into her lap. For a minute she stared at it as if it had been a snake, then she read her letter and began to cry. If the amiable gentleman who wrote that kindly note could have known what intense happiness he was giving a fellow creature, I think he would devote his leisure hours, if he has any, to that amus.e.m.e.nt, for Jo valued the letter more than the money, because it was encouraging, and after years of effort it was so pleasant to find that she had learned to do something, though it was only to write a sensation story.

A prouder young woman was seldom seen than she, when, having composed herself, she electrified the family by appearing before them with the letter in one hand, the check in the other, announcing that she had won the prize. Of course there was a great jubilee, and when the story came everyone read and praised it, though after her father had told her that the language was good, the romance fresh and hearty, and the tragedy quite thrilling, he shook his head, and said in his unworldly way...

"You can do better than this, Jo. Aim at the highest, and never mind the money."

"I think the money is the best part of it. What will you do with such a fortune?" asked Amy, regarding the magic slip of paper with a reverential eye.

"Send Beth and Mother to the seaside for a month or two," answered Jo promptly.

To the seaside they went, after much discussion, and though Beth didn't come home as plump and rosy as could be desired, she was much better, while Mrs. March declared she felt ten years younger. So Jo was satisfied with the investment of her prize money, and fell to work with a cheery spirit, bent on earning more of those delightful checks. She did earn several that year, and began to feel herself a power in the house, for by the magic of a pen, her 'rubbish' turned into comforts for them all. The Duke's Daughter paid the butcher's bill, A Phantom Hand put down a new carpet, and the Curse of the Coventrys proved the blessing of the Marches in the way of groceries and gowns.

Wealth is certainly a most desirable thing, but poverty has its sunny side, and one of the sweet uses of adversity is the genuine satisfaction which comes from hearty work of head or hand, and to the inspiration of necessity, we owe half the wise, beautiful, and useful blessings of the world. Jo enjoyed a taste of this satisfaction, and ceased to envy richer girls, taking great comfort in the knowledge that she could supply her own wants, and need ask no one for a penny.

Little notice was taken of her stories, but they found a market, and encouraged by this fact, she resolved to make a bold stroke for fame and fortune. Having copied her novel for the fourth time, read it to all her confidential friends, and submitted it with fear and trembling to three publishers, she at last disposed of it, on condition that she would cut it down one third, and omit all the parts which she particularly admired.

"Now I must either bundle it back in to my tin kitchen to mold, pay for printing it myself, or chop it up to suit purchasers and get what I can for it. Fame is a very good thing to have in the house, but cash is more convenient, so I wish to take the sense of the meeting on this important subject," said Jo, calling a family council.

"Don't spoil your book, my girl, for there is more in it than you know, and the idea is well worked out. Let it wait and ripen," was her father's advice, and he practiced what he preached, having waited patiently thirty years for fruit of his own to ripen, and being in no haste to gather it even now when it was sweet and mellow.

"It seems to me that Jo will profit more by taking the trial than by waiting," said Mrs. March. "Criticism is the best test of such work, for it will show her both unsuspected merits and faults, and help her to do better next time. We are too partial, but the praise and blame of outsiders will prove useful, even if she gets but little money."

"Yes," said Jo, knitting her brows, "that's just it. I've been fussing over the thing so long, I really don't know whether it's good, bad, or indifferent. It will be a great help to have cool, impartial persons take a look at it, and tell me what they think of it."

"I wouldn't leave a word out of it. You'll spoil it if you do, for the interest of the story is more in the minds than in the actions of the people, and it will be all a muddle if you don't explain as you go on," said Meg, who firmly believed that this book was the most remarkable novel ever written.

"But Mr. Allen says, 'Leave out the explanations, make it brief and dramatic, and let the characters tell the story'," interrupted Jo, turning to the publisher's note.

"Do as he tells you. He knows what will sell, and we don't. Make a good, popular book, and get as much money as you can. By-and-by, when you've got a name, you can afford to digress, and have philosophical and metaphysical people in your novels," said Amy, who took a strictly practical view of the subject.

"Well," said Jo, laughing, "if my people are 'philosophical and metaphysical', it isn't my fault, for I know nothing about such things, except what I hear father say, sometimes. If I've got some of his wise ideas jumbled up with my romance, so much the better for me. Now, Beth, what do you say?"

"I should so like to see it printed soon," was all Beth said, and smiled in saying it. But there was an unconscious emphasis on the last word, and a wistful look in the eyes that never lost their childlike candor, which chilled Jo's heart for a minute with a forboding fear, and decided her to make her little venture 'soon'.

So, with Spartan firmness, the young auth.o.r.ess laid her first-born on her table, and chopped it up as ruthlessly as any ogre. In the hope of pleasing everyone, she took everyone's advice, and like the old man and his donkey in the fable suited n.o.body.

Her father liked the metaphysical streak which had unconsciously got into it, so that was allowed to remain though she had her doubts about it. Her mother thought that there was a trifle too much description. Out, therefore it came, and with it many necessary links in the story. Meg admired the tragedy, so Jo piled up the agony to suit her, while Amy objected to the fun, and, with the best intentions in life, Jo quenched the spritly scenes which relieved the somber character of the story. Then, to complicate the ruin, she cut it down one third, and confidingly sent the poor little romance, like a picked robin, out into the big, busy world to try its fate.

Well, it was printed, and she got three hundred dollars for it, likewise plenty of praise and blame, both so much greater than she expected that she was thrown into a state of bewilderment from which it took her some time to recover.

"You said, Mother, that criticism would help me. But how can it, when it's so contradictory that I don't know whether I've written a promising book or broken all the ten commandments?" cried poor Jo, turning over a heap of notices, the perusal of which filled her with pride and joy one minute, wrath and dismay the next. "This man says, 'An exquisite book, full of truth, beauty, and earnestness.' 'All is sweet, pure, and healthy.'" continued the perplexed auth.o.r.ess. "The next, 'The theory of the book is bad, full of morbid fancies, spiritualistic ideas, and unnatural characters.' Now, as I had no theory of any kind, don't believe in Spiritualism, and copied my characters from life, I don't see how this critic can be right. Another says, 'It's one of the best American novels which has appeared for years.' (I know better than that), and the next a.s.serts that 'Though it is original, and written with great force and feeling, it is a dangerous book.' 'Tisn't! Some make fun of it, some overpraise, and nearly all insist that I had a deep theory to expound, when I only wrote it for the pleasure and the money. I wish I'd printed the whole or not at all, for I do hate to be so misjudged."

Her family and friends administered comfort and commendation liberally. Yet it was a hard time for sensitive, high-spirited Jo, who meant so well and had apparently done so ill. But it did her good, for those whose opinion had real value gave her the criticism which is an author's best education, and when the first soreness was over, she could laugh at her poor little book, yet believe in it still, and feel herself the wiser and stronger for the buffeting she had received.

"Not being a genius, like Keats, it won't kill me," she said stoutly, "and I've got the joke on my side, after all, for the parts that were taken straight out of real life are denounced as impossible and absurd, and the scenes that I made up out of my own silly head are p.r.o.nounced 'charmingly natural, tender, and true'. So I'll comfort myself with that, and when I'm ready, I'll up again and take another."

CHAPTER TWENTY-EIGHT.

DOMESTIC EXPERIENCES.

Like most other young matrons, Meg began her married life with the determination to be a model housekeeper. John should find home a paradise, he should always see a smiling face, should fare sumptuously every day, and never know the loss of a b.u.t.ton. She brought so much love, energy, and cheerfulness to the work that she could not but succeed, in spite of some obstacles. Her paradise was not a tranquil one, for the little woman fussed, was over-anxious to please, and bustled about like a true Martha, c.u.mbered with many cares. She was too tired, sometimes, even to smile, John grew dyspeptic after a course of dainty dishes and ungratefully demanded plain fare. As for b.u.t.tons, she soon learned to wonder where they went, to shake her head over the carelessness of men, and to threaten to make him sew them on himself, and see if his work would stand impatient and clumsy fingers any better than hers.

They were very happy, even after they discovered that they couldn't live on love alone. John did not find Meg's beauty diminished, though she beamed at him from behind the familiar coffee pot. Nor did Meg miss any of the romance from the daily parting, when her husband followed up his kiss with the tender inquiry, "Shall I send some veal or mutton for dinner, darling?" The little house ceased to be a glorified bower, but it became a home, and the young couple soon felt that it was a change for the better. At first they played keep-house, and frolicked over it like children. Then John took steadily to business, feeling the cares of the head of a family upon his shoulders, and Meg laid by her cambric wrappers, put on a big ap.r.o.n, and fell to work, as before said, with more energy than discretion.

While the cooking mania lasted she went through Mrs. Cornelius's Receipt Book as if it were a mathematical exercise, working out the problems with patience and care. Sometimes her family were invited in to help eat up a too bounteous feast of successes, or Lotty would be privately dispatched with a batch of failures, which were to be concealed from all eyes in the convenient stomachs of the little Hummels. An evening with John over the account books usually produced a temporary lull in the culinary enthusiasm, and a frugal fit would ensue, during which the poor man was put through a course of bread pudding, hash, and warmed-over coffee, which tried his soul, although he bore it with praiseworthy fort.i.tude. Before the golden mean was found, however, Meg added to her domestic possessions what young couples seldom get on long without, a family jar.

Fired a with housewifely wish to see her storeroom stocked with homemade preserves, she undertook to put up her own currant jelly. John was requested to order home a dozen or so of little pots and an extra quant.i.ty of sugar, for their own currants were ripe and were to be attended to at once. As John firmly believed that 'my wife' was equal to anything, and took a natural pride in her skill, he resolved that she should be gratified, and their only crop of fruit laid by in a most pleasing form for winter use. Home came four dozen delightful little pots, half a barrel of sugar, and a small boy to pick the currants for her. With her pretty hair tucked into a little cap, arms bared to the elbow, and a checked ap.r.o.n which had a coquettish look in spite of the bib, the young housewife fell to work, feeling no doubts about her success, for hadn't she seen Hannah do it hundreds of times? The array of pots rather amazed her at first, but John was so fond of jelly, and the nice little jars would look so well on the top shelf, that Meg resolved to fill them all, and spent a long day picking, boiling, straining, and fussing over her jelly. She did her best, she asked advice of Mrs. Cornelius, she racked her brain to remember what Hannah did that she left undone, she reboiled, resugared, and restrained, but that dreadful stuff wouldn't 'jell'.

She longed to run home, bib and all, and ask Mother to lend her a hand, but John and she had agreed that they would never annoy anyone with their private worries, experiments, or quarrels. They had laughed over that last word as if the idea it suggested was a most preposterous one, but they had held to their resolve, and whenever they could get on without help they did so, and no one interfered, for Mrs. March had advised the plan. So Meg wrestled alone with the refractory sweetmeats all that hot summer day, and at five o'clock sat down in her topsy-turvey kitchen, wrung her bedaubed hands, lifted up her voice and wept.

Now, in the first flush of the new life, she had often said, "My husband shall always feel free to bring a friend home whenever he likes. I shall always be prepared. There shall be no flurry, no scolding, no discomfort, but a neat house, a cheerful wife, and a good dinner. John, dear, never stop to ask my leave, invite whom you please, and be sure of a welcome from me."

How charming that was, to be sure! John quite glowed with pride to hear her say it, and felt what a blessed thing it was to have a superior wife. But, although they had had company from time to time, it never happened to be unexpected, and Meg had never had an opportunity to distinguish herself till now. It always happens so in this vale of tears, there is an inevitability about such things which we can only wonder at, deplore, and bear as we best can.

If John had not forgotten all about the jelly, it really would have been unpardonable in him to choose that day, of all the days in the year, to bring a friend home to dinner unexpectedly. Congratulating himself that a handsome repast had been ordered that morning, feeling sure that it would be ready to the minute, and indulging in pleasant antic.i.p.ations of the charming effect it would produce, when his pretty wife came running out to meet him, he escorted his friend to his mansion, with the irrepressible satisfaction of a young host and husband.

It is a world of disappointments, as John discovered when he reached the Dovecote. The front door usually stood hospitably open. Now it was not only shut, but locked, and yesterday's mud still adorned the steps. The parlor windows were closed and curtained, no picture of the pretty wife sewing on the piazza, in white, with a distracting little bow in her hair, or a bright-eyed hostess, smiling a shy welcome as she greeted her guest. Nothing of the sort, for not a soul appeared but a sanginary-looking boy asleep under the current bushes.

"I'm afraid something has happened. Step into the garden, Scott, while I look up Mrs. Brooke," said John, alarmed at the silence and solitude.

Round the house he hurried, led by a pungent smell of burned sugar, and Mr. Scott strolled after him, with a queer look on his face. He paused discreetly at a distance when Brooke disappeared, but he could both see and hear, and being a bachelor, enjoyed the prospect mightily.

In the kitchen reigned confusion and despair. One edition of jelly was trickled from pot to pot, another lay upon the floor, and a third was burning gaily on the stove. Lotty, with Teutonic phlegm, was calmly eating bread and currant wine, for the jelly was still in a hopelessly liquid state, while Mrs. Brooke, with her ap.r.o.n over her head, sat sobbing dismally.

"My dearest girl, what is the matter?" cried John, rushing in, with awful visions of scalded hands, sudden news of affliction, and secret consternation at the thought of the guest in the garden.

"Oh, John, I am so tired and hot and cross and worried! I've been at it till I'm all worn out. Do come and help me or I shall die!" and the exhausted housewife cast herself upon his breast, giving him a sweet welcome in every sense of the word, for her pinafore had been baptized at the same time as the floor.

"What worries you dear? Has anything dreadful happened?" asked the anxious John, tenderly kissing the crown of the little cap, which was all askew.

"Yes," sobbed Meg despairingly.

"Tell me quick, then. Don't cry. I can bear anything better than that. Out with it, love."

"The... The jelly won't jell and I don't know what to do!"

John Brooke laughed then as he never dared to laugh afterward, and the derisive Scott smiled involuntarily as he heard the hearty peal, which put the finishing stroke to poor Meg's woe.

"Is that all? Fling it out of the window, and don't bother any more about it. I'll buy you quarts if you want it, but for heaven's sake don't have hysterics, for I've brought Jack Scott home to dinner, and..."

John got no further, for Meg cast him off, and clasped her hands with a tragic gesture as she fell into a chair, exclaiming in a tone of mingled indignation, reproach, and dismay...

"A man to dinner, and everything in a mess! John Brooke, how could you do such a thing?"

"Hush, he's in the garden! I forgot the confounded jelly, but it can't be helped now," said John, surveying the prospect with an anxious eye.

"You ought to have sent word, or told me this morning, and you ought to have remembered how busy I was," continued Meg petulantly, for even turtledoves will peck when ruffled.

"I didn't know it this morning, and there was no time to send word, for I met him on the way out. I never thought of asking leave, when you have always told me to do as I liked. I never tried it before, and hang me if I ever do again!" added John, with an aggrieved air.

"I should hope not! Take him away at once. I can't see him, and there isn't any dinner."

"Well, I like that! Where's the beef and vegetables I sent home, and the pudding you promised?" cried John, rushing to the larder.

"I hadn't time to cook anything. I meant to dine at Mother's. I'm sorry, but I was so busy," and Meg's tears began again.

John was a mild man, but he was human, and after a long day's work to come home tired, hungry, and hopeful, to find a chaotic house, an empty table, and a cross wife was not exactly conductive to repose of mind or manner. He restrained himself however, and the little squall would have blown over, but for one unlucky word.

"It's a sc.r.a.pe, I acknowledge, but if you will lend a hand, we'll pull through and have a good time yet. Don't cry, dear, but just exert yourself a bit, and fix us up something to eat. We're both as hungry as hunters, so we shan't mind what it is. Give us the cold meat, and bread and cheese. We won't ask for jelly."

He meant it to be a good-natured joke, but that one word sealed his fate. Meg thought it was too cruel to hint about her sad failure, and the last atom of patience vanished as he spoke.

"You must get yourself out of the sc.r.a.pe as you can. I'm too used up to 'exert' myself for anyone. It's like a man to propose a bone and vulgar bread and cheese for company. I won't have anything of the sort in my house. Take that Scott up to Mother's, and tell him I'm away, sick, dead, anything. I won't see him, and you two can laugh at me and my jelly as much as you like. You won't have anything else here." and having delivered her defiance all on one breath, Meg cast away her pinafore and precipitately left the field to bemoan herself in her own room.

What those two creatures did in her absence, she never knew, but Mr. Scott was not taken 'up to Mother's', and when Meg descended, after they had strolled away together, she found traces of a promiscuous lunch which filled her with horror. Lotty reported that they had eaten "a much, and greatly laughed, and the master bid her throw away all the sweet stuff, and hide the pots."

Meg longed to go and tell Mother, but a sense of shame at her own short-comings, of loyalty to John, "who might be cruel, but n.o.body should know it," restrained her, and after a summary cleaning up, she dressed herself prettily, and sat down to wait for John to come and be forgiven.

Unfortunately, John didn't come, not seeing the matter in that light. He had carried it off as a good joke with Scott, excused his little wife as well as he could, and played the host so hospitably that his friend enjoyed the impromptu dinner, and promised to come again, but John was angry, though he did not show it, he felt that Meg had deserted him in his hour of need. "It wasn't fair to tell a man to bring folks home any time, with perfect freedom, and when he took you at your word, to flame up and blame him, and leave him in the lurch, to be laughed at or pitied. No, by George, it wasn't! And Meg must know it."

He had fumed inwardly during the feast, but when the flurry was over and he strolled home after seeing Scott off, a milder mood came over him. "Poor little thing! It was hard upon her when she tried so heartily to please me. She was wrong, of course, but then she was young. I must be patient and teach her." He hoped she had not gone home--he hated gossip and interference. For a minute he was ruffled again at the mere thought of it, and then the fear that Meg would cry herself sick softened his heart, and sent him on at a quicker pace, resolving to be calm and kind, but firm, quite firm, and show her where she had failed in her duty to her spouse.

Meg likewise resolved to be 'calm and kind, but firm', and show him his duty. She longed to run to meet him, and beg pardon, and be kissed and comforted, as she was sure of being, but, of course, she did nothing of the sort, and when she saw John coming, began to hum quite naturally, as she rocked and sewed, like a lady of leisure in her best parlor.

John was a little disappointed not to find a tender Niobe, but feeling that his dignity demanded the first apology, he made none, only came leisurely in and laid himself upon the sofa with the singularly relevant remark, "We are going to have a new moon, my dear."

"I've no objection," was Meg's equally soothing remark. A few other topics of general interest were introduced by Mr. Brooke and wet-blanketed by Mrs. Brooke, and conversation languished. John went to one window, unfolded his paper, and wrapped himself in it, figuratively speaking. Meg went to the other window, and sewed as if new rosettes for slippers were among the necessaries of life. Neither spoke. Both looked quite 'calm and firm', and both felt desperately uncomfortable.

"Oh, dear," thought Meg, "married life is very trying, and does need infinite patience as well as love, as Mother says." The word 'Mother' suggested other maternal counsels given long ago, and received with unbelieving protests.

"John is a good man, but he has his faults, and you must learn to see and bear with them, remembering your own. He is very decided, but never will be obstinate, if you reason kindly, not oppose impatiently. He is very accurate, and particular about the truth--a good trait, though you call him 'fussy'. Never deceive him by look or word, Meg, and he will give you the confidence you deserve, the support you need. He has a temper, not like ours--one flash and then all over--but the white, still anger that is seldom stirred, but once kindled is hard to quench. Be careful, be very careful, not to wake his anger against yourself, for peace and happiness depend on keeping his respect. Watch yourself, be the first to ask pardon if you both err, and guard against the little piques, misunderstandings, and hasty words that often pave the way for bitter sorrow and regret."

These words came back to Meg, as she sat sewing in the sunset, especially the last. This was the first serious disagreement, her own hasty speeches sounded both silly and unkind, as she recalled them, her own anger looked childish now, and thoughts of poor John coming home to such a scene quite melted her heart. She glanced at him with tears in her eyes, but he did not see them. She put down her work and got up, thinking, "I will be the first to say, 'Forgive me'", but he did not seem to hear her. She went very slowly across the room, for pride was hard to swallow, and stood by him, but he did not turn his head. For a minute she felt as if she really couldn't do it, then came the thought, "This is the beginning. I'll do my part, and have nothing to reproach myself with," and stooping down, she softly kissed her husband on the forehead. Of course that settled it. The penitent kiss was better than a world of words, and John had her on his knee in a minute, saying tenderly...

"It was too bad to laugh at the poor little jelly pots. Forgive me, dear. I never will again!"

But he did, oh bless you, yes, hundreds of times, and so did Meg, both declaring that it was the sweetest jelly they ever made, for family peace was preserved in that little family jar.

After this, Meg had Mr. Scott to dinner by special invitation, and served him up a pleasant feast without a cooked wife for the first course, on which occasion she was so gay and gracious, and made everything go off so charmingly, that Mr. Scott told John he was a lucky fellow, and shook his head over the hardships of bachelorhood all the way home.

In the autumn, new trials and experiences came to Meg. Sallie Moffat renewed her friendship, was always running out for a dish of gossip at the little house, or inviting 'that poor dear' to come in and spend the day at the big house. It was pleasant, for in dull weather Meg often felt lonely. All were busy at home, John absent till night, and nothing to do but sew, or read, or potter about. So it naturally fell out that Meg got into the way of gadding and gossiping with her friend. Seeing Sallie's pretty things made her long for such, and pity herself because she had not got them. Sallie was very kind, and often offered her the coveted trifles, but Meg declined them, knowing that John wouldn't like it, and then this foolish little woman went and did what John disliked even worse.

She knew her husband's income, and she loved to feel that he trusted her, not only with his happiness, but what some men seem to value more--his money. She knew where it was, was free to take what she liked, and all he asked was that she should keep account of every penny, pay bills once a month, and remember that she was a poor man's wife. Till now she had done well, been prudent and exact, kept her little account books neatly, and showed them to him monthly without fear. But that autumn the serpent got into Meg's paradise, and tempted her like many a modern Eve, not with apples, but with dress. Meg didn't like to be pitied and made to feel poor. It irritated her, but she was ashamed to confess it, and now and then she tried to console herself by buying something pretty, so that Sallie needn't think she had to economize. She always felt wicked after it, for the pretty things were seldom necessaries, but then they cost so little, it wasn't worth worrying about, so the trifles increased unconsciously, and in the shopping excursions she was no longer a pa.s.sive looker-on.

But the trifles cost more than one would imagine, and when she cast up her accounts at the end of the month the sum total rather scared her. John was busy that month and left the bills to her, the next month he was absent, but the third he had a grand quarterly settling up, and Meg never forgot it. A few days before she had done a dreadful thing, and it weighed upon her conscience. Sallie had been buying silks, and Meg longed for a new one, just a handsome light one for parties, her black silk was so common, and thin things for evening wear were only proper for girls. Aunt March usually gave the sisters a present of twenty-five dollars apiece at New Year's. That was only a month to wait, and here was a lovely violet silk going at a bargain, and she had the money, if she only dared to take it. John always said what was his was hers, but would he think it right to spend not only the prospective five-and-twenty, but another five-and-twenty out of the household fund? That was the question. Sallie had urged her to do it, had offered to lend the money, and with the best intentions in life had tempted Meg beyond her strength. In an evil moment the shopman held up the lovely, shimmering folds, and said, "A bargain, I a.s.sure, you, ma'am." She answered, "I'll take it," and it was cut off and paid for, and Sallie had exulted, and she had laughed as if it were a thing of no consequence, and driven away, feeling as if she had stolen something, and the police were after her.

When she got home, she tried to a.s.suage the pangs of remorse by spreading forth the lovely silk, but it looked less silvery now, didn't become her, after all, and the words 'fifty dollars' seemed stamped like a pattern down each breadth. She put it away, but it haunted her, not delightfully as a new dress should, but dreadfully like the ghost of a folly that was not easily laid. When John got out his books that night, Meg's heart sank, and for the first time in her married life, she was afraid of her husband. The kind, brown eyes looked as if they could be stern, and though he was unusually merry, she fancied he had found her out, but didn't mean to let her know it. The house bills were all paid, the books all in order. John had praised her, and was undoing the old pocketbook which they called the 'bank', when Meg, knowing that it was quite empty, stopped his hand, saying nervously...

"You haven't seen my private expense book yet."

John never asked to see it, but she always insisted on his doing so, and used to enjoy his masculine amazement at the queer things women wanted, and made him guess what piping was, demand fiercely the meaning of a hug-me-tight, or wonder how a little thing composed of three rosebuds, a bit of velvet, and a pair of strings, could possibly be a bonnet, and cost six dollars. That night he looked as if he would like the fun of quizzing her figures and pretending to be horrified at her extravagance, as he often did, being particularly proud of his prudent wife.

The little book was brought slowly out and laid down before him. Meg got behind his chair under pretense of smoothing the wrinkles out of his tired forehead, and standing there, she said, with her panic increasing with every word...

"John, dear, I'm ashamed to show you my book, for I've really been dreadfully extravagant lately. I go about so much I must have things, you know, and Sallie advised my getting it, so I did, and my New Year's money will partly pay for it, but I was sorry after I had done it, for I knew you'd think it wrong in me."

John laughed, and drew her round beside him, saying goodhumoredly, "Don't go and hide. I won't beat you if you have got a pair of killing boots. I'm rather proud of my wife's feet, and don't mind if she does pay eight or nine dollars for her boots, if they are good ones."

That had been one of her last 'trifles', and John's eye had fallen on it as he spoke. "Oh, what will he say when he comes to that awful fifty dollars!" thought Meg, with a shiver.

"It's worse than boots, it's a silk dress," she said, with the calmness of desperation, for she wanted the worst over.

"Well, dear, what is the 'dem'd total', as Mr. Mantalini says?"

That didn't sound like John, and she knew he was looking up at her with the straightforward look that she had always been ready to meet and answer with one as frank till now. She turned the page and her head at the same time, pointing to the sum which would have been bad enough without the fifty, but which was appalling to her with that added. For a minute the room was very still, then John said slowly--but she could feel it cost him an effort to express no displeasure--...

"Well, I don't know that fifty is much for a dress, with all the furbelows and notions you have to have to finish it off these days."

"It isn't made or trimmed," sighed Meg, faintly, for a sudden recollection of the cost still to be incurred quite overwhelmed her.

"Twenty-five yards of silk seems a good deal to cover one small woman, but I've no doubt my wife will look as fine as Ned Moffat's when she gets it on," said John dryly.

"I know you are angry, John, but I can't help it. I don't mean to waste your money, and I didn't think those little things would count up so. I can't resist them when I see Sallie buying all she wants, and pitying me because I don't. I try to be contented, but it is hard, and I'm tired of being poor."

The last words were spoken so low she thought he did not hear them, but he did, and they wounded him deeply, for he had denied himself many pleasures for Meg's sake. She could have bitten her tongue out the minute she had said it, for John pushed the books away and got up, saying with a little quiver in his voice, "I was afraid of this. I do my best, Meg." If he had scolded her, or even shaken her, it would not have broken her heart like those few words. She ran to him and held him close, crying, with repentant tears, "Oh, John, my dear, kind, hard-working boy. I didn't mean it! It was so wicked, so untrue and ungrateful, how could I say it! Oh, how could I say it!"

He was very kind, forgave her readily, and did not utter one reproach, but Meg knew that she had done and said a thing which would not be forgotten soon, although he might never allude to it again. She had promised to love him for better or worse, and then she, his wife, had reproached him with his poverty, after spending his earnings recklessly. It was dreadful, and the worst of it was John went on so quietly afterward, just as if nothing had happened, except that he stayed in town later, and worked at night when she had gone to cry herself to sleep. A week of remorse nearly made Meg sick, and the discovery that John had countermanded the order for his new greatcoat reduced her to a state of despair which was pathetic to behold. He had simply said, in answer to her surprised inquiries as to the change, "I can't afford it, my dear."

Meg said no more, but a few minutes after he found her in the hall with her face buried in the old greatcoat, crying as if her heart would break.

They had a long talk that night, and Meg learned to love her husband better for his poverty, because it seemed to have made a man of him, given him the strength and courage to fight his own way, and taught him a tender patience with which to bear and comfort the natural longings and failures of those he loved.