Little, Big Part 3

Sophie shut the door on them.

First she wanted to taste the sweat that shone on his throat and fragile clavicle; then he chose to undo the tails of her shirt, that she had tied up beneath her b.r.e.a.s.t.s; then, but then impatient they forgot about taking turns and quarreled silently, eagerly over each other, like pirates dividing treasure long sought, long imagined, long withheld.

In the Walled Garden Alone together at noon they ate peanut-b.u.t.ter and apple sandwiches in the walled garden at the back front of the house.

"The back front?"

Opulent trees looked over the gray garden wall, like calm spectators leaning on their elbows. The stone table they sat at, in a corner beneath a spreading beech, was marked with the coiled stains left by caterpillars crushed in other summers; their cheerful paper plates lay on its thickness flimsy and ephemeral. Smoky struggled to clear his palate; he didn't usually eat peanut-b.u.t.ter.

"This used to be the front," Daily Alice said. "Then they built the garden and the wall; so the back became the front. It was a front anyway. And now this is the back front." She straddled the bench, and picked up a twig, at the same time drawing out with her pinkie a glittering hair that had blown between her lips. She scratched a quick five-pointed star in the dirt. Smoky looked at it, and at the tautness of her jeans. "That's not really it," she said, looking birdwise at her star, "but sort of. See, it's a house all fronts. It was built to be a sample. My great-grandfather? Who I wrote you about? He built this house to be a sample, so people could come and look at it, from any side, and choose which kind of house they wanted; that's why the inside is so crazy. It's so many houses, sort of put inside each other or across each other, with their fronts sticking out."

"What?" He had been watching her talk, not listening; she saw it in his face and laughed. "Look. See?" she said. He looked where she pointed, along the back front. It was a severe, cla.s.sical facade softened by ivy, its gray stone stained as though by dark tears; tall, arched windows; symmetrical detail he recognized as the cla.s.sical Orders; rustications, columns, plinths. Someone was looking out one tall window with an air of melancholy. "Now come on." She took a big bite (big teeth) and led him by the hand along that front, and as they pa.s.sed, it seemed to fold like scenery; what had looked flat became out-thrust; what stuck out folded in; pillars turned pilasters and disappeared. Like one of those ripply pictures children play with, where a face turns from grim to grin as you move it, the back front altered, and when they reached the opposite wall and turned to look back, the house had become cheerful and mock-Tudor, with deep curling eaves and cl.u.s.tered chimneys like comic hats. One of the broad cas.e.m.e.nt windows (a stained piece or two glittered among the leaded panes) opened on the second floor, and Sophie looked out, waving. "Smoky," she called, "when you've finished your lunch, you're to go talk to Daddy in the library." She stayed in the window, arms folded and resting on the sill, looking down at him smiling, as though pleased to have brought this news.

"Oh, aha," Smoky called up nonchalantly. He walked back to the stone table, the house translating itself back into Latin beside him. Daily Alice was eating his sandwich. "What am I going to say to him?" She shrugged, mouth full. "What if he asks me what are your prospects, young man?" She laughed, covering her mouth, the way she had in George Mouse's library. "Well, I can't just tell him I read the telephone book." The immensity of what he was about to embark on, and Doctor Drinkwater's obvious responsibility to impress it on him, settled on his shoulders like birds. He wavered suddenly, doubted doubts. He looked at his big beloved. What anyway were his prospects? Could he explain to the Doctor that his daughter had cured Smoky's anonymity as if in one blowa"one glancing blowa"and that that was enough? That the marriage service once completed (and whatever religious commitments they would like him to make made) he intended to just live happily ever after, like other folks?

She had taken out a little jackknife and was peeling a green apple in one segmented curling ribbon. She had such talents. What good was he to her?

"Do you like children?" she asked, without taking her eyes from her apple.

Houses Histories It was dim in the library, according to the old philosophy of keeping a house shut up on hot summer days to keep it cool. It was cool. Dr. Drinkwater wasn't there. Through the draped, arched windows he could just glimpse Daily Alice and Sophie talking at the stone table in the garden, and he felt like a boy kept indoors, bad or sickly. He yawned nervously, and looked over nearby t.i.tles; it didn't appear that anyone had taken a book from these laden shelves in a long time. There were sets of sermons, volumes of George MacDonald, Andrew Jackson Davis, Swedenborg. There were a couple of yards of the Doctor's children's stories, pretty, shoddily bound, with repet.i.tious t.i.tles. Some nicely bound cla.s.sics propped against an anonymous laureled bust. He took down Suetonius, and brought down with it a pamphlet that had been wedged between the volumes. It was old, both dog-eared and foxed, ill.u.s.trated with pearly photogravure, and t.i.tled Upstate Houses and Their Histories. He turned its pages carefully so as not to break the old glue of the binding, looking at dim gardens of black flowers, a roofless castle built on a river island by a thread magnate, a house made of beer vats.

He looked up, turning the page. Daily Alice and Sophie were gone; a paper plate leapt from the table and spun balletically to the ground.

And here was a photograph of two people sitting at a stone table, having tea. There was a man who looked like the poet Yeats, in a pale summer suit and spotted tie, his hair full and white, his eyes obscured by the sunlight glinting from his spectacles; and a younger woman in a wide white hat, her dark features shaded by the hat and blurred perhaps by a sudden movement. Behind them was part of this house Smoky sat in, and beside them, reaching up a tiny hand to the woman, who perhaps saw it and moved to take it and then again perhaps not (it was hard to tell), was a figure, personage, a little creature about a foot high in a conical hat and pointed shoes. His broad inhuman features seemed blurred too by sudden movement, and he appeared to hear a pair of gauzy insect wings. The caption read "John Drinkwater and Mrs. Drinkwater (Violet Bramble;) elf. Edgewood, 1912." Below the picture, the author had this to say: "Oddest of the turn-of-the-century folly houses may be John Drinkwater's Edgewood, although not strictly conceived as a folly at all. Its history must begin with the first publication of Drinkwater's Architecture of Country Houses in 1880. This charming and influential compendium of Victorian domestic architecture made the young Drinkwater's name, and he later became a partner in the famed landscape-architecture team of Mouse, Stone. In 1894 Drinkwater designed Edgewood as a kind of compound ill.u.s.tration of the plates of his famous book, thus making it several different houses of different sizes and styles collapsed together and quite literally impossible to describe. That it presents an aspect (or aspects) of logic and order is a credit to Drinkwater's (already waning) powers. In 1897 Drinkwater married Violet Bramble, a young Englishwoman, daughter of the mystic preacher Theodore Burne Bramble, and in the course of his marriage, came completely under the influence of his wife, a magnetic spiritualist. Her thought informs later editions of Architecture of Country Houses, into which he interpolated larger and larger amounts of theosophist or idealist philosophy without however removing any of the original material. The sixth and last edition (1910) had to be printed privately, since commercial publishers were no longer willing to undertake it, and it still contains all the plates of the 1880 edition.

"The Drinkwaters a.s.sembled around them in those years a group of like-thinking people including artists, aesthetes, and world-weary sensitives. From the beginning the cult had an Anglophile twist, and interested correspondents included the poet Yeats, J. M. Barrie, several well-known ill.u.s.trators, and the sort of *poetic' personality that was allowed to flourish in that happy twilight before the Great War, and that has disappeared in the harsh light of the present day.

"An interesting sidelight is that these people were able to profit from the general depopulation of the farms in that area at that time. The pentagon of five towns around Edgewood saw the heels of improverished yeoman farmers driven to the City and the West, and the bland faces of poets escaping economic realities who came to take their houses. That all who still remained of this tiny band were *conscientious objectors' at the time of their country's greatest need is perhaps not surprising; nor is the fact that no trace of their bizarre and fruitless mysteries has survived to this day.

"The house is still lived in by Drinkwater's heirs. There is reputed to be a genuine folly summer house on the (very extensive) grounds, but the house and grounds are not open to the public at any time."

Elf?

Doctor Drinkwater's Advice So we're supposed to have a chat," Dr. Drinkwater said. "Where would you like to sit?" Smoky took a club chair of b.u.t.toned leather. Dr. Drinkwater, on the chesterfield, ran his hand over his woolly head, sucked his teeth for a moment, then coughed in an introductory kind of way. Smoky awaited his first question.

"Do you like animals?" he said.

"Well," Smoky said, "I haven't known very many. My father liked dogs." Doctor Drinkwater nodded with a disappointed air. "I always lived in cities, or suburbs. I liked listening to the birds in the morning." He paused. "I've read your stories. I think they're a very true to life, I imagine." He smiled what he instantly realized to be a horridly ingratiating smile, but the Doctor didn't seem to notice. He only sighed deeply.

"I suppose," he said, "you're aware of what you're getting into."

Now Smoky cleared his throat in introduction. "Well, sir, of course I know I can't give Alice, well, the splendor she's used to, at least not for a while. I'ma"in research. I've had a good education, not really formal, but I'm finding out how to use my, what I know. I might teach."

"Teach?"

"Cla.s.sics."

The doctor had been gazing upward at the high shelves burdened with dark volumes. "Um. This room gives me the w.i.l.l.i.e.s. Go talk to the boy in the library, Mother says. I never come in here if I can help it. What is it you teach, did you say?"

"Well, I don't yet. I'ma"breaking into it."

"Can you write? I mean write handwriting? That's very important for a teacher."

"Oh, yes. I have a good hand." Silence. "I've got a little money, an inheritancea ."

"Oh, money. There's no worry there. We're rich." He grinned at Smoky. "Rich as Croesus." He leaned back, clutching one flannel knee in his oddly small hands. "My grandfather's, mostly. He was an architect. And then my own, from the stories. And we've had good advice." He looked at Smoky in a strange, almost pitying way. "That you can always count on havinga"good advice." Then, as if he had delivered a piece of it himself, he unfolded his legs, slapped his knees, and got up. "Well. Time I was going. I'll see you at dinner? Good. Don't wear yourself out. You've got a long day tomorrow." He spoke this last out the door, so eager was he to go.

The Architecture of Country Houses He had noticed them, behind gla.s.s doors up behind where Doctor Drinkwater had sat on the chesterfield; he got up now on his knees on the sofa, turned the convolute key in its lock, and slid open the door. There they were, six together, Just as the guidebook had said, neatly graduated in thickness. Around them, leaning together or stacked up horizontally, were others, other printings perhaps He took out the slimmest one, an inch or so thick. Arc hitecture of Country Houses. Intaglie cover, with that "rustic" Victorian lettering (running biaswise) that sprouts twigs and leaves. The olive color of dead foliage. He riffled the heavy leaves. The Perpendicular, Full or Modified. The Italianate Villa, suitable for a residence on an open field or campagna. The Tudor and the Modified Neo-cla.s.sical, here chastely on separate pages. The Cottage. The Manor. Each in its etched circ.u.mstances of poplars or pines, fountain or mountain, with little black visitors come to call, or were they the proud owners come to take possession? He thought that if all the plates were on gla.s.s, he could hold them all up at once to the mote-inhabited bar of sunlight from the window and Edgewood would appear whole. He read a bit of the text, which gave careful dimensions, optional fancies, full and funny accounting of costs (ten-dollar-a-week stonemasons long dead and their skills and secrets buried too) and, oddly, what sort of house suited what sort of personality and calling. He returned it.

The next one he drew out was nearly twice as thick. Fourth edition, it said, Little, Brown, Boston 1898. It had a frontispiece, a sad, soft pencil portrait of Drinkwater. Smoky vaguely recognized the artist's hyphenated double name. Its chock-full t.i.tle page had an epigraph: I arise, and unbuild it again. Sh.e.l.ley. The plates were the same, though there were a set of Combinations that were all floorplans and labeled in a way Smoky couldn't comprehend.

The sixth and last edition, great and heavy, was beautifully bound in art-nouveau mauve; the letters of the t.i.tle stretched out shuddered limbs and curling descenders as though to grow; the whole seemed as though reflected in a rippled lily-pond surface all in bloom at evening. The frontispiece was not Drinkwater now but his wife, a photograph like a drawing, smudged like charcoal. Her indistinct features. Perhaps it wasn't the art. Perhaps she was as he had been, not always fully present; but she was lovely. There were dedicatory poems and epistles and a great armor of Prefaces, Forewords and Prolegomena, red type and black; and then the little houses again just as before, looking now old-fashioned and awkward, like an ordinary small town swept up in a modern mania. As though Violet's amanuensis were struggling for some last grasp of reason over the pages and pages studded with capitalized abstractions (the type had grown smaller as books had grown thicker), there were marginal glosses every page or so, and epigraphs, chapter headings, and all paraphernalia that makes a text into an object, logical, articulated, unreadable. Tipped in at the end against the watered endpapers was a chart or map, folded over several times, a thick packet in fact. It was of thin paper, and Smoky at first couldn't see how to go about unfolding it; he began one way, winced at the little cry it made as an old fold tore slightly, began again. As he glimpsed parts of it, he could see it was an immense plan, but of what? At last he had the whole unfolded; it lay crackling across his lap face down, he had only to turn it face up. He stopped then, not sure he wanted to see what it was. I suppose, the Doctor had said, you're aware of what you're getting into. He lifted its edge, it rose up lightly like a moth's wing so old and fine it was, a shaft of sunlight pierced it and he glimpsed complex shapes studded with notions; he laid it down to look at it.

Just Then "Will she go, then, Cloud?" Mother asked, and Cloud answered, "Well it appears not so;" but she wouldn't add any more, only sat at the far end of the kitchen table, the smoke of her cigarette an obscurity in the sunlight. Mother was powdered to the elbows in the process of pie-making, not a mindless task though she liked to call it that, in fact she found that at it her thoughts were often clearest, notions sharpest; she could do things when her body was busy that she could at no other time, things like a.s.semble her worries into ranks, each rank commanded by a hope. She remembered verse sometimes cooking that she had forgotten she knew, or spoke in tongues, her husband's or her children's or her dead father's or her unborn, clearly-seen grandchildren's, three graduated girls and a lean unhappy boy. She knew the weather in her elbows, and mentioned as she slipped the old gla.s.s pie-plates into the oven which breathed its heated breath on her that it would storm soon. Cloud made no answer, only sighed and smoked, and dabbed at the dew at her wrinkled throat with a little hankie which she then tucked neatly back into her sleeve. She said: "It will be lots clearer later," and went slowly from the kitchen and through the halls to her room to see if she might be able to close her eyes for a while before dinner had to be prepared; and before she lay down on the wide featherbed that for a few short years had been hers and Henry Cloud's she looked out toward the hills and yes, white c.u.mulus had begun to a.s.semble itself that way, climbing like imminent victory, and no doubt Sophie was right. She lay and thought: At least he came all right, and contradicted none of it. Beyond that she couldn't tell.

Just then where the Old Stone Fence divides the Green Meadow from the Old Pasture which goes down rocky and leaping with insects to the margin of the Lily Pond, Doctor Drinkwater in a wide-awake hat stopped, panting from his climb; slowly the roar of his own blood diminished in his ears and he could begin to listen to the scene in progress of his only drama, the interminable conversations of birds, cicada's semitune, the rustle and thump of a thousand creatures' entrances and exits. The land was touched by the hand of man, though that hand was in these days mostly withdrawn; way down beyond the Lily Pond he could see the dreaming roof of Brown's barn, and knew this to be an abandoned pasture of his enterprise, and this wall his ancient marker. The scene was variegated by man's enterprise, and room made for many houses large and small, this capacious wall, that sunny pasture, that pond. It all seemed to the Doctor just what was truly meant by the word "ecology," which he saw now and then misused in the dense columns that bordered his chronicles of this place in the City paper; and as he sat on a warm lichened stone utterly attentive, a Little Breeze brought him news that by evening a mountain of cloud would break in pieces here.

Just then in Sophie's room on the wide featherbed where for many years John Drinkwater lay with Violet Bramble, their two great-grandchildren lay. The long pale dress that next day Daily Alice would put on, and then presumably not again ever completely put off, was hung carefully from the top of the closet door, and made in the closet door mirror another like it, which it pressed back to back; and below it and around it were all things proper to it. Sophie and her sister lay naked in the afternoon heat; Sophie brushed her hand across her sister's sweat-damp flank, and Daily Alice said "Ah, it's too hot," and felt hotter still her sister's tears on her shoulder. She said: "Someday soon it'll be you, you'll choose or maybe be chosen, and you'll be another June bride," and Sophie said, "I'll never, never," and more that Alice couldn't hear because Sophie buried her face against her sister's neck and murmured like the afternoon; what Sophie said was, "He'll never understand or see, they'll never give him what they gave us, he'll step in the wrong places and look when he should look away, never see doors or know turnings; wait and see, you just wait and see"; which just then Great-aunt Cloud was pondering, what they would see if they waited, and what their mother also felt though not with the same plain curiosity but a sort of maneuvering within of the armies of Possibility; and what Smoky too, left alone for what he imagined was the general Sunday siesta, day of rest, in the black and dusty library with the whole plan before him, just then trembled with, sleepless and erect as a flame.

There was an old woman Who lived under the hill And if she's not gone She lives there still.

It was during a glad summer toward the end of the last century that John Drinkwater, while on a walking tour of England ostensibly to look at houses, came one twilight to the gates of a red-brick vicarage in Cheshire. He had lost his way, and his guidebook, which he had foolishly knocked into the millrace by which he had eaten his lunch hours before; he was hungry, and however safe and sweet the English countryside he couldn't help feeling uneasy.

Strange Insides In the vicarage garden, an unkempt and riotous garden, moths glimmered amid a dense cascade of rosebushes, and birds flitted and rustled in a gnarled and domineering apple tree. In the tree's crook someone sat and, as he looked, lit a candle. A candle? It was a young girl in white, and she cupped the candle with her hands; it glowed and faded and then glowed again. She spoke, not to him: "What's the matter?" The candleglow was extinguished, and he said, "I beg your pardon." She began to climb quickly and expertly down from the tree, and he stood away from the gate so as not to look importunate and prying when she came to speak to him. But she didn't come. From somewhere or everywhere a nightingale began, ceased, began again.

He had come not long before to a crossroads (not a literal crossroads, though many of those too in his month's walk where he had to choose to go down by the water or over the hill, and found it not much use as practice for the crossroads in his life). He had spent a hateful year designing an enormous Skysc.r.a.per that was to look, as exactly as its hugeness and use allowed, like a thirteenth-century cathedral. When he had first submitted sketches to his client it had been in the nature of a joke, a fancy, a red herring even, meant to be dismissed, but the client hadn't understood that; he wanted his Skysc.r.a.per to be just this, just what it eventually would become, a Cathedral of Commerce, and nothing John Drinkwater could think of, bra.s.s letterbox like a baptismal font, grotesque basreliefs in Cluniac style of dwarves using telephones or reading stone ticker tape, gargoyles projecting from the building at such a height that no one could ever see them and wearing (though even that the man had refused to recognize) his client's own headlamp eyes and porous nosea"nothing was too much for him and now it would all have to be executed just as he had conceived it.

While this project dragged on, a change attempted to come over him. Attempted, because he resisted it; it seemed a thing apart from him, a thing he could almost hut not quite name. He first noticed it as an insinuation into his crowded yet orderly day of peculiar daydreams: abstract words merely, that would suddenly he spoken within him as though by a voice. Multiplicity was one. Another on another day (as he sat looking out the tall windows of the University Club at the sooty rain) was combinatory. Once uttered, the notion had a way of taking over his whole mind, extending into the work-place there and into the countinghouse, until he was left paralyzed and unable to take the next long-prepared and wellthought-out step in the career everyone described as "meteoric."

He felt he was lapsing into a long dream, or perhaps awaking from one. Either way, he didn't want it to happen. As a specific against it (he thought) he began to take an interest in theology. He read Swedenborg and Augustine; he was soothed most by Aquinas, could sense the Angelic Doctor building stone by stone the great cathedral of his Summa. He learned then that at the end of his life Aquinas regarded all that he had written as "a heap of straw."

A heap of straw. Drinkwater sat at his broad board in the long skylit offices of Mouse, Drinkwater, Stone and stared at the sepia photographs of the towers and parks and villas he had built, and thought: a heap of straw. Like the first and most ephemeral house the Three Pigs in the story built. There must be a stronger place, a place where he could hide from whatever this wolf was that pursued him. He was thirty-nine years old.

His partner Mouse found that after he had been some months at his drawing board he had gotten no further with firm plans for the Cathedral of Commerce, had been sitting instead hour after hour doodling tiny houses with strange insides; and he was sent abroad for a while, to rest.

Strange insides a By the path that led up from the gate to the fanlighted door of the vicarage he could see a machine or garden ornament, a white globe on a pedestal surrounded by rusted iron hoops. Some of the hoops had sprung and lay fallen on the path, obscured in weeds. He pushed the gate and it opened, making a brief song on its hinges. Within the house a light was moving, and as he came up the weedy path he was hailed from the door.

For It Was He "You are not welcome," said Dr. Bramble (for it was he). "You are none of you, any more. Is that you, Fred? I shall have a lock to that gate, if people can't have better manners."

"I'm not Fred."

His accent made Dr. Bramble stop to think. He raised his lamp. "Who are you then?"

"Just a traveler. I'm afraid I've lost my way. You don't have a telephone."

"Of course not."

"I didn't mean to barge in."

"Mind the old orrery there. It's all fallen, and a dreadful trap. American?"

"Yes."

"Well, well, come in."

The girl was gone.

Strange and Shaded Lanes Two years later, John Drinkwater was sitting sleepily in the overheated and spiritually-lit rooms of the City Theosophical Society (he never guessed that any of the ways his crossroads pointed out would lead him there, but there he was). A subscription was being raised for a course of lectures by variously enlightened persons, and among the mediums and gymnosophists who were awaiting the Society's decision, Drinkwater found the name of Dr. Theodore Burne Bramble, to speak on the Smaller Worlds within the Large. As soon as he read the name he saw, at once and unsummoned, the girl within the apple tree, the light within her cupped hands going dim. What's the matter? He saw her again come into the dusky dining room, unintroduced by the vicar who couldn't bring himself to break his paragraph long enough to speak her name, only nodded and pushed aside a pile of mildewed books and sheaves of papers tied with blue tape so that there was room for her to put down (without raising her eyes to him) the tarnished tea service and cracked plate of kippers. She might have been daughter or ward or servant or prisonera"or keeper even, for Dr. Bramble's ideas were odd and obsessive enough, though mildly expressed.

"Paracelsus is of the opinion, you see," he said, and paused to light his pipe; Drinkwater managed to say, "The young lady is your daughter?"

Bramble shot a look behind him as though Drinkwater had seen some member of the Bramble family he didn't know about; then he agreed, nodding, and went on: "Paracelsus, you see a"

She brought white port and ruby, unsummoned, and when that was gone Dr. Bramble was inflamed enough to speak of some of his personal sorrows, how his pulpit had been taken from him because he would speak the truth as he learned it, and how they came around now to taunt him and tie tins to his dog's tail, poor dumb creature! She brought whiskey and brandy and at last he didn't care and asked her her name. "Violet," she said, not looking at him. When Dr. Bramble finally showed him to a bed, it was only because if he had not Drinkwater would have got out of earshot; as it was he had ceased to understand anything Dr. Bramble was saying. "Houses made of houses within houses made of time," he found himself saying aloud when just before dawn he awoke from a dream of Dr. Bramble's kindly face and with a fierce burning in his throat. When he tipped up the ewer at his bedside a discomfited spider crawled out, and he stood at the window unrelieved, pressing the cool porcelain to his cheek. He looked out at the wind-ordered islands of mist that lay between the lacy cutout trees, and watched the last fireflies extinguishing themselves. He saw her returning from the barn, shoeless and in her pale dress, with a bucket of milk in each hand that threw out drops on the ground at her every step however carefully she walked; and he understood, in a moment of knifelike clarity, how he would go about making a sort of house, a house that a year and some months later became the house Edgewood.

And here now in New York was her name before him, whom he had thought never to see again. He signed the subscription.

He knew that she would accompany her father, knew this the moment he read the name. He knew, Somehow, that she would be even more lovely and that her never-cut hair would be two years longer. He didn't know that she would arrive three months pregnant by Fred Reynard or Oliver Hawksquill or some other not welcome at the parsonage (he never asked the name); it didn't occur to him that she, like him, would be two years older, and have come upon hard crossroads of her own, and gone a ways down strange and shaded lanes.

Call Them Doors "Paracelsus is of the opinion,"a"Dr. Bramble told the theosophists, "that the universe is crowded with powers, spirits, who are not quite immateriala"whatever that means or meant, perhaps made of some finer, less tangible stuff than the ordinary world. They fill up the air and the water and so on; they surround us on every side, so that at our every movement" a"he moved his long-fingered hand gently in the air, causing turmoil amid his pipesmokea""we displace thousands."

She sat by the door, just out of the light of a red-shaded lamp, bored or nervous or both; her cheek was in her palm and the lamp lit the dark down of her arms and turned it blond. Her eyes were deep and feral, and she had a single eyebrowa"that is, it extended without a break across her nose, unplucked and thick. She didn't look at him, or when she did didn't see him.

"Nereids, dryads, sylphs, and salamanders is how Paracelsus divides them," Dr. Bramble said. "That is to say (as we would express it) mermaids, elves, fairies, and goblins or imps. One cla.s.s of spirit for each of the four elementsa"mermaids for the water, elves for the earth, fairies for the air, goblins for the fire. It is thus that we derive the common name for all such beingsa"'elementals.' Very regular and neat. Paracelsus had an orderly mind. It is not, however, true, based as it is on the common errora"the old, the great error that underlies the whole history of our sciencea"that there are these four elements, earth, air, fire, water, out of which the world is made. We know now of course that there are some ninety elements, and that the old four are not among them."

There was a stirring at this among the more radical or Rosicrucian wing of the a.s.sembly, who still set great store by the Four, and Dr. Bramble, who desperately needed this appearance to be a success, gulped water from a goblet beside him, cleared his throat, and tried to march on to the more sensational or revelatory parts of his lecture. "The question is really," he said "why, if the *elementals' are not several kinds of being but only one, which I believe, why they manifest themselves in such various forms. That they do manifest themselves, ladies and gentlemen, is no longer open to doubt." He looked meaningfully at his daughter, and many there did also; it was her experiences, after all, that lent Dr. Bramble's notions what weight they had. She smiled, faintly, and seemed to contract beneath their gaze. "Now," he said. "Collating the various experiences, both those told of in myth and fable and those more recent ones verifiable by investigation, we find that these elementals, while separable into two basic characters, can be any of several different sizes and (as we might put it) densities.