Lisa Jackson's Bentz And Montoya Bundle Part 257

I don't have a lot of time. It's broad daylight, the d.a.m.ned fog is lifting, but I have to take the risk.

So I leave work and drive straight home, download my picture of Olivia, and print it out. I'm wearing thin gloves...no reason to get sloppy now. The result is superb. I captured the horrified expression on Olivia's face perfectly and cropped out anything that would give a hint of where she is being held captive. All you can see are the bars of a cage and a pathetic, broken, frightened woman looking desperately at the camera.

"Phase one," I say, pleased with myself. Then, before too much time slips by, I erase the image from my hard drive and slip the photo into a manila envelope. Rather than using up a day by mailing the picture to him, I decide it's time to ramp things up. Push him hard. Let him know what it's like to feel the hollowness, the despair, of losing someone he loves.

Oh, yes. Rick Bentz will soon learn what it's like to be truly and horridly alone.

I put on my sweat pants and jacket, tuck my hair into a baseball cap, then find my running shoes and a pair of oversized sungla.s.ses. Not the best disguise, but it will have to do. Even though the sweats will look out of place on this warm day, they help alter my shape, along with a sports bra that's two sizes too tight. Satisfied, I scribble Rick Bentz's name across the envelope, then drive quickly to that horrible dive of a motel where he stays in Culver City.

One sweep past the So-Cal Inn a.s.sures me he's not in; his new rental car is not in the lot.

I park several blocks away, then, with the envelope tucked into my jacket, take off at an easy lope. Hiding my face from any traffic camera, I time the lights just right so that I barely have to slow to cross a street. When I reach the corner near the motel, I cut across the parking lot and drop the envelope at the door of the office. From the corner of my eye I see a kid at the desk, but he's not paying any attention to what goes on beyond the television screen mounted in the corner.

I feel a rush of antic.i.p.ation as I jog back to the car. From there, I find a place to fill up with gas. I duck into their restroom to change into work clothes. Looking in the cracked, dull mirror, I fluff my hair and pat on some powder to hide the fact that my cheeks are flushed.

Then I pay for the gas with cash, climb into my car, and head back to work. For the first time in years, I long for a cigarette, just to calm my nerves, but I ignore the craving.

How I would love to make a swing by the motel to make certain that stupid kid sees the package. But I restrain myself. No reason to take any unnecessary chances.

I only wish I could be a fly on the wall when Bentz opens the envelope. Oh, dear G.o.d, his expression will be priceless!

CHAPTER 35.

Bentz was on the road when he got the call. Caller ID flashed the number and name of the So-Cal Inn. "Bentz."

"Hi, this is Rebecca, the manager of the So-Cal. You asked me to call you if anything odd happened?"

Bentz's free hand gripped the wheel. "Yeah."

"We found a package with your name on it at the front door."

"A package?" he repeated.

"Well, an envelope. You know one of those manila things. Around eight by eleven. I thought you might have dropped it when you left."

"No." He thought about the last manila envelope he'd received with pictures of Jennifer and a marred death certificate. He didn't doubt for a second that whatever was in this one, too, had come from the same source. "Hold on to it. Don't open it and I'll be right there. Ten minutes, fifteen tops." He searched for an exit, switched lanes, and sped to the next off-ramp, barely slowing as he left the freeway until he hit the red light at the cross street.

Another set of pictures? More doc.u.ments? Oh, Jesus...please let this be about Jennifer, not not Olivia. Olivia.

His guts were grinding, his fingers tapping nervously on the steering wheel.

What now? Just what the h.e.l.l now?

As soon as it turned green, he made a quick left turn under the freeway, swinging around to the southbound entrance of the 405. The light was with him and he gunned it.

He knew he hadn't dropped an envelope or anything else at the motel.

So someone had left him a surprise, this time without mailing it. "Son of a b.i.t.c.h."

Whoever was behind all this madness was getting bolder.

He couldn't shake the feeling that this time the packet had something to do with Olivia. A ransom request? Or worse? His heart nosedived and he wasn't able to drive fast enough to eat up the miles to the Culver City exit. Time seemed to stand still and dread burned a hole in his stomach but ten minutes after taking the call, he pulled into the familiar, pockmarked parking lot, cut the engine, and strode into the office.

Rebecca was waiting.

The envelope in question sat on the registration desk. Across the yellowish face was his name written in the same block letters that had addressed the envelope containing Jennifer's death certificate and pictures.

"I found it when I walked in. I was out checking a room where the key wasn't working and Tony was at the desk. He didn't see who left it."

Warily Bentz handled the thin package. She offered him a letter opener and he sliced the seal carefully. Rebecca watched as he tipped out the single sheet of paper within.

"Oh, G.o.d," she whispered, her hand flying to her mouth as a picture of Olivia slid onto the desk's Formica surface.

Bentz's knees nearly gave way. His stomach turned over. He stared at the shot of Olivia, his beautiful Olivia, who eyed the camera dead-on with an expression of stark, cold fear. Pale as death, she was looking through bars, as if she were in some old western jail. Her hair was mussed; her eyes round and bloodshot, a red patch evident over her mouth where it seemed a gag had been taped. All of the life, the fire of her personality, had disappeared. Instead her expression was of pure terror.

"G.o.dd.a.m.n it!" he said, his jaw tight, every muscle in his body clenched. If he ever found the psycho who did this, Bentz would personally tear him limb from limb.

But she's alive, he reminded himself. he reminded himself. That's something! That's something!

Insides twisted, he checked the envelope further, expecting a letter or note, but there was nothing more. Just the devastating photograph.

You did this, Bentz. She's been captured, maybe tortured, and held in this jail because of you and your insatiable need, your d.a.m.ned obsession to chase down your ex-wife.

Guilt and fear ripped through him.

"What...what is this?" Rebecca asked.

"This," he said, his voice nearly cracking, "is my wife."

"Oh, G.o.d...I'm so sorry." She licked her lips nervously as she continued to stare in horror at the picture. "Where is she? What is happening to her? This could be a joke, right? A sick one, but a joke?" When she met his gaze, she knew the truth. "Oh, mother of G.o.d." She blinked against a spate of tears.

"Is Tony around?" Bentz asked.

"Oh...yeah...Sorry." She turned her head and yelled over her shoulder for her son. "Tony!"

"Do you know if Tony got a look at the person who left this?" he asked, motioning to the envelope.

"I don't think so." She cleared her throat and took a step closer to the door separating the lobby from the business office and staff quarters. "Tony!" she called again, more sharply. "He's got a cold, that's why he's not in school."

Yeah, right.

A few seconds later, Tony appeared plugged into an MP3 player, grooving out to music loud enough that Bentz heard the sharp cadence of a rap tune. Hands in his pockets, the kid shuffled into the office from the back as Bentz slid the picture into its heavy envelope. To the boy's credit he did sniffle and snort a bit as if his nose was threatening to drip. A cold? Or maybe the results from snorting some drug? c.o.ke? Meth? At the moment Bentz didn't care.

Rebecca pulled one of the earbuds from her son's ear. "Mr. Bentz wants to know if you saw anyone leave this?"

"Uh-uh." Tony was looking down at his feet.

"You sure?" Bentz asked.

The kid shrugged. "Nah, I don't think so."

"But you're not sure," Bentz said, urging him to think of something, any anything that would help him save his wife.

"I, uh, I heard something," Tony said, clearing his throat. "You know, like a slap. Maybe when she dropped it?" He didn't sound certain.

"She?" Bentz asked.

"Or him." Tony frowned, concentrated, then acted as if he were afraid to give the wrong answer. "I dunno."

"But you saw someone?"

"Not really, but there was a runner going by. You know, jogging."

"And you thought it was a woman?" Bentz's heart was beating double-time. He wanted to shake the words from the kid's body. A jogger had been caught on the webcam at Santa Monica Pier the night Bentz had jumped into the water after Jennifer, and he thought he'd seen a runner on the street near Lorraine Newell's house on the night she was killed. And now?

"Look she, he, was wearing sweats and a cap. I really couldn't tell. Can I go now?"

"No," Bentz said. Sweats and a cap on a warm morning...had to be a disguise. Had Had to. Bentz knew he was grasping at straws but he'd take anything, the tiniest shred of a clue that might lead to his wife. It was all he could do to appear calm, keep his voice even when he was screaming inside. "Look, Tony, I think I might want you to go to the police station and talk with a police artist." to. Bentz knew he was grasping at straws but he'd take anything, the tiniest shred of a clue that might lead to his wife. It was all he could do to appear calm, keep his voice even when he was screaming inside. "Look, Tony, I think I might want you to go to the police station and talk with a police artist."

"Hey, no." Tony shook his head as if a police station was the very bowels of h.e.l.l. "The cops? Nuh-uh."

"He'll be there if you need him," Rebecca said firmly.

"No, Mom. I didn't see nothing, not really. I'm not even sure about the runner. She was crossing the street...I mean, I don't think she came to the door."

"But you don't know."

He shook his head, bit his lower lip.

"Tony has a tendency to watch TV or play video games when he's supposed to be working." Then as if realizing he was underage, she amended, "I give him his allowance if he watches the desk for me."

Tony's employment or lack thereof wasn't any of Bentz's concern. Not now. Though he was still reeling from the photo of Olivia, he now felt a grain of hope. A drop of adrenaline coursed through his blood. Here, finally, was something solid to go on. "Do you have a security tape?" Bentz asked and Rebecca nodded. "Of the parking lot and front door?"

"Sure, and of the lobby, too. Our security equipment is pretty cheap, but you're welcome to a copy of the videotape."

"Right now, can you play it back? So we can watch it?" he asked, suddenly on fire.

"Yeah, sure." Rebecca was on board.

"I'll need a copy for the police."

"No problem." She gave Tony instructions to watch the front desk and led Bentz to a small area with a TV monitor and tape machine. As Rebecca said, the security system was hardly state of the art, but Bentz didn't care. He just wanted something, anything, that would help him find Olivia.

Rebecca sat at the tiny desk, pushed a few b.u.t.tons, and rewound the black-and-white tape. Images reversed quickly on the monitor, people walking and running jerkily backward, cars in reverse. "There," she said as a jogger appeared. She rewound the tape until the runner was caught in the camera's eye.

Just as Tony had suspected, the jogger cut across the parking lot, slid the envelope from inside a jacket, and dropped it by the door.

But watching her on tape, Bentz didn't think it was the woman who pretended to be Jennifer. He wasn't even certain it was a woman, but it seemed that way. Her clothes were bulky, hiding her shape, but there was something about the chin and neck, no Adam's apple visible, not a hint of peach fuzz or beard shadow, although it was hard to be sure considering the indistinct quality of the moving image.

Nonetheless, it was something.

"Ever seen this person before?" he asked Rebecca.

"I don't think so, but it's hard to tell with the baseball cap and dark gla.s.ses."

"Tony!" Bentz called and the boy, looking bored as h.e.l.l, returned. "You were right. This is the person you saw, right?"

"Yeah." He lifted his shoulder again, as if it were his signature move. "I guess."

"Did you notice anything else about the runner? Color of clothes or hair or car nearby?"

"Nah, but that's the person. See there? She's dropping the package."

"She?"

"Yeah, I think. Hey, I don't know, man."

"Tony," Rebecca said sharply. "This isn't just Mr. Bentz. He's a detective with the New Orleans Police Department and his wife is missing. Kidnapped. There's a good chance this jogger," she pointed to the monster, "is involved, so please think. Think real hard."

"I am!" he said, throwing up his hands. "Holy c.r.a.p, Mom, don't you ever ever listen to me? Didn't I tell you that was everything I knew? And there...there she is on the tape. I didn't see any more than that." He eyed Bentz suspiciously, as if he expected to be busted at any second. listen to me? Didn't I tell you that was everything I knew? And there...there she is on the tape. I didn't see any more than that." He eyed Bentz suspiciously, as if he expected to be busted at any second.

"What about the color of her clothes?"

"Nah..." He snapped his fingers. "But I think I thought she was a woman because of her shoes. They...they don't look like a guy's."

Bentz glanced back at the screen and saw a glimpse of a running shoe, not one he would necessarily describe as being made for a woman, but definitely small. A woman's foot. Or that of a very small man. "Thanks, Tony."

"Hey, no prob." The kid shrugged and retreated through the doorway, trying to put as much distance between himself and the cop as possible.

Bentz turned to Rebecca. "You said you can make me a tape?"

"Yeah. No prob, No prob," she said, mocking her son.

Rebecca copied the tape quickly and handed it to him. "Good luck," she said. "I hope you find her. Soon."

"You and me both." Bentz hurried back to his car and didn't add what they both were thinking: Find her before it's too late. Find her before it's too late.