Lionboy Part 1

Lionboy.

by Zizou Corder.

Lionboy is dedicated to Greenside School, especially Year Six, 2003-4: Kehinde Ogunseitan, Taiwo Ogunseitan, Hannah Laidley, Melanie Phillips, Kitty Wordsworth, Rosie Gravante, Alice Broughton, Daniel da Cunha Blaker, Jake Kidston Kerr, Charlie Raven, Charlie Regis, Madeleine Ellis Peterson, Queenie Ingrams, Theo Caldwell, Cieran Lacey, Salma Ahmed, Tamsin Stewart, Arta Avdullahu, Naim Saleh, Tiffany Copeland, Hafsa Wardhere, Alison Woronkowicz, Paris Rhoden, Lauren Castle, Gavin Burchard de Taunton, Liam O'Neill, Karim Cherifi, Harry Guyan. is dedicated to Greenside School, especially Year Six, 2003-4: Kehinde Ogunseitan, Taiwo Ogunseitan, Hannah Laidley, Melanie Phillips, Kitty Wordsworth, Rosie Gravante, Alice Broughton, Daniel da Cunha Blaker, Jake Kidston Kerr, Charlie Raven, Charlie Regis, Madeleine Ellis Peterson, Queenie Ingrams, Theo Caldwell, Cieran Lacey, Salma Ahmed, Tamsin Stewart, Arta Avdullahu, Naim Saleh, Tiffany Copeland, Hafsa Wardhere, Alison Woronkowicz, Paris Rhoden, Lauren Castle, Gavin Burchard de Taunton, Liam O'Neill, Karim Cherifi, Harry Guyan.

A nicer bunch of kids there never was.

And to Mr. Morant, Mr. Andrews, Mrs. Hart, Mrs. Lyne, Miss Ellis, Mrs. Joyce, Miss Barakat, Mrs. Shine and everyone. Thank you!

CHAPTER 1.

One Sat.u.r.day afternoon in September Charlie's mum was on a ladder in the backyard, doing things to plants halfway up the wall. Charlie didn't know what, or care. He liked the yard, the gorgeous honey-lemon smell of the flowers, and the great Christmas tree that hung over the back wall, with its shiny silver and green and purple fruits that he would harvest toward midwinter and sell at the market. He liked climbing around in the tree and in the ruins beyond, running down to the river, and talking to the cats that lived down there. But he didn't care what his mum was doing on the ladder-until he heard a shriek and a clatter and a rude word, and he ran out to see.

His mum was on all fours, on the fallen ladder, on the ground, with festoons of the honey-smelling plant around her, her red hair wild and her face as white as ice.

"Stupid, stupid," she was muttering.

"No you're not," said Charlie. He offered her his hand and she pulled up to her feet, wincing. "You wouldn't be a professor if you were stupid."

"Clever people can do stupid things," she said. "Let me into the house."

She hobbled inside and Charlie followed, worried but not worried, because his mum was the strongest, cleverest, bravest person in the world, apart from his dad, of course, and if anyone could handle falling off a ladder, she could.

"Owwwww," she said. Charlie had already pa.s.sed her the aloe, a piece of chocolate, and a small bottle of her secret shock remedy, which she made in her laboratory and which smelled of comfort and brandy and sweet winter herbs.

"Best take a look," she said, and slid carefully out of the long leather breeches she always wore for outdoor work.

"Owww," they both said, at the sight of the raw red scratches, the pinky purple swellings, and the nasty gashes that adorned her shin. Charlie handed over a clean paper towel and Mum dabbed at her wound.

"Bring me some Bloodstopper Lotion," she said. "Twenty-seven Red. It's in the rack." She handed Charlie the keys to her lab. Charlie smiled. Mum, Professor Magdalen Start, PhD, MD, PQRST, LPO, TP, kept her laboratory locked on strict instructions of the government, indeed of the Empire, because her work was so important that no one was to be allowed to know anything about it. Except of course for Charlie's dad, Aneba Ashanti, Doctor of Endoterica and Tropical Sciences at the University of Accra in Ghana (currently on sabbatical at London University), Chief of Knowledge of all the Tribes of Akan, and Brother of Lions, who knew all about it because they worked together. Charlie's dad knew everything that had ever been known about the plants of the West African forests, what they were good for, and what was good for them.

"Your mum and I have different ways of knowing about the same thing," Dad would say. "Very good system."

Charlie was honored. Every day these days he was allowed to do new things: new things that showed they realized he was growing up. Last Christmas he'd been allowed to sell the shiny fruit at the market by himself, alone; on his way home from his lessons he was allowed to hang out for a while at the fountain, drinking sherbets and playing football or oware with the other big kids. And now he was allowed to fetch a lotion from his mother's lab. It felt good, being big.

"In the rack by the door," Mum said with a little smile.

He'd been inside the lab before, of course. As a baby, after they'd come here to London from Africa, he'd practically lived in there. While Mum worked, mixing and smelling and flicking between her burners and her computer screen, he would paddle around the place in a sort of pair of shorts hung on a wheeled frame: He could scoot and whiz, and once disappeared completely under a table, so Mum couldn't find him. He'd loved his shorts on wheels.

He loved the lab too. Because it was in a separate shed in the backyard, it had always seemed like a different world. Pushing open the door now, he got a waft of the smell of it: somewhere between a cake baking, old books, sweet strong incense, and underneath it the hard cold smell of science. It looked like it smelled. The walls were old and paneled with well-polished dark wood. The tables to the left were gleaming steel with gla.s.s cupboards, VDT screens and instruments of the most precise and modern specifications, while to the left a huge old wooden table stood empty except for a ma.s.sive globe beneath a rack of hanging dried herbs. Along the back wall were stacked shelf upon shelf upon shelf of books-ancient leather-bound tomes, colorful paperbacks, smart-looking hardbacks, parchments laid out flat, and scrolls, rolled tight and piled carefully, plus CD-roms and DVDs, and old, old thick black vinyl discs, which played on a machine with a huge curling horn. It seemed to Charlie that all the knowledge in the world, past and present, lived in his mother's laboratory, and if it didn't you could find out here where it did live.

By the door was a tall flattish wooden rack, made up of rows of shelves. On each shelf was a row of small, shiny, colored gla.s.s bottles, held in place by a little wooden bar along the front. If you looked carefully you could see that the color was not in the gla.s.s, but in the contents of the bottle, and they were arranged in order of color like a rainbow: Red Orange Yellow Green Blue Indigo Violet. Charlie craned up to where the reds began in the top left-hand corner, and scanned along the shelves looking for 27 Red. There it was: a deep crimson, blood-colored, only not so thick-looking. He reached up to take it and, giving the lab a last yearning look, took it back to where his mother was waiting in the kitchen.

"Thank you, sweetie," she said, and was just about to lift the lid and drip a drop of the lotion onto her still-bleeding wound, when she hesitated.

"Bring me a pen and paper," she said suddenly.

Charlie fetched one of the strong swirling gla.s.s pens that they used for every day, and the green kitchen ink, and a sc.r.a.p of envelope.

"Proper paper," she said, and he brought a piece of heavy clean parchment from the drawer.

Mum pulled herself up, and as she did so the movement made the blood bubble a little more from her shin. She took no notice. Instead, she lifted her leg and laid it along the kitchen table, as if she were doing her yoga, or ballet. The parchment lay on the kitchen table; the ink was ignored. Mum took the Venetian pen and cautiously dipped it in the beading blood of her wound.

Charlie stared.

"Don't worry," she said to him. "I just thought of something I've been meaning to do for a while."

He still stared.

Mum started to write. By dipping the sharp little nib in her deepest cut she had enough blood to write a full, elegant paragraph, and a signature.

"What is it?" he asked, feeling a little ill.

"You'll know soon enough," she said. She flapped the parchment gently and watched the scarlet turn to a delicate brown. It looked like a magical text, an ancient spell, a decree by some all-powerful and long-dead king or queen.

"I'm putting it up here," she said as she rolled it up, tied it quickly, and popped it behind the photo of her and Aneba on their honeymoon in Venice, on the top shelf of the cabinet. "And Charlie . . ." Here she stopped and looked at him, her blue eyes sure and clear: "If you need to go anywhere, take it with you."

A sudden sharp sense of importance welled up inside him. She didn't mean "take it to the bathroom," or "take it when you go to bed." She meant something bigger, more grown-up, more important. Sometimes Charlie felt that the grown-ups around him existed on that other level-talking of things they didn't mention to him, taking care of things, dealing with things that were not to do with children. Until recently he'd ignored it, and carried on reading his book or taking extra cake while they weren't paying attention. But lately . . . lately there'd been a lot of talking downstairs after he had gone to bed, a lot of hushed telephone calls, and furrowed brows. This look in his mother's eyes, this sudden mysterious writing in blood, were to do with the same things, he was sure.

Just then the great noise that heralded the Return of Dad started up. There was a Ghanaian song about dinner-delicious mamuna with spicy dawa dawa-that he sang to himself whenever he wasn't doing anything else: "Tuwe tuwe, mamuna tuwe tuwe, abosom dar ama dawa dawa, tuwe tuwe . . ." "Tuwe tuwe, mamuna tuwe tuwe, abosom dar ama dawa dawa, tuwe tuwe . . ." You could hear it from the distance as he strolled up the street. Then the firm, solid tread of his feet crossing the yard, and the jangle of his big bunch of keys because once again he hasn't noticed that the door is unlocked. "Three, two, one . . ." Charlie counted down in his head, and his timing was perfect: On "Blast-off!" came Dad's huge voice calling out, "He-llo! He-llo! Where's my family?" You could hear it from the distance as he strolled up the street. Then the firm, solid tread of his feet crossing the yard, and the jangle of his big bunch of keys because once again he hasn't noticed that the door is unlocked. "Three, two, one . . ." Charlie counted down in his head, and his timing was perfect: On "Blast-off!" came Dad's huge voice calling out, "He-llo! He-llo! Where's my family?"

Charlie's dad, you ought to know, was huge. Not just a big man, but huge. He wasn't technically a giant, but Charlie thought he might have giant blood, and this worried him sometimes because if his dad had giant blood, then so did he, and that made the whole thing of "you're a big boy now, growing nice and big like your dad" a different ball game. Charlie was proud and happy to be brown-both black like his dad and white like his mum, he said-but he wasn't sure he wanted to be giant as well.

Once, in a museum, Charlie had seen some armor from ancient Greek times, a breastplate made in the shape of a man's body, with all the muscles and even the belly b.u.t.ton molded in beaten bronze. That's what Charlie's dad looked like with his shirt off. Like he was still wearing armor. He had huge arms, and the veins on them looked like rivers on a map, only they stood out; he had huge legs, and shoulders as wide as a small shed, and a neck like a tree, and he walked straight and tall and smiling, and everyone got out of his way and turned to look at him after he had pa.s.sed. When he closed down the smile in his eyes, and let his mouth lie stern, he was the most frightening-looking man. Then when his smile burst through and his white teeth shone and his eyes crinkled up and his cheeks went into little apple shapes, he was like the G.o.d of happiness.

"We're in the kitchen," called Mum.

"She's broken," called Charlie.

"No I'm not," said Mum, finally dripping the Bloodstopper Lotion onto her cuts, and the evening descended into a sweet time of Mum lying around telling jokes, Dad cooking dinner, Charlie watching The Simpsons The Simpsons and staying up late because there are no lessons on Sunday. He forgot all about the parchment written in blood, and didn't think of it again until six months later, when he came home to find that his parents had disappeared. and staying up late because there are no lessons on Sunday. He forgot all about the parchment written in blood, and didn't think of it again until six months later, when he came home to find that his parents had disappeared.

CHAPTER 2.

He'd been at his lessons with Brother Jerome: Arabic, Latin, mathematics, music, and the history of human flight, and his head was aching from the amount of studying he had done. Mum said he learned more being on his own with a tutor and no doubt it was true, but sometimes he just wanted to fool around a bit during his lessons, like he'd read about in stories, and how could you do that on your own? So after his lessons on that day he headed down to the fountain to play football with the schoolkids. Steve Ubsworth might be there, or Lolo and Jake, or Becks and Joe Lockhart.

None of them were around. But Rafi Sadler was. He was leaning against the tree and calling younger boys to him with a flick of his head, and whispering to them. Rafi certainly wasn't a schoolkid, and he was too old to be called a boy, but he wasn't really an adult either. Everybody knew Rafi. He was tall and handsome with sleek shaved black hair, and he gazed at you from big brown eyes with the thickest lashes-almost girly lashes, but no one would say that. He wore a long leather jacket and had a funny little light beard, shaved into shape. He wasn't really old enough to have a beard and it wasn't a very good one. He always had money and adults sometimes wondered where it came from.

Today Rafi deigned to join in the football for a minute or two. People let him through, and didn't tackle him, and not just because he was strong. Soon he went back to leaning, and talking on his cell phone. Part of Charlie longed for Rafi to call him over, but Rafi had never taken much notice of Charlie.

The football had made them hot, so they all got some cherry sherbet off the guy with his white wooden cart piled high with crimson cherries and jugs of sugar-cane syrup, and drank it frothy and cool from his tall gla.s.ses. One of Rafi's boys took him a gla.s.s, but he didn't touch it. Instead, he strolled over to where Charlie was.

"Nice haircut," he said. Charlie's mum had shaved his head the day before. This time she'd cut in a design of two crocodiles with one belly-each had a head and a tail and four legs, but they were set like an X, and the center of the X was their shared belly. It was an Ad.i.n.kra symbol from Ghana: It was about how, though we all eat with different mouths, we have only one belly between us.

"Thanks," said Charlie, surprised. Rafi never talked to him. Charlie's parents used to know his mum, Martha, and Charlie knew that Rafi lived alone with her, and had left school years ago and had been in trouble, and he knew that Rafi was not the kind of guy who would talk to him. That's all he knew.

Charlie couldn't think of anything else more interesting to say. He smiled again, and then kind of nodded. Then Rafi had strolled away again, and Charlie was so embarra.s.sed that he went home.

The sun was heading west, and as he got back toward his street he could smell the evening river smell rising up cool and damp to meet the evening cooking smell of woodsmoke and garlic. The flowers hung heavy on the trees in the front gardens as he turned into his street. He was wondering what was for supper and hoping there would be some cherries left over from breakfast. He'd be sorry when the cherry glut was over-but soon the gardens would be full of strawberries, so there was that to look forward to. And who knows, maybe a ship full of fruit would come up from the south. As he approached his house, he was fantasizing about the old days, when you got all different kinds of fruit at all different times of year, coming in airplanes from far, far away . . . Ah, well. Cherries would do for now.

When he got to his front garden, the door was closed. There were no lights on, and there was no good smell seeping out. He banged on the door: nothing. He peered through the window: He couldn't make out much in the dim light, but he could see there was no movement, no sign of life.

Charlie went around to the back. Back door shut, no lights. He banged on that door. Nothing. Turning to the wall to see if there were any cats around, whom he could ask if they'd seen anyone, he saw something that clutched his heart. The door of his mother's lab was open. Not just unlocked-open.

He stared at it for a moment. Then he went over and peered in. If there is anyone in there who shouldn't be, they would have closed the door to hide themselves, he reasoned, therefore no one is in there who shouldn't be. Therefore maybe someone is in there who should be, i.e., Mum. So he looked in.

n.o.body. Everything was just as it should be-except that it was open and empty, which it really, really shouldn't be.

Stepping back into the yard Charlie closed the door carefully and quietly behind him. At least it looked right now. As right as an empty, dark, locked-up house can look when you've come in for your parents and your supper.

He felt a strong twining furry thing around his ankle and looked down. It was one of the skinny, tough, big-eared cats from the ruins. He bent down to talk to her, because you don't pick those cats up. Cuddly they're not.

"Hey, Petra," he said.

"She's gorn," said the cat in her scrowly voice.

"Gone where?" said Charlie immediately.

"Dunno," she said, her yellow eyes large in the dimming light. "Gorn orf downriver. It was some of them half-wits saw it. Least they arksed the river cats to keep an eye out for 'em. Ain't 'eard nuffin yet."

The cats were always having feuds, so Charlie wasn't concerned about the "half-wits."

"Who's 'them'?" he asked.

The cat stared at him unblinking.

"Your mum," she said. "And some humans." And she leaped up onto the wall out of Charlie's reach, a gray arc flying through the dusk. Her tail flicked. "Humans," she hissed again, and disappeared.

Charlie sat down on the back step and felt sick. Why would his mother go off with people the cats didn't recognize?

Marshall your thoughts, he told himself. Marshall. Charlie couldn't even get his thoughts to line up and keep still, let alone stand to attention so he could inspect them. Only two thoughts stood out: One, he didn't like this one little bit, and two, Dad would know.

Charlie reached down into his tutorbag, and as he rummaged his little phone lit up, clear and turquoise like the sea in summer. He pulled it out and dialed his dad's number. A computer voice with an Empire accent answered: "The apparatus is not functioning. Please try later. The apparatus is not functioning. Please try-" Charlie cut it off and huddled down into the step. It wasn't that warm either.

Dad's probably on the train and that's why his phone's not answering. That'll be it. I'll go up to the station and probably meet him on the way. Otherwise I can wait for him, and he'll know what's going on.

Charlie leaped up before the comfort of this version of things deserted him, and raced around to the front of the house, out of the yard and onto the street. There were a lot of people, all coming the opposite way from him: a tide of people returning from work, coming down from the station. He forced his way against the tide up to the marketplace, where the stalls and tents were still up and open, festooned with fairy lights, selling last-minute treats to tired commuters. A handful of sheep were still in the pen beyond the fountain, and their plaintive cries added sadness to the bustle. In this darkness everything familiar was different, and he didn't really like it. He hoped he wouldn't b.u.mp into any alcoholguys-the loud lurching ones who made no sense and smelled so bad, and could appear at any time.

Up by the station he parked himself in a pool of yellow light under a lamppost. People flowed around him: all sizes, all colors, but no Dad. Charlie didn't want to try phoning again because someone might see his phone and steal it, like the big schoolkids do off the little schoolkids, even though it's useless because as soon as the little kids' parents find out they cancel the phones anyway so they can't be used. Pathetic, Charlie thought: people trying to prove how cool they are by stealing something useless off a tiny kid.

Come on, Dad.

Perhaps he came by bus. The bus stop is over at the other side of the market.

Perhaps I missed him in the crowd and he's gone home and found neither Mum nor me.

Or maybe he's working late-maybe I could go to his office at the university. But Charlie knew that was dumb because he had no idea where Dad's office was, except that it was by the river, a long way from here. Up there, across the city, the river was twice the size it was here. There were huge ships and warehouses, and great shiny buildings full of people making money, and it smelled of the sea because the sea tide came flooding up, bringing wet fogs and gulls and the heavy salt smell. Here, the riversides had only the ruins and the cats and the fisherguys with their small painted boats, and it smelled of frogs and slimy weeds. Perhaps I should just go to the riverside and walk along until I get to where Dad's office is, he thought. I'd probably recognize it. Probably.

No, that's foolish. Dad wouldn't be there at this hour. Better to go on home.

Charlie dived into the flow of people and let them sweep him back to where the houses were, and peeled off at his street. He didn't look forward to seeing his house still dark and silent and empty . . . but maybe Dad would be there and the lights on and dinner on the stove.

The lights were on, but Dad was not there. Instead, framed in the lit-up doorway, stood Rafi Sadler.

He held the door and invited Charlie in, for all the world as if it were his house and Charlie were the guest.

"Hey, Charlie boy," said Rafi. "Come on in."

Charlie was surprised. "Hi," he said warily. And went in.

He looked swiftly around the kitchen. Mum's lab keys were not hanging in the small tree where they normally lived. Rafi's big gray dog, Troy, was panting at his feet. Troy's tongue always hung out of his mouth, wet and slathery like a flat pink slug.

"Where's my dad?" asked Charlie.

"There's been a change of plan," said Rafi.

"What plan?" said Charlie. "Mum-" But he didn't finish the sentence because he suddenly caught sight of a flash of yellow eyes outside the kitchen window, and a clear warning in them as a dark arc flicked beyond range of the light, and Petra was again invisible in the gloom. Perhaps she'd heard something.

"Yeah, I know, it's a drag," said Rafi. "Mum asked me to come around and tell you. Your mum and dad have had to go on a trip or something. Some new job. They left a note. Here."

Rafi held out a folded piece of paper. Charlie looked at it. Rafi's hand was strong like a man's.

He reached for the letter. Mum and and Dad? It was in Mum's writing. Dad? It was in Mum's writing.

"Dear Charlie," he read, "I'm awfully sorry but Mummy and Daddy have had to go away for work business, would have let you know sooner but we couldn't. You're to go and stay with Martha and we'll be in touch as soon as we can. Be a good boy and do as you're told and we should be back soon. Tons of love, Mummy."

Charlie nearly laughed. He hadn't called her Mummy for about five years, and she never called Dad "Daddy" like that. She called him Aneba, because that's his name, or sometimes "your dad." "Work business" was a stupid phrase she would never use-she called work, work, and hated the word business business: She said it made her think of rich people in horrid suits working hard to get even richer. As for "be a good boy and do as you're told"-she always said she couldn't care less about his being a good boy in the "doing what you're told" sense: She said people often told you to do foolish or harmful things, so it was much better to get in the habit of working out for yourself what you should do. "Imagine if you bought every single thing that advertis.e.m.e.nts told you to buy," she said. "Or-for example-there were times and places where black people and white people were told they weren't even allowed to be friends, or to work together, let alone to love or marry or have babies . . . so where would that leave us?"

"I'd have to cut myself in half," Charlie had said, unhappily, at about age five. Mum had dropped a kiss on his head and her face had turned a bit sad.