Lion and the Unicorn Part 3

"What will you give me for this?" she asked defiantly.

The girl's eyes showed greater interest. "I can give you twenty pounds for that," she said.

"Take it, please," Helen begged, as though she feared if she kept it a moment longer she might not be able to make the sacrifice.

"That will be enough now," she went on, taking out her ten-pound note.

She put Lady Gower's ring back upon her finger and picked up Philip's ring and watch with the pleasure of one who has come into a great fortune. She turned back at the door.

"Oh," she stammered, "in case any one should inquire, you are not to say who bought these."

"No, miss, certainly not," said the woman. Helen gave the direction to the cabman and, closing the doors of the hansom, sat looking down at the watch and the ring, as they lay in her lap. The thought that they had been his most valued possessions, which he had abandoned forever, and that they were now entirely hers, to do with as she liked, filled her with most intense delight and pleasure. She took up the heavy gold ring and placed it on the little finger of her left hand; it was much too large, and she removed it and balanced it for a moment doubtfully in the palm of her right hand. She was smiling, and her face was lit with shy and tender thoughts. She cast a quick glance to the left and right as though fearful that people pa.s.sing in the street would observe her, and then slipped the ring over the fourth finger of her left hand. She gazed at it with a guilty smile and then, covering it hastily with her other hand, leaned back, clasping it closely, and sat frowning far out before her with puzzled eyes.

To Carroll all roads led past Helen's studio, and during the summer, while she had been absent in Scotland it was one of his sad pleasures to make a pilgrimage to her street and to pause opposite the house and look up at the empty windows of her rooms.

It was during this daily exercise that he learned, through the arrival of her luggage, of her return to London, and when day followed day without her having shown any desire to see him or to tell him of her return he denounced himself most bitterly as a fatuous fool.

At the end of the week he sat down and considered his case quite calmly.

For three years he had loved this girl, deeply and tenderly. He had been lover, brother, friend, and guardian. During that time, even though she had accepted him in every capacity except as that of the prospective husband, she had never given him any real affection, nor sympathy, nor help; all she had done for him had been done without her knowledge or intent. To know her, to love her, and to scheme to give her pleasure had been its own reward, and the only one. For the last few months he had been living like a crossing-sweeper in order to be able to stay in London until she came back to it, and that he might still send her the gifts he had always laid on her altar. He had not seen her in three months. Three months that had been to him a blank, except for his work--which like all else that he did, was inspired and carried on for her. Now at last she had returned and had shown that, even as a friend, he was of so little account in her thoughts, of so little consequence in her life, that after this long absence she had no desire to learn of his welfare or to see him--she did not even give him the chance to see her.

And so, placing these facts before him for the first time since he had loved her, he considered what was due to himself. "Was it good enough?"

he asked. "Was it just that he should continue to wear out his soul and body for this girl who did not want what he had to give, who treated him less considerately than a man whom she met for the first time at dinner?"

He felt he had reached the breaking-point; that the time had come when he must consider what he owed to himself. There could never be any other woman save Helen, but as it was not to be Helen, he could no longer, with self-respect, continue to proffer his love only to see it slighted and neglected. He was humble enough concerning himself, but of his love he was very proud. Other men could give her more in wealth or position, but no one could ever love her as he did. "He that hath more let him give," he had often quoted to her defiantly, as though he were challenging the world, and now he felt he must evolve a make-shift world of his own--a world in which she was not his only spring of acts; he must begin all over again and keep his love secret and sacred until she understood it and wanted it. And if she should never want it he would at least have saved it from many rebuffs and insults.

With this determination strong in him, the note Helen had left for him after her talk with Marion, and the flowers, and the note with them, saying she was coming to take tea on the morrow, failed to move him except to make him more bitter. He saw in them only a tardy recognition of her neglect--an effort to make up to him for thoughtlessness which, from her, hurt him worse than studied slight.

A new regime had begun, and he was determined to establish it firmly and to make it impossible for himself to retreat from it; and in the note in which he thanked Helen for the flowers and welcomed her to tea, he declared his ultimatum.

"You know how terribly I feel," he wrote; "I don't have to tell you that, but I cannot always go on dragging out my love and holding it up to excite your pity as beggars show their sores. I cannot always go on praying before your altar, cutting myself with knives and calling upon you to listen to me. You know that there is no one else but you, and that there never can be any one but you, and that nothing is changed except that after this I am not going to urge and torment you. I shall wait as I have always waited--only now I shall wait in silence. You know just how little, in one way, I have to offer you, and you know just how much I have in love to offer you. It is now for you to speak--some day, or never. But you will have to speak first. You will never hear a word of love from me again. Why should you? You know it is always waiting for you. But if you should ever want it, you must come to me, and take off your hat and put it on my table and say, 'Philip, I have come to stay.'

Whether you can ever do that or not can make no difference in my love for you. I shall love you always, as no man has ever loved a woman in this world, but it is you who must speak first; for me, the rest is silence."

The following morning as Helen was leaving the house she found this letter lying on the hall-table, and ran back with it to her rooms. A week before she would have let it lie on the table and read it on her return. She was conscious that this was what she would have done, and it pleased her to find that what concerned Philip was now to her the thing of greatest interest. She was pleased with her own eagerness--her own happiness was a welcome sign, and she was proud and glad that she was learning to care.

She read the letter with an anxious pride and pleasure in each word that was entirely new. Philip's recriminations did not hurt her, they were the sign that he cared; nor did his determination not to speak of his love to her hurt her, for she believed him when he said that he would always care. She read the letter twice, and then sat for some time considering the kind of letter Philip would have written had he known her secret--had he known that the ring he had abandoned was now upon her finger.

She rose and, crossing to a desk, placed the letter in a drawer, and then took it out again and re-read the last page. When she had finished it she was smiling. For a moment she stood irresolute, and then, moving slowly toward the centre-table, cast a guilty look about her and, raising her hands, lifted her veil and half withdrew the pins that fastened her hat.

"Philip," she began in a frightened whisper, "I have--I have come to--"

The sentence ended in a cry of protest, and she rushed across the room as though she were running from herself. She was blushing violently.

"Never!" she cried, as she pulled open the door; "I could never do it--never!"

The following afternoon, when Helen was to come to tea, Carroll decided that he would receive her with all the old friendliness, but that he must be careful to subdue all emotion.

He was really deeply hurt at her treatment, and had it not been that she came on her own invitation he would not of his own accord have sought to see her. In consequence, he rather welcomed than otherwise the arrival of Marion Cavendish, who came a half-hour before Helen was expected, and who followed a hasty knock with a precipitate entrance.

"Sit down," she commanded breathlessly; "and listen. I've been at rehearsal all day, or I'd have been here before you were awake." She seated herself nervously and nodded her head at Carroll in an excited and mysterious manner.

"What is it?" he asked. "Have you and Reggie--"

"Listen," Marion repeated, "our fortunes are made; that is what's the matter--and I've made them. If you took half the interest in your work I do, you'd have made yours long ago. Last night," she began impressively, "I went to a large supper at the Savoy, and I sat next to Charley Wimpole. He came in late, after everybody had finished, and I attacked him while he was eating his supper. He said he had been rehearsing 'Caste' after the performance; that they've put it on as a stop-gap on account of the failure of the 'Triflers,' and that he knew revivals were of no use; that he would give any sum for a good modern comedy. That was my cue, and I told him I knew of a better comedy than any he had produced at his theatre in five years, and that it was going begging.

He laughed, and asked where was he to find this wonderful comedy, and I said, 'It's been in your safe for the last two months and you haven't read it.' He said, 'Indeed, how do you know that?' and I said, 'Because if you'd read it, it wouldn't be in your safe, but on your stage.' So he asked me what the play was about, and I told him the plot and what sort of a part his was, and some of his scenes, and he began to take notice.

He forgot his supper, and very soon he grew so interested that he turned his chair round and kept eying my supper-card to find out who I was, and at last remembered seeing me in 'The New Boy'--and a rotten part it was, too--but he remembered it, and he told me to go on and tell him more about your play. So I recited it, bit by bit, and he laughed in all the right places and got very much excited, and said finally that he would read it the first thing this morning." Marion paused, breathlessly. "Oh, yes, and he wrote your address on his cuff," she added, with the air of delivering a complete and convincing climax.

Carroll stared at her and pulled excitedly on his pipe.

"Oh, Marion!" he gasped, "suppose he should? He won't though," he added, but eying her eagerly and inviting contradiction.

"He will," she answered, stoutly, "if he reads it."

"The other managers read it," Carroll suggested, doubtfully.

"Yes, but what do they know?" Marion returned, loftily. "He knows.

Charles Wimpole is the only intelligent actor-manager in London."

There was a sharp knock at the door, which Marion in her excitement had left ajar, and Prentiss threw it wide open with an impressive sweep, as though he were announcing royalty: "Mr. Charles Wimpole," he said.

The actor-manager stopped in the doorway bowing gracefully, his hat held before him and his hand on his stick as though it were resting on a foil. He had the face and carriage of a gallant of the days of Congreve, and he wore his modern frock-coat with as much distinction as if it were of silk and lace. He was evidently amused. "I couldn't help overhearing the last line," he said, smiling. "It gives me a good entrance."

Marion gazed at him blankly: "Oh," she gasped, "we--we--were just talking about you."

"If you hadn't mentioned my name," the actor said, "I should never have guessed it. And this is Mr. Carroll, I hope."

The great man was rather pleased with the situation. As he read it, it struck him as possessing strong dramatic possibilities: Carroll was the struggling author on the verge of starvation: Marion, his sweetheart, flying to him gave him hope; and he was the good fairy arriving in the nick of time to set everything right and to make the young people happy and prosperous. He rather fancied himself in the part of the good fairy, and as he seated himself he bowed to them both in a manner which was charmingly inclusive and confidential.

"Miss Cavendish, I imagine, has already warned you that you might expect a visit from me," he said tentatively. Carroll nodded. He was too much concerned to interrupt.

"Then I need only tell you," Wimpole continued, "that I got up at an absurd hour this morning to read your play; that I did read it; that I like it immensely--and that if we can come to terms I shall produce it I shall produce it at once, within a fortnight or three weeks."

Carroll was staring at him intently and continued doing so after Wimpole had finished speaking. The actor felt he had somehow missed his point, or that Carroll could not have understood him, and repeated, "I say I shall put it in rehearsal at once."

Carroll rose abruptly, and pushed back his chair. "I should be very glad," he murmured, and strode over to the window, where he stood with his back turned to his guests. Wimpole looked after him with a kindly smile and nodded his head appreciatively. He had produced even a greater effect than his lines seemed to warrant. When he spoke again, it was quite simply, and sincerely, and though he spoke for Carroll's benefit, he addressed himself to Marion.

"You were quite right last night," he said, "it is a most charming piece of work. I am really extremely grateful to you for bringing it to my notice." He rose, and going to Carroll, put his hand on his shoulder.

"My boy," he said, "I congratulate you. I should like to be your age, and to have written that play. Come to my theatre to-morrow and we will talk terms. Talk it over first with your friends, so that I sha'n't rob you. Do you think you would prefer a lump sum now, and so be done with it altogether, or trust that the royalties may--"

"Royalties," prompted Marion, in an eager aside.

The men laughed. "Quite right," Wimpole a.s.sented, good-humoredly; "it's a poor sportsman who doesn't back his own horse. Well, then, until to-morrow."

"But," Carroll began, "one moment please. I haven't thanked you."

"My dear boy," cried Wimpole, waving him away with his stick, "it is I who have to thank you."

"And--and there is a condition," Carroll said, "which goes with the play. It is that Miss Cavendish is to have the part of Nancy."

Wimpole looked serious and considered for a moment.

"Nancy," he said, "the girl who interferes--a very good part. I have cast Miss Maddox for it in my mind, but, of course, if the author insists--"