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King Lear Part 6

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Our father he hath writ, so hath our sister, Of differences, which I best thought it fit To answer from our home. The several messengers From hence attend dispatch. Our good old friend, Lay comforts to your bosom, and bestow Your needful counsel to our business, Which craves the instant use.

Glou. I serve you, madam.

Your Graces are right welcome.

Exeunt. Flourish.

Scene II.



Before Gloucester's Castle.

Enter Kent and [Oswald the] Steward, severally.

Osw. Good dawning to thee, friend. Art of this house?

Kent. Ay.

Osw. Where may we set our horses?

Kent. I' th' mire.

Osw. Prithee, if thou lov'st me, tell me.

Kent. I love thee not.

Osw. Why then, I care not for thee.

Kent. If I had thee in Lipsbury Pinfold, I would make thee care for me.

Osw. Why dost thou use me thus? I know thee not.

Kent. Fellow, I know thee.

Osw. What dost thou know me for?

Kent. A knave; a rascal; an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundred-pound, filthy, worsted-stocking knave; a lily-liver'd, action-taking, wh.o.r.eson, gla.s.s-gazing, superserviceable, finical rogue; one-trunk-inheriting slave; one that wouldst be a bawd in way of good service, and art nothing but the composition of a knave, beggar, coward, pander, and the son and heir of a mongrel b.i.t.c.h; one whom I will beat into clamorous whining, if thou deny the least syllable of thy addition.

Osw. Why, what a monstrous fellow art thou, thus to rail on one that's neither known of thee nor knows thee!

Kent. What a brazen-fac'd varlet art thou, to deny thou knowest me!

Is it two days ago since I beat thee and tripp'd up thy heels before the King? [Draws his sword.] Draw, you rogue! for, though it be night, yet the moon shines. I'll make a sop o' th'

moonshine o' you. Draw, you wh.o.r.eson cullionly barbermonger!

draw!

Osw. Away! I have nothing to do with thee.

Kent. Draw, you rascal! You come with letters against the King, and take Vanity the puppet's part against the royalty of her father.

Draw, you rogue, or I'll so carbonado your shanks! Draw, you rascal! Come your ways!

Osw. Help, ho! murther! help!

Kent. Strike, you slave! Stand, rogue! Stand, you neat slave!

Strike! [Beats him.]

Osw. Help, ho! murther! murther!

Enter Edmund, with his rapier drawn, Gloucester, Cornwall, Regan, Servants.

Edm. How now? What's the matter? Parts [them].

Kent. With you, goodman boy, an you please! Come, I'll flesh ye!

Come on, young master!

Glou. Weapons? arms? What's the matter here?

Corn. Keep peace, upon your lives!

He dies that strikes again. What is the matter?

Reg. The messengers from our sister and the King Corn. What is your difference? Speak.

Osw. I am scarce in breath, my lord.

Kent. No marvel, you have so bestirr'd your valour. You cowardly rascal, nature disclaims in thee; a tailor made thee.

Corn. Thou art a strange fellow. A tailor make a man?

Kent. Ay, a tailor, sir. A stonecutter or a painter could not have made him so ill, though he had been but two hours at the trade.

Corn. Speak yet, how grew your quarrel?

Osw. This ancient ruffian, sir, whose life I have spar'd At suit of his grey beard- Kent. Thou wh.o.r.eson zed! thou unnecessary letter! My lord, if you'll give me leave, I will tread this unbolted villain into mortar and daub the walls of a jakes with him. 'Spare my grey beard,' you wagtail?

Corn. Peace, sirrah!

You beastly knave, know you no reverence?

Kent. Yes, sir, but anger hath a privilege.

Corn. Why art thou angry?

Kent. That such a slave as this should wear a sword, Who wears no honesty. Such smiling rogues as these, Like rats, oft bite the holy cords atwain Which are too intrinse t' unloose; smooth every pa.s.sion That in the natures of their lords rebel, Bring oil to fire, snow to their colder moods; Renege, affirm, and turn their halcyon beaks With every gale and vary of their masters, Knowing naught (like dogs) but following.

A plague upon your epileptic visage!

Smile you my speeches, as I were a fool?

Goose, an I had you upon Sarum Plain, I'ld drive ye cackling home to Camelot.

Corn. What, art thou mad, old fellow?

Glou. How fell you out? Say that.

Kent. No contraries hold more antipathy Than I and such a knave.

Corn. Why dost thou call him knave? What is his fault?

Kent. His countenance likes me not.

Corn. No more perchance does mine, or his, or hers.

Kent. Sir, 'tis my occupation to be plain.

I have seen better faces in my time Than stands on any shoulder that I see Before me at this instant.

Corn. This is some fellow Who, having been prais'd for bluntness, doth affect A saucy roughness, and constrains the garb Quite from his nature. He cannot flatter, he!

An honest mind and plain- he must speak truth!

An they will take it, so; if not, he's plain.

These kind of knaves I know which in this plainness Harbour more craft and more corrupter ends Than twenty silly-ducking observants That stretch their duties nicely.

Kent. Sir, in good faith, in sincere verity, Under th' allowance of your great aspect, Whose influence, like the wreath of radiant fire On flickering Phoebus' front- Corn. What mean'st by this?

Kent. To go out of my dialect, which you discommend so much. I know, sir, I am no flatterer. He that beguil'd you in a plain accent was a plain knave, which, for my part, I will not be, though I should win your displeasure to entreat me to't.

Corn. What was th' offence you gave him?

Osw. I never gave him any.

It pleas'd the King his master very late To strike at me, upon his misconstruction; When he, conjunct, and flattering his displeasure, Tripp'd me behind; being down, insulted, rail'd And put upon him such a deal of man That worthied him, got praises of the King For him attempting who was self-subdu'd; And, in the fleshment of this dread exploit, Drew on me here again.

Kent. None of these rogues and cowards But Ajax is their fool.

Corn. Fetch forth the stocks!

You stubborn ancient knave, you reverent braggart, We'll teach you- Kent. Sir, I am too old to learn.

Call not your stocks for me. I serve the King; On whose employment I was sent to you.

You shall do small respect, show too bold malice Against the grace and person of my master, Stocking his messenger.

Corn. Fetch forth the stocks! As I have life and honour, There shall he sit till noon.

Reg. Till noon? Till night, my lord, and all night too!

Kent. Why, madam, if I were your father's dog, You should not use me so.

Reg. Sir, being his knave, I will.

Corn. This is a fellow of the selfsame colour Our sister speaks of. Come, bring away the stocks!

Stocks brought out.

Glou. Let me beseech your Grace not to do so.

His fault is much, and the good King his master Will check him for't. Your purpos'd low correction Is such as basest and contemn'dest wretches For pilf'rings and most common trespa.s.ses Are punish'd with. The King must take it ill That he, so slightly valued in his messenger, Should have him thus restrain'd.

Corn. I'll answer that.

Reg. My sister may receive it much more worse, To have her gentleman abus'd, a.s.saulted, For following her affairs. Put in his legs.- [Kent is put in the stocks.]

Come, my good lord, away.

Exeunt [all but Gloucester and Kent].

Glou. I am sorry for thee, friend. 'Tis the Duke's pleasure, Whose disposition, all the world well knows, Will not be rubb'd nor stopp'd. I'll entreat for thee.

Kent. Pray do not, sir. I have watch'd and travell'd hard.

Some time I shall sleep out, the rest I'll whistle.

A good man's fortune may grow out at heels.

Give you good morrow!

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King Lear Part 6 summary

You're reading King Lear. This manga has been translated by Updating. Author(s): William Shakespeare. Already has 657 views.

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