Kill The Dead Part 6

"If I gave you some Saint-John's-wort, would you take it? It might help your mood."

"Give it to Kasabian. He's the shut-in."

Allegra pulls me over to the window and examines me under the light.

"Do you think your face is getting worse?"

"Define 'worse.'"

"Are the changes becoming more noticeable?"

"I know what I think. Tell me what you think."

She nods.

"It's worse. Your old scars are healing and your new cuts aren't disappearing like they used to. You still heal fast, just not ridiculously fast."

"Can you stop it?"

"Leave it to you to ask for the opposite of everything I've been learning for the last six months."

"I need my scars. Come on, if you can fix something you should be able to break it, too, right?"

"I can beat the s.h.i.t out of you with a claw hammer. That'd be easier than working up a scar potion."

"What about something that'll just stop the healing where it is?"

"I don't know about that."

The door opens as Allegra is talking.

"But I do," says Vidocq.

He comes in with a paper bag full of what looks like weeds, bugs, and most of the animal parts the dog food company rejected. He holds up a jar full of turquoise liquid.

"Blue amber."

He hands the jar to Allegra, who gets up and gives him a peck on the cheek.

"That's mazarine ice?"

"Oui. If you look in The Enochocian Treatise, the large gray book by the old alembic, you'll find notes on the Cupbearer's elixir. Take the amber and start gathering the other ingredients."

"That will bring my scars back?"

"No, but we might be able to halt the healing. The Cupbearer brewed and served the G.o.ds the elixir that gave them eternal life, keeping them as they were forever. Her elixir doesn't cure; it holds illness and infection in place. Teutonic knights brought it back from the Holy Lands during the Crusades for comrades who had contracted leprosy. I suspect that if it will stop the spread of a disease, I can make it hold your scars where they are."

"But you don't know."

"How could I? Only un homme fou asks for a way to stop healing."

"Fou me up, man. Give me skin like rhino hide. Make me look like the Elephant Man."

"It might take some time to get it right, but we'll see what we can do."

Vidocq and Allegra gather plants and potions, cutters and crushers, on the worktable. They don't have to talk much. Just whisper a word or two to let the other one know what they need. They're a nice team. Batman and Robin, but without the rough-trade undertones. For a second, I really hate their guts. I could have been like that with the right partner, but I'm stuck with the Beast That Wouldn't Shut Up. I wonder how smooth these two would be after a week of Kasabian screaming for p.o.r.n and cigarettes. I should bring him over for a family dinner. Vidocq must have a ball gag around here somewhere.

d.a.m.n. What a childish little p.r.i.c.k I am. There they are, working to save my a.s.s, and all I can do is whine about poor, poor pitiful me. I need to go kill something real, not snuff dead cheerleaders, but something alive and nasty, something that deserves it.

"It's ironic, isn't it?"

I look up into Vidocq's eyes.

"You spent all those years in h.e.l.l fighting to stay alive, becoming injured and earning your scars. Then you come back home in hopes of destroying both your enemies and yourself, but instead you find yourself healing and becoming your old self again."

I get up and glance at my phone. There's still time to make a couple of stops before I have to be at the Chateau.

"f.u.c.k my old self. My old self got his life stolen by morons and the person he cared about most killed. If I start turning into that a.s.shole again, I'll peel these scars off myself and put a shotgun to my forehead."

"But how do you really feel?" asks Allegra.

"Thanks for fixing me up. I'll see you later."

"Where are you going?"

"I've got to buy a prom dress."

I MAKE A quick stop at the Bamboo House of Dolls. You don't want to play into the "do me a favor, I'm a rock star" thing too often, but when you're being followed around because you're the celebrity killer of the month, why not use it occasionally, like when you need a human in the paranormal biz and you don't have time to screw around?

Mediums, exorcists, and sin eaters at Bamboo House aren't the big-money kind, so most of them have to do odd jobs to stay afloat. When you've been career-counseling ghosts all night, it's hard to answer phones or sling lattes for yuppies all day. Most human paranormals tend to dabble in things like gambling, s.e.x work, and cream-puff crime. I only have to ask a couple of people to find a well-stocked thief. He sells me a new leather sport jacket and a rifle frock coat for a hundred, which even by booster standards is cheap. Of course, now he can tell his clients that he sells to Sandman Slim and jack up his prices. Let the circle of celebrity be unbroken. Amen.

There's still time to kill before I have to head over to Chateau Marmont and I'm restless. I haven't stolen a car in a month. All death and no play makes Stark a dull boy.

Hollywood Boulevard is long and the side streets aren't always well lit. You'd be surprised how cheap rich people can be when it comes to parking. They'd rather leave a half-million-dollar Lamborghini in a drugstore parking lot after hours than pay a valet fifteen bucks. Their car insurance payments are what most people put out for a mortgage, and they pay them for the privilege of being stupid, so they can leave their car on the street alone and unprotected, like a four-wheel Red Riding Hood waiting for a wolf like me. I'm doing people like that a favor when I take their cars. Every time stupid rich people get ripped off, it makes them feel better about hating poor people. All they did was leave the equivalent of a big pile of cash by a parking meter, and when they came back, they were horrified to find it was gone. Leaving their stuff out for people to steal proves to them that people want to steal their stuff. Fear is like curling up under a warm blanket for some people, especially the rich.

Something evil and full of testosterone must be smiling down on me tonight. About half a block from Sunset on Cahuenga Boulevard, parked right out in the street like Grandma's Camry, is a silver Bugatti Veyron 16.4. An easy two million dollars in precision engineering and eyeball kicks. If Hugh Hefner designed the s.p.a.ce Shuttle, it would look like the Veyron. Luke Skywalker would be conceived in the backseat of this car, if it had a backseat.

The Veyron is stuffed with more tech than a particle accelerator, so the black blade won't get me through the electronic lock without alerting every screaming bit of it. Fortunately, this isn't the first time the genius who owns the car has left it out in the open. A thin layer of dust covers the top. Just enough for me to draw in. I face west and move my finger slowly over the swept-back plastic roof, trying not to trip the alarm. I finish with a counterclockwise twist on Murmur's sigil. Murmur is a big-mouth h.e.l.lion p.r.i.c.k with a voice like a 747 engine, but when you reverse his name, you can hear a pin drop from a mile away. When I'm done, I give the car a good shove. It rocks for a second, the lights flutter as the alarm tries to activate, but it gives up and dies. I slip inside through a shadow, jam the black blade into the ignition, and start it up. There's something very satisfying about stabbing two million dollars in the heart.

Murmur's silence fills the car inside and out. My brain starts to untangle after a long, weird day.

Which is good and bad. It leaves me asking the big question I need answered: Why is Lucifer in L.A.? There's nothing I've picked up from Kasabian that gives me a clue, and he can't lie as well as a five-year-old. Have I done anything to p.i.s.s Lucifer off or make him especially happy lately? Not that I know of. I haven't done anything for him at all except take his cash. His retainer checks are a decent amount of money, and if I didn't p.i.s.s it all away on the big black money pit that is Max Overload, I'd be doing all right. If I was a regular desk monkey with a regular apartment and a used Honda Civic, I'd be living pretty well. But I like my little tree fort. Any more room and I'd get lost. Vidocq would find me a week later, starving and hallucinating in the breakfast nook. Max Overload is all I need or want. There's a bed, a closet, a bathroom, and a million movies downstairs. I didn't crawl out of h.e.l.l to hit the pillow sales at Bed, Bath & Beyond. I have a hard enough time keeping clothes for more than a week.

So, what the h.e.l.l does Lucifer want? I don't have my gun or the na'at with me, which is probably just as well. I have the black knife and the stone Lucifer gave me the last time we saw each other. I tested it. I've thrown every kind of magic I can think of at it and it seems to just be a rock. I don't know why I carry the d.a.m.ned thing around. Superst.i.tion, maybe. When the devil tells you you might need something someday, I figure it pays to listen. Between the rock, Azazel's knife, the na'at, Mason's lighter, and Kasabian's head, I'm starting to feel like a Gnostic junkyard.

As I cruise the streets, my mind wanders. Never a good idea. An image of Alice tries to form in my brain, but I concentrate on the lights, the billboards, and the other cars and it goes away. I spend a fair amount of time and energy not thinking about Alice these days. On the other hand, I think about Mason all the time. I know Kasabian knows more about Mason than he's telling me. I'd love to get some alone time with the Daimonion Codex, but I'm not willing to get my head cut off for the privilege.

THE KISSI I don't think about much, but I dream about them. Their vinegar reek chokes me while their fingers dig around inside my chest like bony worms.

I PUSH A recessed sci-fi b.u.t.ton on the armrest and one of the Veyron's windows slides down silently, like a tinted ghost. I turn off Hollywood Boulevard onto Sunset, go about half a block, and flip a James Bond U-turn in the middle of the street. Kick the Veyron back into gear and burn rubber to the little strip mall where Doc Kinski's clinic is located. The Veyron bottoms out as I turn into the parking lot. A couple of local geniuses have broken into the doc's office and are carrying out armloads of junk. Nice timing. I'm just in the mood to hit someone.

I throw open the door and come around the car looking for which one to smack first and all the fun goes out of it. It isn't thieves after all. It's Kinski and Candy. They're loading boxes of scrolls and the doc's strange medicines and elixirs. They're as surprised to see me as I am seeing them. We all just stand there looking at each other for a minute like kids caught with their hands in the cookie jar. I threw a perfectly good cigarette out the window for this. The doc hands a box to Candy. She keeps loading while he comes over to talk to me.

"Nice to see you, doc. I don't suppose you got any of the like fifty messages I left you? With most people I'd stop calling, but I used to think we were friends. Then after a while I kept calling because I was plain p.i.s.sed off and thought I'd spread the joy."

"Things have been a little crazy. Sorry. We're doing a lot of work away from the clinic."

"So I noticed."

Candy is carrying smaller and smaller boxes one at a time to the car so she doesn't have to come over. I give her a big talk-show smile.

"Hi. How are you?"

She stops loading for a second, but stays by the rear of the car.

"Okay. How have you been?"

"Getting my arm about burned off and the rest of me beat to s.h.i.t by vampires. I was hoping maybe one of you would return my call and help me out with that since that's what I thought you did for a living. Don't worry, though. I got some Bactine."

"Problem solved, then," says Kinski.

"I hope you're doing some superfine doctoring wherever it is you've been going. You better have figured out how to cure cancer with ice cream or something 'cause your reputation is going to s.h.i.t around here."

Kinski takes a step closer, speaking quietly.

"There's a lot going on in the world that doesn't have anything to do with you."

"What does that mean?"

"It means you're always going to get burned up. Or your a.s.s kicked by vampires. Sinatra sings 'My Way' and you crack your ribs. You're a walking disaster area and I can't fix that for you."

"Thanks all to h.e.l.l, doc. You're a real chip off the Hippocratic oath. I'd ask you for a referral to another doctor but L.A. is full of a.s.sholes, so it shouldn't be hard to find one."

"You want some advice? Start stealing ambulances instead of flashy cars. Allegra can take care of you until we get back. That's all I can do for you right now."

"Where is it you need to be so fast? Are you two okay?"

"Candy and I need to be elsewhere. We need to be there soon, and standing here talking to you isn't getting us any closer."

Kinski goes to his car and Candy gets inside. I walk around to the pa.s.senger side and look in the window at her. She looks at me, away, and then back. There's something in her eyes that I can't quite figure out. It's more than being uncomfortable about when we kissed at Avila, but I can't tell what. Did she fall off the wagon again and kill someone?

Kinski starts the car and guns the engine. He takes the brake off, and I step out of the way so he can line up the car for the street. I'm getting back in the Veyron when I hear a car door open and slam shut. A second later Candy is next to me. She grabs me around the neck.

"I miss you, but we have to go. Things will be okay soon. You'll see."

She pecks me on the lips, turns, and gets back in the car. The doc steers them out onto Sunset, where they disappear into traffic.

THE CHATEAU MARMOT is a giant white castle on a green hill and it looms over Sunset like it fell out of a pa.s.sing UFO. It fits in with the surrounding city with all the subtlety of a rat on a birthday cake. Make that a French rat. The place is a chateau, after all.

When the parking attendant sees the Bugatti, he mistakes me for someone he should care about and rushes over. His interest lasts for maybe a second, the exact amount of time it takes me to step out of the car. People have cash registers for eyes at places like this. By the time my feet are on the ground, he's totaled up exactly how much my clothes and haircut are worth and I've come up short. Still, I'm driving a two-million-dollar car, so I might be an eccentric foreign director who's just flown in for some meetings and sodomy, which means he can't quite work up the nerve to shoo me away like a stray dog that just c.r.a.pped in the pope's big hat.

"Good evening, sir."

"What time do you have?"

He checks his watch.

"Ten to eleven."

"Thanks."

He tears a numbered parking tag in half, hands me half, and sets the other half on the Bugatti's dashboard.

"Are you staying at the hotel?"

"No. Meeting a friend."

"That will be twenty dollars, sir."

I tear up the parking tag and drop the pieces on the ground.

"I've got a better idea. Keep the car."

"Sir?"

He wants to come after me, but other cars are arriving, so he drives the Bugatti into the garage.

Inside, I go the front desk and it hits me that I don't have a room number or any idea who to ask for. Point for Kasabian.

"Good evening, sir. How can I help you?"

The desk clerk looks like Montgomery Clift and is better dressed than the president. He's smiling at me, but his pupils are dilating like he thinks I'm going to start stealing furniture from the lobby. I stashed the leather jacket in the Room of Thirteen Doors before coming over and am wearing the rifle coat. I thought it looked cla.s.sier and more formal, but maybe I was wrong.

"A friend of mine is staying here, but I don't have his room number."

"Of course. What's your friend's name?"

"I don't know."

"Excuse me?"

"He's not going to give his real name and I don't know what name he's using. He has a lot of them."

The clerk raises his eyebrows a little. Now he has an excuse to release his inner snotty creep.

"Well, I'm not sure what I can do about that. You and your friend should probably have dealt with that in advance. Are you even sure he's here? We specialize in a fairly exclusive clientele."

"He'll be in your penthouse. The biggest one you have."