Kenny Part 20

Adam Craig smoothly demanded reciprocal privileges. Once more he told Kenny the truth about himself and drove the tormented Irishman again and again to his notebook. It had for him a morbid fascination. No matter how resolute the disdain with which he began to read it, he finished with his color high and his eyes incredulous and indignant.

The barbs failed to lose their sting. They sank deeper and deeper. In a terror of defense Kenny returned to the fray with added vim. But Adam had a deftness with his barbs that his opponent lacked.

Compa.s.sion drove the younger man to restraint. And Adam did not scruple to hide behind the bulwark of his own debility.

Night after night, mutinous at the glaring fact that in this singular battle of truth, Adam Craig was winning, Kenny rushed out into the peace and darkness of the night to seek Joan. It was inevitable that he should see in the wistaria ladder the means to starlit hours of delight. It was inevitable that Joan, to whom the vine was no more than an old, familiar stairway, would climb down to him with that shy oblivion of convention that was as much a part of her as her will-of-the-wisp charm.

They roamed in the dark silver of the star-light to the cabin in the pines and the hours that Joan had spent with Mr. Abbott or the books she loved, fell tinkling now with new melody into the lap of time. In the rude room, bright with lamplight and the trophies of childhood, the girl listened tirelessly to a musical Irish voice that read to her with brogue and tenderness enough to insure her interest in the reader no less than in his task. Kenny blessed the village congregation that had sent Mr. Abbott forth upon his needed month of recreation.

When the nights were cool enough, they built a fire of pine cones in the cabin stove and made tea and Kenny talked of Brian to ease his troubled heart. Joan listened wide-eyed to tales of the son Kenny said was all things in one.

"And you quarreled!" said Joan.

"Yes," said Kenny.

"So did Donald and I. How queer that is! Was it your fault, Kenny?

Or was it Brian's?"

"It was my fault," said Kenny and lost his color. "But I know now that it wasn't the quarrel then that counted. It was the things that had gone before."

"How much you love him!" said Joan gently.

"Yes," said Kenny. "In this world of hideous complexities and uncertainty and--chains--of that at least I am sure."

"That," said Joan, "I like."

Mingled inextricably with this new fervor in his soul for truth, was the memory of the inspirational stage mother. The idle claim bothered him more and more. But there he was never brave enough to tell the truth.

Well, it was a queer world and he--Kennicott O'Neill--was thrall to a pitiful old fiend with the soul of a Caliban. He was unspeakably grateful for the relief of the hours when, with his conscience up in arms, he could talk to Joan of Brian and ease his misdeeds of the past by praise and appreciation.

A jewel of a lad! Everybody loved his humor, his compa.s.sion and his common sense.

CHAPTER XIV

IN SOMEBODY'S BOAT

The moon came silver in the valley and mingled with shadow among the trees. Owl's-light was nowhere, Kenny said, and the pines stood like s.h.a.ggy druids in the silver dusk. The twilight of the moon he called it. Restless and poetic he begged Joan to help him find the lake down yonder in the valley. It was gleaming, to his fancy, with fairies'

fire.

They found the lake and somebody's boat. Both were in a lonely glen.

Kenny unwillingly conceded the existence of somebody with a claim upon the boat stronger than his own.

"But," he went on with an air of inspiration, "somebody is in the world or he wouldn't be somebody; and the world's my friend. Therefore by moon-mad deduction somebody's my friend and I may take his boat."

He released the painter, smiling up into Joan's face.

"Beside," he added, "he's either a young dub who doesn't know the moon is shining or an old cynic who doesn't care."

"Kenny!" said Joan, somewhat shocked by his inconsequent habits of acquirement. "I'm quite sure we shouldn't."

"Everything in the world you want to do," reminded Kenny, "you shouldn't. And everything in the world you shouldn't, you want to do!"

He flung his cigarette at a frog.

"The only thing to smoke on such a lake," he said, "is a fairy's pipe.

Come, jewel machree, happiness is the aim of life. And my happiness for the moment, is to glide forth upon the bosom of that lake with you.

Look, you can even see the gleam of silver shoes where the fairies dance upon the ripples."

He was indeed moon-mad in mood and irresistible. Joan smiled compa.s.sionately at the pleading of his eyes.

"But, Kenny," she said, holding back, "the aim of life isn't just happiness. That might be very dreadful. It's just happiness with the least unhappiness to others."

He stared at her a little startled. It was the sort of thing, he felt rebelliously, that he should write down in his notebook. Well, it was no night for notebooks. It was a night, a lake, a boat for lovers.

"Even granting that, girleen," he said, "it's not going to make somebody unhappy if we take his boat. For he won't know it. And therefore it will make us happy with the least possible unhappiness to anybody else. And, after all, it's more likely to be a fairy's boat, for it's made of quicksilver. Come, mavourneen, come!"

She climbed in unconvinced.

"Lordy! Lordy!" breathed Kenny in delight. "The lake is thatched with moonbeams!" And he thought of course of the legend of Killarney.

"'Twas a valley like this, Joan," he said, "all rich with fields and pastures of green and there in the heart of it always was the fairy fountain covered with a stone to keep the water from rushin' out. And then came the knight."

His eyes pleaded. He was staging his legend and begging her to act.

"And then," said Joan smiling, "came the knight. I think his eyes were Irish."

"He saw a maid at the fountain," said Kenny, his eyes tender, "a maid with a pitcher and her skin was cream and her cheeks were rose and there were shadows of gold in her bronzy, nut-brown hair. I'm sure she wore a quaint old gown of blue and silver."

"Kenny!"

"And he liked her," said Kenny stubbornly. "You can't deny him that."

"No," said Joan gently. "And why should I deny it? For the blue and silver maid liked the knight."

Kenny's heart leaped to his eyes.

"They wandered on the hills and they wandered in the valley. And then the maid in blue and silver, who was all rose petals and sun shadows and the glory of autumn, ran back to the fountain. She had forgotten to cover it with the stone and the valley was flooded. There beautiful and calm stretched the lake of Killarney and I hope it was moonlight."

"And the knight and the maid?" Joan had forgotten their game of pretense. She was eager for the end of the story.

Kenny feathered his oars in silver spray and wondered impatiently why all love stories ended in an anticlimax. He had finished the story artistically and well. Luckily Joan had forgotten the stage and the actors.

"I suppose," he said gloomily, "that the knight married the maid and took her to dwell in a castle she must have hated. And they lived unhappily ever after."

Joan laughed. She saw in his words merely a perverse dislike for familiar endings and forgot it at once. The moonlit lake had aroused in her a yearning tenderness for the brother off somewhere in what, Kenny said, Brian called his Tavern of Stars.

"Oh, Kenny," she sighed, "I wish Donald would write!"

The wish jarred. Kenny frowned. How could he wish it too! And yet, not wishing was disloyal, disloyal to Brian. Upset, he turned, hurt and sulky. And presently as Joan, busy with thoughts of the truant brother, continued unaware of the melancholy in his mood that never failed to make its appeal to her tenderness, he began to hum.